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14
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Cor Anglais
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6
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5
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132
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118
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108
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62
Trompette
61
2 Trompettes (duo)
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
2 Trombones (duo)
54
Trompette, Trombone (duo)
52
Trombone et Piano
46
Trompette, Piano
38
Trombone
32
Cor et Piano
31
Quatuor de cuivres: 4 trombones
23
Euphonium, Piano (duo)
20
Cor (partie séparée)
20
Tuba (partie séparée)
18
Cor
18
Cor anglais, Piano
16
Ensemble de Trombones
10
Quatuor de Cuivres
10
Cor Anglais
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba et Piano
5
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
5
Tuba
5
Euphonium
4
2 Euphoniums et 2 Tubas
4
4 Tubas
2
2 Tubas (duo)
2
Tuba et Orgue
2
Trio de Cuivres
2
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
2 Euphoniums (duo)
1
Ensemble de Cors
1
Trombone basse
1
Cor et Orgue
1
Trombone, Violon (duo)
1
Bass Clef Instruments
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Fa
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
301
Violon et Piano
109
Violon
108
Violon, Violoncelle (duo)
107
2 Violons (duo)
79
2 Altos (duo)
70
Violon, Alto (duo)
68
Violoncelle
63
2 Violoncelles (duo)
62
Alto, Piano
60
Violoncelle, Piano
55
Harpe
51
Alto seul
43
Contrebasse (partie séparée)
36
Trio à Cordes: violon, alto, violoncelle
29
Trio à Cordes: 2 violons, violoncelle
24
Alto, Violoncelle (duo)
13
4 Violoncelles
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon (partie séparée)
8
Contrebasse, Piano (duo)
8
Alto (partie séparée)
7
2 Harpes (duo)
4
Violoncelle , Guitare (duo)
4
Contre Basse
3
Violon, Guitare (duo)
3
2 Violons, Piano
3
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
1
Trio à cordes
1
Violoncelle, Orgue
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
484
Ensemble Jazz
159
Orchestre
113
Fanfare
91
Orchestre à Cordes
88
Ensemble de cuivres
52
Batterie
45
Orchestre de chambre
33
Jazz combo
28
Batterie (partie séparée)
27
Cloches
22
Percussion (partie séparée)
8
Marimba
6
Ensemble de Percussions
4
Instrumentation Flexible
3
Vibraphone
2
Xylophone
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Orchestre, Violon
1
2 Xylophones
1
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I Write The Songs
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
The Winner Takes It All
Trompette
Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjor…
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Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 2 pages. Published by Antônio S. Fernandes (A0.503386). The Winner Takes It All is a song recorded by the Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper, it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track Elaine. The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal. The, Winner, Takes, It, All, ABBA, Gold, sheet, music, Trumpet, The Winner Takes It All - ABBA Gold (sheet music) Trumpet #TheWinnerTakesItAll #ABBA #Trumpet.
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4.57 €
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ABBA
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Antônio S
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The Winner Takes It All
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Antônio S. Fernandes
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SheetMusicPlus
Three Images from the Hubble Telescope
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Co…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
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Amy Dunker
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Three Images from the Hubble Telescope
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Amy Dunker
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SheetMusicPlus
Joy to the World / Hark the Herald (Arrangements Level 3-5 for TRUMPET + Written Acc)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.874963 Composed by George F Hande…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.874963 Composed by George F Handel / Felix Mendelssohn. Arranged by Dr Jerry Nelson. Christian,Christmas,Sacred,World. Individual part. 6 pages. Jerry Nelson #3679973. Published by Jerry Nelson (A0.874963). These two carols always rise to the top of the let's sing list. Play them with energy. They move you easily from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. The DEMO is performed at the higher challenge level. Bonus: A written Accompaniment is included, plus Chord Chart for live rhythm. Or, purchase the vibrant Accompaniment Track (#SO.424301 ). 2:37Jerry Nelson now presents his finest Christmas arrangements in a variety of styles – Jazz, Symphonic, Classical. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega Medley Arrangement and Track!
