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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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PIANO
SAXOPHONE
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1018
PIANO & CLAVIERS
Piano seul
416
Piano, Voix et Guitare
121
Piano, Voix
113
Piano Facile
29
Instruments en Do
28
2 Pianos, 4 mains
24
Orgue
24
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
6
Piano grosses notes
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Accordéon
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
58
Guitare notes et tablatures
33
2 Guitares (duo)
12
Ukulele
10
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
8
Mandoline
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Banjo
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
197
Chorale 3 parties
32
Voix Alto, Piano
29
Voix Tenor
25
Voix Soprano
24
Voix Baryton, Piano
23
Chorale 2 parties
21
Chorale TTBB
14
Chorale SSAA
14
Voix seule
9
Voix duo, Piano
5
Voix Soprano, Piano
5
Voix duo
4
Chorale Unison
3
Voix haute
3
Voix Tenor, Piano
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Quintette de Saxophone: 5 saxophones
101
Ensemble de saxophones
71
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33
2 Clarinettes (duo)
28
Ensemble de Flûtes
28
Flûte traversière et Piano
25
Saxophone Alto et Piano
24
Clarinette et Piano
23
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Saxophones: 4 saxophones
21
Hautbois, Piano (duo)
20
2 Flûtes traversières (duo)
18
2 Saxophones (duo)
18
Flûte traversière
18
Clarinette
17
Quintette de Flûte : 5 flûtes
13
Saxophone Alto
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
12
Saxophone, Clarinette (duo)
10
2 Hautbois (duo)
8
Hautbois (partie séparée)
8
Flûte, Clarinette (duo)
8
Flûte et Guitare
7
Saxophone Soprano et Piano
7
Saxophone Tenor
7
Saxophone Baryton, Piano
7
Clarinette, Violon (duo)
7
Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
2 Flûtes traversières, Piano
5
Saxophone (partie séparée)
5
Hautbois, Basson (duo)
5
Flûte, Violon
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Hautbois, Guitare (duo)
4
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
3
Flute, harpe et violon
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte, Clarinette, Piano (trio)
3
3 Saxophones (trio)
3
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Trompette (duo)
2
Saxophone et Harpe
2
Flûte à Bec
2
Hautbois, Flûte
2
Flute (partie séparée)
2
2 Clarinettes, Piano
2
Flûte à bec Soprano
2
2 Hautbois, Piano
2
Saxophone et Guitare
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone et Orgue
2
Clarinette, Trombone (duo)
2
Saxophone
2
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Saxophone Soprano
1
Clarinette, Basson (duo)
1
Piccolo
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Harpe
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Quatuor de Cuivres
25
Trompette
20
Trombone et Piano
18
Ensemble de Trompettes
17
Trompette, Piano
12
2 Trombones (duo)
12
Trombone
11
Cor et Piano
10
2 Trompettes (duo)
9
Euphonium, Piano (duo)
8
Cor
8
Trompette, Trombone (duo)
8
Tuba et Piano
8
2 Cors (duo)
7
Tuba
6
Trompette, Saxophone (duo)
5
Ensemble de Cors
5
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors, Piano
3
Cor anglais, Piano
3
Trio de Cuivres
3
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon et Piano
55
Harpe
34
Violon
33
Trio à Cordes: violon, alto, violoncelle
31
Alto, Piano
27
Violoncelle, Piano
26
Violoncelle
21
2 Violons (duo)
18
Ensemble de Violons
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Ensemble d'Altos
15
2 Harpes (duo)
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violon, Violoncelle (duo)
11
Alto seul
11
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
6
2 Violons, Piano
6
Contre Basse
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
Trio à cordes: 3 violins
2
2 Violoncelles, Piano
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
4 Contrebasses
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Violon (partie séparée)
1
Alto et Basson
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Harpe, Trombone (duo)
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
82
Orchestre
67
Orchestre à Cordes
65
Orchestre de chambre
34
Ensemble de cuivres
31
Ensemble Jazz
30
Jazz combo
15
Ensemble de Percussions
8
Cloches
8
Marimba
3
Fanfare
3
2 Marimbas
1
Piano et Orchestre
1
Batterie
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
I Was There
Trompette
Partitions à imprimer
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1
I'll Be There
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #872159. Published by MP Sheet Music (A0.1280818). I'll Be There is the first single released from the Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.The song was recorded by The Jackson 5 and released by Motown Records on August 28, 1970. Produced by the songwriters, I'll Be There was The Jackson 5's fourth number-one hit in a row (after I Want You Back in 1969, ABC and The Love You Save earlier in 1970), making them the first group to have their first four singles reach number one and the first black male group with four consecutive number-one pop hits. I'll Be There is also notable as the most successful single released by Motown during its Detroit era (1959–72). In 2011, the song was inducted into the Grammy Hall of Fame.
$4.99
4.55 €
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Trompette
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Mariah Carey
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Leo Silva
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I'll Be There
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MP Sheet Music
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SheetMusicPlus
What Was I Made For?
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1277462 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1277462 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869161. Published by Benzaiten Editions (A0.1277462). Hey there! Are you a trumpet player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate trumpet Sheet Music The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate trumpet arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your trumpet. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
4.55 €
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Trompette
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Billie Eilish
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Benzaiten Editions
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What Was I Made For?
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Benzaiten Editions
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SheetMusicPlus
What Was I Made For?
