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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hoe Down - Cello
Non classifié
30
Piano & claviers
Piano seul
40
Piano, Voix
3
Instruments en Do
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
Piano, Voix et Guitare
1
Accompagnement Piano
1
+ 2 instrumentations
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Voix
Chorale SATB
6
Soli, choeur mixte et accompagnement
3
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1
Chorale 3 parties
1
Chorale TTBB
1
Vents
Saxophone
6
Clarinette
4
Flûte traversière et Piano
3
Hautbois (partie séparée)
2
Flute (partie séparée)
2
Flûte traversière
2
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1
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1
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1
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1
Saxophone Tenor et Piano
1
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1
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1
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1
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1
Flûte, Hautbois, Clarinette, Basson
1
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Retracter
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Cor et Piano
10
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5
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3
Cor
3
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2
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2
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2
Ensemble de Trombones
2
Trombone et Piano
2
2 Euphoniums et 2 Tubas
1
Trompette, Saxophone (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
+ 8 instrumentations
Retracter
Cordes
Violon et Piano
3
Violon
3
2 Violons (duo)
1
Alto, Piano
1
Violon, Guitare (duo)
1
Alto seul
1
Contre Basse
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre
35
Orchestre à Cordes
25
Ensemble Jazz
8
Orchestre d'harmonie
6
Ensemble de cuivres
5
Ensemble de Percussions
3
Batterie
2
Cloches
2
Jazz combo
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Crtitères actifs :
Hoe Down - Cello
expert
Trompette
Partitions à imprimer
5 partitions trouvées
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1
Conchita Wurst : Rise Like A Phoenix (niveau difficile)
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Trompette
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AVANCÉ
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Rock
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Pop musique
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Conchita Wurst
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Rise Like A Phoenix
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Tomplay
Telechargez la partition Trompette Rise Like A Phoenix (niveau difficile) de Conchita Wurst. Partition pour Trompette avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trompette Rise Like A Phoenix (niveau difficile) de Conchita Wurst. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99€
Echoes - A4
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Trompette
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AVANCÉ
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Contemporain
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David Woodcock
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Echoes - A4
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David Woodcock
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1017109 Composed by David Woodcock. Contemporary. Individual part. 7 pages. David Woodcock #6039239. Published by David...
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Trumpet Solo - Level 5 - SKU: A0.1017109 Composed by David Woodcock. Contemporary. Individual part. 7 pages. David Woodcock #6039239. Published by David Woodcock (A0.1017109). The title 'Echoes' can mean several things in this piece: it could refer to the musical ideas themselves, which often echo themselves; it could also mean the interaction between cornet and piano, which is often canonic; the music also evokes past eras, echoes of the past, with references to plainsong, 20th Century American music, and impressionism. At the end, the main musical idea dies away as in an echo.This work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for A4 paper size - see alternative title for a version for Letter paper size.The recording features Mason Elliot, Cornet, and the composer accompanying.
$8.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Hoe Down - Cello