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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All-4-One
Non classifié
6 889
Piano & claviers
Piano seul
1 770
Piano, Voix
728
Piano, Voix et Guitare
469
Piano Facile
343
Instruments en Do
252
1 Piano, 4 mains
189
Orgue
132
2 Pianos, 4 mains
80
Accompagnement Piano
57
Piano (partie séparée)
48
Piano Trio: piano, violon, violoncelle
47
Piano grosses notes
38
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
11
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
2 Accordéons
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
183
Basse electrique
160
Guitare
144
Ligne De Mélodie, (Paroles) et Accords
72
Guitare (partie séparée)
69
4 Guitares (Quatuor)
45
2 Guitares (duo)
21
3 Guitares (trio)
12
Ukulele
11
Dulcimer
10
Ensemble de guitares
8
Paroles et Accords
8
Piano, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
3
Mandoline
3
2 Dulcimers (duo)
2
2 Mandolines (duo)
2
Banjo
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 136
Chorale TTBB
296
Chorale SSAA
180
Chorale 3 parties
161
Chorale Unison
84
Chorale 2 parties
77
Voix Baryton, Piano
60
Pack Instrumental pour Chorale
51
Voix Soprano, Piano
39
Voix duo, Piano
34
Voix duo
26
Voix haute
26
Voix Tenor, Piano
12
Voix Alto, Piano
10
Voix moyenne, Piano
7
Voix Tenor
4
Chorale SSATTB
4
Voix seule
4
Voix basse, Piano
3
Chorale
2
Voix d'Enfants
2
Voix Soprano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
+ 21 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 959
2 Saxophones (duo)
883
Saxophone (partie séparée)
484
Saxophone Alto et Piano
426
Quatuor de Clarinettes: 4 clarinettes
418
Saxophone Tenor et Piano
317
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Soprano et Piano
227
Saxophone Alto
200
Flûte traversière et Piano
198
Quatuor de Flûtes : 4 flûtes
195
Flûte, Hautbois, Clarinette, Basson
188
Quintette de Saxophone: 5 saxophones
180
2 Flûtes traversières (duo)
180
Clarinette et Piano
159
Saxophone Tenor
159
2 Clarinettes (duo)
159
Hautbois, Piano (duo)
157
3 Saxophones (trio)
150
Saxophone Baryton, Piano
150
Ensemble de saxophones
147
Saxophone, Clarinette (duo)
140
Flûte, Clarinette (duo)
81
Clarinette, Violon (duo)
80
Clarinette
78
Ensemble de Clarinettes
77
Flûte traversière
74
Clarinette, Trompette (duo)
69
Quintette de Clarinettes: 5 clarinettes
69
Hautbois (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de Flûtes
61
Hautbois, Clarinette (duo)
55
2 Hautbois (duo)
53
Flûte, Saxophone (duo)
48
Clarinette et Alto
44
Flûte, Violon
41
Hautbois, Flûte
40
Flûte, Trompette (duo)
38
3 Clarinettes (trio)
36
Saxophone
35
Clarinette Basse, Piano
35
Flûte, Alto (duo)
34
Ocarina
29
Cor anglais, Piano
27
2 Flûtes traversières, Piano
26
Flute (partie séparée)
25
Quintette de Flûte : 5 flûtes
20
Flûte, Trombone (duo)
20
2 Flûte à bec (duo)
17
Trio de Flûtes: 3 flûtes
17
Hautbois, Violoncelle
16
Quatuor de Flûtes à bec
15
Clarinette (partie séparée)
14
Clarinette, Basson (duo)
13
4 Hautbois
13
Flûte et Guitare
13
Clarinette, Trombone (duo)
12
Saxophone Soprano
10
Saxophone Baryton
9
Hautbois, Clarinette, Basson (trio d'anches)
9
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Basson
8
Clarinette, Guitare (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Hautbois (duo)
8
Clarinette, Violoncelle (duo)
7
Ensemble De Flûte à bec
7
Flûte à bec Soprano
7
Flûte à Bec
7
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Cor Anglais
5
Flûte, Hautbois, Piano (trio)
5
2 Saxophones, Piano
5
Saxophone et Guitare
5
Saxophone, Violon (duo)
4
Harmonica
4
Flûte, Violon, Piano
4
Flûte à bec Alto
4
Flute, harpe et violon
4
Flûte, Violoncelle
4
5 Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Instruments en Mib
3
Piccolo, Piano
3
Saxophone et Orgue
3
Hautbois, Violon, Piano
2
Hautbois et alto (duo)
2
Hautbois, trombone (duo)
2
Saxophone, Basson (duo)
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Guitare (duo)
2
Saxophone et violoncelle
2
3 Hautbois
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Flûte irlandaise
1
Saxophone, Tuba (duo)
1
Flûte, Alto et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
Flûte, Basson et Piano
1
Clarinette Basse
1
+ 110 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
600
Quatuor de Cuivres : 2 trompettes, trombone, tuba
419
Trombone (partie séparée)
412
Trombone et Piano
370
Quatuor de cuivres: 4 trombones
343
2 Trombones (duo)
230
Trombone
176
Trompette, Trombone (duo)
140
Trompette (partie séparée)
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Trompette, Piano
