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TRI ET FILTRES
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2 Violoncelles (duo)
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Alto (partie séparée)
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Trio à Cordes: violon, alto, violoncelle
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2
Contre Basse
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2 Harpes (duo)
2
Alto, Violoncelle (duo)
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Piano Trio: Violon, Alto, Piano
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Trio à cordes: 3 violins
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Violoncelle
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1
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4 Violoncelles
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2 Contrebasses (duo)
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PERCUSSIONS & ORCHESTRES
Fanfare
26
Orchestre
24
Orchestre d'harmonie
23
Orchestre à Cordes
13
Ensemble de cuivres
12
Percussion (partie séparée)
9
Orchestre de chambre
5
Ensemble Jazz
4
Batterie (partie séparée)
3
Ensemble de Percussions
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Jazz combo
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Cloches
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Vibraphone
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AUTRES
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How Far I
SheetMusicPlus
Partitions à imprimer
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How Far I'll Go
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1167283 By Alessia Cara. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1167283 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Wedding. Individual part. 2 pages. Fabio Eduardo #767660. Published by Fabio Eduardo (A0.1167283). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadHow Far I'll Go and its reprise are two musical numbers from Disney's 2016 animated musical feature film Moana. It was written by Lin-Manuel Miranda, with additional music and co-produced by Mark Mancina on its reprise. The song was performed in the film by American actress and singer Auliʻi Cravalho in her role as Moana. It was released along with the album on November 18, 2016. Canadian singer Alessia Cara also recorded the song for the Moana soundtrack. The song was nominated for Best Original Song at the 89th Academy Awards and Best Original Song at the 74th Golden Globe Awards but lost both to City of Stars from La La Land. It did, however, win the Grammy Award for Best Song Written for Visual Media at the 60th Annual Grammy Awards.
$4.99
4.58 €
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Trompette
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Alessia Cara
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Fabio Eduardo de Oliveira
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How Far I'll Go
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Fabio Eduardo
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SheetMusicPlus
How Far I'll Go
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1096661 By Alessia Cara. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1096661 By Alessia Cara. By Lin-Manuel Miranda. Arranged by By Rene Alves. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Individual part. 2 pages. Rene Alves #700650. Published by Rene Alves (A0.1096661). Score and melody for Trumpet in Bb from Moana's movie theme song How Far I'll Go. The sheet music is in great size for reading on tablets.
$6.00
5.51 €
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Trompette
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Alessia Cara
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By Rene Alves
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How Far I'll Go
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Rene Alves
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SheetMusicPlus
How Far I'll Go
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1334384 By Alessia Cara. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1334384 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Alex Souza. 21st Century,Broadway,Contemporary,Musical/Show,Pop,Wedding. Individual part. 1 pages. Alexander de Souza #920613. Published by Alexander de Souza (A0.1334384).
$5.99
5.5 €
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Trompette
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Alessia Cara
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Alex Souza
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How Far I'll Go
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Alexander de Souza
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SheetMusicPlus
How Deep Is Your Love
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.635998 By Bee Gees. By Barry Gi…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.635998 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fishel Pustilnik. Dance,Disco. Score and part. 8 pages. F & N Enterprise #6117849. Published by F & N Enterprise (A0.635998). An excellent arrangement of the famous Song How Deep Is Your Love for Trumpet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ommadQAgAgo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Trompette
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Bee Gees
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Fishel Pustilnik
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How Deep Is Your Love
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F & N Enterprise
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SheetMusicPlus
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.56 €
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
How Far I'll Go
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1425775 By Alessia Cara. By Lin-M…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1425775 By Alessia Cara. By Lin-Manuel Miranda. Arranged by RODRIGO BENEDUCCI. Classical,Film/TV,Singer/Songwriter,Traditional,Wedding. Individual part. 3 pages. Paulo Galvao Filho #1006537. Published by Paulo Galvao Filho (A0.1425775).
$5.99
5.5 €
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Trompette
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Alessia Cara
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RODRIGO BENEDUCCI
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How Far I'll Go
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Paulo Galvao Filho
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SheetMusicPlus
CuthbertPraise Trumpet Descants for Hymns, Vol. 2
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.919585 Composed by Various. Arra…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.919585 Composed by Various. Arranged by Randy Adams. Christian,Christmas,Easter,Sacred. Score and part. 25 pages. Randy Adams #4352653. Published by Randy Adams (A0.919585). Original hymn descants designed to be used as solo trumpet, duet or trio arrangements with organ or piano, with or without congregational singing. Piano parts and lyrics included along with Bb Trumpet parts. Variety of styles from soaring lyrical melodies to brilliant technical fanfare flourishes. Medium difficulty. Range to high Concert A. Hymns Included: Immortal, Invisible (St. Denio), When Morning Gilds the Skies (Laudes Domini), Lift Up Your Heads (Truro), In the Cross of Christ I Glory (Rathbun), The Christ Who Died and Rose Again (St. Magnus), Oh Love, How Deep (Deus tuorum militim), All Hail the Power of Jesus' Name (Coronation), Alleluia! Sing to Jesus (Hyfrydol), There's a Wideness in God's Mercy (Beecher), When I Survey the Wondrous Cross (Rockingham).
$20.00
18.37 €
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Trompette
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Various
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Randy Adams
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CuthbertPraise Trumpet Descants for Hymns, Vol. 2
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Randy Adams
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.56 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.56 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
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