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Piano seul
1386
Piano, Voix
669
Piano Facile
340
Piano, Voix et Guitare
291
Instruments en Do
150
Orgue
71
Accompagnement Piano
52
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
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Piano grosses notes
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7
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GUITARES
Guitare
160
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156
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46
Ukulele
32
Basse electrique
23
Guitare (partie séparée)
12
2 Guitares (duo)
9
Banjo
7
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
6
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3
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1
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VOIX
Chorale SATB
656
Chorale 3 parties
337
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124
Chorale TTBB
98
Chorale Unison
87
Chorale SSAA
63
Voix duo, Piano
31
Voix Soprano, Piano
23
Voix haute
21
Voix Alto, Piano
19
Voix duo
16
Voix Baryton, Piano
7
Voix Soprano
5
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5
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Voix seule
4
Voix Mezzo-Soprano, Piano
3
Voix Tenor
3
Chorale SSAATTBB
3
Chorale SSATB
2
Voix basse, Piano
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2
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quatuor de Saxophones: 4 saxophones
199
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
168
Quintette de Saxophone: 5 saxophones
152
2 Saxophones (duo)
125
Flûte traversière et Piano
124
Ensemble de saxophones
118
Flûte, Hautbois, Clarinette, Basson
112
Clarinette et Piano
94
Hautbois, Piano (duo)
90
Quatuor de Clarinettes: 4 clarinettes
84
Flûte traversière
81
2 Clarinettes (duo)
74
2 Flûtes traversières (duo)
73
Clarinette
70
Saxophone Alto et Piano
65
Ensemble de Clarinettes
53
Saxophone (partie séparée)
52
Saxophone Tenor et Piano
50
Saxophone Soprano et Piano
44
Hautbois (partie séparée)
41
Quatuor de Flûtes : 4 flûtes
36
Ensemble de Flûtes
35
Saxophone Baryton, Piano
32
3 Saxophones (trio)
30
2 Hautbois (duo)
28
Quintette de Flûte : 5 flûtes
27
2 Flûtes traversières, Piano
26
Saxophone Alto
26
Quintette de Clarinettes: 5 clarinettes
26
3 Clarinettes (trio)
24
Clarinette Basse, Piano
24
Cor anglais, Piano
24
Saxophone Tenor
21
Trio de Flûtes: 3 flûtes
19
Saxophone, Clarinette (duo)
18
Hautbois, Basson (duo)
13
Clarinette (partie séparée)
13
Flûte, Violoncelle
12
Clarinette, Violon (duo)
12
Flûte, Trombone (duo)
10
Quatuor de Flûtes à bec
10
Flûte, Clarinette (duo)
9
2 Flûte à bec (duo)
8
Flûte et Guitare
8
Clarinette, Basson (duo)
8
Flûte, Violon
7
Hautbois
7
5 Flûtes à bec
7
3 Hautbois
7
Clarinette, Violoncelle (duo)
7
Clarinette, Trompette (duo)
7
Flûte à bec Soprano
7
4 Hautbois
7
Clarinette et Alto
6
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6
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5
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5
Flute (partie séparée)
5
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5
Flûte à Bec
5
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5
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4
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3
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3
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3
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Harmonica
3
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3
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3
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3
Flûte irlandaise
2
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2
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2
2 Cors Anglais Et Pianoforte
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Flûte à bec Tenor
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Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
Cor Anglais
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Basson
1
Ocarina
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
Piccolo
1
Saxophone
1
Hautbois, Basson et Piano
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Piano
1
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1
Saxophone Soprano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
219
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trombone et Piano
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
Cor et Piano
70
Trompette, Piano
68
Trompette
66
Cor
60
2 Trombones (duo)
60
Ensemble de Trompettes
59
Trombone
52
Trompette (partie séparée)
50
Trombone (partie séparée)
45
Euphonium, Piano (duo)
41
Tuba
41
Ensemble de Trombones
40
Tuba et Piano
39
2 Trompettes (duo)
34
Quatuor de Cuivres
30
Cor anglais, Piano
24
2 Cors (duo)
23
Quatuor de cuivres: 4 trombones
23
2 Tubas (duo)
19
Quatuor de cuivres: 4 cors
13
2 Euphoniums (duo)
12
Trompette, Saxophone (duo)
10
Cor (partie séparée)
9
Trompette, Trombone (duo)
9
Tuba (partie séparée)
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trompettes
8
Euphonium
7
2 Euphoniums et 2 Tubas
5
Trombone basse et Piano
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor, Violoncelle (duo)
3
4 Tubas
3
Trio de Cuivres
3
Trompette, Basson (duo)
2
3 Trompettes (trio)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle (duo)
2
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Trombone basse
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Euphonium, Tuba (duo)
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3 Euphoniums
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Cor anglais et Harpe (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
510
Violon et Piano
152
Violon
94
Violoncelle, Piano
84
Violoncelle
75
Alto, Piano
73
Trio à Cordes: violon, alto, violoncelle
69
Violon, Violoncelle (duo)
64
2 Violons (duo)
46
Harpe
41
Alto seul
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Contre Basse
37
2 Violoncelles (duo)
36
2 Altos (duo)
32
Contrebasse, Piano (duo)
31
Trio à Cordes: 2 violons, violoncelle
27
Ensemble d'Altos
21
Violon (partie séparée)
21
Ensemble de Violons
21
Violon, Basson (duo)
19
2 Contrebasses (duo)
18
Alto (partie séparée)
18
Violon, Alto (duo)
16
Contrebasse (partie séparée)
15
4 Violoncelles
12
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
9
2 Harpes (duo)
8
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
7
Violoncelle , Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
6
Alto et Basson
5
Violon, Guitare (duo)
5
Harpe, Voix
4
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes : 4 altos
3
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
1
Violon, Orgue
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Harpe et Piano
