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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
1 542
Piano & claviers
Piano seul
364
Piano, Voix
66
Instruments en Do
28
Orgue
28
Piano, Voix et Guitare
12
2 Pianos, 4 mains
8
Accompagnement Piano
5
Accordéon
3
1 Piano, 4 mains
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
25
Basse electrique
17
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
Ukulele
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Dulcimer
1
2 Guitares (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
115
Chorale SSAA
24
Chorale TTBB
24
Voix Soprano, Piano
14
Voix Baryton, Piano
8
Voix Alto, Piano
6
Voix haute
5
Voix basse, Piano
4
Voix Tenor, Piano
3
Chorale 3 parties
3
Chorale SSAATTBB
3
Voix duo
2
Voix Soprano
2
Chorale 2 parties
2
Voix moyenne, Piano
2
Chorale SSATTB
2
Voix Tenor
1
Chorale Unison
1
Voix Baryton
1
Voix duo, Piano
1
+ 15 instrumentations
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Vents
Saxophone
132
Quatuor de Saxophones: 4 saxophones
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Saxophone Alto et Piano
38
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Soprano et Piano
33
Ensemble de saxophones
31
Flûte traversière et Piano
29
Clarinette
28
Quintette de Saxophone: 5 saxophones
28
Saxophone Tenor et Piano
24
Saxophone Alto
23
Quatuor de Clarinettes: 4 clarinettes
21
Hautbois (partie séparée)
17
2 Flûtes traversières (duo)
14
Flûte traversière
14
Saxophone (partie séparée)
13
Saxophone Tenor
13
Saxophone Baryton, Piano
11
Ensemble de Clarinettes
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette et Piano
9
Hautbois, Piano (duo)
9
3 Clarinettes (trio)
8
Quatuor de Flûtes : 4 flûtes
7
2 Saxophones (duo)
7
2 Clarinettes (duo)
5
Flute (partie séparée)
5
3 Saxophones (trio)
4
Ensemble de Flûtes
3
Flûte, Violon, Piano
3
Saxophone Soprano
2
Flûte, Violon
2
Saxophone, Clarinette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Trio de Flûtes: 3 flûtes
2
2 Saxophones, Piano
2
Saxophone et Orgue
2
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle
1
Piccolo
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec
1
Saxophone et Guitare
1
Hautbois, Basson et Piano
1
Cor anglais, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
Cor Anglais
1
Flûte, Violoncelle, Piano (trio)
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Clarinette et Alto
1
Flûte, Hautbois, Piano (trio)
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
96
Ensemble de Trombones
79
Trombone
70
Trombone et Piano
67
Quatuor de cuivres: 4 trombones
40
Tuba
15
Tuba et Piano
15
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor
12
2 Trombones (duo)
11
Trompette
10
Quatuor de Cuivres
10
Trompette, Piano
8
Cor et Piano
8
Ensemble de Trompettes
6
Euphonium
5
Trombone basse
5
2 Cors (duo)
4
3 Trombones (trio)
4
Trombone (partie séparée)
4
Trombone basse et Piano
4
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
3
Trompette (partie séparée)
3
Trombone, Tuba (duo)
2
Instruments en Sib
2
4 Tubas
2
Trombone et orchestre
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Cor anglais, Piano
1
3 Euphoniums
1
Cor Anglais
1
Cor (partie séparée)
1
Trombone, Orgue
1
Ensemble de Cors
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
45
Violoncelle, Piano
29
Harpe
23
Violon
21
Violoncelle
16
Violon, Violoncelle (duo)
12
Alto, Piano
11
2 Violons (duo)
8
2 Violoncelles (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
8
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
4
Violon, Guitare (duo)
3
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Trio à cordes
1
4 Harpes
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
141
Orchestre d'harmonie
99
Ensemble de cuivres
86
Ensemble Jazz
81
Orchestre à Cordes
59
Orchestre de chambre
49
Ensemble de Percussions
11
Batterie
10
Jazz combo
9
Fanfare
8
Cloches
6
Marimba
3
Xylophone
2
Marimba et Orgue
1
Vibraphone
1
Piano et Orchestre
1
Percussion
1
+ 12 instrumentations
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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SYNTHETISEUR
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Trompette
Partitions à imprimer
10 partitions trouvées
<
1
Christmas Carols for Two Jolly Trumpeters, Vol. 1
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Trompette
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AVANCÉ
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Noël
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Sean A
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Christmas Carols for Two Jolly
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SeanBrownMusic
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.878335 Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #6631005. Published by SeanBrown...
