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682
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57
Orgue
50
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31
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21
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11
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10
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9
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8
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7
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5
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2
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10
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4
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4
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3
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3
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3
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2
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2
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2
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1
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1
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1
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45
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34
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32
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27
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26
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23
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23
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21
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21
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19
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18
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13
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12
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12
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11
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11
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10
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9
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8
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8
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7
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7
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6
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6
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6
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5
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5
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5
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5
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5
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5
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4
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4
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4
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4
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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90
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42
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41
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33
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28
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25
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22
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21
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21
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21
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20
Trombone
15
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13
2 Trompettes (duo)
12
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9
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8
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8
Cor
8
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7
2 Cors (duo)
6
Tuba
6
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5
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4
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4
Quatuor de cuivres: 4 cors
3
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3
2 Euphoniums (duo)
3
Cor (partie séparée)
3
2 Tubas (duo)
3
3 Euphoniums
2
4 Tubas
2
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Cor (duo)
2
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Cor et Orgue
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Trombone et orchestre
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon et Piano
61
Violon, Violoncelle (duo)
58
Violon
56
Harpe
47
Violoncelle
46
Trio à Cordes: 2 violons, violoncelle
32
Violoncelle, Piano
30
Trio à Cordes: violon, alto, violoncelle
23
Alto, Piano
20
2 Violoncelles (duo)
19
Alto seul
18
2 Violons (duo)
13
Violon, Alto (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Harpe, Voix
5
2 Harpes (duo)
5
Alto (partie séparée)
5
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble de Violons
3
2 Altos (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Ensemble de Violoncelles
1
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Violon, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
72
Orchestre d'harmonie
59
Orchestre
52
Ensemble de cuivres
40
Ensemble Jazz
14
Cloches
14
Orchestre de chambre
12
Jazz combo
11
Batterie
6
Ensemble de Percussions
5
Marimba
5
Fanfare
2
Percussion (partie séparée)
2
Orchestre, Violon
1
Vibraphone
1
Big band
1
Percussion
1
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In the End [advanced]
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The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
Trompette
Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
The Modern Jazz Trumpet Method
Trompette
Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Jazz, Latin Jazz, Funk Jazz, Method, Etudes and Exercises. 102 pages. Published by Faded Duck Music
A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.
$19.95
18.24 €
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Trompette
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Eric Bolvin
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The Modern Jazz Trumpet Method
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Faded Duck Music
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SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798312. Published by Samuel Sequeira (A0.1199249). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo trumpet in Bb with chords, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, while the chords provide a rich harmonic texture that enhances the emotional impact of the arrangement. The combination of trumpet and chords creates a full and beautiful sound that perfectly captures the essence of the song.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.56 €
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Trompette
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798310. Published by Samuel Sequeira (A0.1199247). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted solo arrangement for trumpet in Bb, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, allowing the player to fully capture the essence of the song. This solo arrangement is perfect for showcasing the beauty and versatility of the trumpet.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.56 €
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Trompette
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Leonard Cohen : Dance Me to the End of Love (niveau difficile)
Trompette
Téléchargez la partition Trompette Dance Me to the End of Love (niveau diffi…
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Téléchargez la partition Trompette Dance Me to the End of Love (niveau difficile) de Leonard Cohen. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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Leonard Cohen
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Dance Me to the End of Love
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Tomplay
Freddie Mercury : The Great Pretender (niveau difficile)
Trompette
Téléchargez la partition Trompette The Great Pretender (niveau difficile) de…
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Téléchargez la partition Trompette The Great Pretender (niveau difficile) de Freddie Mercury. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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Freddie Mercury
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The Great Pretender
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Tomplay
Go Tell It on the Mtn with God Rest Ye (Arrangements Level 3-5 for TRUMPET + Written Acc)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.874928 Composed by Spiritual / En…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.874928 Composed by Spiritual / English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. Individual part. 7 pages. Jerry Nelson #3676839. Published by Jerry Nelson (A0.874928). A sweet mix of Jazz and English Madrigal. And an easy-read. The arrangement moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. The DEMO is performed at the more advanced level. Bonus (3 performance options): Written Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the dramatic Orchestral Accompaniment Track (#SO.422479) If the track moves a bit fast, order the SLOWER 'rehearsal' version, at a very special price: Item #SO.419723. - 2:03Share this Gold Mine with your friends! Jerry Nelson now presents his finest Christmas arrangements in a variety of styles. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track!
