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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
Don't Stay
Trompette
Partitions à imprimer
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Don't Be Shy
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237551 By Tiesto And Karo…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237551 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arranged by Musikeo. 21st Century,Contemporary,Disco,Latin,Pop. Individual part. 1 pages. Musikeo #833067. Published by Musikeo (A0.1237551). Don't Be Shy is a song by Dutch DJ Tiësto and Colombian singer-songwriter Karol G. It was released on 12 August 2021 via Atlantic Records as a the second single from Tiësto's seventh studio album Drive. It also marks Karol G's first song in English.The music video was directed by Christian Breslauer, who filmed the music videos for The Business, Industry Baby and Streets. It starts off with an outdoor shot of the Norwegian National Opera and Ballet at the Night, then followed up by the Night at the Museum-inspired music video, comedian Blake Webber plays a museum janitor, and Karol G dances with a group of dancers in different scenes in a museum.Part two of the music video was released on 4 September 2021.Carolina Giraldo Navarro (born 14 February 1991), known professionally as Karol G (stylized in all caps), is a Colombian singer and songwriter. She is predominantly described as a reggaeton and Latin trap artist, but has experimented with a variety of other genres including reggae and sertanejo. In 2018, she won the Latin Grammy Award for Best New Artist, and has been nominated for several Billboard Latin Music Awards and Lo Nuestro Awards.Born and raised in MedellÃn, Giraldo launched her career as a teenager, appearing on the Colombian spinoff of The X Factor. She moved to New York City in 2014 to learn more about the music industry and signed to Universal Music Latino. Her collaboration with Puerto Rican rapper Bad Bunny Ahora Me Llama became her breakthrough hit, and was the lead single for her debut album Unstoppable, released in 2017. In late 2018, her song Secreto became a hit in Latin America as she and Anuel AA publicly confirmed their relationship in the music video.In July 2019, she released China in collaboration with Anuel AA, Daddy Yankee, Ozuna and J Balvin, which became her first music video with over one billion views on YouTube. In May 2019, she released the album Ocean, which served as a stylistic departure from Unstoppable, incorporating a more relaxed atmosphere in her work. Her song Tusa with Nicki Minaj also charted internationally and was certified 28× Latin Platinum by the RIAA, staying on the Billboard Hot Latin Songs chart for 25 weeks. In 2020, Karol G received four nominations at the Latin Grammys. Karol G achieved her highest-charting single on the Billboard Hot 100 with the top 10 song TQG, a collaboration with Shakira.With her fourth album, Mañana Será Bonito (2023), Karol G became the first woman to ever debut at number one on the Billboard 200 chart with a Spanish-language albumEnjoy my arrangement!
$6.49
6 €
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Trompette
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Tiesto And Karol G
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Musikeo
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Don't Be Shy
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Musikeo
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SheetMusicPlus
Derlin Din Din (arr. for Trumpet Trio)
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pes…
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Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 15 pages. Andrew Lamb #894772. Published by Andrew Lamb (A0.1305334). Introducing Derlin Din Din - Trumpet Trio Arrangement 🎺🌟 Immerse yourself in the timeless melodies of Émile Pessard with this exceptional arrangement of Derlin Din Din, skillfully adapted for 3 Trumpets or Cornets. This arrangement offers additional flexibility with extra parts, including a Tenor Horn in Eb as a substitute for Trumpet 3 and a French Horn part for added versatility.🎼 Level of Difficulty: Intermediate 🎶 Perfect for intermediate trumpet players and ensembles, this arrangement provides a delightful journey through Pessard's secular chorus.🎯 Potential Uses: 🔸 Concerts: Showcase your trumpet trio's talent with this captivating piece, sure to impress your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning, allowing students to explore the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a distinguished French composer known for his timeless compositions.🎶 Embrace Pessard's legacy and elevate your trumpet trio's repertoire with this delightful arrangement of Derlin Din Din.Don't miss out on this opportunity to explore the world of classical music through the resounding notes of trumpets and cornets. 🌟👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din with your trumpet trio today! 🎺✨.
$4.00
3.7 €
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Trompette
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Emile Pessard
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Andrew Lamb
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.67 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.67 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
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