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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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CLASSIQUE - BAROQUE …
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CONTEMPORAIN - NEW A…
COUNTRY
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19
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12
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1 Piano, 4 mains
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Guitare
31
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6
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2
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30
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9
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7
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2
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2
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2
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2
Voix Soprano, Piano
1
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37
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32
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28
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22
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17
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15
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12
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11
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11
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9
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8
Clarinette, Violoncelle, Piano (trio)
8
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7
Clarinette, Violon (duo)
7
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6
Flûte, trombone et piano
5
2 Flûtes traversières (duo)
5
Clarinette
5
Flûte traversière
5
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5
Saxophone Alto
5
2 Clarinettes, Piano
5
2 Saxophones (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
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4
Trio de Flûtes: 3 flûtes
4
Saxophone Tenor
4
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3
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3
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3
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3
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3
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3
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3
3 Clarinettes (trio)
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2
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Harmonica
1
Clarinette Basse
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Flûte à bec Soprano, Basse continue
1
Flûte à bec Alto
1
Clarinette, Saxophone, Piano
1
Saxophone (partie séparée)
1
Flûte, Hautbois, Violon
1
2 Hautbois (duo)
1
Flûte, Violon, Guitare
1
Flûte, Basson et Piano
1
Clarinette, trompette et piano
1
Flûte, Violoncelle
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
4 Hautbois
1
Flûte et Guitare
1
Flûte et Trio à cordes
1
Hautbois (partie séparée)
1
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Trompette, Piano
14
Trompette
14
Trombone et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
6
Trombone
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor
4
Trompette, Violoncelle et Piano
3
Tuba
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Ensemble de Trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors (duo)
1
2 Trombones (duo)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
44
Violoncelle, Piano
34
Alto, Piano
32
Trio à Cordes: violon, alto, violoncelle
18
Violon
10
Violoncelle
10
Harpe
9
Trio à cordes: 3 violins
8
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
4
Alto seul
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
4
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
2 Violons (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
2
2 Harpes (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
302
Orchestre
22
Ensemble Jazz
15
Orchestre à Cordes
8
Ensemble de cuivres
7
Jazz combo
4
Batterie
3
Orchestre de chambre
3
Fanfare
1
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AUTRES
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Comme D
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Partitions à imprimer
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My Way
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1427304 By Elvis Presley. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1427304 By Elvis Presley. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1008029. Published by MP Sheet Music (A0.1427304). My Way is an English-language version of the French song Comme d'habitude, which was first released by the author, Claude François, in 1967, in France. In 1968, Frank Sinatra released his English version, adapted by Paul Anka and which became one of his greatest classics. However, the lyrics are unrelated to the original French version. It is one of the most recorded popular songs in history.Elvis Presley's studio version was recorded in June 1971 and released only in 1995 on the album Walk A Mile In My Shoes. There are live versions of the Hawaii show that was released on a live album in 1973 called Aloha from Hawaii and another released in 1977 on a simple compact with America The Beautiful on side B, not forgetting the version on the album Elvis in Concert, a live version from 1977.
$4.99
4.56 €
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Trompette
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Elvis Presley
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Leo Silva
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My Way
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MP Sheet Music
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SheetMusicPlus
My Way
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1427335 By Elvis Presley. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1427335 By Elvis Presley. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1008060. Published by MP Sheet Music (A0.1427335). My Way is an English-language version of the French song Comme d'habitude, which was first released by the author, Claude François, in 1967, in France. In 1968, Frank Sinatra released his English version, adapted by Paul Anka and which became one of his greatest classics. However, the lyrics are unrelated to the original French version. It is one of the most recorded popular songs in history.Elvis Presley's studio version was recorded in June 1971 and released only in 1995 on the album Walk A Mile In My Shoes. There are live versions of the Hawaii show that was released on a live album in 1973 called Aloha from Hawaii and another released in 1977 on a simple compact with America The Beautiful on side B, not forgetting the version on the album Elvis in Concert, a live version from 1977.
$4.99
4.56 €
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Trompette
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Elvis Presley
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Leo Silva
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My Way
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MP Sheet Music
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SheetMusicPlus
La Trompette Classique
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.842811 Composed by Ludwig van Bee…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.842811 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Individual part. 28 pages. Javier Marco #6358043. Published by Javier Marco (A0.842811). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.14 €
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Trompette
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Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart
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Javier Marcó
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La Trompette Classique
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Javier Marco
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SheetMusicPlus
Warrior
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.796611 By Demi Lovato. By Andrew…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.796611 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and part. 11 pages. DR GARY D BELSHAW #3024535. Published by DR GARY D BELSHAW (A0.796611). 4 minutes. 10 pages, not including sample part page. Demi Lovato's 2015 hit song is arranged here for B-flat Trumpet or Cornet and piano. This would be a great addition to a recital, or for performing for community events. (Next time someone asks if you'll play a song or two for the Chamber of Commerce banquet, smile big and say, Absolutely! But, don't play this for a wedding, right?) Ms. Lovato sings some complicated rhythms, so you may have to spend time practicing slowly with a metronome; it will pay off big-time. Your teacher or director will be glad for the energy and conviction you'll have to have to play this well.
