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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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13
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10
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8
Trombone et Piano
8
Trombone
6
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
Cor et Piano
3
Tuba et Piano
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
Trompette (partie séparée)
1
2 Trombones (duo)
1
Trio de Cuivres
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Trompette, Trombone (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle, Piano
14
Violon et Piano
11
Harpe
9
Violon
9
Alto, Piano
8
Violoncelle
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
52
Ensemble Jazz
22
Orchestre
18
Orchestre à Cordes
16
Ensemble de cuivres
6
Orchestre de chambre
5
Cloches
2
Percussion
2
Jazz combo
2
Fanfare
2
Marimba
1
Ensemble de Percussions
1
Xylophone, Piano
1
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AUTRES
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After The Rain
Trompette
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The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.24 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.24 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.44 €
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Trompette
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Folk Fill in the Blank
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. A…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. Arranged by Eddie Lewis. Children,Folk. Individual part. 118 pages. Tiger Music #4984157. Published by Tiger Music (A0.750322). This is the first book of its kind! What began as a fun activity for my trumpet students has turned into a wonderful resource to improve their trumpet playing. Trumpet Folk Fill in the Blank is a book of thirty folk songs and nursery rhymes. Each song is presented first in an easy key, like C, F or G. Then it is transposed to other keys and certain strategic notes are left out. Those notes are replaced by question marks. The students are to practice the first version of the song until they get the sound of the melody in their ears. After they master the first version, then they are ready to play the fill in the blank versions of the songs in other keys. We use a total of seven key signatures in this book, up to three flats and three sharps. Any student who knows their scales up to three flats and three sharps should have a lot of fun playing these fill in the blank songs. Benefits of playing the fill in the blank songs include ear training, finger technique, sight reading, phrasing and tone.
$27.90
25.09 €
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Trompette
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Traditional
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Eddie Lewis
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Trumpet Folk Fill in the Blank
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Tiger Music
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SheetMusicPlus
Somewhere Over The Rainbow/what A Wonderful World
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1196039 Composed by E Y Ha…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1196039 Composed by E Y Harburg, George David Weiss, Harold Arlen, and Robert Thiele. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Standards,Wedding. Individual part. 4 pages. Fabio Eduardo #795215. Published by Fabio Eduardo (A0.1196039). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadSomewhere Over the Rainbow/What a Wonderful World (also known as Over the Rainbow/What a Wonderful World) is a medley of Over the Rainbow and What a Wonderful World, recorded by Hawaiian singer Israel Kamakawiwoʻole. First released on the 1990 album Ka ʻAnoʻi, an acoustic rendition of the medley became notable after its release on his 1993 album Facing Future.
$4.99
4.49 €
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Trompette
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E Y Harburg, George David Weiss, Harold Arlen, and Robert Thiele
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Fabio Eduardo de Oliveira
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Somewhere Over The Rainbow/what A Wonderful World
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Fabio Eduardo
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SheetMusicPlus
The Cup Of Life
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.951923 By Ricky Martin. By Desmon…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.951923 By Ricky Martin. By Desmond Child and Robi Rosa. Arranged by Michael Arell. Dance,Latin. Individual part. 3 pages. Michael Arell #6591215. Published by Michael Arell (A0.951923). This arrangement is the repeated chorus (a.k.a. refrain) of the 1998 FIFA World Cup theme song, as recorded by Ricky Martin. This portion of the song should be approachable for students after about a year of playing. Letter names and valve positions are included to support learning the piece.
$4.99
4.49 €
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Trompette
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Ricky Martin
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Michael Arell
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The Cup Of Life
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Michael Arell
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SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.48 €
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Trompette
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Eddie Lewis
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Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
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Tiger Music
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SheetMusicPlus
Midwinter trumpet&piano
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.949937 Composed by Tommy Johanss…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.949937 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215521. Published by Tommy Johansson, Hjo (A0.949937). Midwinter A bittersweet composition for trumpet and piano by Tommy Johansson, Hjo Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: F-minor/F#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99
5.39 €
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Trompette
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Tommy Johansson, Hjo
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Midwinter trumpet&piano
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Tommy Johansson, Hjo
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SheetMusicPlus
Blue (da Ba Dee)
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.951918 Composed by Gianfranco Ran…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.951918 Composed by Gianfranco Randone, Massimo Gabutti, and Maurizio Lobina. Arranged by Michael Arell. Contemporary. Individual part. 3 pages. Michael Arell #6591193. Published by Michael Arell (A0.951918). This arrangement is the repeated chorus (a.k.a. refrain) of Eiffel 65’s hit song Blue (Da Ba Dee). This portion of the song should be approachable for students after about a year of playing. Letter names and valve positions are included to support learning the piece.
$4.99
4.49 €
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Trompette
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Gianfranco Randone, Massimo Gabutti, and Maurizio Lobina
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Michael Arell
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Blue
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Michael Arell
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SheetMusicPlus
Believer
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.951913 By Imagine Dragons. By Ben…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.951913 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Michael Arell. Rock. Individual part. 3 pages. Michael Arell #6591177. Published by Michael Arell (A0.951913). This arrangement is the chorus (a.k.a. refrain) of Imagine Dragon’s hit song from 2017. This portion of the song should be approachable for students after about a year of playing. Letter names and valve positions are included to support learning the piece.
$4.99
4.49 €
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Trompette
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Imagine Dragons
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Michael Arell
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Believer
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Michael Arell
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SheetMusicPlus
24 Melodic Exercises in all keys
Trompette
Trumpet - difficult - Digital Download SKU: S9.Q48851 Composed by Oskar Boehme. Thi…
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Trumpet - difficult - Digital Download SKU: S9.Q48851 Composed by Oskar Boehme. This edition: Sheet music. Downloadable. Op. 20. Musikverlag Zimmermann - Digital #Q48851. Published by Musikverlag Zimmermann - Digital (S9.Q48851). German • English.Oskar Böhme was Born February 24, 1870 in Potschappel near Dresden. After his Musical Training, he emigrated to St. Petersburg in 1897. He became a Russian citizen and took a Job at the St. Pertersburg Opera. During World War II Böhme was deported and died between 1938 and 1941, probably in a Labor camp in Turkmenistan.
$9.99
8.98 €
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Trompette
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Oskar Boehme
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24 Melodic Exercises in all keys
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
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