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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being Me
Non classifié
137
Piano & claviers
Piano seul
119
Piano, Voix
53
Piano, Voix et Guitare
34
Instruments en Do
29
Piano Facile
7
Accompagnement Piano
2
1 Piano, 4 mains
2
Orgue
2
+ 3 instrumentations
Retracter
Guitares
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
2
Paroles et Accords
2
Guitare notes et tablatures
1
Mandoline
1
+ 1 instrumentations
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Voix
Chorale SATB
60
Chorale 3 parties
25
Chorale 2 parties
17
Chorale TTBB
17
Voix duo, Piano
9
Chorale SSAA
8
Chorale Unison
6
Voix Soprano, Piano
4
Voix Tenor, Piano
2
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 6 instrumentations
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Vents
Clarinette
7
3 Clarinettes (trio)
7
Hautbois, Piano (duo)
6
Flûte traversière et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette et Piano
5
Flûte traversière
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois (partie séparée)
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor
2
Saxophone Alto
2
Saxophone
2
Hautbois
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
Saxophone Soprano
1
Saxophone (partie séparée)
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
2 Clarinettes (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 21 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
8
Cor
4
Trombone et Piano
3
Tuba et Piano
3
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Cor et Piano
1
Trompette, Piano
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
13
Violon
12
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
7
Harpe, Voix
5
Violoncelle, Piano
4
Alto seul
4
Alto, Piano
4
Violon, Violoncelle (duo)
3
Harpe
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
2
Contre Basse
2
Alto (partie séparée)
1
2 Violons (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Harpes (duo)
1
2 Altos (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Orchestre
19
Orchestre à Cordes
11
Orchestre de chambre
9
Ensemble de cuivres
5
Ensemble Jazz
4
Jazz combo
3
Cloches
1
Piano et Orchestre
1
Ensemble de Percussions
1
+ 5 instrumentations
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FLUTE A DIX…
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GUITARE PED…
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LUTH, THEOR…
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PARTITIONS …
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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METAL - HARD
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METHODE : TECHNIQUES
NOËL
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Vous avez sélectionné:
Being Me
Trompette
Partitions à imprimer
8 partitions trouvées
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1
Someone You Loved
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Trompette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
My Immortal
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Trompette
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DÉBUTANT
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
C Trumpet Solo - Level 1 - SKU: A0.1014869 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,...
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C Trumpet Solo - Level 1 - SKU: A0.1014869 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619776. Published by M das Melodias (A0.1014869). Sheet music for Trumpet in A My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #trumpet #trumpetinA I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
Rolling In The Deep
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Trompette
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DÉBUTANT
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Adele
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Erik B
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Rolling In The Deep
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Erik Brandão
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1446903 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. In...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1446903 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026670. Published by Erik Brandão (A0.1446903). PLAY THE SONG ROLLING IN THE DEEP ON THE TRUMPET IN Bb!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions: The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination. The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup. The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.
$9.00
Blue Skies
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Angela Stone and David Vincent
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John Fries
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Blue Skies
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John Fries
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1102419 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. ...
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Piano,Trumpet - Level 4 - SKU: A0.1102419 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705829. Published by John Fries (A0.1102419). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trumpet Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
Bohemian Rhapsody
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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Matt Brockman
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Bohemian Rhapsody
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Matt Brockman
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.925532 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Matt Brockman. Rock. Individual part. 64 pages. ...
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Trumpet Solo - Level 4 - SKU: A0.925532 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Matt Brockman. Rock. Individual part. 64 pages. Matt Brockman #5820931. Published by Matt Brockman (A0.925532). Written for 8 trumpets, one being on piccolo trumpet. Guitar solo can be performed by any player who is resting. The arrangement also works well with a drummer laying down the part to the original song. Contact me for modifications or to transcribe for another kind of ensemble.
$15.00
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