$4.99
4.56 €
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Trompette
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Spiritual / English Carol
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Dr Jerry Nelson
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Go Tell It on the Mtn with God Rest Ye
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Jerry Nelson
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SheetMusicPlus
Battle Hymn of the Republic for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894421 Composed by America…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894421 Composed by American Folk Song. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 5 pages. Zack Richards #6426685. Published by Zack Richards (A0.894421). The tune of the Battle Hymn of the Republic took several forms and had many sets of lyrics before Julia Ward Howe wrote the ones with which we are familiar in 1861. The music was already popular among the troops of the Civil War and this new text turned it into one of the most familiar and popular hymns across the nation. This arrangement seeks to honor the march and fanfare feel of the original while using more modern harmonic and rhythmic ideas. Each verse has its own style adding variety, excitement, and anticipation for the glorious ending! Performance and Rehearsal mp3 Tracks available!S0.1059649 Battle Hymn of the Republic Rehearsal TrackS0.1059681 Battle Hymn of the Republic Performance Track All of these works are available individually or all together in my United We Stand Collection.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1060259 Battle Hymn of the Republic for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 4:00 Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Trompette
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American Folk Song
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Zack Richards
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Battle Hymn of the Republic for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Elton John,Whitney Houston,Queen,Billy Joel,The Pretenders : Les plus beaux hymnes de la coupe du monde de foot pour trompette, Difficile, Vol. 1
Trompette
Téléchargez la partition Trompette Les plus beaux hymnes de la coupe du mond…
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Téléchargez la partition Trompette Les plus beaux hymnes de la coupe du monde de foot pour trompette, Difficile, Vol. 1. Partition pour Trompette avec accomp. orchestre -- Pop/rock
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Trompette
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Elton John,Whitney Houston,Que
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Les plus beaux hymnes de la co
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Tomplay
Gloria In Excelsis Deo - Solo Bb Trumpet/ B Flat Trumpet and Piano - Advanced Intermediate
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.760590 Composed by Antoni…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.760590 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Praise & Worship. Score and part. 17 pages. Raymond Fenech #5359335. Published by Raymond Fenech (A0.760590). Antonio Vivaldi wrote at least three settings of the hymn Gloria in Excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass. Gloria in Excelsis Deo is a familiar and popular piece among sacred works by Vivaldi. It was probably written in 1715. The Level is Advance Intermediate and the duration is approximately 2.38 minutes. It could be played in any type of recital/concert.Can send you backing Mp3 with proof of buying. email: rfenech58@gmail.com
$3.99
3.65 €
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Trompette
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Antonio Vivaldi
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Raymond Fenech
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Gloria In Excelsis Deo - Solo Bb Trumpet/ B Flat Trumpet and Piano - Advanced Intermediate
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Raymond Fenech
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SheetMusicPlus
50 Greatest Hymns for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Variou…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part. 54 pages. Ben Dockery #1083552. Published by Ben Dockery (A0.1508253). These fifty classic hymns have been arranged for solo B-flat trumpet. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
13.7 €
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Trompette
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Various
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B
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50 Greatest Hymns for Solo Trumpet
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Ben Dockery
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SheetMusicPlus
Echo Taps for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Trompette
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Louis Armstrong,Simon & Garfunkel,Elvis Presley,John Legend,Lewis Capaldi : Les plus belles chansons à jouer à la trompette pour un enterrement, Difficile, Vol. 2
Trompette
Téléchargez la partition Trompette Les plus belles chansons à jouer &…
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Téléchargez la partition Trompette Les plus belles chansons à jouer à la trompette pour un enterrement, Difficile, Vol. 2. Partition pour Trompette avec accomp. orchestre -- Pop/rock
