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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Day in May
Non classifié
687
Piano & claviers
Piano, Voix
299
Piano seul
275
Piano, Voix et Guitare
43
Piano Facile
42
Orgue
41
Instruments en Do
15
Accompagnement Piano
14
1 Piano, 4 mains
10
Piano grosses notes
9
Piano Trio: piano, violon, violoncelle
6
Clavecin
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
4
Ukulele
3
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Basse electrique
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
476
Chorale 2 parties
55
Chorale 3 parties
43
Chorale Unison
37
Voix duo, Piano
24
Chorale TTBB
17
Chorale SSAA
14
Voix seule
7
Voix duo
6
Voix haute
5
Voix basse, Piano
4
Voix Baryton, Piano
4
Voix Alto, Piano
3
Voix basse
2
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
35
2 Flûtes traversières (duo)
31
2 Saxophones (duo)
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Flûte traversière et Piano
24
Quatuor de Clarinettes: 4 clarinettes
22
Clarinette
19
Hautbois, Piano (duo)
19
Clarinette et Piano
17
Quintette de Saxophone: 5 saxophones
17
Hautbois (partie séparée)
17
2 Clarinettes (duo)
15
Ensemble de saxophones
15
Flûte, Hautbois, Clarinette, Basson
14
Saxophone, Clarinette (duo)
13
Saxophone Soprano et Piano
13
Flûte traversière
12
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Saxophone Tenor et Piano
10
Clarinette, Violon (duo)
9
Saxophone Tenor
8
2 Hautbois (duo)
7
Saxophone Alto
7
Clarinette, Trompette (duo)
6
Clarinette (partie séparée)
6
Cor anglais, Piano
6
Flûte, Clarinette (duo)
5
Flûte, Violon
5
Flûte, Saxophone (duo)
5
Hautbois, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano, Piano
3
3 Clarinettes (trio)
3
Flûte, Trompette (duo)
3
2 Flûte à bec (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone (partie séparée)
3
3 Saxophones (trio)
2
Clarinette Basse, Piano
2
Flûte et Guitare
2
Flûte à bec Soprano
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Saxophone et Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Clarinette, Trombone (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de cuivres: 4 trombones
18
Trompette
18
Trompette, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone et Piano
10
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Ensemble de Trombones
7
2 Trompettes (duo)
6
Cor anglais, Piano
6
Trompette, Trombone (duo)
6
Trombone
6
Cor et Piano
6
Ensemble de Trompettes
5
Euphonium, Piano (duo)
4
Tuba et Piano
3
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Tuba (partie séparée)
2
Tuba
2
Quatuor de Cuivres
2
Cor (partie séparée)
2
Cor
2
Ensemble de Tubas
1
Trompette, Harpe
1
Cor et Harpe
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
2 Tubas (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon, Violoncelle (duo)
53
Trio à Cordes: violon, alto, violoncelle
52
Violon et Piano
30
Violon
28
Violoncelle, Piano
16
2 Violons (duo)
14
Harpe
14
Alto, Piano
12
2 Violoncelles (duo)
12
Violon, Alto (duo)
11
Violon (partie séparée)
10
Violoncelle
8
Alto seul
7
Alto (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Ensemble de Violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble d'Altos
3
Harpe, Voix
3
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
146
Cloches
71
Orchestre
53
Orchestre à Cordes
42
Ensemble de cuivres
24
Jazz combo
13
Orchestre de chambre
9
Ensemble Jazz
8
Percussion (partie séparée)
3
Ensemble de Percussions
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Fanfare
1
Batterie
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
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Instruments
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
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TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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VIOLONCELLE
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Vous avez sélectionné:
A Day in May
Trompette
Partitions à imprimer
18 partitions trouvées
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1
A Breeze from Alabama arr Siddons Cornet Part
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
4.61 €
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Trompette
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Scott Joplin
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James Siddons
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A Breeze from Alabama arr Siddons Cornet Part
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James Siddons Music and Writings
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SheetMusicPlus
What a Friend We Have in Jesus-v2 (Arrangements Level 3-5 for TRUMPET + Written Acc) Hymn
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.875084 Composed by Charles Conver…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.875084 Composed by Charles Converse. Arranged by Dr Jerry Nelson. Christian,Jazz,Spiritual. Individual part. 10 pages. Jerry Nelson #3873311. Published by Jerry Nelson (A0.875084). This Jazz arrangement of What a Friend... is a pristine favorite – a performer's choice. This creation moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. DEMO is recorded at the higher Level. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or, purchase the unique Orchestral Accompaniment Track (#SO.441835). Congrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name). You may include a TITLE ... or GENRE (i.e., a Musical Period, Style, or Special Holiday.) Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley Arrangement & Track!