$4.99
4.56 €
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Trompette
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Demi Lovato
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Gary D
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it will pay off big-time
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Warrior
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DR GARY D BELSHAW
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SheetMusicPlus
Brave
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.796765 By Josh Groban. By Chanta…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.796765 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. Score and part. 21 pages. DR GARY D BELSHAW #5970209. Published by DR GARY D BELSHAW (A0.796765). For the Advanced Intermediate Trumpeter. 23 pages, including parts for C Trumpet, one with, and the other without, key signature. Duration: 4 minutes. In D-flat Major, this arrangement is also available in the original key of E-flat Major.First released as a single in 2012, Brave was included in Josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up.Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better.Of course, it would be a great show-piece for social and civic events; its inspiring message would even serve in church-related functions. It may take a bit longer to get all of it under the fingers, as anything worth showing off would demand. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image. But as the song says, Wake up, wake up! Reach out, reach out!Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!
$7.99
7.31 €
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Trompette
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Josh Groban
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Gary D
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Brave
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DR GARY D BELSHAW
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SheetMusicPlus
There's A Place For Us
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.796668 By Carrie Underwood. By Ca…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.796668 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Gary D. Belshaw (ASCAP). Country,Pop. Individual part. 6 pages. DR GARY D BELSHAW #3392275. Published by DR GARY D BELSHAW (A0.796668). From the motion picture The Chronicles of Narnia; The Voyage of the Dawn Treader. If you loved the story and the wonderful characters, you'll want to learn to play this inspiring music. Specifically arranged for the Early Intermediate trumpeter, this is a perfect solo for concert or recital. Great for the talent show at church, school, or any social organization event. And, of course, wonderful just for your own amazement. Duration is about 1-1/2 minutes.Follow Gary D. Belshaw Music on Facebook and Twitter. Your comments are coveted.
$4.99
4.56 €
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Trompette
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Carrie Underwood
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Gary D
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There's A Place For Us
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DR GARY D BELSHAW
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SheetMusicPlus
Etudes for the Developing Trumpet Player
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.921089 Composed by Michael D. Blo…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.921089 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300207. Published by Michael D. Blostein (A0.921089). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00
9.15 €
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Trompette
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Michael D
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Etudes for the Developing Trumpet Player
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Michael D. Blostein
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SheetMusicPlus
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
His Eye is on the Sparrow (Trumpet and Piano)
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.524790 Composed by Civilla D. Ma…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.524790 Composed by Civilla D. Martin, Charles H. Gabriel. Arranged by John A. Dempsey. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 13 pages. John A. Dempsey #6332867. Published by John A. Dempsey (A0.524790). A perennially popular hymn, His Eye is on the Sparrow reflects the blessings of courage, comfort and calm assurance. Â Arranged as a duet for Bb trumpet and piano, this music is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â Concert Key (Piano): Bb major. Â Trumpet Key: C major. Â 9 pages of music (that includes a separate two-page trumpet part). Â Trumpet Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
6.39 €
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Trompette
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Civilla D
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John A
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His Eye is on the Sparrow
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John A. Dempsey
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SheetMusicPlus
Shimmering River, Starry Night (Trumpet and Piano)
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.525025 Composed by John A. Demps…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.525025 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #6609301. Published by John A. Dempsey (A0.525025). Music mirroring the flowing beauty of rivers and nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for Bb trumpet and piano is recommended for concerts, recitals, banquets, weddings, holiday celebrations and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 9 pages of music (that includes a separate two-page trumpet part). Â Concert Key (Piano): C major. Â Trumpet Key: D major.
$7.99
7.31 €
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Trompette
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John A
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Shimmering River, Starry Night
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John A. Dempsey
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SheetMusicPlus
O Mio Babbino Caro (Trumpet and Piano)
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.524306 Composed by Giacomo Pucci…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.524306 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Concert,Film/TV,Opera,Romantic Period,Wedding. Score and part. 11 pages. John A. Dempsey #5288613. Published by John A. Dempsey (A0.524306). A combination of sweeping majesty and melodic lyricism, Puccini's irresistible aria O Mio Babbino Caro (from Gianni Schicchi) is arranged here as a duet for Bb trumpet and piano. Recommended for concerts, recitals, weddings and more. 7 pages of music (that includes a separate two-page pullout trumpet part). Concert Key (Piano): C major. Trumpet Key: D major.
$6.99
6.39 €
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Trompette
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Giacomo Puccini
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John A
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O Mio Babbino Caro
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John A. Dempsey
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Cello Suite No. 1 (Prelude) For Solo Trumpet
Trompette
By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Ivan de …
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By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Ivan de Andrade. Baroque, Classical, Instructional, Traditional, Wedding. Trumpet Solo. 3 pages. Published by Finesse Music
Features breath marks, phrasing ideas and articulation recommendations. Transposed key signature (concert C / written D) for optimum usage of the instrument range and most natural performance. Proper page turn and easy-to-read layout. Formatted for A4 paper print or table view. Stand out from the crowd by adding this beautiful and worldwide celebrated piece to your repertoire!<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.Features breath marks, phrasing ideas and articulation recommendations. Transposed key signature (concert C / written D) for optimum usage of the instrument range and most natural performance. Proper page turn and easy-to-read layout. Formatted for A4 paper print or table view. Stand out from the crowd by adding this beautiful and worldwide celebrated piece to your repertoire!<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$3.99
3.65 €
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Trompette
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Johann Sebastian Bach
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Ivan de Andrade
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Cello Suite No. 1
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Finesse Music
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SheetMusicPlus
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