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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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AMERICANA
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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avec vidéo
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Non classifié
1270
PIANO & CLAVIERS
Piano, Voix
709
Piano seul
590
Piano Facile
321
Instruments en Do
151
Piano, Voix et Guitare
112
Orgue
111
Accompagnement Piano
60
Accordéon
47
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
6
Piano (partie séparée)
6
2 Pianos, 4 mains
4
Orgue, Voix
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ensemble d'Accordéons
2
Fake Book
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
195
Basse electrique
128
Guitare
50
Ukulele
42
Guitare (partie séparée)
20
Mandoline
14
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
3 Guitares (trio)
4
Piano, Guitare (duo)
3
Banjo
2
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Dulcimer
1
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VOIX
Chorale SATB
221
Chorale 3 parties
60
Chorale TTBB
50
Chorale SSAA
46
Chorale 2 parties
39
Voix duo, Piano
19
Voix haute
17
Chorale Unison
17
Voix Soprano, Piano
13
Pack Instrumental pour Chorale
11
Voix seule
11
Voix moyenne, Piano
8
Voix duo
5
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Alto, Piano
3
Voix Tenor, Piano
3
Chorale SSAATTBB
3
Voix basse
2
Voix basse, Piano
2
Chorale
2
Voix Soprano
2
Voix, Guitare
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
2 Flûtes traversières (duo)
115
Flûte traversière et Piano
91
Clarinette et Piano
75
Saxophone Tenor et Piano
73
Saxophone (partie séparée)
56
Saxophone Soprano et Piano
55
Quatuor de Clarinettes: 4 clarinettes
55
Hautbois, Piano (duo)
53
Quatuor de Flûtes : 4 flûtes
47
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto et Piano
38
Clarinette
33
Saxophone Tenor
32
3 Clarinettes (trio)
31
2 Clarinettes (duo)
28
Trio de Flûtes: 3 flûtes
21
Quintette de Saxophone: 5 saxophones
21
2 Saxophones (duo)
20
Flûte, Clarinette (duo)
19
Clarinette, Violon (duo)
16
Flûte à bec Soprano
16
Saxophone Alto
16
2 Clarinettes, Piano
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Trompette (duo)
12
Saxophone, Clarinette (duo)
11
Flûte, trombone et piano
11
Hautbois, Clarinette (duo)
11
Flûte, Violon
11
2 Hautbois (duo)
11
2 Flûte à bec (duo)
10
Flûte, Clarinette, Piano (trio)
10
Clarinette (partie séparée)
10
Flûte, Hautbois (duo)
9
3 Saxophones (trio)
9
Ensemble de Clarinettes
9
Hautbois (partie séparée)
9
Hautbois, Trompette (duo)
8
Saxophone, Violon (duo)
8
Hautbois, violon (duo)
8
Ensemble de Flûtes
8
Cor anglais, Piano
7
Harmonica
7
Quintette de Flûte : 5 flûtes
6
Ocarina
6
Clarinette, trompette et piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
5
Flûte, Violon, Piano
5
Flûte traversière, Basse continue
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Flûte à bec Alto
5
Flûte, Clarinette et Basson
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violoncelle, Piano (trio)
4
Flute, harpe et violon
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Flûte, Alto (duo)
3
Piccolo
3
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
2
Ensemble de saxophones
2
2 Flûtes traversières, Piano
2
Ensemble De Flûte à bec
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette et Alto
2
Clarinette, Guitare (duo)
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette Basse
1
Clarinette, Saxophone, Piano
1
Flûte à Bec
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
Hautbois
1
Saxophone Soprano
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Instruments en Mib
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Saxophone et Harpe
1
Flûte, Saxophone (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor (partie séparée)
80
Cor et Piano
70
Trombone (partie séparée)
57
Trombone
54
Trompette, Piano
52
