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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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FLUTE TRAVERSI…
FORMATION MUSI…
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Non classifié
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PIANO & CLAVIERS
Piano seul
878
Piano, Voix
396
Piano Facile
347
Piano, Voix et Guitare
304
Instruments en Do
93
Accompagnement Piano
60
2 Pianos, 4 mains
47
1 Piano, 4 mains
41
Accordéon
31
Orgue
31
Piano Trio: piano, violon, violoncelle
25
Piano grosses notes
9
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 6 mains
2
Ligne De Mélodie, Piano
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
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Orgue, Trompette (duo)
1
Instrument seul et Orgue
1
Clavier
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GUITARES
Guitare notes et tablatures
181
Guitare
113
Ligne De Mélodie, (Paroles) et Accords
60
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60
Basse electrique
37
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29
Guitare (partie séparée)
18
2 Guitares (duo)
14
4 Guitares (Quatuor)
8
Dulcimer
4
Mandoline
4
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Banjo
2
Piano, Guitare (duo)
2
Ensemble de guitares
2
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1
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1
Ukulele Baryton
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VOIX
Chorale SATB
394
Chorale 3 parties
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Chorale 2 parties
128
Chorale TTBB
90
Chorale SSAA
76
Pack Instrumental pour Chorale
54
Chorale Unison
44
Voix duo, Piano
25
Voix Baryton, Piano
21
Voix haute
15
Voix duo
11
Voix Soprano, Piano
9
Voix seule
7
Voix Tenor, Piano
6
Chorale
5
Voix Alto, Piano
3
Voix basse, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
1
Voix moyenne, Piano
1
Voix basse
1
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VENTS
Saxophone (partie séparée)
518
2 Saxophones (duo)
362
Saxophone Alto
349
Saxophone Tenor
319
Quatuor de Saxophones: 4 saxophones
303
Saxophone Alto et Piano
223
Saxophone
189
Saxophone Tenor et Piano
176
Saxophone Soprano et Piano
112
Flûte traversière et Piano
101
Clarinette et Piano
99
Flûte traversière
98
Flûte, Hautbois, Clarinette, Basson
98
Saxophone, Clarinette (duo)
95
2 Clarinettes (duo)
94
Clarinette
87
Quintette de Saxophone: 5 saxophones
84
3 Saxophones (trio)
83
2 Flûte à bec (duo)
78
Hautbois, Piano (duo)
75
2 Flûtes traversières (duo)
74
Saxophone Baryton, Piano
73
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Clarinette, Violon (duo)
68
Quatuor de Clarinettes: 4 clarinettes
64
Clarinette, Trompette (duo)
58
Ensemble de saxophones
50
Flûte, Clarinette (duo)
43
Hautbois, Clarinette (duo)
42
Flûte, Saxophone (duo)
41
2 Hautbois (duo)
39
Clarinette et Alto
37
Hautbois, Flûte
36
Hautbois, Basson (duo)
35
Flûte, Violon
33
Hautbois (partie séparée)
32
Ensemble de Clarinettes
32
Flûte, Alto (duo)
29
Ensemble de Flûtes
28
Flûte, Trompette (duo)
24
Saxophone Soprano
19
Flûte, Trombone (duo)
18
Hautbois
18
Quatuor de Flûtes : 4 flûtes
17
3 Clarinettes (trio)
16
Clarinette (partie séparée)
15
Cor anglais, Piano
13
Flûte et Guitare
13
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12
Flute (partie séparée)
12
Trio de Flûtes: 3 flûtes
11
Clarinette, Trombone (duo)
10
Flûte, Clarinette et Basson
10
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9
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8
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7
Clarinette Basse, Piano
7
Saxophone Baryton
7
Flûte, Hautbois (duo)
7
Quintette de Flûte : 5 flûtes
7
Quatuor de Flûtes à bec
7
Piccolo, Piano
6
Clarinette, Basson (duo)
6
Flûte à bec Soprano
6
Saxophone, Violon (duo)
5
3 Flûtes à bec (trio)
5
Flûte à Bec
5
Ensemble De Flûte à bec
4
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Hautbois, Guitare (duo)
3
Ocarina
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Saxophone et Guitare
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Flûte, Clarinette, Cor, Basson (Quartet)
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Flûte à bec Alto
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Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto, Piano
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Flûte, Violon, Piano
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4 Hautbois
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Flute, harpe et violon
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Clarinette, Violoncelle (duo)