109
Trompette, Saxophone (duo)
104
Cor et Piano
102
Ensemble de Trombones
89
Trompette
79
2 Trompettes (duo)
63
Quatuor de Cuivres
62
Tuba et Piano
61
Euphonium, Piano (duo)
50
Quatuor de cuivres: 4 cors
40
2 Euphoniums et 2 Tubas
37
Cor
35
Ensemble de Trompettes
34
2 Cors (duo)
33
Cor (partie séparée)
28
Cor anglais, Piano
27
Tuba
27
Tuba (partie séparée)
24
3 Trombones (trio)
24
4 Tubas
23
Trio de Cuivres
21
Quatuor de cuivres: 4 trompettes
17
2 Euphoniums (duo)
13
Trombone, Tuba (duo)
12
Trompette, Cor (duo)
12
Trombone, Cor (duo)
12
Euphonium, Tuba (duo)
11
2 Tubas (duo)
11
Ensemble de Cors
11
Trombone, Violon (duo)
7
Cor Anglais
5
Trombone basse
5
Euphonium
5
Tuba et Orgue
5
Instruments en Sib
5
Trombone, violoncelle (duo)
4
Trompette, Basson (duo)
4
Trombone basse et Piano
3
Bass Clef Instruments
3
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone, Alto (duo)
2
3 Tubas (trio)
2
3 Cors (trio)
2
Cornet et orchestre
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Cor, Trompette, Trombone (trio)
1
Trombone, Orgue
1
3 Euphoniums
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, violon (duo)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
697
Violon, Violoncelle (duo)
319
Trio à Cordes: violon, alto, violoncelle
271
Violon et Piano
267
Violon
244
Violoncelle, Piano
200
Alto, Piano
151
2 Violons (duo)
119
Violoncelle
116
Harpe
115
Violon, Alto (duo)
97
2 Violoncelles (duo)
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Altos (duo)
66
Contrebasse (partie séparée)
62
4 Violoncelles
61
Trio à Cordes: 2 violons, violoncelle
56
Alto seul
55
Contrebasse, Piano (duo)
45
Contre Basse
31
Quatuor à cordes: 4 violons
22
Alto, Violoncelle (duo)
22
Quatuor à cordes : 4 altos
19
Alto (partie séparée)
18
Violon (partie séparée)
14
Trio à cordes: 3 violins
14
Violon, Basson (duo)
14
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
11
Violoncelle, Contrebasse (duo)
10
Ensemble d'Altos
10
2 Contrebasses (duo)
8
Trio à cordes: 3 altos
8
Violoncelle , Guitare (duo)
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, alto
6
4 Contrebasses
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
3 Harpes
2
Violoncelle, Orgue
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
2
Alto et Harpe
2
Alto, Guitare (duo)
2
Harpe, Voix
2
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Alto et Basson
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 829
Ensemble Jazz
783
Orchestre
499
Ensemble de cuivres
368
Orchestre à Cordes
336
Cloches
189
Fanfare
138
Jazz combo
137
Orchestre de chambre
136
Ensemble de Percussions
64
Batterie (partie séparée)
47
Batterie
26
Xylophone, Piano
20
Marimba
16
Vibraphone
12
Percussion (partie séparée)
10
2 Xylophones
7
Xylophone
6
Ensemble d'École
6
Percussion
3
Vibraphone et Marimba
3
Big band
2
Piano et Orchestre
1
3 Marimbas
1
Marimba, Saxophone (duo)
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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CHANT - CHO…
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CLARINETTE
CLAVECIN
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
All-4-One
Trompette
Partitions à imprimer
79 partitions trouvées
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O Come All Ye Faithful for Trumpet & Piano
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Trompette
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tru
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
When the Roll is Called Up Yonder, Gospel Hymn for Trumpet and Piano
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Trompette
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FACILE
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Musique Sacrée
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Gospel Spirituel
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James Milton Black
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David McKeown
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When the Roll is Called Up Yon
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.593481 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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Piano,Trumpet - Level 2 - SKU: A0.593481 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421193. Published by David McKeown (A0.593481). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Trumpet and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
In the Hall of the Mountain King (for trumpet solo)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Halloween