Instruments en Fa
51
Trompette
44
Cor
42
Trompette (partie séparée)
39
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Cors (duo)
24
2 Trompettes (duo)
23
Quatuor de cuivres: 4 trombones
22
Quatuor de cuivres: 4 cors
12
2 Trombones (duo)
11
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Trompette, Trombone (duo)
9
Trompette, violon (duo)
8
Trompette, Basson (duo)
8
Trombone, violoncelle (duo)
8
Tuba et Piano
8
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Trombones
6
Ensemble de Cors
5
Tuba (partie séparée)
5
Ensemble de Trompettes
4
Tuba
4
3 Trombones (trio)
4
3 Trompettes (trio)
3
Trompette, Cor (duo)
3
Euphonium
3
2 Euphoniums (duo)
3
Cor, Violoncelle (duo)
3
Trombone, Cor (duo)
3
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse
1
Cor, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Orgue
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Cor et Harpe
1
4 Tubas
1
Instruments en Sib
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium Ou Saxhorn Et Piano
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
216
Harpe
101
Violon et Piano
97
Violoncelle, Piano
56
Alto, Piano
55
Trio à Cordes: violon, alto, violoncelle
52
Violon
45
Trio à Cordes: 2 violons, violoncelle
37
2 Violoncelles (duo)
29
2 Violons (duo)
28
Violon, Violoncelle (duo)
23
Violoncelle
17
Violon, Alto (duo)
16
2 Harpes (duo)
15
Alto, Violoncelle (duo)
13
2 Altos (duo)
13
Contrebasse (partie séparée)
11
Harpe, Voix
8
Quatuor à cordes: 4 violons
8
Contrebasse, Piano (duo)
7
Trio à cordes
7
Alto seul
7
Contre Basse
7
Harpe, Violoncelle (duo)
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violon (duo)
5
2 Violons, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Ensemble de Violons
4
Ensemble d'Altos
4
4 Violoncelles
3
Alto (partie séparée)
3
Alto, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
2 Violoncelles, Piano
2
Autoharp
1
Trio à cordes: 3 altos
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto et Basson
1
Alto, Orgue
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
254
Orchestre d'harmonie
161
Orchestre à Cordes
157
Ensemble Jazz
88
Ensemble de cuivres
66
Orchestre de chambre
45
Cloches
40
Fanfare
31
Ensemble de Percussions
11
Batterie (partie séparée)
10
Marimba
6
Batterie
6
Instrumentation Flexible
6
Percussion (partie séparée)
5
Jazz combo
3
Vibraphone
2
Timbales (partie séparée)
2
Orchestre, Violon
2
Percussion
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
G F
Trompette
Partitions à imprimer
44 partitions trouvées
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1
26
Minueto in G Minor (G.F. Handel) for Trumpet in Bb Solo
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.687018 Composed by George Frideri…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.687018 Composed by George Frideric Handel. Arranged by Fabio Britto. Baroque,World. Individual part. 1 pages. Minhas Partituras #6534085. Published by Minhas Partituras (A0.687018). Arrangement of the song Minueto in G Minor (G.F. Handel) for Trumpet in Bb Solo.
$4.99
4.57 €
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Trompette
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George Frideric Handel
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Fabio Britto
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Minueto in G Minor
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Minhas Partituras
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SheetMusicPlus
Hornpipe (G.F. Handel HWV 348-350) for Trumpet in Bb Solo
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.686999 Composed by George Frideri…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.686999 Composed by George Frideric Handel. Arranged by Fabio Britto. Baroque,Multicultural,Wedding,World. Individual part. 1 pages. Minhas Partituras #6533355. Published by Minhas Partituras (A0.686999). Arrangement of Hornpipe from HWV 348-350 (G.F. Handel) for Trumpet in Bb Solo.
