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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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BOUZOUKI
CHORALE - CHAN…
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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8
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5
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5
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2
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2
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160
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23
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19
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10
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8
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5
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4
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2
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2
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1
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1
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1
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1
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1
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1
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VENTS
Saxophone Alto
35
Quatuor de Saxophones: 4 saxophones
32
Flûte traversière et Piano
29
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27
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Alto et Piano
26
Clarinette
25
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24
Saxophone Tenor
23
Saxophone Tenor et Piano
21
Hautbois, Piano (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Flûtes traversières (duo)
15
Saxophone (partie séparée)
13
Hautbois (partie séparée)
13
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9
2 Clarinettes (duo)
8
Flute (partie séparée)
7
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7
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6
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6
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5
2 Saxophones (duo)
5
Clarinette (partie séparée)
4
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3
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Hautbois
3
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2
3 Saxophones (trio)
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2
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2
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Saxophone
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Flûte à bec Soprano
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Saxophone et Harpe
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1
Ocarina
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Quintette de Saxophone: 5 saxophones
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CUIVRES
Trompette
42
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24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Piano
18
Cor
14
Trompette (partie séparée)
13
Cor et Piano
11
Quatuor de Cuivres
7
Tuba
5
2 Trombones (duo)
5
Cor (partie séparée)
4
Ensemble de Trompettes
4
Tuba et Piano
3
Trompette, Cor (duo)
3
2 Trompettes (duo)
3
Tuba (partie séparée)
3
2 Cors (duo)
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
Trompette, Trombone (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Trombones
2
Trompette, Tuba (duo)
2
Cor anglais, Piano
2
Trombone (partie séparée)
2
Euphonium, Piano (duo)
2
Trompette, Harpe
2
2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
4 Tubas
1
Trombone, Orgue
1
Euphonium
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon
38
Violoncelle
28
Violon et Piano
24
Alto, Piano
22
Violoncelle, Piano
21
2 Violons (duo)
14
Violon, Violoncelle (duo)
14
Alto seul
13
Harpe
13
Alto (partie séparée)
9
Violon (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
8
2 Harpes (duo)
6
2 Altos (duo)
5
Contre Basse
5
Alto, Violoncelle (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
4
Violoncelle (partie séparée)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
3
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Harpe
2
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
102
Orchestre
37
Orchestre à Cordes
34
Cloches
26
Ensemble Jazz
23
Ensemble de cuivres
20
Jazz combo
12
Fanfare
7
Percussion (partie séparée)
7
Orchestre de chambre
5
Batterie (partie séparée)
4
Batterie
3
Xylophone
3
Timbales (partie séparée)
1
Marimba
1
Piano et Orchestre
1
Caisse Claire
1
Vibraphone et Marimba
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
A Hard Day\
Trompette
Partitions à imprimer
42 partitions trouvées
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A Hard Day's Night
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1349162 By The Beatles. By…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1349162 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Children,Multicultural,Pop,Rock,Wedding,World. Individual part. 1 pages. Rene Alves #933902. Published by Rene Alves (A0.1349162). Trumpet sheet music in B flat from the song Hard Day's Night - beatles. The sheet music is large, great for reading on tablets.
$6.00
5.49 €
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Trompette
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The Beatles
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Rene Alves
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A Hard Day's Night
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Rene Alves
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
A Hard Day's Night
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091874 By The Beatles. B…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091874 By The Beatles. By John Lennon and Paul McCartney. Arranged by Lawrence H Underwood. 20th Century,Pop,Rock. Score and part. 5 pages. Lawrence H Underwood #696007. Published by Lawrence H Underwood (A0.1091874). The classic Beatles hit, now available as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.48 €
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Trompette
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The Beatles
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Lawrence H Underwood
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A Hard Day's Night
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Lawrence H Underwood
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SheetMusicPlus
It's So Hard To Say Goodbye To Yesterday
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.609534 By Boyz II Men. By Christi…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.609534 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371577. Published by Kevin Busse (A0.609534). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in a good range for Trumpet.
