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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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EUPHONIUM
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MANDOLINE
MARIMBA
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XYLOPHONE
Italian Popular Song
Non classifié
69
Piano & claviers
Piano, Voix
46
Piano seul
30
Piano Facile
7
Instruments en Do
7
Piano, Voix et Guitare
4
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
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Guitares
Mandoline
6
Guitare notes et tablatures
4
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Voix
Chorale 2 parties
10
Voix duo, Piano
10
Chorale SATB
6
Chorale 3 parties
5
Voix duo
3
Chorale Unison
3
Chorale TTBB
3
Voix seule
2
Voix haute
2
Voix Tenor
1
Voix Tenor, Piano
1
Voix basse
1
+ 7 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
17
Flûte traversière et Piano
12
Flûte, Hautbois, Clarinette, Basson
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Tenor et Piano
8
Clarinette et Piano
8
Hautbois, Piano (duo)
8
Saxophone Soprano et Piano
7
Saxophone Alto et Piano
7
Quintette de Saxophone: 5 saxophones
5
5 Flûtes à bec
4
Flûte, Violon, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes à bec
3
Saxophone Baryton, Piano
3
Clarinette
3
2 Saxophones (duo)
2
Ensemble de Clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
Cor anglais, Piano
1
2 Clarinettes, Basson
1
2 Hautbois (duo)
1
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Flûte, Clarinette (duo)
1
Flûte à bec Alto
1
Cor anglais et Harpe (duo)
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Cor et Piano
3
Trompette, Piano
3
Trombone et Piano
3
2 Trompettes (duo)
3
Tuba et Piano
2
Trompette
2
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
Trombone
1
Cor anglais et Harpe (duo)
1
+ 12 instrumentations
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Cordes
Violon et Piano
16
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle, Piano
6
Alto, Piano
6
Piano Trio: Violon, Alto, Piano
3
Violon
3
Harpe, Flûte (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 13 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
7
Orchestre de chambre
6
Orchestre d'harmonie
6
Orchestre à Cordes
4
Orchestre
3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
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Crtitères actifs :
Italian Popular Song
Trompette
Partitions à imprimer
2 partitions trouvées
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Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Trompette
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INTERMÉDIAIRE
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan
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Zoran Radanovic
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Tradition...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
$1.99
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