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TRI ET FILTRES
TRI ET FILTRES
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26
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22
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13
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9
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7
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7
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6
Tuba
5
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3
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3
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3
Cor
2
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Trombone basse et Piano
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2 Euphoniums et 2 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
123
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61
2 Violons (duo)
35
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29
2 Violoncelles (duo)
27
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22
Trio à Cordes: violon, alto, violoncelle
21
Harpe
19
2 Altos (duo)
19
Violoncelle
15
Violoncelle, Piano
14
Alto, Piano
12
Violon
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
10
Contrebasse, Piano (duo)
5
Alto seul
4
Ensemble d'Altos
3
Ensemble de Violons
3
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
56
Orchestre
39
Ensemble de cuivres
35
Orchestre de chambre
32
Orchestre à Cordes
31
Orchestre d'harmonie
29
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8
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You Are More
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Trompette
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1
Mary, Did You Know?
Trompette
B-Flat Trumpet,C Trumpet,Piano,Trumpet in D - Level 4 - Digital Download SKU: A0.132216…
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B-Flat Trumpet,C Trumpet,Piano,Trumpet in D - Level 4 - Digital Download SKU: A0.1322168 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Russell Ronnebaum. Christian,Christmas,Holiday,Pop,Sacred. Score and part. 13 pages. Russell Ronnebaum #910525. Published by Russell Ronnebaum (A0.1322168). This moving arrangement of Mary, Did You Know? for trumpet and piano shows off the expressive qualities of both instruments.  The piano beautifully weaves around the melody in the trumpet, and the piece peaks in the middle with a fiery piano cadenza.  (The original commission was for cello and piano, and the melodic content has been adapted for the trumpet.) Separate parts for B-Flat, C, and D Trumpet are included. More music and arrangements by Russell Ronnebaum at: www.RRonnebaum.com.
$7.00
6.4 €
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Trompette
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Kathy Mattea
#
Russell Ronnebaum
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Mary, Did You Know?
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Russell Ronnebaum
#
SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798312. Published by Samuel Sequeira (A0.1199249). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo trumpet in Bb with chords, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, while the chords provide a rich harmonic texture that enhances the emotional impact of the arrangement. The combination of trumpet and chords creates a full and beautiful sound that perfectly captures the essence of the song.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.56 €
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Trompette
#
Pink
#
Samuel Sequeira
#
When I Get There
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Samuel Sequeira
#
SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798310. Published by Samuel Sequeira (A0.1199247). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted solo arrangement for trumpet in Bb, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, allowing the player to fully capture the essence of the song. This solo arrangement is perfect for showcasing the beauty and versatility of the trumpet.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.56 €
#
Trompette
#
Pink
#
Samuel Sequeira
#
When I Get There
#
Samuel Sequeira
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839587 By Tony Bennett. By Bart H…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839587 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #6474627. Published by Bobby Hesch (A0.839587). FLY ME TO THE MOON (IN OTHER WORDS)!!! A TIMELESS CLASSIC THAT WAS PERFORMED BY ALL THE JAZZ GREATS!!! FILL MY HEART WITH SONG AND I WILL SING FOREVER MORE, YOU ARE ALL I LONG FOR ALL I WORSHIP AND ADORE!!! LET'S PLAY SOME JAZZ!!! KEY OF D!!! LOW F# - HIGH B!!! LOTS OF CHALLENGING PASSAGES!!!MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch !!! E MAIL ME IF YOU HAVE QUESTIONS!!! HAVE FUN!!!
$4.99
4.56 €
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Trompette
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Tony Bennett
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Bobby Hesch
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Fly Me To The Moon
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Bobby Hesch
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SheetMusicPlus
Hungarian Dance No. 5
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1463902 Composed by Johann…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1463902 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #1042610. Published by Glauco Fernandes (A0.1463902). Hungarian Dance No. 5 by Johannes Brahms - Exclusive ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for musicians of different levels. Every note is thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Hungarian Dance No. 5 to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Piano Sheet, Hungarian Dance Piano Sheet Music, Hungarian Dance Sheet Music Piano, Hungarian Dance Piano Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance Piano, Brahms Dance, Hungarian Dance Piano Solo.