$4.99
4.56 €
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Trompette
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To Yesterday
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Kevin Busse
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SheetMusicPlus
United We Stand Collection Zack Richards Music Minus One Series
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894414 Composed by Various…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894414 Composed by Various. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 23 pages. Zack Richards #6426641. Published by Zack Richards (A0.894414). A Collection of 8 popular American Patriotic Tunes for Solo Trumpet and mp3 accompaniment track! These arrangements are designed and stylized in a similar harmonic, rhythmic, and structural framework. While each has its own identity and variation to create interest for the listener, the music is formatted to fill an entire concert if so desired. Each piece has its own description and performance notes to assist the player. Performance and Rehearsal mp3s are available separately. A virtual Trumpet Ensemble accompanies the soloist in this Zack Richards Music Minus One Series. All of these works are available individually or all together in my United We Stand Collection at a considerable discount. Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate/Advanced Intermediate Visit zackrichards.com for more from this composer! S0.1059621 We the People Rehearsal Track S0.1059619 We the People Performance Track S0.1059627 The Star-Spangled Banner Rehearsal Track S0.1059661 The Star-Spangled Banner Performance Track S0.1059631 America the Beautiful Rehearsal Track S0.1059667 America the Beautiful Performance Track S0.1059633 You're a Grand Old Flag Rehearsal Track S0.1059675 You're a Grand Old Flag Performance Track S0.1059637 America Rehearsal Track S0.1059679 America Performance Track S0.1059649 Battle Hymn of the Republic Rehearsal Track S0.1059681 Battle Hymn of the Republic Performance Track S0.1059653 Echo Taps Rehearsal Track S0.1059683 Echo Taps Performance Track S0.1059655 A More Perfect Union Rehearsal Track S0.1059701 A More Perfect Union Performance Track Â
$24.99
22.85 €
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Trompette
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Various
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Zack Richards
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United We Stand Collection Zack Richards Music Minus One Series
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Zack Richards
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SheetMusicPlus
A More Perfect Union for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894422 Composed by Various…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894422 Composed by Various. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 6 pages. Zack Richards #6426689. Published by Zack Richards (A0.894422). A More Perfect Union is a medley of my own arrangements of some of the most popular American Patriotic Tunes. Each arrangement is thematically linked, not only by its Patriotic nature, but its harmonic, structural, and stylistic content. It begins with up to 3 soloists playing Echo Taps, then moves in the iconic Battle Hymn of the Republic. It soon transitions to a jazzy America the Beautiful, followed by a toe-tapping You're a Grand Old Flag. A stirring setting of America proceeds into The Star-Spangled Banner and a final strong ending featuring the refrain of The Battle Hymn. This medley is a guaranteed crowd-pleaser for any Patriotic Concert! Performance and Rehearsal mp3 Tracks available!S0.1059655 A More Perfect Union Rehearsal TrackS0.1059701 A More Perfect Union Performance Track All of these works are available individually or all together in my United We Stand Collection.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1060263 A More Perfect Union for Trumpet Ensemble S0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpets Intermediate- Advanced Intermediate Approx. 5:30 Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Trompette
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Various
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Zack Richards
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A More Perfect Union for Solo Trumpet
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Zack Richards
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SheetMusicPlus
You're a Grand Old Flag for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894418 Composed by George …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894418 Composed by George M Cohan. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 5 pages. Zack Richards #6426681. Published by Zack Richards (A0.894418). This march written by George M. Cohan for his musical, George Washington, Jr., became an instant favorite across the nation. It was inspired by a conversation Cohan had with a Civil War veteran who fought at Gettysburg. This arrangement stays true to the original march style, adding some fanfare and pomp throughout. The less-commonly heard verse precedes the final triumphant statement of the chorus which leads to an exciting and bombastic ending. Like Cohan's original, this will certainly get the audience's toes tapping along! Performance and Rehearsal mp3 Tracks available!S0.1059633 You're a Grand Old Flag Rehearsal TrackS0.1059675 You're a Grand Old Flag Performance Track All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble. S0.1060251 You're a Grand Old Flag for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:45 Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Trompette
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George M Cohan
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Zack Richards
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You're a Grand Old Flag for Solo Trumpet
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Zack Richards
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SheetMusicPlus
A More Perfect Union Performance Track
Trompette
Trumpet - Digital Download SKU: A0.1068948 Composed by Various. Arranged by Zack Ri…
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Trumpet - Digital Download SKU: A0.1068948 Composed by Various. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Accompaniment. Duration 268. Zack Richards #6426653. Published by Zack Richards (A0.1068948). These Performance Tracks accompany the United We Stand Collection ZRM Minus One Series Sheet Music. Each track is a virtual Trumpet Ensemble minus the Solo Part so you can play along! S0.1059737 A More Perfect Union for Solo Trumpet They are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Visit zackrichards.com for more from this composer!
