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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Lan
Non classifié
1 426
Piano & claviers
Piano seul
970
Piano, Voix et Guitare
146
Piano, Voix
111
Instruments en Do
98
Orgue
97
1 Piano, 4 mains
28
Orgue, Piano (duo)
14
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Accompagnement Piano
5
2 Pianos, 8 mains
4
Orgue, Trompette (duo)
4
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano Facile
1
+ 13 instrumentations
Retracter
Guitares
Guitare
162
Guitare notes et tablatures
60
Basse electrique
56
Ukulele
55
Piano, Guitare (duo)
43
Mandoline
13
4 Guitares (Quatuor)
12
Dulcimer
10
Ligne De Mélodie, (Paroles) et Accords
8
2 Guitares (duo)
7
2 Ukuleles
3
Banjo
2
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
3 Guitares (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
529
Chorale TTBB
116
Chorale 3 parties
74
Chorale SSAA
61
Voix seule
19
Voix duo
17
Voix Soprano, Piano
16
Chorale Unison
14
Chorale 2 parties
10
Voix duo, Piano
8
Voix Tenor, Piano
7
Voix Baryton, Piano
6
Voix haute
5
Voix Alto, Piano
5
Voix Tenor
4
Voix basse, Piano
3
Voix moyenne, Piano
2
Chorale
2
Voix Soprano
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
126
Quatuor de Saxophones: 4 saxophones
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
2 Saxophones (duo)
102
Clarinette et Piano
98
Hautbois, Piano (duo)
95
Saxophone Alto et Piano
90
Flûte traversière
80
Saxophone Tenor et Piano
70
Saxophone Alto
63
Saxophone Tenor
62
Clarinette
60
2 Clarinettes (duo)
54
Quintette de Saxophone: 5 saxophones
52
Flûte, Hautbois, Clarinette, Basson
49
Quatuor de Clarinettes: 4 clarinettes
47
3 Saxophones (trio)
46
Ensemble de saxophones
41
2 Flûtes traversières (duo)
41
Ensemble de Clarinettes
39
Saxophone (partie séparée)
38
Hautbois (partie séparée)
35
Cornemuse
34
3 Clarinettes (trio)
29
Ensemble de Flûtes
29
Saxophone Soprano et Piano
27
2 Flûtes traversières, Piano
25
Quatuor de Flûtes : 4 flûtes
23
Flûte, Clarinette (duo)
19
Saxophone, Clarinette (duo)
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
15
Saxophone
14
Quintette de Clarinettes: 5 clarinettes
14
Clarinette, Violon (duo)
14
Trio de Flûtes: 3 flûtes
13
Hautbois, Flûte
11
Saxophone Baryton, Piano
11
Hautbois, Clarinette (duo)
11
2 Flûte à bec (duo)
10
Flûte et Guitare
10
Clarinette, Trompette (duo)
10
Hautbois
9
Clarinette (partie séparée)
9
Flûte, Violon
8
Flûte, Alto (duo)
8
Flûte, Hautbois, Basson
7
Clarinette, Guitare (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Trompette (duo)
6
Flute (partie séparée)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à Bec
5
3 Hautbois
5
Clarinette et Alto
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette et Basson
5
Clarinette Basse, Piano
4
Ensemble De Flûte à bec
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Basson (duo)
4
Saxophone Soprano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Flûtes à bec
3
Flûte, alto et harpe
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Piccolo
2
Flûte à bec Alto, Piano
2
Saxophone et Orgue
2
Saxophone et Guitare
2
Piccolo, Piano
2
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
Flûte, Violon, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois (duo)
1
Saxophone, Tuba (duo)
1
Ensemble à vent
1
Flûte, Basson et Piano
1
Clarinette, Tuba
1
Hautbois, violon (duo)
1
Flûte et Quatuor à Cordes
1
Cor Anglais
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Saxophone et Harpe
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Cor anglais, Guitare (duo)
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
133
Quatuor de Cuivres : 2 trompettes, trombone, tuba
112
Trompette
101
Trombone et Piano
81
Trompette, Piano
67
Trombone
62
Quatuor de cuivres: 4 trombones
38
Trompette (partie séparée)
35
Cor
32
Cor et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
2 Trombones (duo)
25
2 Trompettes (duo)
24
Ensemble de Trombones
19
Trompette, Trombone (duo)
19
Quatuor de Cuivres
14
2 Cors (duo)
14
Trombone (partie séparée)
12
Trompette, Saxophone (duo)
12
Tuba
12
2 Euphoniums et 2 Tubas
11
Tuba et Piano
11
Cor (partie séparée)
10
Quatuor de cuivres: 4 cors
9
Euphonium, Piano (duo)
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
8
2 Tubas (duo)
6
Ensemble de Cors
5
Trio de Cuivres
5
3 Trombones (trio)
4
Euphonium
3
Cor, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Clarinette, Cor (duo)
2
Cor anglais, Piano
2
Trombone et orchestre
2
Trompette, Tuba (duo)
2
Cor et Orgue
2
Trompette, Violoncelle et Piano
2
Cor et Basson (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Violon (duo)
1
3 Cors (trio)
1
Cor Anglais
1
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
Tuba (partie séparée)
1
Trompette, Harpe
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Tuba et Orgue
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
389
Violon et Piano
161
Violoncelle, Piano
105
Violon
98
Alto, Piano
92
Violon, Violoncelle (duo)
78
Violoncelle
70
Trio à Cordes: violon, alto, violoncelle
69
Harpe
45
Alto seul
44
2 Violons (duo)
35
2 Violoncelles (duo)