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1277464 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1277464 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869163. Published by Benzaiten Editions (A0.1277464). Hey there! Are you a trumpet player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate trumpet Sheet Music with chords The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate trumpet arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your trumpet. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
4.55 €
#
Trompette
#
Billie Eilish
#
Benzaiten Editions
#
What Was I Made For?
#
Benzaiten Editions
#
SheetMusicPlus
What Was I Made For?
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273281 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273281 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865431. Published by Milanov (A0.1273281). What Was I Made For? From Barbie by Billie Eilish for trumpet. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.47 €
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Trompette
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273280 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865430. Published by Milanov (A0.1273280). What Was I Made For? From Barbie by Billie Eilish for trumpet. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.47 €
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Trompette
#
Billie Eilish
#
Milanov
#
What Was I Made For?
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Milanov
#
SheetMusicPlus
When I'm Sixty-four
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Le…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.55 €
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Trompette
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Someone You Loved
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.55 €
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Trompette
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.56 €
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Keith Terrett
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SheetMusicPlus
Three Miniatures for Solo Trumpet
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Con…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Conley. Blues,Contemporary,Romantic Period. Individual part. 5 pages. Riley A.C. Conley #4287791. Published by Riley A.C. Conley (A0.927727). Three Miniatures is an unaccompanied solo trumpet work originally intended for the C trumpet, but I was later convinced that the Bb trumpet suits it better in many different ways. When performing the Miniatures, I would recommend that you choose the instrument of which you feel is right for the piece. Initially I wanted to write musical etudes or exercises that would improve my own playing but, as more and more ideas came together, it gradually became its own interesting piece requiring different styles and techniques that I thought others might enjoy playing. There are elements of music in these three miniatures that may come easy, but are intertwined with later challenges to keep the player’s interest. Rather than giving you some sort of programmatic background to each movement, I will supply you with only a few words for each; your imagination can carry you from there. -- Three Miniatures was recorded by Bruce Gigax and performed by Jack Sutte on 7/29/19 at the Audio Recording Studio in Solon, OH.
$5.00
4.56 €
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Riley A
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Three Miniatures for Solo Trumpet
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Riley A.C. Conley
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SheetMusicPlus
Deja Vu
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253032. Published by M das Melodias (A0.643955). Music sheet music Deja Vu for Trumpet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu #oliviarodrigo #dejavu #trumpet #sheetmusic #relaxingmusic Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
4.55 €
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.07 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.19 €
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.19 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
50 Greatest Hymns for Solo Trumpet
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Variou…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part. 54 pages. Ben Dockery #1083552. Published by Ben Dockery (A0.1508253). These fifty classic hymns have been arranged for solo B-flat trumpet. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
13.68 €
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Various
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B
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50 Greatest Hymns for Solo Trumpet
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Ben Dockery
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SheetMusicPlus
The Clarke Variations
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
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15.47 €
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Arban Fantaisie Brillante sur La Muette de Portici
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste Arban. Arranged by Ken Saul. Concert,Opera,Romantic Period,Standards. Score and part. 18 pages. Ken Saul #6092729. Published by Ken Saul (A0.898024). J. B. Arban (1825 - 1889) wrote a number of fine solos for cornet and piano that are published in the big Arban's method book. But there are a few more of these solos that were not in the big book, and this is one of them. La Muette de Portici (the mute girl of Portici) was an early French grand opera by Auber. These opera melodies were the most loved popular songs in Arban's day, and he wrote this gem of a solo using several of the beautiful melodies from the opera. The original solo was for the now-obsolete cornet in A. I have transposed it so it is playable on the modern Bb cornet. This solo is every bit as fine as the ones in the back of the Arban's method book and will be a hit on any recital.
$6.99
6.38 €
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Jean-Baptiste Arban
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Ken Saul
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Arban Fantaisie Brillante sur La Muette de Portici
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Ken Saul
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SheetMusicPlus
Roadside Inn - Schumann- Trumpet-Piano
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.844509 Composed by Robert Schuma…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.844509 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489053. Published by Phil Beaman (A0.844509). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.55 €
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Trumpet-Piano
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Phil Beaman
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SheetMusicPlus
A Foggy Day (in London Town)
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839522 Composed by George Gershwi…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839522 Composed by George Gershwin and Ira Gershwin. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6048267. Published by Bobby Hesch (A0.839522). !!!*** A FOGGY DAY IN LONDON TOWN***!!! I SAW YOU THERE & THROUGH FOGGY LONDON TOWN THE SUN WAS SHINING EVERYWHERE!!! LET'S PLAY SOME JAZZ!!! KEY OF E!!! LOW F# - HIGH A!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! GREAT TUNE BY GEORGE & IRA GERSHWIN!!!CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch WRITTEN IN 1937 STILL GREAT TODAY!!! PERFORMED BY MICHAEL BUBLE!!! HAVE FUN!!!
$4.99
4.55 €
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George Gershwin and Ira Gershwin
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Bobby Hesch
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I SAW YOU THERE &
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A Foggy Day
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Bobby Hesch
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SheetMusicPlus
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trumpet Solo - Level 3 - Digital Download SKU: A0.775966 Composed by Carson Cooman.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95
11.82 €
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Trompette
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Carson Cooman
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Carson Cooman - Newton Antiphonies
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Musik Fabrik Music Publishing
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SheetMusicPlus
The First Noel for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.77 €
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
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