$1.99
1.82 €
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Various
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Zack Richards
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A More Perfect Union Performance Track
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Zack Richards
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633793 By Elton John. By Bernie…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633793 By Elton John. By Bernie Taupin and Elton John. Arranged by Fishel Pustilnik. Pop,Rock. Score and part. 8 pages. F & N Enterprise #3458529. Published by F & N Enterprise (A0.633793). An excellent arrangement of famous (Elton John) Song Sorry Seems To Be The Hardest Word for Trumpet and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
4.56 €
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Elton John
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Fishel Pustilnik
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Sorry Seems To Be The Hardest Word
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F & N Enterprise
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SheetMusicPlus
I Should Have Known Better
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Trumpet, piano - Level 4 - Digital Download SKU: A0.635766 By The Beatles. By John …
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Trumpet, piano - Level 4 - Digital Download SKU: A0.635766 By The Beatles. By John Lennon and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score and part. 7 pages. F & N Enterprise #5789363. Published by F & N Enterprise (A0.635766). An excellent arrangement of the famous Song I Should Have Known Better (from the Motion Picture A Hard Day's Night) for Trumpet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/cF3goeODEzA The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
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The Beatles
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Fishel Pustilnik
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I Should Have Known Better
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F & N Enterprise
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SheetMusicPlus
Espresso
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1462478 By Sabrina Carpent…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1462478 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Leo Silva. Pop. Individual part. 3 pages. MP Sheet Music #1041238. Published by MP Sheet Music (A0.1462478). Espresso is a song by American singer Sabrina Carpenter, recorded for her upcoming sixth studio album Short n' Sweet (2024). Carpenter wrote the song together with Amy Allen, Steph Jones and Julian Bunetta, and it was produced by the latter. The track was released as a single on April 11, 2024, through Island Records. A Dave Meyers-directed music video for Espresso was released the following day.And I Love Her is a song originally recorded by the British band The Beatles for the album A Hard Day's Night, released in 1964 as the soundtrack to the film A Hard Day's Night. Composed by singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances.The song has been covered by several artists over the years, such as Bob Marley, Sarah Vaughan, Julio Iglesias and Diana Krall. In 1970, Brazilian singer Rita Lee recorded a psychedelic version of the song for her first solo album Build Up.
$4.99
4.56 €
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Trompette
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Sabrina Carpenter
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singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances
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Leo Silva
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Espresso
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MP Sheet Music
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SheetMusicPlus
Espresso
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1462501 By Sabrina Carpent…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1462501 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Leo Silva. Pop. Individual part. 3 pages. MP Sheet Music #1041261. Published by MP Sheet Music (A0.1462501). Espresso is a song by American singer Sabrina Carpenter, recorded for her upcoming sixth studio album Short n' Sweet (2024). Carpenter wrote the song together with Amy Allen, Steph Jones and Julian Bunetta, and it was produced by the latter. The track was released as a single on April 11, 2024, through Island Records. A Dave Meyers-directed music video for Espresso was released the following day.And I Love Her is a song originally recorded by the British band The Beatles for the album A Hard Day's Night, released in 1964 as the soundtrack to the film A Hard Day's Night. Composed by singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances.The song has been covered by several artists over the years, such as Bob Marley, Sarah Vaughan, Julio Iglesias and Diana Krall. In 1970, Brazilian singer Rita Lee recorded a psychedelic version of the song for her first solo album Build Up.
$4.99
4.56 €
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Trompette
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Sabrina Carpenter
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singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances
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Leo Silva
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Espresso
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MP Sheet Music
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SheetMusicPlus
And I Love Her
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1458401 By Esther Phillips…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1458401 By Esther Phillips. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1037382. Published by MP Sheet Music (A0.1458401). And I Love Her is a song originally recorded by the British band The Beatles for the album A Hard Day's Night, released in 1964 as the soundtrack to the film A Hard Day's Night. Composed by singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances.The song has been covered by several artists over the years, such as Bob Marley, Sarah Vaughan, Julio Iglesias and Diana Krall. In 1970, Brazilian singer Rita Lee recorded a psychedelic version of the song for her first solo album Build Up.