29
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
26
2 Altos (duo)
22
Alto (partie séparée)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contre Basse
13
Contrebasse, Piano (duo)
13
Alto, Violoncelle (duo)
13
Ensemble d'Altos
6
Trio à cordes: 3 violins
6
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
6
Harpe, Flûte (duo)
6
Ensemble de Violons
6
Alto, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Violon, Guitare (duo)
4
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes: 4 violons
2
Trio à cordes
2
Harpe, Voix
2
Ensemble de Violoncelles
2
Contrebasse (partie séparée)
2
Violon, Basse continue
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Harpe et mandoline
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
312
Orchestre
264
Orchestre à Cordes
123
Ensemble Jazz
122
Ensemble de cuivres
88
Fanfare
67
Orchestre de chambre
66
Batterie
37
Jazz combo
32
Cloches
28
Ensemble de Percussions
10
Vibraphone
7
Marimba
7
Percussion (partie séparée)
7
Orchestre, Violon
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Instrumentation Flexible
1
Batterie (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
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15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The Pink Panther from THE PINK PANTHER
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.632833 Composed by Henry Mancin…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632833 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Score and part. 9 pages. F & N Enterprise #3210903. Published by F & N Enterprise (A0.632833). An excellent arrangement of famous The Pink Panther for Trumpet and Piano (Jazz/Pop Version-with improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.6 €
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Trompette
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK PANTHER
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F & N Enterprise
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SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Trompette
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
"Circus Theme" With Improvisation for Trumpet and Piano
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 8 pages. F & N Enterprise #3358875. Published by F & N Enterprise (A0.632951). An excellent arrangement of famous Song Circus Theme With Improvisation for Trumpet and Piano (Jazz/Pop Version). This piece (for Piano) is featured on the Trinity College London (Australia) Grade 5 Piano Syllabus 2018-2020.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.83 €
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Trompette
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Fishel Pustilnik
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Fishel Pustilnik
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"Circus Theme" With Improvisation for Trumpet and Piano
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F & N Enterprise
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SheetMusicPlus
"Theme From Symphony No.40" for Trumpet and Piano-(Jazz/Pop Version)-Video
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633539 Composed by Wolfgang Ama…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633539 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages. F & N Enterprise #3429509. Published by F & N Enterprise (A0.633539). An excellent arrangement of famous Theme From Symphony No.40 for Trumpet and Piano (Jazz/Pop Version). Video for Piano:https://www.youtube.com/watch?v=y0SMFWEjxqwThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.83 €
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Trompette
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Wolfgang Amadeus Mozart
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Fishel Pustilnik
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"Theme From Symphony No.40" for Trumpet and Piano-(Jazz/Pop Version)-Video
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F & N Enterprise
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SheetMusicPlus
Arban Fantaisie Brillante sur La Muette de Portici
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste Arban. Arranged by Ken Saul. Concert,Opera,Romantic Period,Standards. Score and part. 18 pages. Ken Saul #6092729. Published by Ken Saul (A0.898024). J. B. Arban (1825 - 1889) wrote a number of fine solos for cornet and piano that are published in the big Arban's method book. But there are a few more of these solos that were not in the big book, and this is one of them. La Muette de Portici (the mute girl of Portici) was an early French grand opera by Auber. These opera melodies were the most loved popular songs in Arban's day, and he wrote this gem of a solo using several of the beautiful melodies from the opera. The original solo was for the now-obsolete cornet in A. I have transposed it so it is playable on the modern Bb cornet. This solo is every bit as fine as the ones in the back of the Arban's method book and will be a hit on any recital.