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2
Flûte à bec Soprano, Piano
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2 Flûtes traversières, Piano
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Cor anglais, Guitare (duo)
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Clarinette, Orgue
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Flûte, Clarinette, Piano (trio)
1
Harmonica
1
Flûte traversière, Basse continue
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Flûte à bec Tenor
1
5 Flûtes à bec
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2 Clarinettes, Piano
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Clarinette Basse
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
Melodica
1
Flûte, Violon et Violoncelle
1
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CUIVRES
Trombone
309
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
282
Trombone (partie séparée)
234
Trombone et Piano
212
Quatuor de Cuivres : 2 trompettes, trombone, tuba
171
2 Trombones (duo)
117
Trompette
80
Trompette, Trombone (duo)
79
Trompette, Saxophone (duo)
68
Trompette (partie séparée)
64
Trompette, Piano
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Quatuor de Cuivres
55
Cor et Piano
54
2 Trompettes (duo)
53
Cor
46
Tuba
44
Tuba et Piano
33
Quatuor de cuivres: 4 trombones
31
3 Trombones (trio)
26
2 Cors (duo)
26
Ensemble de Trombones
17
2 Tubas (duo)
16
Cor anglais, Piano
13
Euphonium, Piano (duo)
13
Bass Clef Instruments
12
Trompette, Cor (duo)
12
Tuba (partie séparée)
11
2 Euphoniums (duo)
10
Euphonium
10
Instruments en Sib
10
Cor (partie séparée)
10
Trombone, Tuba (duo)
9
Trio de Cuivres
8
Ensemble de Trompettes
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Trombone basse et Piano
4
Ensemble de Cors
4
Tuba et Orgue
4
Trombone basse
3
Euphonium, Tuba (duo)
3
4 Tubas
3
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
3 Tubas (trio)
2
3 Trompettes (trio)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
2 Cors, Piano
1
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violon et Piano
158
Violon
132
Violon, Violoncelle (duo)
115
Violoncelle
109
Violoncelle, Piano
87
Harpe
67
Violon, Alto (duo)
67
Alto, Piano
66
2 Violons (duo)
62
2 Violoncelles (duo)
57
Alto seul
51
Trio à Cordes: violon, alto, violoncelle
42
2 Altos (duo)
41
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
35
Contre Basse
26
Violoncelle, Contrebasse (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Contrebasse (partie séparée)
16
Violon (partie séparée)
13
2 Contrebasses (duo)
13
Alto (partie séparée)
13
Alto, Violoncelle (duo)
10
Trio à cordes: 3 violins
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Piano Trio: Violon, Alto, Piano
8
4 Violoncelles
7
Trio à Cordes: 3 violoncelles
6
Flûte, Contrebasse (duo)
5
Trio à cordes: 3 altos
4
Quatuor à cordes: 4 violons
3
Violon, Guitare (duo)
3
2 Harpes (duo)
3
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violons
2
2 Violons, Piano
1
3 Contrebasses
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Violoncelle (partie séparée)
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
982
Ensemble Jazz
170
Orchestre à Cordes
162
Fanfare
133
Orchestre
127
Ensemble de cuivres
119
Orchestre de chambre
57
Batterie
42
Jazz combo
38
Cloches
33
Ensemble de Percussions
13
Xylophone, Piano
12
Batterie (partie séparée)
11
Percussion (partie séparée)
9
Marimba
7
2 Xylophones
6
Xylophone
3
Percussion
3
Vibraphone
3
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
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AUTRES
Vous avez sélectionné:
Just One
Trompette
Partitions à imprimer
80 partitions trouvées
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Someone You Loved
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.52 €
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Trompette
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Nina Simone : My Baby Just Cares for Me (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette My Baby Just Cares for Me (niveau interm&…
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Téléchargez la partition Trompette My Baby Just Cares for Me (niveau intermédiaire) de Nina Simone. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Nina Simone
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My Baby Just Cares for Me
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Tomplay
Nina Simone : My Baby Just Cares for Me (niveau débutant)
Trompette
Téléchargez la partition Trompette My Baby Just Cares for Me (niveau d&eacut…
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Téléchargez la partition Trompette My Baby Just Cares for Me (niveau débutant) de Nina Simone. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Nina Simone