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Edvard Grieg
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Rodrigo Faleiros
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In the Hall of the Mountain Ki
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1304290 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic P...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1304290 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Individual part. 2 pages. Rodrigo Faleiros #893565. Published by Rodrigo Faleiros (A0.1304290). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our trumpet solo arrangement. This rendition maintains the essence of the original while ensuring accessibility for players of all levels. This sheet music contains chord symbols. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
In the Hall of the Mountain King (for trumpet solo)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Halloween
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Edvard Grieg
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Rodrigo Faleiros
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In the Hall of the Mountain Ki
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1304549 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic P...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1304549 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #893506. Published by Rodrigo Faleiros (A0.1304549). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our trumpet solo arrangement. This rendition maintains the essence of the original while ensuring accessibility for players of all levels. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
My Only One (no Hay Nadie Mas)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1275304 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Walla...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1275304 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Individual part. 2 pages. Fabio Britto #867211. Published by Fabio Britto (A0.1275304). Arrangement of the song  My Only One (No Hay Nadie Mas)  for Trumpet in Bb Solo.
$4.99
My Only One (no Hay Nadie Mas)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1276070 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Walla...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1276070 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Individual part. 2 pages. Fabio Britto #867827. Published by Fabio Britto (A0.1276070). Arrangement of the song  My Only One (No Hay Nadie Mas) for Trumpet in Bb Solo.
$4.99
Bound for the Promised Land (Arrangements Level 2-4 for TRUMPET + Written Accomp)
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Trompette
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FACILE
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Gospel Spirituel
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American Spiritual
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Dr Jerry Nelson
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Bound for the Promised Land
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Jerry Nelson
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SheetMusicPlus
Trumpet Solo - Level 2 - SKU: A0.875075 Composed by American Spiritual. Arranged by Dr Jerry Nelson. Christian,Folk,Gospel,Jazz,Spiritual. Individual pa...
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Trumpet Solo - Level 2 - SKU: A0.875075 Composed by American Spiritual. Arranged by Dr Jerry Nelson. Christian,Folk,Gospel,Jazz,Spiritual. Individual part. 5 pages. Jerry Nelson #3859679. Published by Jerry Nelson (A0.875075). One of the favorite early American Spirituals in a happy, bouncing, rhythmic style. These arrangements ease you gently from Level 2 thru 4 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the high-energy, Orchestral Accompaniment Track (#SO.432381). Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name). VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4 (Time 1:45)
$3.99
One More Sleep 'til Christmas
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Paul Williams
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Bobby Hesch
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GREAT SONG WRITTEN
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One More Sleep 'til Christmas
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Bobby Hesch
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.839623 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6496915...
