English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
14
Librairie
Musicale
22
Matériel
de Musique
101
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
954
PIANO & CLAVIERS
Piano seul
361
Orgue
146
Piano Facile
104
Piano, Voix
89
Piano grosses notes
70
Piano, Voix et Guitare
38
Accompagnement Piano
32
1 Piano, 4 mains
13
2 Pianos, 4 mains
7
Orgue, Piano (duo)
5
Piano Trio: piano, violon, violoncelle
5
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Voix
2
Instruments en Do
2
Accordéon
2
Instrumentations suivantes
Retracter
GUITARES
Guitare
30
Guitare notes et tablatures
15
2 Guitares (duo)
2
Ensemble de Ukulélés
1
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
458
Chorale Unison
162
Chorale 3 parties
116
Chorale 2 parties
70
Chorale TTBB
25
Chorale
14
Chorale SSAA
8
Voix seule
6
Voix Soprano, Piano
4
Voix duo
3
Chorale SSATB
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
57
Clarinette et Piano
34
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto et Piano
25
Quatuor de Clarinettes: 4 clarinettes
20
Quintette de Saxophone: 5 saxophones
18
Hautbois, Piano (duo)
17
Ensemble de saxophones
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Flûtes à bec
10
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Clarinette
6
Ensemble de Clarinettes
6
Saxophone Alto
5
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
2 Hautbois (duo)
4
Flûte et Guitare
4
Hautbois (partie séparée)
4
Saxophone Tenor
3
Flûte à bec Soprano
3
2 Flûte à bec (duo)
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
3
3 Clarinettes (trio)
3
3 Saxophones (trio)
2
2 Clarinettes (duo)
2
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone (partie séparée)
2
5 Flûtes à bec
2
Flûte à bec, Guitare (duo)
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
1
Saxophone, Clarinette (duo)
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette, Trompette (duo)
1
2 Saxophones (duo)
1
Clarinette, trompette et piano
1
Saxophone
1
Hautbois, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Ensemble de Trompettes
34
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor et Piano
19
Trompette
14
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Piano
5
Ensemble de Trombones
5
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trompettes
3
Cor anglais, Piano
3
Cor
2
2 Trompettes (duo)
2
Trompette (partie séparée)
2
Trombone (partie séparée)
2
Trombone
2
Quatuor de Cuivres
1
Ensemble de Cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Trio de Cuivres
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon et Piano
44
Violoncelle, Piano
29
Harpe
23
Alto, Piano
23
Violon
18
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
9
Harpe, Voix
6
Violoncelle
5
2 Harpes (duo)
4
Alto seul
4
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Alto (partie séparée)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
1
Trio à cordes
1
Ensemble de Violoncelles
1
Contre Basse
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Cloches
169
Orchestre d'harmonie
51
Orchestre
28
Orchestre à Cordes
17
Orchestre de chambre
10
Ensemble Jazz
9
Ensemble de Percussions
7
Ensemble de cuivres
7
Ensemble d'École
5
Batterie
4
Xylophone
2
Instrumentation Flexible
2
Vibraphone
2
Xylophone, Piano
1
Percussion (partie séparée)
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Théorie de la musique
1
Vous avez sélectionné:
Der General
Trompette
Partitions à imprimer
14 partitions trouvées
<
1
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.18 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.18 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
The Saint-Jacome Manual
Trompette
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvi…
(+)
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 73 pages. Published by Faded Duck Music
The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!
$16.95
15.18 €
#
Trompette
#
Eric Bolvin
#
Eric Bolvin
#
The Saint-Jacome Manual
#
Faded Duck Music
#
SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
(+)
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.43 €
#
Trompette
#
Eddie Lewis
#
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
#
Tiger Music
#
SheetMusicPlus
Psyckose for trumpet unaccompanied
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Frederic Quinet. 21s…
(+)
Trumpet - Advanced Intermediate - Digital Download Composed by Frederic Quinet. 21st Century, Contemporary Classical, Repertoire. Individual Part. 5 pages. Published by Frederic Quinet
Psyckose, for trumpet unaccompanied, retranscribed the feelings of a personbelieving to be constantly followed in the street or somewhere else.<br> <br> Thiscomposition is based on a matrix of 3 notes (D, Bb,G#) from which, is developedall the thematic material of this piece having subject to (or not) severaltransformations inspired by the serial music (mirror, retrograde,permutation...). Of all this, gets free of it a range by tone on D.<br> <br> Thegeneral form is A B A’: Sonata form in the french – slow / fast / slow -
$7.99
7.16 €
#
Trompette
#
Frederic Quinet
#
Psyckose for trumpet unaccompanied
#
Frederic Quinet
#
SheetMusicPlus
Handel: Largo from Xerxes for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George…
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.52 €
#
Trompette
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Maryland My Maryland
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.951580 Composed by Traditional. A…
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.951580 Composed by Traditional. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 5 pages. Travis Hayman #6294349. Published by Travis Hayman (A0.951580). Maryland, My Maryland is the regional anthem (or state song) of the U.S. state of Maryland. The song is set to the melody of Lauriger Horatius - the same tune O Tannenbaum was taken from. The lyrics are from a nine-stanza poem written by James Ryder Randall (1839–1908) in 1861. The state's general assembly adopted Maryland, My Maryland as the state song on April 29, 1939.