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My Baby Just Cares for Me
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Tomplay
Nina Simone : My Baby Just Cares for Me (niveau difficile)
Trompette
Téléchargez la partition Trompette My Baby Just Cares for Me (niveau diffici…
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Téléchargez la partition Trompette My Baby Just Cares for Me (niveau difficile) de Nina Simone. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Nina Simone
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My Baby Just Cares for Me
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Tomplay
Nina Simone : My Baby Just Cares for Me (niveau facile)
Trompette
Téléchargez la partition Trompette My Baby Just Cares for Me (niveau facile)…
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Téléchargez la partition Trompette My Baby Just Cares for Me (niveau facile) de Nina Simone. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Nina Simone
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My Baby Just Cares for Me
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Tomplay
Just As I Am, Without One Plea - Trumpet
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.602275 Arranged by Kevin Busse. C…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.602275 Arranged by Kevin Busse. Christian,Praise & Worship,Sacred. Individual part. 1 pages. Kevin Busse #3525407. Published by Kevin Busse (A0.602275). This is a simple transcription of Just As I Am, Without One Plea by Charlotte Elliott in a good range for Trumpet
$4.99
4.52 €
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Trompette
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Kevin Busse
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Just As I Am, Without One Plea - Trumpet
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Kevin Busse
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SheetMusicPlus
Just As I Am, Without One Plea (Easy key of C) - Trumpet
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.602291 Arranged by Kevin Busse. C…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.602291 Arranged by Kevin Busse. Christian,Praise & Worship,Sacred. Individual part. 1 pages. Kevin Busse #3525439. Published by Kevin Busse (A0.602291). This is a simple transcription of Just As I Am, Without One Plea by Charlotte Elliott in the easy key of C for Trumpet
$4.99
4.52 €
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Trompette
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Kevin Busse
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Just As I Am, Without One Plea
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Kevin Busse
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SheetMusicPlus
Another One Bites The Dust
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.582696 By Queen. By John Deacon.…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.582696 By Queen. By John Deacon. Arranged by Jeff Tincher. Rock. Score and part. 37 pages. Jeff Tincher #3478003. Published by Jeff Tincher (A0.582696). This is a Bb instrument and Piano arrangement of one of Queen's biggest hits. In the original key from their The Game and Greatest Hits CDs, great for any live venue. I like to arrange songs that are both great for the listener and fun for the performers. This arrangement allows the instrumentalists to do more than just play their instruments. The arrangement has instrumentalists stomp and handclap to simulate the heavy beat of the song at different points of the performance (the MP3 uses a concert band ass drum for the sound of the stomp). Duration=3:31. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music,https://www.facebook.com/jefftincherpublishing
$5.99
5.43 €
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Trompette
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Queen
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Jeff Tincher
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Another One Bites The Dust
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Jeff Tincher
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SheetMusicPlus
Just Once
Trompette
(Trumpet) - Interactive Download SKU: HX.387887 By Quincy Jones featuring James Ing…
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(Trumpet) - Interactive Download SKU: HX.387887 By Quincy Jones featuring James Ingram. This edition: Interactive Download. Pop,Rock,Soul. Trumpet Solo. 2 pages. Published by Hal Leonard - Digital (HX.387887).