$4.99
4.56 €
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Trompette
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George F Handel / Felix Mendelssohn
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Dr Jerry Nelson
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Joy to the World / Hark the Herald
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Jerry Nelson
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SheetMusicPlus
Theme From "new York, New York"
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156474. Published by MP Sheet Music (A0.546454). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
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Frank Sinatra
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Leo Silva
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Theme From "new York, New York"
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MP Sheet Music
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.747033 By Elton John. By Bernie …
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.747033 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902609. Published by Keith Terrett (A0.747033). Arranged for Bb Trumpet & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
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9.13 €
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Top Gun Anthem
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.1102200 Composed by Harold Falte…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.1102200 Composed by Harold Faltermeyer. Arranged by Fiona Alice Hickie. Film/TV. Score and part. 4 pages. Fiona Alice Hickie #705602. Published by Fiona Alice Hickie (A0.1102200). A classic tune piece from the movie Top Gun.
$5.99
5.48 €
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Trompette
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Harold Faltermeyer
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Fiona Alice Hickie
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Top Gun Anthem
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Fiona Alice Hickie
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839889. Published by David McKeown (A0.587750). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Trumpet and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trompette
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
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David McKeown
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SheetMusicPlus
Christmas Carols for the Lonely Trumpeter, Vol. 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.878324 Composed by Various. Arran…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.878324 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405435. Published by SeanBrownMusic (A0.878324). This is a set of Christmas tunes for a solo trumpet player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.
$15.00
13.71 €
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Trompette
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Various
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Sean A
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Christmas Carols for the Lonely Trumpeter, Vol. 2
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SeanBrownMusic
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SheetMusicPlus
The Last Post
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1350777 Composed by Tradit…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1350777 Composed by Traditional. Arranged by Christopher Wilson. Contemporary,Instructional,Praise & Worship,Sacred,Traditional. Individual part. 1 pages. Christopher Wilson #935602. Published by Christopher Wilson (A0.1350777). In this version of The Last Post, simply the layout has been reformatted from the traditional presentation into phrases per stave to aid the player remembering the piece off by heart and includes some performance directions.
$1.99
1.82 €
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Trompette
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Traditional
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Christopher Wilson
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The Last Post
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Christopher Wilson
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Queen of the Night
Trompette
Instrumental Solo,Piano,Piccolo Trumpet - Level 5 - Digital Download SKU: A0.954733…
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Instrumental Solo,Piano,Piccolo Trumpet - Level 5 - Digital Download SKU: A0.954733 Composed by Wolfgang Amadeus Mozart. Arranged by Aaron Romm. Classical,Concert. Score and individual part. 13 pages. Romm Enterprises, LLC #4111699. Published by Romm Enterprises, LLC (A0.954733). Originally a soprano aria from Mozart's opera The Magic Flute, this version offers a brilliant and incredibly challenging solo opportunity for the piccolo trumpet, in the original key, for a show-stopper in recitals! As performed and recorded by Aaron Romm. .
$15.00
13.71 €
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Trompette
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Wolfgang Amadeus Mozart
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Aaron Romm
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Queen of the Night
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Romm Enterprises, LLC
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SheetMusicPlus
Can't Stop The Feeling from TROLLS
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.601621 By Justin Timberlake. By J…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.601621 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Kevin Busse. Dance,Pop. Individual part. 3 pages. Kevin Busse #3509669. Published by Kevin Busse (A0.601621). This is a simple transcription of Can't Stop The Feeling in a good range for the Trumpet
$4.99
4.56 €
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Trompette
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Justin Timberlake
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Kevin Busse
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Can't Stop The Feeling from TROLLS
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Kevin Busse
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
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22.81 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The Mighty Giant Falls
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.1014269 Composed by Jeremy Doss.…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.1014269 Composed by Jeremy Doss. Concert. Score and part. 27 pages. Jeremy Doss #5709587. Published by Jeremy Doss (A0.1014269). The Mighty Giant Falls depicts the Biblical story of David and Goliath. Build to the moment when David releases the rock from his sling shot and brings the giant down...followed by a triumphant conclusion. Original composition by Jeremy Doss. Commissioned by Dr. Christopher Wilson (Arkansas State University Trumpet Professor) in 2009. You will receive a Score (piano and trumpet part), a Bb trumpet part, and a C trumpet part. 175 measures and 6 minutes and 36 seconds in length. Range of trumpet part: Lowest note concert G2/Highest note concert C5.
