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7
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18
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3
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2
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1
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1
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1
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1
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1
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1
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1
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Saxophone Alto
1
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1
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1
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14
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9
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7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
5
Cor anglais, Piano
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Trompette, Piano
3
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
2 Trompettes (duo)
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3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
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4 Tubas
1
Ensemble de Trombones
1
Trombone
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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3 Euphoniums
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34
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5
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4
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3
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1
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1
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1
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Vous avez sélectionné:
Character pieces
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Auprès de ma Mie
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Trompette
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DÉBUTANT
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Classique
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Cecile Chaminade
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Jane Frasier
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Auprès de ma Mie
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Jane Frasier
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SheetMusicPlus
Piano,Trumpet - Level 1 - SKU: A0.836916 Composed by Cecile Chaminade. Arranged by Jane Frasier. Romantic Period. Score and part. 8 pages. Jane Frasier ...
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Piano,Trumpet - Level 1 - SKU: A0.836916 Composed by Cecile Chaminade. Arranged by Jane Frasier. Romantic Period. Score and part. 8 pages. Jane Frasier #3400291. Published by Jane Frasier (A0.836916). Cecile Chaminade (1857-1944), a French composer, studied music at an early age, but her father disapproved of her musical education. Her first works were completed when she was quite young. She wrote mostly character pieces for piano and salon songs. Chaminade was relegated to obscurity for the second half of the 20th century, her piano pieces and songs mostly forgotten. (2 minutes)
$5.00
Roadside Inn - Schumann- Trumpet-Piano
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Trompette
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Trump
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Phil Beaman
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.844509 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score an...
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Piano,Trumpet - Level 2 - SKU: A0.844509 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489053. Published by Phil Beaman (A0.844509). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Luther: Out of the Depths for Trumpet & Piano
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Trompette
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score an...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Dreaming
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Trompette
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FACILE
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Robert Schumann
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Wolfgang Birtel
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Dreaming
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Schott Music - Digital
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SheetMusicPlus
Trumpet in Bb and piano - easy to intermediate - SKU: S9.Q11854 From 'Scenes of Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Bir...
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Trumpet in Bb and piano - easy to intermediate - SKU: S9.Q11854 From 'Scenes of Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 15/7. Schott Music - Digital #Q11854. Published by Schott Music - Digital (S9.Q11854). The 19th century was not only the era of great forms, monumental symphonies and melodious sonatas, no, the Romantic composers proved to be versatile and highly imaginative in the field of little music pieces as well. Robert Schumann was a master of the character piece for his instrument, the piano. From thirty of such poetic miniatures, he selected thirteen in 1838 for his 'Scenes of Childhood', opus 15, the seventh, i.e. the one right in the middle, being 'Dreaming', the most famous among Schumann's compositions. It is a romantic gem the catchy melody of which will not get out of one's head. The beautiful setting contained in the present edition can be played even by non-pianists.
$4.99
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