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
807
Orchestre à Cordes
189
Orchestre
183
Ensemble Jazz
131
Ensemble de cuivres
78
Ensemble de Percussions
47
Orchestre de chambre
45
Fanfare
44
Cloches
41
Batterie
22
Jazz combo
22
Batterie (partie séparée)
13
Percussion (partie séparée)
8
Vibraphone
4
Marimba
4
Xylophone, Piano
2
2 Xylophones
2
Orchestre, Violon
1
Xylophone ou Marimba ou Vibraphone
1
2 Percussions
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
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Down Like That
Trompette
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Running Up That Hill
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1366854 By Kate Bush. By K…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1366854 By Kate Bush. By Kate Bush. Arranged by Rogel Junior. Film/TV,New Age. Individual part. 5 pages. Rogel Junior #951186. Published by Rogel Junior (A0.1366854). Running Up That Hill (A Deal With God) by Kate Bush, the famous song from the 80's used at Season 4 of Stranger Things Netflix series and covered by other artists like Placebo and Meg Myers. Intermediate arrangement for trumpet in Bb (solo).
$4.99
4.5 €
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Trompette
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Kate Bush
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Rogel Junior
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Running Up That Hill
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Rogel Junior
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SheetMusicPlus
Running Up That Hill
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1366852 By Kate Bush. By K…
(+)
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1366852 By Kate Bush. By Kate Bush. Arranged by Rogel Junior. Film/TV,New Age. Individual part. 5 pages. Rogel Junior #951184. Published by Rogel Junior (A0.1366852). Running Up That Hill (A Deal With God) by Kate Bush, the famous song from the 80's used at Season 4 of Stranger Things Netflix series and covered by other artists like Placebo and Meg Myers. Intermediate arrangement for trumpet in Bb (solo). This score includes chords of the song.
$4.99
4.5 €
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Trompette
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Kate Bush
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Rogel Junior
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Running Up That Hill
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Rogel Junior
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.29 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.29 €
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
I Can Love You Like That by John Michael Montgomery - Trumpet Solo
Trompette
Performed by: John Michael Montgomery: I Can Love You Like That Digital Sheetmusic - insta…
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Performed by: John Michael Montgomery: I Can Love You Like That Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Trumpet; 2 pages --
$3.99
3.6 €
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Trompette
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John Michael Montgomery
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Trumpet Solo
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Musicnotes
Nue - Clara Luciani - Karaoke for Trumpet in C
Trompette
Trumpet - Intermediate - Digital Download By Clara Luciani. Arranged by Stephane ELSI…
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Trumpet - Intermediate - Digital Download By Clara Luciani. Arranged by Stephane ELSINY. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Stephane Elsiny
When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!<br> <br> The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/6I-aaSwnPcw<br> <br> Professors, these titles are ideal for motivating your students.<br> <br> Students, bring these titles to your teacher and have fun.<br> <br> Soon other French songs, pop, variety and also international songs…
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4.5 €
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Trompette
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Clara Luciani
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Stephane ELSINY
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Nue - Clara Luciani - Karaoke for Trumpet in C
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SheetMusicPlus
Nue - Clara Luciani - Karaoke for Trumpet in Bb
Trompette
Trumpet - Intermediate - Digital Download By Clara Luciani. Individual Part, Sheet Mu…
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Trumpet - Intermediate - Digital Download By Clara Luciani. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Stephane Elsiny
When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!<br> <br> The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/6I-aaSwnPcw<br> <br> Professors, these titles are ideal for motivating your students.<br> <br> Students, bring these titles to your teacher and have fun.<br> <br> Soon other French songs, pop, variety and also international songs…
$4.99
4.5 €
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Trompette
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Clara Luciani
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Nue - Clara Luciani - Karaoke for Trumpet in Bb
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.72 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.51 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
A Whole New World (aladdin's Theme)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1259092 By Peabo Bryson An…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1259092 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. 20th Century,Children,Film/TV,Wedding. Individual part. 2 pages. Avery Lynn Jordan #852359. Published by Avery Lynn Jordan (A0.1259092). If you are a fan of the movie Aladdin and the song A Whole New World, you will love this simplified sheet music for Trumpet Solo with Chords that we made for you. It is ideal for beginners who want to learn how to play this beautiful song that talks about the love and freedom of Aladdin and Jasmine. You will feel like you are flying on a magic carpet with them while playing the chords and notes of the melody. This sheet music is also great for teachers who want to teach their students in a fun and effective way, using a song that everyone knows and likes. And if you have children who are starting in music, this sheet music is a perfect gift to motivate and inspire them. Don't miss this opportunity and buy your sheet music of A Whole New World now!