$4.99
4.57 €
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Trompette
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George Frideric Handel
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Fabio Britto
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Hornpipe
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Minhas Partituras
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SheetMusicPlus
Richard Strauss : Traits d'orchestre, Don Juan (Trompette 1 : 4 mes. après F-3 mes. avant G, 7 mes. après H-K)
Trompette
Téléchargez la partition Trompette Traits d'orchestre, Don Juan (Trompe…
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Téléchargez la partition Trompette Traits d'orchestre, Don Juan (Trompette 1 : 4 mes. après F-3 mes. avant G, 7 mes. après H-K) de Strauss (Richard). Partition pour Trompette avec accomp. orchestre -- Classique
5.99 €
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Trompette
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Richard Strauss
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Traits d'orchestre, Don Juan
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Tomplay
Richard Strauss : Traits d'orchestre, Don Juan (Trompette 2 : 4 mes. après F-3 mes. avant G, 7 mes. après H-K)
Trompette
Téléchargez la partition Trompette Traits d'orchestre, Don Juan (Trompe…
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Téléchargez la partition Trompette Traits d'orchestre, Don Juan (Trompette 2 : 4 mes. après F-3 mes. avant G, 7 mes. après H-K) de Strauss (Richard). Partition pour Trompette avec accomp. orchestre -- Classique
5.99 €
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Trompette
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Richard Strauss
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Traits d'orchestre, Don Juan
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Tomplay
"Ave Maria" by G. Caccini for Trumpet and Piano-Video
Trompette
Trumpet, piano - Digital Download SKU: A0.634920 Composed by Giulio Caccini. Arrang…
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Trumpet, piano - Digital Download SKU: A0.634920 Composed by Giulio Caccini. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Sacred. Score and part. 9 pages. F & N Enterprise #4595483. Published by F & N Enterprise (A0.634920). An excellent arrangement of the famous Song Ave Maria by G. Caccini for Trumpet and Piano-Jazz/Pop Version
$2.99
2.74 €
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Trompette
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Giulio Caccini
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Fishel Pustilnik
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"Ave Maria" by G. Caccini for Trumpet and Piano-Video
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F & N Enterprise
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SheetMusicPlus
"Ave Maria" by G. Caccini-Piano Background for Trumpet and Piano-Video
Trompette
Trumpet, piano - Level 3 - Digital Download SKU: A0.634931 Composed by Giulio Cacci…
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Trumpet, piano - Level 3 - Digital Download SKU: A0.634931 Composed by Giulio Caccini. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Sacred. Score and part. 9 pages. F & N Enterprise #4596343. Published by F & N Enterprise (A0.634931). Piano Background for famous Song Ave Maria by G. Caccini for Trumpet & Piano (Jazz/Pop Version) Plus Version at SMP: S0.566131
$2.99
2.74 €
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Trompette
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Giulio Caccini
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Fishel Pustilnik
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"Ave Maria" by G. Caccini-Piano Background for Trumpet and Piano-Video
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F & N Enterprise
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SheetMusicPlus
Symphony No.94 In G Major II Andante (Short Ver.)
Trompette
Trumpet, Piano - Primer Level - Digital Download SKU: P5.CL-CLA-30032 Composed by F…
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Trumpet, Piano - Primer Level - Digital Download SKU: P5.CL-CLA-30032 Composed by F.J. Haydn. Classical. Score and part. 6 pages. SheetmusicLAB #CL-CLA-30032. Published by SheetmusicLAB (P5.CL-CLA-30032). 8.3 x 11.7 inches.
$1.99
1.82 €
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Trompette
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F
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Symphony No.94 In G Major II Andante
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SheetmusicLAB
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SheetMusicPlus
Joy To The World for Easy Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.513448 Composed by G. F. H…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.513448 Composed by G. F. Handel. Arranged by Marcos Soares. Children,Christmas,Holiday,Instructional,Traditional. Individual part. 1 pages. Ateneu's #124216. Published by Ateneu's (A0.513448). Joy To The World sheet music for easy trumpet in Bb. Easy arrangement for trumpet solo.