19.99 €
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Trompette
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Louis Armstrong,Simon & Ga
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Les plus belles chansons à jo
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Tomplay
A More Perfect Union for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894422 Composed by Various…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894422 Composed by Various. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 6 pages. Zack Richards #6426689. Published by Zack Richards (A0.894422). A More Perfect Union is a medley of my own arrangements of some of the most popular American Patriotic Tunes. Each arrangement is thematically linked, not only by its Patriotic nature, but its harmonic, structural, and stylistic content. It begins with up to 3 soloists playing Echo Taps, then moves in the iconic Battle Hymn of the Republic. It soon transitions to a jazzy America the Beautiful, followed by a toe-tapping You're a Grand Old Flag. A stirring setting of America proceeds into The Star-Spangled Banner and a final strong ending featuring the refrain of The Battle Hymn. This medley is a guaranteed crowd-pleaser for any Patriotic Concert! Performance and Rehearsal mp3 Tracks available!S0.1059655 A More Perfect Union Rehearsal TrackS0.1059701 A More Perfect Union Performance Track All of these works are available individually or all together in my United We Stand Collection.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1060263 A More Perfect Union for Trumpet Ensemble S0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpets Intermediate- Advanced Intermediate Approx. 5:30 Visit zackrichards.com for more from this composer!
$5.99
5.48 €
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Various
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Zack Richards
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A More Perfect Union for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Ray Charles,Aretha Franklin,Johnny Mercer,Joe Henderson,Miriam Makeba : Le meilleur des années 60' pour la trompette, Difficile, Vol. 4
Trompette
Téléchargez la partition Trompette Le meilleur des années 60' po…
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Téléchargez la partition Trompette Le meilleur des années 60' pour la trompette, Difficile, Vol. 4. Partition pour Trompette avec accomp. orchestre -- Pop/rock
19.99 €
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Trompette
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Ray Charles,Aretha Franklin,Jo
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Le meilleur des années 60' po
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Tomplay
Supplemental Practice Alternatives for Trumpet
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21s…
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Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trompette
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Charles Decker
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Supplemental Practice Alternatives for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
New Voluntaries for Bb Trumpet and Organ or Piano
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.925771 Composed by David N. Jex. …
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Trumpet Solo - Level 4 - Digital Download SKU: A0.925771 Composed by David N. Jex. Baroque,Classical,Concert,Graduation,Wedding. Individual part. 35 pages. David Jex #4766651. Published by David Jex (A0.925771). Three Voluntaries with Trumpet and Organ, Trumpet and Piano, and Solo Trumpet parts included:I. Celebration, II. Bold Procession, and III. Noble VoluntaryComposed in a traditional, tonal style for the modern trumpet. Created for intermediate to advanced trumpet players. These voluntaries are in the spirit and character of the Baroque Trumpet repertoire, but in the range and keys of modern trumpets for stronger performance results and better intonation.These works are perfect for processionals & recessionals in churches, weddings, academic functions, solo and ensemble contests, and other trumpet occasions. They are 2 to 3 minutes in length, and can be extended with Da Capo application.
$15.00
13.71 €
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Trompette
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David N
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New Voluntaries for Bb Trumpet and Organ or Piano
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David Jex
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SheetMusicPlus
Cole Porter,Ed Sheeran,Isham Jones,John Legend,The Platters : Les plus belles chansons à jouer à la trompette pour la Saint-Valentin, Difficile, Vol. 3
Trompette
Téléchargez la partition Trompette Les plus belles chansons à jouer &…
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Téléchargez la partition Trompette Les plus belles chansons à jouer à la trompette pour la Saint-Valentin, Difficile, Vol. 3. Partition pour Trompette avec accomp. orchestre -- Pop/rock
19.99 €
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Trompette
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Cole Porter,Ed Sheeran,Isham J
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Les plus belles chansons à jo
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Tomplay
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