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37
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20
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7
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5
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I Want it That Way
Trompette
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I Want It That Way
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.609055 By The Backstreet Boys. By…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.609055 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328945. Published by Kevin Busse (A0.609055). This is an exact transcription of I Want It That Way by The Backstreet Boys in a good range for Trumpet.
$4.99
4.56 €
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Trompette
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The Backstreet Boys
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Kevin Busse
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I Want It That Way
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Kevin Busse
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SheetMusicPlus
I Want It That Way
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.609072 By The Backstreet Boys. By…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.609072 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328991. Published by Kevin Busse (A0.609072). This is an exact transcription of I Want It That Way by The Backstreet Boys in the easy key of C for Trumpet.
$4.99
4.56 €
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Trompette
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The Backstreet Boys
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Kevin Busse
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I Want It That Way
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Kevin Busse
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SheetMusicPlus
I Want It That Way
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.609034 By The Backstreet Boys. By…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.609034 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328885. Published by Kevin Busse (A0.609034). This is an exact transcription of I Want It That Way by The Backstreet Boys in the original key for Trumpet.
$4.99
4.56 €
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Trompette
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The Backstreet Boys
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Kevin Busse
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I Want It That Way
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Kevin Busse
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SheetMusicPlus
Three Miniatures for Solo Trumpet
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Con…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Conley. Blues,Contemporary,Romantic Period. Individual part. 5 pages. Riley A.C. Conley #4287791. Published by Riley A.C. Conley (A0.927727). Three Miniatures is an unaccompanied solo trumpet work originally intended for the C trumpet, but I was later convinced that the Bb trumpet suits it better in many different ways. When performing the Miniatures, I would recommend that you choose the instrument of which you feel is right for the piece. Initially I wanted to write musical etudes or exercises that would improve my own playing but, as more and more ideas came together, it gradually became its own interesting piece requiring different styles and techniques that I thought others might enjoy playing. There are elements of music in these three miniatures that may come easy, but are intertwined with later challenges to keep the player’s interest. Rather than giving you some sort of programmatic background to each movement, I will supply you with only a few words for each; your imagination can carry you from there. -- Three Miniatures was recorded by Bruce Gigax and performed by Jack Sutte on 7/29/19 at the Audio Recording Studio in Solon, OH.
$5.00
4.57 €
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Trompette
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Riley A
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Three Miniatures for Solo Trumpet
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Riley A.C. Conley
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SheetMusicPlus
Trumpet Tutor eBoox - Level 2 (Debut)
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.936708 Composed by Alison Jackson…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.936708 Composed by Alison Jackson, Jonathan Eno BEM. Instructional,Standards. Individual part. 19 pages. Jonathan Eno #6096761. Published by Jonathan Eno (A0.936708). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the brass BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist. Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments. Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you: https://www.facebook.com/bigbangsheet #joinourtribe #bbmusic #boox #eboox #hhmusic Need help??? Tel: 03303 200 880 Email: info@bigbangsheetmusic.co.uk Web: www.bbmusic.co.uk If you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including: Don’t Stop Me Now – Queen Hold My Hand – Jess Glynne Super Mario Theme – Nintendo www.twitter.com/hhyouthjazz www.twitter.com/joneno www.instagram.com/HHMusicSchool www.facebook.com/bigbangsheet www.twitter.com/bigbangsheet www.hhmusic.co.uk www.bbmusic.co.uk
$9.99
9.13 €
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Trompette
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Alison Jackson, Jonathan Eno BEM
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Trumpet Tutor eBoox - Level 2
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Jonathan Eno
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.81 €
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Trompette
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Martin Luther
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James M
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Luther: Out of the Depths for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Peaches
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261299 By Jack Black. By …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261299 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Individual part. 1 pages. Benzaiten Editions #854373. Published by Benzaiten Editions (A0.1261299). Hey! Are you a trumpet player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • trumpet intermediate sheet music with chords The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$4.99
4.56 €
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Trompette
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Jack Black
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Benzaiten Editions
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Peaches
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Benzaiten Editions
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SheetMusicPlus
Peaches
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261291 By Jack Black. By …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1261291 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Individual part. 1 pages. Benzaiten Editions #854365. Published by Benzaiten Editions (A0.1261291). Hey! Are you a trumpet player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • trumpet intermediate sheet music The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$4.99
4.56 €
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Trompette
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Jack Black
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Benzaiten Editions
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Peaches
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Benzaiten Editions
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
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