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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber Dream
Non classifié
105
Piano & claviers
Piano seul
23
Piano Facile
8
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
4
Piano, Voix
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
3
2 Guitares (duo)
1
Mandoline, Guitare (duo)
1
Ukulele
1
Voix
Chorale SATB
21
Chorale TTBB
5
Chorale Unison
2
Male Voice
2
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale 3 parties
1
Chorale SSAA
1
+ 3 instrumentations
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Vents
Clarinette et Piano
20
Flûte traversière et Piano
20
Hautbois, Piano (duo)
13
Saxophone Alto et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Soprano et Piano
10
2 Flûtes traversières (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Cor anglais, Piano
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Tenor et Piano
3
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle (duo)
2
Clarinette
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
Piccolo
1
3 Clarinettes (trio)
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Basson
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
+ 31 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette, Piano
11
Cor et Piano
8
Trombone et Piano
6
Cor anglais, Piano
4
2 Trompettes (duo)
3
Trompette, Violoncelle (duo)
3
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Basson (duo)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
Cor et Basson (duo)
2
Quatuor de Cuivres
1
Trombone basse
1
Cor
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
Trombone, Violon (duo)
1
+ 17 instrumentations
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Cordes
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle, Piano
22
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
6
Violoncelle
3
Violon, Basson (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
1
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe
1
Violon, Tuba (duo)
1
Violon
1
Harpe, Violon, Violoncelle
1
2 Violons, Piano
1
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre de chambre
53
Orchestre à Cordes
9
Orchestre
6
Orchestre d'harmonie
2
Batterie
1
Big band
1
Ensemble de cuivres
1
+ 2 instrumentations
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Autres
Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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Vous avez sélectionné:
Chamber Dream
Trompette
Partitions à imprimer
3 partitions trouvées
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Chamber Dream/Trumpet PART
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Trompette
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Thomas Naszalyi
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Chamber Dream/Trumpet PART
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Thomas Naszalyi
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SheetMusicPlus
Trumpet Solo - SKU: A0.989322 Composed by Thomas Naszalyi. 20th Century,Contemporary. Individual part. 2 pages. Thomas Naszalyi #2846217. Published by T...
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Trumpet Solo - SKU: A0.989322 Composed by Thomas Naszalyi. 20th Century,Contemporary. Individual part. 2 pages. Thomas Naszalyi #2846217. Published by Thomas Naszalyi (A0.989322).
$1.99
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Poème
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Trompette
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
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Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15274. Published by Schott Music - Digital (S9.Q15274). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
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Chamber Dream