$4.99
4.6 €
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Trompette
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Charles Converse
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Dr Jerry Nelson
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Written
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What a Friend We Have in Jesus-v2
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Jerry Nelson
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SheetMusicPlus
Balm in Gilead (Arrangements Lvl 1-3 for TRUMPET + Written Accomp) HYMN
Trompette
Piano,Trumpet - Level 1 - Digital Download SKU: A0.875043 Composed by Black America…
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Piano,Trumpet - Level 1 - Digital Download SKU: A0.875043 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691401. Published by Jerry Nelson (A0.875043). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
4.6 €
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Trompette
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Black American Spiritual
#
Dr Jerry Nelson
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Written
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Balm in Gilead
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Jerry Nelson
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
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23 €
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Wade
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James M
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O Come All Ye Faithful for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic.…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
$1.99
1.83 €
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Zoran Radanovic
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SheetMusicPlus
Chiquitita
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1284362 By ABBA. By Benny Anderss…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1284362 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #875534. Published by MP Sheet Music (A0.1284362). Chiquitita was the first single released by the Swedish group ABBA from the album Voulez-Vous.With the success of the English version, ABBA also recorded a version of the song in Spanish. The song was first released on the album ABBA Oro: Grandes Éxitos.Chiquitita was performed at UNICEF's 1979 charity event, Music for UNICEF Concert, broadcast worldwide by the United Nations General Assembly. As a result of the event, the group donated half of the song's royalties to UNICEF. To this day, 50% of the proceeds from the song go to UNICEF, in recognition of the International Year of the Child in 1979. In May 2007, Chiquitita generated more than SEK 15,000,000 (about 2.5 million dollars).The song was a hit in several countries: Belgium, Finland, Ireland, Netherlands, New Zealand, Spain and Switzerland; reached the top 5 in Australia, West Germany, Great Britain, Norway and Sweden, becoming the most successful single from the Voulez-Vous album.Chiquitita, was one of the few ABBA singles to be released without a custom-made video. Since then, in the group's video collections, musical television programs have been used. The clip for Chiquitita was recorded at the BBC for the Abba in Switzerland show, shown throughout Europe at Easter 1979. In it, the band appears singing the song on a mountain, with a snowman in the background.
$4.99
4.6 €
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ABBA
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Leo Silva
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Chiquitita
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MP Sheet Music
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Echo Taps for Solo Trumpet
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
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5.52 €
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Here Comes The Sun
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318227. Published by David McKeown (A0.588333). Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.This full version of Here Comes the Sun is arranged in a suitable key and range for solo Trumpet. Chord symbol accompaniment in concert pitch is included above the stave.This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.6 €
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The Beatles
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David McKeown
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Here Comes The Sun
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David McKeown
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SheetMusicPlus
Jesus Loves Me (Arrangements Level 3-5 for TRUMPET + Written Acc) Hymn
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.875179 Composed by William B. Bra…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.875179 Composed by William B. Bradbury. Arranged by Dr Jerry Nelson. Christian,Folk,Latin,World. Individual part. 12 pages. Jerry Nelson #3874047. Published by Jerry Nelson (A0.875179). A simple Sunday School song in a Theme with SIX variations, transports your audience – from the Sunday School Classroom to Nashville to the Caribbean to China to Russia and back to New Orleans,with a striking big band jazz splash. Add to the sizzle – Let your audience guess where you make your stops! Improve rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432417). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).