$6.99
6.44 €
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Trompette
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Jean-Baptiste Arban
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Ken Saul
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Arban Fantaisie Brillante sur La Muette de Portici
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Ken Saul
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633793 By Elton John. By Bernie…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633793 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458529. Published by F & N Enterprise (A0.633793). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Trumpet and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
4.6 €
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Trompette
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Elton John
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Fishel Pustilnik
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Sorry Seems To Be The Hardest Word
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F & N Enterprise
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SheetMusicPlus
The Shadow Of Your Smile
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633876 Composed by Johnny Mande…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633876 Composed by Johnny Mandel. Arranged by Fishel Pustilnik. Jazz. Score and part. 12 pages. F & N Enterprise #3471823. Published by F & N Enterprise (A0.633876). An excellent arrangement of famous Song The Shadow Of Your Smile for Trumpet and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
4.6 €
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Trompette
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Johnny Mandel
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Fishel Pustilnik
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The Shadow Of Your Smile
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F & N Enterprise
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SheetMusicPlus
"Flight Of The Fingers"-Jazz Waltz-Piano Background for Trumpet and Piano
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633923 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633923 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and part. 7 pages. F & N Enterprise #3480067. Published by F & N Enterprise (A0.633923). Piano Background for famous Song Flight Of The Fingers-Jazz Waltz for Trumpet & Piano (Jazz/Pop Version)Plus Version at SMP: S0.336251 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
2.76 €
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Trompette
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Fishel Pustilnik
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Fishel Pustilnik
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"Flight Of The Fingers"-Jazz Waltz-Piano Background for Trumpet and Piano
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F & N Enterprise
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SheetMusicPlus
"Flight Of The Fingers"-Jazz Waltz for Trumpet and Piano-Video
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633936 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633936 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 7 pages. F & N Enterprise #3483483. Published by F & N Enterprise (A0.633936). An excellent arrangement of famous Song Flight Of The Fingers-Jazz Waltz for Trumpet and Piano (Jazz/Pop Version),Video for Violin and Piano: https://www.youtube.com/watch?v=2Nj2ne4NY-M&feature=youtu.be The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
2.76 €
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Trompette
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Fishel Pustilnik
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Fishel Pustilnik
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"Flight Of The Fingers"-Jazz Waltz for Trumpet and Piano-Video
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F & N Enterprise
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SheetMusicPlus
Copacabana (At The Copa)
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633852 By Barry Manilow. By Bar…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633852 By Barry Manilow. By Barry Manilow. Arranged by Fishel Pustilnik. Contemporary,Rock. Score and part. 8 pages. F & N Enterprise #3468282. Published by F & N Enterprise (A0.633852). An excellent arrangement of famous Song Copacabana for Trumpet and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
4.6 €
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Trompette
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Barry Manilow
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Fishel Pustilnik
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Copacabana
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F & N Enterprise
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SheetMusicPlus
Matthew Wilder : Mulan - Reflection (Réflexion) (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette Mulan - Reflection (Réflexion) (ni…
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Téléchargez la partition Trompette Mulan - Reflection (Réflexion) (niveau intermédiaire/difficile) de Matthew Wilder. Partition pour Trompette avec accomp. orchestre -- Musique de film
5.99 €
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Trompette
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Matthew Wilder
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Mulan
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Tomplay
Another Day Of Sun
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1048700 Composed by Benj P…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1048700 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Fabio Britto. Broadway,Film/TV,Jazz,Musical/Show,Wedding. Individual part. 2 pages. Minhas Partituras #653105. Published by Minhas Partituras (A0.1048700). Arrangement of the song Another Day Of Sun (from La La Land) for Trumpet in Bb Solo.
$4.99
4.6 €
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Trompette
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Benj Pasek, Justin Hurwitz, and Justin Paul
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Fabio Britto
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Another Day Of Sun
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Minhas Partituras
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SheetMusicPlus
The Art of Melody: 13 Song Transcriptions for Trumpet- Solo Parts
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.962779 Composed by Claude Debussy…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.962779 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann. Arranged by Cooper Minnis. 20th Century,Instructional,Romantic Period,Standards. Individual part. 20 pages. Cooper Minnis #3116435. Published by Cooper Minnis (A0.962779). The Art of Melody contains thirteen romantic and early 20th century art songs transcribed for trumpet and piano accompaniment. The songs in this book represent an exercise in lyricism and musical expression using a variety of musical styles and poetic subject matter. For better understanding of the music each piano score includes lyrics to the song in its original language as well as an English translation. These transcriptions are suitable for high school students through professional soloists. Piano accompaniment and parts sold separately.
