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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For He\\
Non classifié
3 948
Piano & claviers
Piano seul
2 018
Piano, Voix
1 325
Piano, Voix et Guitare
897
Piano Facile
419
Orgue
258
Instruments en Do
148
Accompagnement Piano
103
Accordéon
81
Piano Trio: piano, violon, violoncelle
72
1 Piano, 4 mains
52
Piano grosses notes
44
2 Pianos, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
13
Clavecin
9
Orgue, Trompette (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 8 mains
2
Piano (partie séparée)
2
Accordéon, Voix
1
Ligne De Mélodie, Piano
1
1 Piano, 6 mains
1
Clavier
1
+ 19 instrumentations
Retracter
Guitares
Guitare
282
Ligne De Mélodie, (Paroles) et Accords
217
Guitare notes et tablatures
200
Ukulele
72
Paroles et Accords
56
2 Guitares (duo)
44
Basse electrique
17
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
13
Mandoline
10
Guitare (partie séparée)
6
Ensemble de guitares
5
Mandoline, Guitare (duo)
5
3 Guitares (trio)
4
Guitare, Violon, Violoncelle (trio)
3
Dulcimer
3
Banjo
3
Ensemble de Ukulélés
2
Ukulele Baryton
1
Orchestre à Plectres
1
Partitions De Groupes
1
+ 16 instrumentations
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Voix
Chorale SATB
1 428
Chorale 3 parties
321
Chorale 2 parties
201
Chorale TTBB
129
Chorale Unison
120
Voix duo, Piano
78
Chorale SSAA
64
Voix duo
36
Voix seule
31
Chorale
28
Voix Alto, Piano
26
Voix haute
19
Voix Baryton, Piano
19
Voix Tenor, Piano
19
Voix Soprano, Piano
17
Voix moyenne, Piano
10
Voix Tenor
7
Chorale SSAATTBB
6
Voix basse, Piano
6
Chorale SSATTB
5
Voix Soprano
4
Chorale, Orgue
2
Soli, choeur mixte et accompagnement
2
Voix d'Enfants
1
Chorale SSATB
1
Voix basse
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
453
Clarinette et Piano
381
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
308
Quatuor de Saxophones: 4 saxophones
255
Saxophone Alto et Piano
251
2 Saxophones (duo)
233
Hautbois, Piano (duo)
217
Flûte, Hautbois, Clarinette, Basson
196
Flûte traversière
190
Quatuor de Clarinettes: 4 clarinettes
168
Saxophone Soprano et Piano
162
Saxophone Tenor et Piano
157
Clarinette
151
2 Flûtes traversières (duo)
127
Quintette de Saxophone: 5 saxophones
125
2 Clarinettes (duo)
123
Ensemble de Clarinettes
113
Quatuor de Flûtes : 4 flûtes
109
Saxophone Baryton, Piano
83
Ensemble de Flûtes
81
Cor anglais, Piano
81
Ensemble de saxophones
79
Saxophone Alto
79
Saxophone (partie séparée)
62
Saxophone, Clarinette (duo)
61
3 Clarinettes (trio)
58
Flûte, Clarinette (duo)
57
3 Saxophones (trio)
53
Saxophone Tenor
52
Hautbois (partie séparée)
48
Clarinette Basse, Piano
45
Clarinette, Violon (duo)
45
Hautbois, Basson (duo)
41
Quintette de Clarinettes: 5 clarinettes
39
Flûte, Violon, Piano
38
Clarinette, Guitare (duo)
35
Flûte et Guitare
35
2 Hautbois (duo)
35
Clarinette, Trompette (duo)
31
Flûte, Violon
30
Trio de Flûtes: 3 flûtes
29
Saxophone
25
2 Flûte à bec (duo)
24
Hautbois, Clarinette (duo)
23
Clarinette et Alto
21
Flûte, Trompette (duo)
21
Ensemble De Flûte à bec
20
Flûte, Saxophone (duo)
20
Hautbois, Flûte
20
Flute (partie séparée)
18
Clarinette, Basson (duo)
18
Quintette de Flûte : 5 flûtes
18
Flûte à Bec
15
Flûte, Alto (duo)
15
Quatuor de Flûtes à bec
15
Hautbois
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Hautbois, Basson
12
Saxophone Soprano
11
Flûte à bec Soprano
11
2 Saxophones, Piano
10
5 Flûtes à bec
10
Flûte, Clarinette et Basson
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Alto
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Clarinette, Piano (trio)
9
Harmonica
8
Clarinette (partie séparée)
8
Clarinette, Harpe (duo)
7
Flûte à bec Soprano, Piano
7
Piccolo, Piano
6
Saxophone et Harpe
6
2 Clarinettes, Piano
6
Hautbois, Harpe
6
Flûte, Alto et Piano
6
Hautbois, Guitare (duo)
6
Flûte, Violoncelle
5
3 Flûtes à bec (trio)
5
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois (duo)
5
Flûte à bec Alto, Piano
4
Ocarina
4
Clarinette, Violoncelle, Piano (trio)