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5.52 €
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William B
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Dr Jerry Nelson
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Written
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Jesus Loves Me
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Jerry Nelson
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SheetMusicPlus
Derlin Din Din (arr. for Trumpet Trio)
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Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pes…
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Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 15 pages. Andrew Lamb #894772. Published by Andrew Lamb (A0.1305334). Introducing Derlin Din Din - Trumpet Trio Arrangement 🎺🌟 Immerse yourself in the timeless melodies of Émile Pessard with this exceptional arrangement of Derlin Din Din, skillfully adapted for 3 Trumpets or Cornets. This arrangement offers additional flexibility with extra parts, including a Tenor Horn in Eb as a substitute for Trumpet 3 and a French Horn part for added versatility.🎼 Level of Difficulty: Intermediate 🎶 Perfect for intermediate trumpet players and ensembles, this arrangement provides a delightful journey through Pessard's secular chorus.🎯 Potential Uses: 🔸 Concerts: Showcase your trumpet trio's talent with this captivating piece, sure to impress your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning, allowing students to explore the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a distinguished French composer known for his timeless compositions.🎶 Embrace Pessard's legacy and elevate your trumpet trio's repertoire with this delightful arrangement of Derlin Din Din.Don't miss out on this opportunity to explore the world of classical music through the resounding notes of trumpets and cornets. 🌟👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din with your trumpet trio today! 🎺✨.
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3.69 €
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Emile Pessard
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Andrew Lamb
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
Ping-Pong for Trumpet Solo
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Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. C…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00
18.44 €
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
This is My Fathers World (Arrangements Level 3-5 for TRUMPET + Written Acc) Hymns
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Trumpet Solo - Level 3 - Digital Download SKU: A0.875326 Composed by English Melody…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.875326 Composed by English Melody. Arranged by Dr Jerry Nelson. Christian,Holiday,Jazz. Individual part. 7 pages. Jerry Nelson #3877853. Published by Jerry Nelson (A0.875326). A very familiar hymn presented in a JAZZ style, with moments of 5/4 meter - shades of Dave Brubeck. Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this Jazz Orchestral Accompaniment Track (#SO.434371). Time 3:02. For a SLOWER, rehearsal version at reduced price, Order #SO.419767. Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements. Share them with your friends. SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
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4.6 €
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English Melody
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Dr Jerry Nelson
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This is My Fathers World
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Jerry Nelson
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SheetMusicPlus
Heave Ho! My Lads, Heave Ho!
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951540 Composed by Jack Lawrence.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951540 Composed by Jack Lawrence. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #6096879. Published by Travis Hayman (A0.951540). The United States Merchant Marine refers to either United States civilian mariners, or to U.S. civilian and federally owned merchant vessels. Both the civilian mariners and the merchant vessels are managed by a combination of the government and private sectors, and engage in commerce or transportation of goods and services in and out of the navigable waters of the United States. The Merchant Marine primarily transports cargo and passengers during peacetime; in times of war, the Merchant Marine can be an auxiliary to the United States Navy, and can be called upon to deliver military personnel and materiel for the military.[4] Merchant Marine officers may also be commissioned as military officers by the Department of Defense. This is commonly achieved by commissioning unlimited tonnage Merchant Marine officers as Strategic Sealift Officers in the United States Navy Reserve.
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4.61 €
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Jack Lawrence
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Travis Hayman
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Heave Ho! My Lads, Heave Ho!
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Travis Hayman
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SheetMusicPlus
National Emblem March
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.951561 Composed by Edwin Eugene B…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951561 Composed by Edwin Eugene Bagley. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 10 pages. Travis Hayman #6131311. Published by Travis Hayman (A0.951561). National Emblem, also known as the National Emblem March, is an American march composed in 1902 and published in 1906 by Edwin Eugene Bagley. It is a standard of the U.S. march repertoire, appearing in eleven published editions. The U.S. military uses the trio section as ceremonial music for the entry of the ceremony's official party, and the National Emblem March may be used to give honors to the American flag when the National Anthem has already been played.
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4.61 €
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Edwin Eugene Bagley
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Travis Hayman
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National Emblem March
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Travis Hayman
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SheetMusicPlus
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A Day in May