$5.00
4.48 €
#
Trompette
#
Traditional
#
Travis Hayman
#
Maryland My Maryland
#
Travis Hayman
#
SheetMusicPlus
Sonata For Trumpet, Horn and Organ
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Scha…
(+)
Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.68 €
#
Trompette
#
Thomas R
#
Sonata For Trumpet, Horn and Organ
#
Thomas R. Schadl
#
SheetMusicPlus
Essential Vocal Duets, Vol. 6
Trompette
Vocal ensemble Piano, Trumpet - Digital Download SKU: H1.9064DP Hymn Arrangements, …
(+)
Vocal ensemble Piano, Trumpet - Digital Download SKU: H1.9064DP Hymn Arrangements, Praise & Worship, Christmas, Easter Sunday, General Worship, Offering, Service Music, Eternal Life, Faith & Faithfulness, Gospel, Birth of Jesus Christ, Jesus Christ - Majesty, Jesus Christ - Passion, Jesus Christ - Resurrection, Adorat. Vocal score. 92 pages. Hope Publishing - Digital #9064DP. Published by Hope Publishing - Digital (H1.9064DP). Various Arrangers.Vocal duet collection Here are 10 vocal duets of top-sellers from the Hope catalog, each arranged for two medium voices. Available alone or in a book/CD combo with accompaniment tracks useful for rehearsal and performance. The wide range of seasonal and general settings makes this a wonderful collection for the church year.
$24.95
22.35 €
#
Trompette
#
Essential Vocal Duets, Vol. 6
#
Hope Publishing - Digital
#
SheetMusicPlus
Chiquitita
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1284362 By ABBA. By Benny Anderss…
(+)
Trumpet Solo - Level 2 - Digital Download SKU: A0.1284362 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #875534. Published by MP Sheet Music (A0.1284362). Chiquitita was the first single released by the Swedish group ABBA from the album Voulez-Vous.With the success of the English version, ABBA also recorded a version of the song in Spanish. The song was first released on the album ABBA Oro: Grandes Éxitos.Chiquitita was performed at UNICEF's 1979 charity event, Music for UNICEF Concert, broadcast worldwide by the United Nations General Assembly. As a result of the event, the group donated half of the song's royalties to UNICEF. To this day, 50% of the proceeds from the song go to UNICEF, in recognition of the International Year of the Child in 1979. In May 2007, Chiquitita generated more than SEK 15,000,000 (about 2.5 million dollars).The song was a hit in several countries: Belgium, Finland, Ireland, Netherlands, New Zealand, Spain and Switzerland; reached the top 5 in Australia, West Germany, Great Britain, Norway and Sweden, becoming the most successful single from the Voulez-Vous album.Chiquitita, was one of the few ABBA singles to be released without a custom-made video. Since then, in the group's video collections, musical television programs have been used. The clip for Chiquitita was recorded at the BBC for the Abba in Switzerland show, shown throughout Europe at Easter 1979. In it, the band appears singing the song on a mountain, with a snowman in the background.
$4.99
4.47 €
#
Trompette
#
ABBA
#
Leo Silva
#
Chiquitita
#
MP Sheet Music
#
SheetMusicPlus
Civil Air Patrol
Trompette
Trumpet Solo - Digital Download SKU: A0.951549 Composed by Lowell Riley. Arranged b…
(+)
Trumpet Solo - Digital Download SKU: A0.951549 Composed by Lowell Riley. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #6101859. Published by Travis Hayman (A0.951549). The Civil Air Patrol (CAP) is a congressionally chartered, federally supported non-profit corporation that serves as the official civilian auxiliary of the United States Air Force (USAF). CAP is a volunteer organization with an aviation-minded membership that includes people from all backgrounds, lifestyles, and occupations. It performs three congressionally assigned key missions: emergency services, which includes search and rescue (by air and ground) and disaster relief operations; aerospace education for youth and the general public; and cadet programs for teenage youth. In addition, CAP has recently been tasked with homeland security and courier service missions. CAP also performs non-auxiliary missions for various governmental and private agencies, such as local law enforcement and the American Red Cross.
$5.00
4.48 €
#
Trompette
#
Lowell Riley
#
Travis Hayman
#
Civil Air Patrol
#
Travis Hayman
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix …
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.52 €
#
Trompette
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Bridal Chorus
Trompette
Trumpet Solo - Digital Download SKU: A0.951560 Composed by Richard Wanger. Arranged…
(+)
Trumpet Solo - Digital Download SKU: A0.951560 Composed by Richard Wanger. Arranged by Travis Hayman. Romantic Period,Wedding. Individual part. 6 pages. Travis Hayman #6129827. Published by Travis Hayman (A0.951560). The Bridal Chorus from the 1850 opera Lohengrin by German composer Richard Wagner, is a march played for the bride's entrance at many formal weddings throughout the Western world. In English-speaking countries it is generally known as Here Comes the Bride or Wedding March, though wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner’s piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
$5.00
4.48 €
#
Trompette
#
Richard Wanger
#
Travis Hayman
#
Bridal Chorus
#
Travis Hayman
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