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Trumpet Solo - Level 5 - SKU: A0.878335 Arranged by Sean A. Brown. Christmas. Individual part. 32 pages. SeanBrownMusic #6631005. Published by SeanBrownMusic (A0.878335). This book is a duet version of Christmas Carols for the Lonely Trumpeter, with some slight modifications. Still technically and musically challenging, they provide great sight-reading and rehearsal practice for both players. It is more aimed towards advanced high school players and up. There are compatible versions of this book for horn, trombone and tuba.The following tunes are featured in this book:Deck the HallsSilent NightGood King WenceslasO Holy NightIn Dulci JubiloWe Three KingsThe First NoelJoy to the WorldO Come, O Come EmmanuelO Christmas TreeHark! The Herald Angels SingO Come, All Ye FaithfulAngels We Have Heard on HighGod Rest Ye Merry GentlemenIt Came Upon a Midnight ClearJingle Bells
$14.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Jazz, The Language of Music - for Trumpet
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Trompette
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AVANCÉ
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Tony Benade
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Jazz, The Language of Music -
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Tony Benade
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony...
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Trumpet Solo - Level 5 - SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony Benade (A0.809105). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a jazz musician who has performed and studied jazz for many years. It is a study that may take some time but if you wish to learn this subject in a manner in which it was performed by the jazz greats of yesteryear, then you must dedicate yourself to the task at hand. Achieving your goal will depend on how much you put into your effort. For a short time, the introductory price will be $40.00 dollars. That is 20% less than buying the above mentioned books individually. The normal price will be $45.00.
$45.00
Christmas Carols for the Lonely Trumpeter, Vol. 2
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Trompette
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AVANCÉ
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Noël
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Various
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Sean A
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Christmas Carols for the Lonel
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SeanBrownMusic
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.878324 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405435. P...
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Trumpet Solo - Level 5 - SKU: A0.878324 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405435. Published by SeanBrownMusic (A0.878324). This is a set of Christmas tunes for a solo trumpet player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.
$15.00
Spanish Dance No. 1, Danza from La vida breve for trumpet in Bb and piano
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Trompette
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AVANCÉ
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Classique
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M
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Klas Krantz
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Spanish Dance No. 1, Danza fro
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Amadeus Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 5 - SKU: A0.532275 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. Score and part...
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B-Flat Trumpet,Piano - Level 5 - SKU: A0.532275 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. Score and part. 13 pages. Amadeus Music #4573241. Published by Amadeus Music (A0.532275). Manuel de Falla (1876–1946) was a Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest.
$9.95
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
Dreamlight - Trumpet Solo
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Trompette
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AVANCÉ
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Court Mast
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Dreamlight - Trumpet Solo
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Court Mast
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.800669 Composed by Court Mast. 20th Century,Blues,Instructional,Jazz,Pop. Individual part. 4 pages. Court Mast #...
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B-Flat Trumpet Solo - Level 5 - SKU: A0.800669 Composed by Court Mast. 20th Century,Blues,Instructional,Jazz,Pop. Individual part. 4 pages. Court Mast #2011103. Published by Court Mast (A0.800669). The longest piece in the collection Ten Interesting Pieces for Trumpet. An emotionally fulfilling piece, with theme and variations allowing for a complete range of techniques and expressions including bell tones, trills, bends and excessive dynamics. A single PDF file includes the transposed part for Trumpet.
$9.95
Three Images from the Hubble Telescope
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Trompette
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AVANCÉ
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Amy Dunker
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Three Images from the Hubble T
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Amy Dunker
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy D...
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Trumpet Solo - Level 5 - SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00
Good Trouble
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Trompette
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AVANCÉ
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Amy Dunker
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6:00
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Good Trouble
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Amy Dunker
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.969862 Composed by Amy Dunker. Concert,Contemporary. Individual part. 6 pages. Amy Dunker #6083251. Published by Amy Du...
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Trumpet Solo - Level 5 - SKU: A0.969862 Composed by Amy Dunker. Concert,Contemporary. Individual part. 6 pages. Amy Dunker #6083251. Published by Amy Dunker (A0.969862). Good Trouble was written in memoriam to the great civil rights leader and congressman, John Lewis (1940-2020). Lewis was one of the Big Six leaders who organized the 1963 March on Washington, and he fulfilled many key roles in the civil rights movement and its actions to end legalized racial segregation in the United States. Lewis became nationally known during his prominent role in the Selma to Montgomery marches when, on March 7, 1965 – a day that would become known as Bloody Sunday – Lewis and fellow activist Hosea Williams led over 600 marchers across the Edmund Pettus Bridge in Selma, Alabama. At the end of the bridge, they were met by Alabama State Troopers who ordered them to disperse. When the marchers stopped to pray, the police discharged tear gas and mounted troopers charged the demonstrators, beating them with night sticks. Lewis's skull was fractured, but he escaped across the bridge to Brown Chapel, a church in Selma which also served as the movement's headquarters. Lewis bore scars on his head from the incident for the rest of his life.Duration: 6:00
$8.00
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All For One