4
3 Hautbois
4
Flûte, Violoncelle, Guitare
4
Flûte à bec, Guitare (duo)
4
Flûte traversière, Orgue (duo)
4
Cor anglais, Guitare (duo)
4
2 Flûtes traversières, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone et Guitare
3
Flûte à bec Alto, Basse continue
3
Cor Anglais
3
Hautbois, Violoncelle
3
Saxophone et Piano
2
2 Clarinettes, Basson
2
Flûte, Basson et Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois et alto (duo)
2
Flûte, Trombone (duo)
2
Flûte irlandaise
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flute, harpe et violon
2
Flûte traversière, Basse continue
2
Flûte à bec Tenor
2
Flûte, Hautbois, Piano (trio)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte à bec, Harpe
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Tuba (duo)
1
Flûte et Trio à cordes
1
Clarinette, Tuba
1
Clarinette Basse
1
Piccolo
1
4 Hautbois
1
Clarinette, Trombone (duo)
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette, trompette et piano
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Violon
1
Cor anglais et Harpe (duo)
1
Saxophone Baryton
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
309
Quatuor de Cuivres : 2 trompettes, trombone, tuba
218
Trombone et Piano
211
Trompette, Piano
174
Trompette
144
Cor et Piano
133
Euphonium, Piano (duo)
81
Cor anglais, Piano
81
Trombone
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
67
Quatuor de Cuivres
63
Trompette, Trombone (duo)
58
2 Trombones (duo)
57
2 Trompettes (duo)
55
Tuba et Piano
52
Trombone (partie séparée)
47
Cor
46
Trompette, Saxophone (duo)
44
Tuba
42
Trompette (partie séparée)
40
Quatuor de cuivres: 4 trombones
37
Ensemble de Trombones
35
Ensemble de Trompettes
23
2 Cors (duo)
22
Quatuor de cuivres: 4 cors
20
Ensemble de Cors
11
Trio de Cuivres
8
Tuba et Orgue
8
Trompette, Cor (duo)
7
3 Trombones (trio)
7
Quatuor de cuivres: 4 trompettes
7
Cor (partie séparée)
6
4 Tubas
6
2 Euphoniums et 2 Tubas
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Euphonium
5
2 Tubas (duo)
5
Cor et Harpe
5
Trompette, Harpe
5
3 Trompettes (trio)
5
2 Trompettes, Clavier (piano ou orgue)
4
Tuba (partie séparée)
4
Cor anglais, Guitare (duo)
4
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone basse et Piano
3
Trompette, violon (duo)
3
Cor Anglais
3
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
2
Trombone, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trombone, Orgue
2
Trombone, Cor (duo)
1
Trombone et orchestre
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Orgue
1
Trompette, Tuba (duo)
1
Instruments en Fa
1
Cor anglais et Harpe (duo)
1
Trombone, Violon (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
717
Violon et Piano
549
Violoncelle, Piano
377
Alto, Piano
315
Violon
207
Trio à Cordes: violon, alto, violoncelle
156
Violon, Violoncelle (duo)
127
Violoncelle
123
2 Violons (duo)
113
Harpe
98
2 Violoncelles (duo)
94
Alto seul
74
Violon, Alto (duo)
71
2 Altos (duo)
69
Violon, Guitare (duo)
56
Trio à Cordes: 2 violons, violoncelle
54
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Contre Basse
31
Alto, Guitare (duo)
27
Alto (partie séparée)
24
Alto, Violoncelle (duo)
23
4 Violoncelles
22
Violoncelle , Guitare (duo)
22
Trio à cordes: 3 violins
19
Piano Trio: Violon, Alto, Piano
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon (partie séparée)
14
Harpe, Flûte (duo)
14
Trio à Cordes: 3 violoncelles
13
Contrebasse (partie séparée)
12
Ensemble de Violons
12
Ensemble d'Altos
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, alto
9
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
7
Violoncelle (partie séparée)
7
Quatuor à cordes: 4 violons
7
Alto et Harpe
6
Flûte, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
4
2 Violons, Piano
4
Harpe, Voix
4
Harpe, Violoncelle (duo)
3
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Contrebasse (duo)
2
Violon, Basson (duo)
2
4 Contrebasses
2
Violon, Orgue
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
3 Harpes
1