$1.99
1.82 €
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Trompette
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G
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Marcos Soares
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Joy To The World for Easy Trumpet Solo
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Ateneu's
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SheetMusicPlus
Joy to the World Theme and Variations for Unaccompanied Trumpet Solo
Trompette
Composed by Isaac Watts, G. F. Handel. Arranged by Eddie Lewis. Christmas, Folk. Ind…
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Composed by Isaac Watts, G. F. Handel. Arranged by Eddie Lewis. Christmas, Folk. Individual part. 3 pages. Tiger Music #4991011. Published by Tiger Music
$4.99
4.57 €
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Trompette
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Isaac Watts, G
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Eddie Lewis
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Joy to the World Theme and Variations for Unaccompanied Trumpet Solo
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Tiger Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1227792 Composed by ABRSM.…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Published by Tim Curd (A0.1227792). Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Soprano Cornet, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will only need to learn one type of minor scale; either harmonic or melodic.B Major Scale: a 12thB Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thDb Major Scale: a 12thDb Major Arpeggio: a 12thG Major Scales: 2 OctavesG Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: a 12thBb Melodic Minor Scale: a 12thBb Minor Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thF Harmonic Minor Scale: 1 Octave and down to the dominant.F Melodic Minor Scale: 1 Octave and down to the dominant.F Minor Arpeggio: 1 Octave and down to the dominant.G Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesG Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesDominant 7th in the key of C, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G: 2 Octaves.
$1.99
1.82 €
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Trompette
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ABRSM
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Tim Curd
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either harmonic or melodic
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Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
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Tim Curd
#
SheetMusicPlus
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
Trompette
B-Flat Trumpet Solo - Level 5 - Digital Download SKU: A0.1227795 Composed by ABRSM.…
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B-Flat Trumpet Solo - Level 5 - Digital Download SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Published by Tim Curd (A0.1227795). Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued, legato tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.F Major Scale: a 12thF Major Arpeggio: a 12thF Harmonic Minor Scale: a 12thF Melodic Minor Scale: a 12thF Minor Arpeggio: a 12thF# Major Scale: a 12thF# Major Arpeggio: a 12thF# Harmonic Minor Scale: a 12thF# Melodic Minor Scale: a 12thF# Minor Arpeggio: a 12thB Major Scale: 2 OctavesB Major Arpeggio: 2 OctavesB Harmonic Minor Scale: 2 OctavesB Melodic Minor Scale: 2 OctavesB Minor Arpeggio: 2 OctavesC Major Scale: 2 OctavesC Major Arpeggio: 2 OctavesC Harmonic Minor Scale: 2 OctavesC Melodic Minor Scale: 2 OctavesC Minor Arpeggio: 2 OctavesAb Major, Extended-Range ScaleAb Major, Extended-Range ArpeggioG Harmonic Minor, Extended-Range ScaleG Minor, Extended-Range ArpeggioA Major, 2 Octaves in 3rdsBb Major, 2 Octaves in 3rdsF# Chromatic: 2 OctavesB Chromatic: 2 OctavesC Chromatic: 2 OctavesWhole Tone Scale in B: 2 OctavesWhole Tone Scale in C: 2 OctavesDominant 7th in the key of Bb, Resolving on TonicDominant 7th in the key of B, 2 Octaves Resolving on TonicDominant 7th in the key of E, 2 Octaves Resolving on TonicDominant 7th in the Key of F, 2 Octaves Resolving on TonicDiminished 7th in F#: 2 OctavesDiminished 7th in B: 2 OctavesDiminished 7th in C: 2 Octaves.