$9.99
9.13 €
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Jeremy Doss
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The Mighty Giant Falls
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Jeremy Doss
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SheetMusicPlus
The Winner Takes It All
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420874 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420874 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 3 pages. MP Sheet Music #1002299. Published by MP Sheet Music (A0.1420874). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
The Winner Takes It All
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420946 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420946 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002353. Published by MP Sheet Music (A0.1420946). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
The Winner Takes It All
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420893 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420893 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002315. Published by MP Sheet Music (A0.1420893). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
The Winner Takes It All
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420862 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420862 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002287. Published by MP Sheet Music (A0.1420862). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
The Winner Takes It All
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420921 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420921 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 3 pages. MP Sheet Music #1002344. Published by MP Sheet Music (A0.1420921). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
The Winner Takes It All
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420840 By ABBA. By Benny …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1420840 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002279. Published by MP Sheet Music (A0.1420840). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
$4.99
4.56 €
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Trompette
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ABBA
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Leo Silva
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The Winner Takes It All
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MP Sheet Music
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SheetMusicPlus
Last Night
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1200874 By Morgan Wallen. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1200874 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Individual part. 2 pages. MP Sheet Music #799533. Published by MP Sheet Music (A0.1200874). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.
$4.99
4.56 €
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Morgan Wallen
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Leo Silva
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Last Night
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MP Sheet Music
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SheetMusicPlus
Don't Be Shy
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237551 By Tiesto And Karo…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237551 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arranged by Musikeo. 21st Century,Contemporary,Disco,Latin,Pop. Individual part. 1 pages. Musikeo #833067. Published by Musikeo (A0.1237551). Don't Be Shy is a song by Dutch DJ Tiësto and Colombian singer-songwriter Karol G. It was released on 12 August 2021 via Atlantic Records as a the second single from Tiësto's seventh studio album Drive. It also marks Karol G's first song in English.The music video was directed by Christian Breslauer, who filmed the music videos for The Business, Industry Baby and Streets. It starts off with an outdoor shot of the Norwegian National Opera and Ballet at the Night, then followed up by the Night at the Museum-inspired music video, comedian Blake Webber plays a museum janitor, and Karol G dances with a group of dancers in different scenes in a museum.Part two of the music video was released on 4 September 2021.Carolina Giraldo Navarro (born 14 February 1991), known professionally as Karol G (stylized in all caps), is a Colombian singer and songwriter. She is predominantly described as a reggaeton and Latin trap artist, but has experimented with a variety of other genres including reggae and sertanejo. In 2018, she won the Latin Grammy Award for Best New Artist, and has been nominated for several Billboard Latin Music Awards and Lo Nuestro Awards.Born and raised in MedellÃn, Giraldo launched her career as a teenager, appearing on the Colombian spinoff of The X Factor. She moved to New York City in 2014 to learn more about the music industry and signed to Universal Music Latino. Her collaboration with Puerto Rican rapper Bad Bunny Ahora Me Llama became her breakthrough hit, and was the lead single for her debut album Unstoppable, released in 2017. In late 2018, her song Secreto became a hit in Latin America as she and Anuel AA publicly confirmed their relationship in the music video.In July 2019, she released China in collaboration with Anuel AA, Daddy Yankee, Ozuna and J Balvin, which became her first music video with over one billion views on YouTube. In May 2019, she released the album Ocean, which served as a stylistic departure from Unstoppable, incorporating a more relaxed atmosphere in her work. Her song Tusa with Nicki Minaj also charted internationally and was certified 28× Latin Platinum by the RIAA, staying on the Billboard Hot Latin Songs chart for 25 weeks. In 2020, Karol G received four nominations at the Latin Grammys. Karol G achieved her highest-charting single on the Billboard Hot 100 with the top 10 song TQG, a collaboration with Shakira.With her fourth album, Mañana Será Bonito (2023), Karol G became the first woman to ever debut at number one on the Billboard 200 chart with a Spanish-language albumEnjoy my arrangement!
$6.49
5.93 €
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Trompette
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Tiesto And Karol G
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Musikeo
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Don't Be Shy
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Musikeo
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SheetMusicPlus
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