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Trumpet Solo - Level 4 - SKU: A0.839623 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6496915. Published by Bobby Hesch (A0.839623). ONE MORE SLEEP 'TIL CHRISTMAS!!! GREAT SONG WRITTEN BY PAUL WILLIAMS FOR THE MOVIE THE MUPPET CHRISTMAS CAROL!!! AFTER ALL THERE'S ONLY ONE MORE SLEEP 'TIL CHRISTMAS DAY!!! LET'S PLAY SOME JAZZ!!! KEY OF A/Bb!!! LOW C - HIGH A!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG :@bobbyhesch EMAIL QUESTIONS, I CAN HELP!!! ADD THIS GREAT TUNE TO YOUR CHRISTMAS SET!!! REMEMBER THE GREAT JIM HENSON!!! HAVE FUN!!! I LOVE THIS SONG!!!
$4.99
All-4-One: I Swear - trumpet solo
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Trompette
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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All-4-One
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Virtualsheetmusic
Instantly printable sheet music by All-4-One for trumpet solo of MEDIUM skill level. / love,pop,wedding,festival
Instantly printable sheet music by All-4-One for trumpet solo of MEDIUM skill level. / love,pop,wedding,festival
$3.97
Moondances
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
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Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Alan Menken: Someday (Esmeralda's Prayer) - trumpet solo
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Trompette
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INTERMÉDIAIRE
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Film Walt Disney
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Enfant
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Alan Menken
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Virtualsheetmusic
Instantly printable sheet music by All-4-One for trumpet solo of MEDIUM skill level. / children,disney,film/tv,pop,movies
Instantly printable sheet music by All-4-One for trumpet solo of MEDIUM skill level. / children,disney,film/tv,pop,movies
$2.97
I Swear
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Trompette
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All-4-One
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I Swear
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Hal Leonard - Digital
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SheetMusicPlus
(Trumpet) - Interactive Download SKU: HX.373388 By All-4-One. This edition: Interactive Download. Love,Pop. Trumpet Solo. 1 pages. Published by Hal Leona...
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(Trumpet) - Interactive Download SKU: HX.373388 By All-4-One. This edition: Interactive Download. Love,Pop. Trumpet Solo. 1 pages. Published by Hal Leonard - Digital (HX.373388).
$2.99
The First Noel for Trumpet & Piano
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Trompette
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Trumpet &am
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pag...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trompette
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman - Newton Antipho
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034...
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Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95
Blue Skies
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Angela Stone and David Vincent
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John Fries
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Blue Skies
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John Fries
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1102419 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. ...
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Piano,Trumpet - Level 4 - SKU: A0.1102419 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705829. Published by John Fries (A0.1102419). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trumpet Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Ritual Fire Dance for Trumpet and Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Manuel de Falla
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Ken Saul
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Ritual Fire Dance for Trumpet
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Ken Saul
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.898010 Composed by Manuel de Falla. Arranged by Ken Saul. 20th Century,World. Score and part. 19 pages. Ken Saul #3380...
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Piano,Trumpet - Level 4 - SKU: A0.898010 Composed by Manuel de Falla. Arranged by Ken Saul. 20th Century,World. Score and part. 19 pages. Ken Saul #3380021. Published by Ken Saul (A0.898010). This is a showcase arrangement of the exciting Ritual Fire Dance, by Manuel de Falla. It comes with a complete piano score and instrument parts for Bb Trumpet, or optionally C trumpet, Bb Piccolo Trumpet, and Flugelhorn. If you perform the version with the brass instrument changes, it adds excitement and tone colors not normally heard from the Bb trumpet alone. If played entirely on the Bb trumpet, it is suitable for an advanced intermediate player. When you add the piccolo trumpet and flugelhorn, it is more suited to an advanced player.
$8.99
Ping-Pong for Trumpet Solo
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music ...
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Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00
Intermediate Serial Studies for Trumpet
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Charles Decker
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Intermediate Serial Studies fo
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Charles Decker Music Press
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SheetMusicPlus
Trumpet - Level 4 - SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #...
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Trumpet - Level 4 - SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
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