$10.00
9.22 €
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Trompette
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Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann
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Cooper Minnis
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The Art of Melody: 13 Song Transcriptions for Trumpet- Solo Parts
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Cooper Minnis
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SheetMusicPlus
The Art of Melody: 13 Song Transcriptions for Trumpet- Piano Accompaniment
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.962780 Composed by Claude Debuss…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.962780 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann. Arranged by Cooper Minnis. 20th Century,Instructional,Romantic Period,Standards. Score and part. 68 pages. Cooper Minnis #3116429. Published by Cooper Minnis (A0.962780). The Art of Melody contains thirteen romantic and early 20th century art songs transcribed for trumpet and piano accompaniment. The songs in this book represent an exercise in lyricism and musical expression using a variety of musical styles and poetic subject matter. For better understanding of the music each piano score includes lyrics to the song in its original language as well as an English translation. These transcriptions are suitable for high school students through professional soloists. Piano accompaniment and parts sold separately.
$15.00
13.83 €
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Trompette
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Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann
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Cooper Minnis
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The Art of Melody: 13 Song Transcriptions for Trumpet- Piano Accompaniment
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Cooper Minnis
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SheetMusicPlus
Traditionnel : Scotland the Brave
Trompette
Téléchargez la partition Trompette Scotland the Brave de Traditionnel. Parti…
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Téléchargez la partition Trompette Scotland the Brave de Traditionnel. Partition pour Trompette avec piano d‘accompagnement -- Musique du monde
2.99 €
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Trompette
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Traditionnel
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Scotland the Brave
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Tomplay
Auld Lang Syne (Bb Trumpet & Piano)
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.831648 Composed by Traditional. …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.831648 Composed by Traditional. Arranged by Chris North. Graduation,Holiday. Score and part. 5 pages. Danetre Music #4407052. Published by Danetre Music (A0.831648). Auld Lang Syne arranged for Bb Trumpet (Cornet or Flugel etc.) and Piano. Two verses with jazzy chords. The solo part has some decorative work in the second verse. A great item for New Year's or Graduation ceremony. Advanced Intermediate level. Duration 2:00.
$3.99
3.68 €
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Trompette
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Traditional
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Chris North
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Auld Lang Syne
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Danetre Music
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SheetMusicPlus
Bob Dylan : Blowin' in the Wind (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette Blowin' in the Wind (niveau interm&e…
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Téléchargez la partition Trompette Blowin' in the Wind (niveau intermédiaire/difficile) de Bob Dylan. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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Bob Dylan
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Blowin' in the Wind
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Tomplay
Touch The Sky
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1161159 By Hillsong United…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1161159 By Hillsong United. By Dylan Thomas, Joel Houston, and Michael Guy Chislett. Arranged by Fabio Britto. Christian,Pop,Praise & Worship,Religious,Wedding. Individual part. 2 pages. Fabio Britto #761483. Published by Fabio Britto (A0.1161159). Arrangement of the song Touch The Sky (Hilsong United) for Trumpet in Bb Solo.
$4.99
4.6 €
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Trompette
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Hillsong United
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Fabio Britto
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Touch The Sky
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Fabio Britto
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SheetMusicPlus
Touch The Sky
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.685113 By Hillsong United. By Dyl…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.685113 By Hillsong United. By Dylan Thomas, Joel Houston, and Michael Guy Chislett. Arranged by Fabio Britto. Pop,Praise & Worship,Spiritual,Wedding. Individual part. 2 pages. Minhas Partituras #6346263. Published by Minhas Partituras (A0.685113). Arrangement of the song Touch The Sky (Hillsong United) for Trumpet in Bb Solo with Chords.
$4.99
4.6 €
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Trompette
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Hillsong United
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Fabio Britto
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Touch The Sky
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Minhas Partituras
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SheetMusicPlus
Céline Dion,Alan Menken : La Belle et la Bête (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette La Belle et la Bête (niveau diffici…
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Téléchargez la partition Trompette La Belle et la Bête (niveau difficile) de Alan Menken. Partition pour Trompette avec accomp. orchestre -- Musique de film
5.99 €
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Trompette
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Céline Dion,Alan Menken
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La Belle et la Bête
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Tomplay
Telling The World
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.685190 Composed by Alan Kasirye a…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.685190 Composed by Alan Kasirye and Taio Cruz. Arranged by Fernando Britto. Contemporary,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6348361. Published by Minhas Partituras (A0.685190). Arrangement of the song Telling The World (from Rio) for Flute Solo with Chords.
$4.99
4.6 €
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Trompette
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Alan Kasirye and Taio Cruz
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Fernando Britto
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Telling The World
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Minhas Partituras
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SheetMusicPlus
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