$3.00
2.75 €
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Trompette
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ABRSM
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Tim Curd
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Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
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Tim Curd
#
SheetMusicPlus
Das Große Gastmahl (Trompete 1)
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435137 Composed by Stepha…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435137 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015241. Published by Stephan Langenberg (A0.1435137). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
4.57 €
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Trompette
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
#
SheetMusicPlus
Das Große Gastmahl (Trompete 2)
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435140 Composed by Stepha…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435140 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015245. Published by Stephan Langenberg (A0.1435140). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
4.57 €
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Trompette
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
Sleighride
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1079748 Composed by Douglas Wood.…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1079748 Composed by Douglas Wood. Arranged by Bobby D Hesch. Christmas,Holiday,Jazz,Standards. Individual part. 3 pages. Bobby Hesch #683935. Published by Bobby Hesch (A0.1079748). SLEIGHRIDE FOR SOLO JAZZ TRUMPET!!! BASED ON THE SONG BY LEROY ANDERSON !!! PERFORMED BY ANDY WILLIAMS & MATT DUSK !!! KEY OF F!! LOW G - HIGH G !!! MP3 FOR JAZZ STYLE & INTERPRETATION !!! FAST & CHALLENGING !!! COURTESY ACCIDENTALS !!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch E MAIL QUESTIONS ! I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT TUNE FOR YOUR HOLIDAY PARTIES !!! RIDING ON A WONDERLAND OF SNOW !!!
$4.99
4.57 €
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Trompette
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Douglas Wood
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Bobby D Hesch
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Sleighride
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Bobby Hesch
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SheetMusicPlus
Bein' Green
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839720 By Frank Sinatra. By Joe R…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839720 By Frank Sinatra. By Joe Raposo. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6691105. Published by Bobby Hesch (A0.839720). IT'S NOT THAT EASY BEIN' GREEN!!! I LOVE TO PERFORM THIS CHART!!! PERFORMED BY FRANK SINATRA, VAN MORRISON, JIM HENSON, RAY CHARLES & MANY MORE!!! MANY JAZZ GREATS!!! LET'S PLAY SOME JAZZ!!! A SLOW BLUES WITH POWERFUL CLIMAXES!!! CHECK OUT THE LYRICS!!! KEY OF G/Ab!!! COURTESY ACCIDENTALS!! LOW F#-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS:I CAN HELP!!! KERMIT THE FROG!! GREAT SONG BY JOE RAPOSO!!! HAVE FUN!!!
$4.99
4.57 €
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Trompette
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Frank Sinatra
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Bobby Hesch
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Bein' Green
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Bobby Hesch
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SheetMusicPlus
American Patrol
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839788 Composed by Mort Garson. A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839788 Composed by Mort Garson. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #6786837. Published by Bobby Hesch (A0.839788). AMERICAN PATROL !!! F.W. MEACHAM COMPOSER !!! RECORDED IN 1942 BY THE CLENN MILLER ORCHESTRA !STILL A CROWD FAVORITE TODAY !!! LET'S PLAY SOME JAZZ !!! KEY OF G/C !!! LOW F#-HIGH C!!! MP3 FOR JAZZ STYLE & INTERPRETATION !!! CONTACT INFORMATION :bobbyhesch@yahoo.com IG :@bobbyhesch E MAIL QUESTIONS !! I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT TUNE !!!
$4.99
4.57 €
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Trompette
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Mort Garson
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Bobby Hesch
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American Patrol
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Bobby Hesch
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SheetMusicPlus
He's Risen, He's Risen - Trumpet melody & descant
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.796343 Composed by C.F.W. Walther…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.796343 Composed by C.F.W. Walther. Arranged by Diana Meux. Christian,Easter,Sacred. Individual part. 2 pages. Download Church Music #6864353. Published by Download Church Music (A0.796343). Melody and descant for trumpet in Bb, for the Easter hymn He's Risen, He's Risen by C.F.W. Walther. Tune: WALTHER. 1 page. (File contains 2 pages; 1st is sample page only.)For concert key of G major.Use hymnal or other source for accompaniment. Descant fits the settings in TLH (The Lutheran Hymnal) and LSB (Lutheran Service Book), may fit other settings.