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Alto, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Basse continue
1
Violon, Tuba (duo)
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
773
Orchestre à Cordes
309
Orchestre
294
Ensemble de cuivres
199
Orchestre de chambre
144
Ensemble Jazz
139
Cloches
95
Jazz combo
46
Batterie
29
Marimba
22
Ensemble de Percussions
15
Fanfare
11
Percussion
11
Vibraphone
9
Xylophone
5
2 Xylophones
5
Orchestre, Violon
5
Percussion (partie séparée)
4
Batterie (partie séparée)
3
Piano et Orchestre
2
Xylophone, Piano
1
2 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Timbales
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
ACCORDEON
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BASSE
BASSON
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
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AUTOHARPE
BANJO
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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126
Handel: Largo from Xerxes for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Amazing Grace, Concert Solo for Trumpet and Piano
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Trompette
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.587644 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6...
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Piano,Trumpet - Level 3 - SKU: A0.587644 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611385. Published by David McKeown (A0.587644). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Trumpet with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
LEARN TO PLAY and Improve your SIGHT READING. 100 EASY TUNES and 10 EASY DUETS for TRUMPET.
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Trompette
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FACILE
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Various
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Robert A KEATCH
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LEARN TO PLAY and Improve your
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1104799 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Trad...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1104799 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708037. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1104799). For those seeking to improve their skills or just starting out, this musical book is the perfect choice. It contains a variety of well-known melodies, including Happy Birthday and For He's A Jolly Good Fellow, along with easy-to-learn duets and tunes that make reading and playing the TREBLE clef a breeze.Specifically designed for TRUMPET PLAYERS, this book offers comprehensive guidance for both students and teachers, including teaching points, a note value chart, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. With 10 different versions available for all Western art musical instruments, this collection allows for unison or octave play and is perfect for teacher-student play-along.Professional trumpet player Keith Walker highly recommends this book, stating that he wishes he had access to it 50 years ago. Its simplicity and versatility have made it a popular choice among primary school instrumentalists and teachers, as it can be played on any instrument.This book is an excellent resource for individuals of all ages and classrooms.
$11.99
For He's A Jolly Good Fellow - Trumpet
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Trompette
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DÉBUTANT
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Kevin Busse
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For He's A Jolly Good Fellow -
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Kevin Busse
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SheetMusicPlus
Trumpet Solo - Level 1 - SKU: A0.598992 Arranged by Kevin Busse. Graduation,Holiday,Jewish,Wedding. Individual part. 1 pages. Kevin Busse #3411245. Publ...