$4.99
4.56 €
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Trompette
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Esther Phillips
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singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances
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Leo Silva
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And I Love Her
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MP Sheet Music
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SheetMusicPlus
And I Love Her
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1458385 By Esther Phillips…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1458385 By Esther Phillips. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1037367. Published by MP Sheet Music (A0.1458385). And I Love Her is a song originally recorded by the British band The Beatles for the album A Hard Day's Night, released in 1964 as the soundtrack to the film A Hard Day's Night. Composed by singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances.The song has been covered by several artists over the years, such as Bob Marley, Sarah Vaughan, Julio Iglesias and Diana Krall. In 1970, Brazilian singer Rita Lee recorded a psychedelic version of the song for her first solo album Build Up.
$4.99
4.56 €
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Esther Phillips
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singer and bassist Paul McCartney for his then-girlfriend Jane Asher, it was one of the biggest hits for the Beatles, as well as for McCartney, who remembers the song to this day in his performances
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Leo Silva
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And I Love Her
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MP Sheet Music
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SheetMusicPlus
It Came Upon A Midnight Clear
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1290068 Composed by Edmund…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1290068 Composed by Edmund Sears and Richard S. Willis. Arranged by David W. Young. Christmas,Holiday,Religious,Traditional. Individual part. 2 pages. Dave Young #880771. Published by Dave Young (A0.1290068). A trumpet solo of a traditional Christmas carol with morder instrumentation.Free MP3s available at secretharbor884@gmail.com.
$4.99
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Edmund Sears and Richard S
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David W
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It Came Upon A Midnight Clear
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Dave Young
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SheetMusicPlus
Can't Buy Me Love
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501381 By The Beatles. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501381 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1077344. Published by MP Sheet Music (A0.1501381). Can't Buy Me Love is a song recorded and released by the Beatles on their 1964 album A Hard Day's Night and as the A-side of their sixth British single, Can't Buy Me Love/You Can't Do That. The song is a classic that addresses the relationship between love and materialism. The lyrics, written by Paul McCartney and credited to the duo Lennon-McCartney, reflect on how true love cannot be acquired with money or material possessions.
$4.99
4.56 €
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The Beatles
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Leo Silva
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Can't Buy Me Love
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MP Sheet Music
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SheetMusicPlus
Can't Buy Me Love
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501388 By The Beatles. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501388 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1077351. Published by MP Sheet Music (A0.1501388). Can't Buy Me Love is a song recorded and released by the Beatles on their 1964 album A Hard Day's Night and as the A-side of their sixth British single, Can't Buy Me Love/You Can't Do That. The song is a classic that addresses the relationship between love and materialism. The lyrics, written by Paul McCartney and credited to the duo Lennon-McCartney, reflect on how true love cannot be acquired with money or material possessions.
$4.99
4.56 €
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The Beatles
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Leo Silva
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Can't Buy Me Love
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MP Sheet Music
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SheetMusicPlus
A Hard Day's Night by The Beatles - Trumpet Solo
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Performed by: The Beatles: A Hard Day's Night Digital Sheetmusic - instantly download…
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Performed by: The Beatles: A Hard Day's Night Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Trumpet; 1 pages -- Pop Rock~~British Invasion~~Rock~~Movie/TV~~Soundtrack~~Mersey Rock~~Rock & Roll
$2.99
2.73 €
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The Beatles
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Trumpet Solo
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Musicnotes
A Hard Day's Night - Trumpet by The Beatles - Trumpet Solo
Trompette
Performed by: The Beatles: A Hard Day's Night - Trumpet Digital Sheetmusic - instantl…
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Performed by: The Beatles: A Hard Day's Night - Trumpet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Trumpet; 2 pages -- Folk-Rock~~Pop Rock~~Rock & Roll~~British Invasion
$2.99
2.73 €
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The Beatles
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Trumpet by The Beatles
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Musicnotes
Echo Taps for Solo Trumpet
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
All My Loving by The Beatles - Trumpet Solo
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Performed by: The Beatles: All My Loving - from A Hard Day's Night Digital Sheetmusic…
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Performed by: The Beatles: All My Loving - from A Hard Day's Night Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Trumpet; 1 pages -- Pop~~British Invasion~~Pop Rock~~Rock & Roll
$2.99
2.73 €
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Trompette
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The Beatles
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Trumpet Solo
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Musicnotes
The Beatles: A Hard Day's Night - trumpet solo
Trompette
Instantly printable sheet music by The Beatles for trumpet solo of MEDIUM skill level. / o…
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Instantly printable sheet music by The Beatles for trumpet solo of MEDIUM skill level. / oldies,pop,rock
$3.97
3.63 €
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Trompette
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The Beatles
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Virtualsheetmusic
The Arban Manual (Pre 2013)
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
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