$1.99
1.82 €
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Trompette
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C
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Diana Meux
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(File contains 2 pages
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He's Risen, He's Risen - Trumpet melody & descant
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Download Church Music
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SheetMusicPlus
(everything I Do) I Do It For You
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6488661. Published by Bobby Hesch (A0.839600). (EVERYTHING I DO) I DO IT FOR YOU)!!!! FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES (1991)!!! BRYAN ADAMS SUPPLIED THE GREAT GUITAR AND VOICE FOR THIS ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU WALK A LINE FOR YOU, YEAH I'D DIE FOR YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF G!!! LOW F# - HIGH A!!! LOTS OF CASCADING ARPEGGIOS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch EMAIL ME WITH QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS BEAUTIFUL SONG!!!
$4.99
4.57 €
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Trompette
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Bryan Adams
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Bobby Hesch
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(everything I Do) I Do It For You
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Bobby Hesch
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SheetMusicPlus
Crazy
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1050277 By Patsy Cline. By Willie…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1050277 By Patsy Cline. By Willie Nelson. Arranged by Bobby D Hesch. Country,Jazz,Standards. Individual part. 2 pages. Bobby Hesch #654640. Published by Bobby Hesch (A0.1050277). CRAZY FOR SOLO JAZZ TRUMPET!!! YOU GOTTA HAVE SOME WILLIE NELSON IN YOUR BOOK!!! PERFORMED BY PATSY CLINE !!! WRITTEN BY THE GREAT WILLIE NELSON !!! LET'S PLAY SOME JAZZ !!! KEY OF F LOW G - HIGH Db !!! MP3 FOR STYLE & INTERPRETATION !!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG :@bobbyhesch E MAIL QUESTIONS ! I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT TUNE !!!
$4.99
4.57 €
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Trompette
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Patsy Cline
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Bobby D Hesch
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Crazy
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Bobby Hesch
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SheetMusicPlus
Trumpet Folk Fill in the Blank
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. A…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. Arranged by Eddie Lewis. Children,Folk. Individual part. 118 pages. Tiger Music #4984157. Published by Tiger Music (A0.750322). This is the first book of its kind! What began as a fun activity for my trumpet students has turned into a wonderful resource to improve their trumpet playing. Trumpet Folk Fill in the Blank is a book of thirty folk songs and nursery rhymes. Each song is presented first in an easy key, like C, F or G. Then it is transposed to other keys and certain strategic notes are left out. Those notes are replaced by question marks. The students are to practice the first version of the song until they get the sound of the melody in their ears. After they master the first version, then they are ready to play the fill in the blank versions of the songs in other keys. We use a total of seven key signatures in this book, up to three flats and three sharps. Any student who knows their scales up to three flats and three sharps should have a lot of fun playing these fill in the blank songs. Benefits of playing the fill in the blank songs include ear training, finger technique, sight reading, phrasing and tone.
$27.90
25.56 €
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Trompette
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Traditional
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Eddie Lewis
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Trumpet Folk Fill in the Blank
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Tiger Music
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SheetMusicPlus
The Rainbow Connection
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839611 Composed by Kenny Ascher a…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839611 Composed by Kenny Ascher and Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6494879. Published by Bobby Hesch (A0.839611). THE RAINBOW CONNECTION!!! WHY ARE THERE SO MANY SONGS ABOUT RAINBOWS & WHAT'S ON THE OTHER SIDE?!!! LET'S PLAY SOME JAZZ!!! KEY OF G/Ab!!! LOW-F# - HIGH Ab!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!! FROM THE MUPPET MOVIE!!! REMEMBER THE GREAT JIM HENSON!! HAVE FUN!!!
$4.99
4.57 €
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Trompette
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Kenny Ascher and Paul Williams
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Bobby Hesch
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The Rainbow Connection
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Bobby Hesch
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SheetMusicPlus
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