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Trumpet Solo - Level 1 - SKU: A0.598992 Arranged by Kevin Busse. Graduation,Holiday,Jewish,Wedding. Individual part. 1 pages. Kevin Busse #3411245. Published by Kevin Busse (A0.598992). This is a simple transcription of For He's A Jolly Good Fellow for Trumpet
$4.99
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire)
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Trompette
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INTERMÉDIAIRE
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau intermediaire) de Mahalia Jackson. Partition pour Trompette avec accomp. o...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau intermediaire) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Mahalia Jackson : He's Got The Whole World In His Hands (niveau facile/intermédiaire)
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Trompette
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FACILE
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau facile/intermediaire) de Mahalia Jackson. Partition pour Trompette avec ac...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau facile/intermediaire) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Mahalia Jackson : He's Got The Whole World In His Hands (niveau facile)
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Trompette
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FACILE
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau facile) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestr...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau facile) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Mahalia Jackson : He's Got The Whole World In His Hands (niveau difficile)
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Trompette
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AVANCÉ
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau difficile) de Mahalia Jackson. Partition pour Trompette avec accomp. orche...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau difficile) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Mahalia Jackson : He's Got The Whole World In His Hands (niveau intermédiaire/difficile)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau intermediaire/difficile) de Mahalia Jackson. Partition pour Trompette avec...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau intermediaire/difficile) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Mahalia Jackson : He's Got The Whole World In His Hands (niveau très facile)
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Trompette
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DÉBUTANT
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Jazz
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Mahalia Jackson
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He's Got The Whole World In Hi
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Tomplay
Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau très facile) de Mahalia Jackson. Partition pour Trompette avec acco...
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Telechargez la partition Trompette He's Got The Whole World In His Hands (niveau très facile) de Mahalia Jackson. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99€
Maple Leaf Rag, by Scott Joplin, for Trumpet and Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.587789 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. D...
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Piano,Trumpet - Level 4 - SKU: A0.587789 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967675. Published by David McKeown (A0.587789). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Trumpet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683Â
$4.60
Echo Taps for Solo Trumpet
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Trompette
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INTERMÉDIAIRE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individua...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
Capriccio for Solo Trumpet in B-flat
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Trompette
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AVANCÉ
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Brett L
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Capriccio for Solo Trumpet in
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Sonata Grendel Publishing
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.837504 Composed by Brett L. Wery. Concert,Contemporary. Individual part. 5 pages. Sonata Grendel Publishing #6063575. P...
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Trumpet Solo - Level 5 - SKU: A0.837504 Composed by Brett L. Wery. Concert,Contemporary. Individual part. 5 pages. Sonata Grendel Publishing #6063575. Published by Sonata Grendel Publishing (A0.837504). Capriccio was originally written as a piece for unaccompanied clarinet in 1984 while I was a clarinet student at the University of North Carolina, School of the Arts in Winston Salem, NC under the tutelage of Robert Listokin. Bob Listokin was one of greatest individuals I’ve ever known. He taught me so much more than how to play the clarinet. His example of love, humility, and kindness has been a guiding force throughout my life. This little piece was written while I was little more than a child and one of the few compositions that I would risk publishing today. As I sat down to revise it, I was amazed at how it foreshadowed many of the defining characteristics of my current style. The piece has been murmuring in the back of my mind for thirty-six years much in the same way that I still feel Mr. Listokin’s gentle hand on my shoulder telling me to relax. Duration - 3:20
$19.95
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trompette
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman - Newton Antipho
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034...
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Trumpet Solo - Level 3 - SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95
50 Greatest Hymns for Solo Trumpet
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Trompette
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FACILE
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Various
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B
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50 Greatest Hymns for Solo Tru
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Ben Dockery
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part....
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part. 54 pages. Ben Dockery #1083552. Published by Ben Dockery (A0.1508253). These fifty classic hymns have been arranged for solo B-flat trumpet. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
Vivaldi: Sonata No. 5 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trum
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jmsgu3
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.550510 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and...
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Piano,Trumpet - Level 3 - SKU: A0.550510 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717247. Published by jmsgu3 (A0.550510). Sonata da Chiesa No. 5 in E Minor for Trumpet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
He Leadeth Me for Trumpet
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Trompette
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INTERMÉDIAIRE
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William B
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Lawrence H
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He Leadeth Me for Trumpet
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Lawrence H Underwood
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.968555 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and part...
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Piano,Trumpet - Level 3 - SKU: A0.968555 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and part. 9 pages. Lawrence H Underwood #6571117. Published by Lawrence H Underwood (A0.968555). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of He Leadeth Me gives this traditional melody the boogie-woogie treatment! Suitable for use as special music in church or as a recital piece. . .or anywhere you want to have a little musical fun. . .this arrangement is sure to be a hit!
$5.99
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536971. Published by jmsgu3 (A0.549786). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
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