$2.99
2.71 €
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Trompette
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Quincy Jones featuring James Ingram
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Just Once
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Hal Leonard - Digital
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SheetMusicPlus
No.8 Beautiful Mind (Trumpet, Flugel or Cornet)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.1001866 Composed by Chris Cobon. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.1001866 Composed by Chris Cobon. Contemporary,Jazz. Individual part. 7 pages. Chris Cobon #6383739. Published by Chris Cobon (A0.1001866). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for the other pieces in the series, new ones being added regularly. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreTrumpet/Flugel/Cornet partThe Music:Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy. These pieces move the focus from musical dexterity to stamina, tone, control.
$2.00
1.81 €
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Trompette
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Chris Cobon
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No.8 Beautiful Mind
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Chris Cobon
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SheetMusicPlus
Just One Look by Doris Troy - Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet Solo
Trompette
Performed by: Doris Troy: Just One Look Digital Sheetmusic plus an interactive, downloadab…
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Performed by: Doris Troy: Just One Look Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Bb Instrument;Trumpet;Soprano Saxophone;Tenor Saxophone;Clarinet; 1 pages -- Soul~~R & B~~Pop-Soul
$2.95
2.67 €
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Trompette
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Doris Troy
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Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet Solo
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Musicnotes
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.37 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.37 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Civil War Songs for B-flat Instruments
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.722821 Composed by Various. Arran…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.722821 Composed by Various. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Traditional. Individual part. 15 pages. JV MUSIC #6286087. Published by JV MUSIC (A0.722821). Civil War Songs for B-flat InstrumentsSolo instrument part.These are songs that were popular during the American Civil War (1861-1865) for Solo B-flat Instruments. Cornet, Trumpet, Clarinet, Tenor Saxophone, Baritone (TC)All Quiet Along The PotomacAmazing GraceAmericaAuld Lange SyneAura LeaBattle Cry of FreedomBattle Hymn of the RepublicBonnie Blue FlagCheer Boys CheerChesterColumbia, Gem of The OceanDixieGeary OwenThe Girl I Left Behind MeGod Save The SouthGoober PeasHail ColumbiaHome Sweet HomeJohnny Has Gone for a SoldierI Dreamt That Dwelt in Marble HallsJust Before the Battle MotherKathleen MavourneenKingdom ComingThe Last Rose of SummerLincoln and LibertyListen to the MockingbirdLorenaMarching Through GeorgiaMaryland, My MarylandMinstrel BoyOld HundredthStonewall Jackson’s WayTenting TonightTramp, Tramp, TrampThe Upidee SongThe Vacant ChairWait for the WagonWeeping Sad and LonelyWhen Johnny Come Marching HomeYankee DoodleYellow Rose of Texas
$6.99
6.34 €
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Trompette
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Various
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Jari A
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Civil War Songs for B-flat Instruments
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JV MUSIC
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SheetMusicPlus
30 Characteristic Studies
Trompette
Trumpet in Bb - Digital Download Works by Arban, Concone, Kopprasch, Kreutzer, Sachse…
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Trumpet in Bb - Digital Download Works by Arban, Concone, Kopprasch, Kreutzer, Sachse, Schmidt. This edition: Sheet music. Etuden, Ubungsstucke, Studienwerke. Essential Exercises. Downloadable. Schott Music - Digital #Q21720. Published by Schott Music - Digital
German - English.<br> <br> This volume is a compilation of exercises of various authors which have already been tried and tested in practice. The editor has added some new pieces of his own to the selection. The exercises are mainly aimed at the advanced player or beginner. Great importance has been attached to tonal quality, ties and slurs, rhythm and technique. In order to counteract the - unjustly - poor image of studies, the editor selected or wrote mainly studies which have a certain musical quality and encourage the player to improvise.German - English.<br> <br> This volume is a compilation of exercises of various authors which have already been tried and tested in practice. The editor has added some new pieces of his own to the selection. The exercises are mainly aimed at the advanced player or beginner. Great importance has been attached to tonal quality, ties and slurs, rhythm and technique. In order to counteract the - unjustly - poor image of studies, the editor selected or wrote mainly studies which have a certain musical quality and encourage the player to improvise.