$4.99
4.56 €
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Trompette
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
Hungarian Dance No. 5
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1463901 Composed by Johann…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1463901 Composed by Johannes Brahms. Arranged by Glauco Fernandes. Chamber,Classical,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #1042609. Published by Glauco Fernandes (A0.1463901). Hungarian Dance No. 5 by Johannes Brahms - Exclusive ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Hungarian Dance No. 5 by Johannes Brahms.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece, making it accessible for musicians of different levels. Every note is thoughtfully placed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise instructions, you'll be able to perform the music confidently and effortlessly.Moreover, Hungarian Dance No. 5 is a versatile piece suitable for various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Hungarian Dance No. 5 to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Purchase Sheet MusicTags: Hungarian Dance No. 5, Johannes Brahms, Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Brahms Hungarian Dance, Hungarian Dance Piano Sheet, Hungarian Dance Piano Sheet Music, Hungarian Dance Sheet Music Piano, Hungarian Dance Piano Sheet Music PDF, Classical Dance Music, Hungarian Dance Tutorial, Hungarian Dance Piano, Brahms Dance, Hungarian Dance Piano Solo.
$4.99
4.56 €
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Trompette
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Johannes Brahms
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Glauco Fernandes
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Hungarian Dance No. 5
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Glauco Fernandes
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SheetMusicPlus
Three Miniatures for Solo Trumpet
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Con…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Conley. Blues,Contemporary,Romantic Period. Individual part. 5 pages. Riley A.C. Conley #4287791. Published by Riley A.C. Conley (A0.927727). Three Miniatures is an unaccompanied solo trumpet work originally intended for the C trumpet, but I was later convinced that the Bb trumpet suits it better in many different ways. When performing the Miniatures, I would recommend that you choose the instrument of which you feel is right for the piece. Initially I wanted to write musical etudes or exercises that would improve my own playing but, as more and more ideas came together, it gradually became its own interesting piece requiring different styles and techniques that I thought others might enjoy playing. There are elements of music in these three miniatures that may come easy, but are intertwined with later challenges to keep the player’s interest. Rather than giving you some sort of programmatic background to each movement, I will supply you with only a few words for each; your imagination can carry you from there. -- Three Miniatures was recorded by Bruce Gigax and performed by Jack Sutte on 7/29/19 at the Audio Recording Studio in Solon, OH.
$5.00
4.57 €
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Trompette
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Riley A
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Three Miniatures for Solo Trumpet
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Riley A.C. Conley
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839889. Published by David McKeown (A0.587750). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Trumpet and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trompette
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
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David McKeown
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Trumpet and Piano
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587789 Composed by Scott Joplin.…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587789 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967675. Published by David McKeown (A0.587789). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Trumpet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683Â
$4.60
4.21 €
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Trompette
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Trumpet and Piano
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David McKeown
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SheetMusicPlus
In Search of Something (for solo piccolo trumpet)
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Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - Digital Download SKU: A0.617908 …
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Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - Digital Download SKU: A0.617908 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Individual part. 9 pages. J. Aaron Lee #227060. Published by J. Aaron Lee (A0.617908). Written for unaccompanied piccolo trumpet, this work (approx. 2.5 min in duration), this work is in constant search of balance. Two competing characters both search in their own ways (one calm and one agitated) until they eventually find the balance and resolution they each seek. In addition the a score for piccolo trumpet, versions for piccolo trumpet in B-flat and trumpet in D are also provided. For more music from Aaron Lee, you can visit www.musicoflee.com.
$3.99
3.65 €
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Trompette
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Aaron Lee
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In Search of Something
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J. Aaron Lee
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
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