$4.99
4.5 €
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Trompette
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Peabo Bryson And Regina Belle
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Langanho
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A Whole New World
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Avery Lynn Jordan
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SheetMusicPlus
A Whole New World (aladdin's Theme)
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1259087 By Peabo Bryson An…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1259087 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. 20th Century,Children,Film/TV,Wedding. Individual part. 2 pages. Avery Lynn Jordan #852353. Published by Avery Lynn Jordan (A0.1259087). If you are a fan of the movie Aladdin and the song A Whole New World, you will love this simplified sheet music for Trumpet Solo that we made for you. It is ideal for beginners who want to learn how to play this beautiful song that talks about the love and freedom of Aladdin and Jasmine. You will feel like you are flying on a magic carpet with them while playing the chords and notes of the melody. This sheet music is also great for teachers who want to teach their students in a fun and effective way, using a song that everyone knows and likes. And if you have children who are starting in music, this sheet music is a perfect gift to motivate and inspire them. Don't miss this opportunity and buy your sheet music of A Whole New World now!
$4.99
4.5 €
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Trompette
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Peabo Bryson And Regina Belle
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Langanho
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A Whole New World
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Avery Lynn Jordan
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549786 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536971. Published by jmsgu3 (A0.549786). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.72 €
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Trompette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.72 €
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Trompette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Silent Night
Trompette
Trumpet solo - Grade 3 - Digital Download SKU: DX.135148 Composed by Joseph Mahr. A…
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Trumpet solo - Grade 3 - Digital Download SKU: DX.135148 Composed by Joseph Mahr. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 9 pages. David E. Smith - Digital Sheet Music #135148. Published by David E. Smith - Digital Sheet Music (DX.135148). An accompanied trumpet solo that begins with a gentle piano introduction. The soloist then presents the tune with subtle modifications. The second section progresses with even greater melodic enhancement. With a modulation the solo deviates the melody with an almost obbligato-like fashion. With further modulation the solo line gravitates to a style reminiscent to the second section. The coda section is patterned after the first section and then settles down to sweet silence.Key of Ab, Bb.
$4.50
4.06 €
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Trompette
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Joseph Mahr
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Dana F
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Silent Night
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Deja Vu
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253032. Published by M das Melodias (A0.643955). Music sheet music Deja Vu for Trumpet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu #oliviarodrigo #dejavu #trumpet #sheetmusic #relaxingmusic Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
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4.5 €
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Trompette
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Trompette
Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by…
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Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Full Performance. Duration 270. Visionary Quest Records #4895615. Published by Visionary Quest Records (A0.1070263). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival.The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$1.99
1.8 €
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Peaches
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261299 By Jack Black. By …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261299 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Individual part. 1 pages. Benzaiten Editions #854373. Published by Benzaiten Editions (A0.1261299). Hey! Are you a trumpet player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • trumpet intermediate sheet music with chords The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$4.99
4.5 €
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Jack Black
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Benzaiten Editions
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Peaches
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Benzaiten Editions
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SheetMusicPlus
Peaches
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261291 By Jack Black. By …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261291 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Individual part. 1 pages. Benzaiten Editions #854365. Published by Benzaiten Editions (A0.1261291). Hey! Are you a trumpet player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • trumpet intermediate sheet music The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$4.99
4.5 €
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Trompette
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Jack Black
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Benzaiten Editions
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Peaches
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Benzaiten Editions
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.51 €
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Martin Luther
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James M
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Luther: Out of the Depths for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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3.16 €
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Kommos
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SheetMusicPlus
Brave
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.796765 By Josh Groban. By Chanta…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.796765 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. Score and part. 21 pages. DR GARY D BELSHAW #5970209. Published by DR GARY D BELSHAW (A0.796765). For the Advanced Intermediate Trumpeter. 23 pages, including parts for C Trumpet, one with, and the other without, key signature. Duration: 4 minutes. In D-flat Major, this arrangement is also available in the original key of E-flat Major.First released as a single in 2012, Brave was included in Josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up.Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better.Of course, it would be a great show-piece for social and civic events; its inspiring message would even serve in church-related functions. It may take a bit longer to get all of it under the fingers, as anything worth showing off would demand. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image. But as the song says, Wake up, wake up! Reach out, reach out!Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!
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Brave
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
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22.51 €
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O Come All Ye Faithful for Trumpet & Piano
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SheetMusicPlus
Sonata For Trumpet, Horn and Organ
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Scha…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
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2.7 €
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Sonata For Trumpet, Horn and Organ
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Thomas R. Schadl
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
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29.72 €
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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SheetMusicPlus
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