$13.99
12.68 €
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Trompette
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30 Characteristic Studies
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Schott Music - Digital
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SheetMusicPlus
Aaron "T-Bone" Walker: Call It Stormy Monday (But Tuesday Is Just As Bad) - trumpet solo
Trompette
Instantly printable sheet music by Aaron "T-Bone" Walker for trumpet solo of MED…
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Instantly printable sheet music by Aaron "T-Bone" Walker for trumpet solo of MEDIUM skill level. / blues
$4.97
4.51 €
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Trompette
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Aaron "T-Bone" Walker
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Virtualsheetmusic
Just One of Those Things by Cole Porter - Trumpet Solo
Trompette
Cole Porter - Just One of Those Things Digital Sheetmusic - instantly downloadable sheet m…
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Cole Porter - Just One of Those Things Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Duet;Instrumental Trio, instruments: Trumpet 1;Trumpet 2;Trumpet 3; 2 pages -- Jazz~~Jazz Standards~~Show/Broadway
$3.99
3.62 €
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Trompette
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Trumpet Solo
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Musicnotes
You Are The Sunshine Of My Life
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1234295 By Stevie Wonder. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1234295 By Stevie Wonder. By Stevie Wonder. Arranged by Thomas Graf. Pop. Individual part. 2 pages. Thomas Graf - the-hit-factory.com #829836. Published by Thomas Graf - the-hit-factory.com (A0.1234295). Stevie Wonder’s classic – Just one of the best songs in music history. Nothing more to say. Here it comes in challenging polyphonic arrangement that will surely impress your audience!About this arrangement: Composed by: Stevie WonderArranged by: Thomas H. GrafTrumpet 1 in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$4.99
4.52 €
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Trompette
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Stevie Wonder
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Thomas Graf
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You Are The Sunshine Of My Life
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Yesterday
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.720828 By Adam Levine & To…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.720828 By Adam Levine & Tony Lucca. By John Lennon and Paul McCartney. Arranged by Leo Silva. Film/TV,Pop. Individual part. 1 pages. MP Sheet Music #329215. Published by MP Sheet Music (A0.720828). Yesterday is a song composed by Paul McCartney (credited to Lennon/McCartney), recorded in 1965 for the album Help!. According to Guinness World Records, Yesterday is the song with the most radio broadcasts worldwide, with more than six million broadcasts in the United States. Yesterday is also the most covered song in popular music history, with over 1,600 different interpretations. BMI claims the song was performed nearly seven million times in the 20th century. This was the first official Beatles composition recorded by just one member, Paul McCartney, accompanied by a string quartet. The composition is notably different from the other previous works of the musical group, which is why the other members did not accept that it was published as a single in the United Kingdom.
$4.99
4.52 €
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Trompette
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Adam Levine & Tony Lucca
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Leo Silva
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Yesterday
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MP Sheet Music
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SheetMusicPlus
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.53 €
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Trompette
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Keith Terrett
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SheetMusicPlus
No.5 Beautiful Reflection (Trumpet, Flugel or Cornet)
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1001833 Composed by Chris Cobon. …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1001833 Composed by Chris Cobon. Contemporary. Individual part. 7 pages. Chris Cobon #6366957. Published by Chris Cobon (A0.1001833). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for all seven pieces (Set 1) being released in April/ May 2021. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreTrumpet/Flugel/Cornet partOriginally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy.The Music:These pieces move the focus from musical dexterity to stamina, tone, control.
$2.00
1.81 €
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Trompette
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Chris Cobon
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No.5 Beautiful Reflection
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Chris Cobon
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SheetMusicPlus
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.37 €
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Quincy Jones featuring James Ingram: Just Once - trumpet solo
Trompette
Instantly printable sheet music by Quincy Jones featuring James Ingram for trumpet solo of…
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Instantly printable sheet music by Quincy Jones featuring James Ingram for trumpet solo of MEDIUM skill level. / pop,rock,soul
$3.97
3.6 €
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Trompette
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Quincy Jones featuring James Ingram
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Virtualsheetmusic
What Was I Made For?
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273281 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1273281 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865431. Published by Milanov (A0.1273281). What Was I Made For? From Barbie by Billie Eilish for trumpet. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.43 €
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Trompette
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
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