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Orchestre
40
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36
Fanfare
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AUTRES
Vous avez sélectionné:
Let Her Go
Trompette
Partitions à imprimer
27 partitions trouvées
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26
Passenger : Let Her Go (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Let Her Go (niveau intermédiaire) …
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Téléchargez la partition Trompette Let Her Go (niveau intermédiaire) de Passenger. Partition pour Trompette avec accomp. orchestre -- Pop/rock
4.99 €
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Trompette
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Passenger
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Let Her Go
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Tomplay
Passenger : Let Her Go (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette Let Her Go (niveau intermédiaire/d…
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Téléchargez la partition Trompette Let Her Go (niveau intermédiaire/difficile) de Passenger. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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Passenger
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Let Her Go
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Tomplay
Passenger : Let Her Go (niveau difficile)
Trompette
Téléchargez la partition Trompette Let Her Go (niveau difficile) de Passenge…
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Téléchargez la partition Trompette Let Her Go (niveau difficile) de Passenger. Partition pour Trompette avec accomp. orchestre -- Pop/rock
4.99 €
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Trompette
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Passenger
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Let Her Go
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Tomplay
Passenger : Let Her Go (niveau facile)
Trompette
Téléchargez la partition Trompette Let Her Go (niveau facile) de Passenger. …
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Téléchargez la partition Trompette Let Her Go (niveau facile) de Passenger. Partition pour Trompette avec accomp. orchestre -- Pop/rock
4.99 €
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Trompette
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Passenger
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Let Her Go
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Tomplay
Passenger : Let Her Go (niveau débutant)
Trompette
Téléchargez la partition Trompette Let Her Go (niveau débutant) de Pa…
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Téléchargez la partition Trompette Let Her Go (niveau débutant) de Passenger. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
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Passenger
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Let Her Go
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Tomplay
Let Her Go
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.606006 By Passenger. By Michael D…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.606006 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 3 pages. Kevin Busse #4313539. Published by Kevin Busse (A0.606006). This is a transcription of Let Her Go in a good range for Trumpet.
$4.99
4.58 €
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Trompette
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Passenger
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Kevin Busse
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Let Her Go
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Kevin Busse
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SheetMusicPlus
Let Her Go
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.598043 By Passenger. By Michael D…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.598043 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 3 pages. Kevin Busse #3130061. Published by Kevin Busse (A0.598043). This is a transcription of Passenger's Let Her Go for Trumpet. This sheet music can be played along with the official recording of this song.
$4.99
4.58 €
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Trompette
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Passenger
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Kevin Busse
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Let Her Go
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Kevin Busse
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SheetMusicPlus
Let Her Go
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.600674 By Passenger. By Michael D…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.600674 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 4 pages. Kevin Busse #3477813. Published by Kevin Busse (A0.600674). This is a simple transcription of Let It Go in the easy key of C for Trumpet
$4.99
4.58 €
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Trompette
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Passenger
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Kevin Busse
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Let Her Go
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Kevin Busse
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SheetMusicPlus
When The Saints Go Marching In
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839756 By Al Hirt. By Al Hirt and…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839756 By Al Hirt. By Al Hirt and Gerard Purcell. Arranged by Bobby Hesch. Contemporary. Individual part. 5 pages. Bobby Hesch #6708395. Published by Bobby Hesch (A0.839756). WHEN THE SAINTS GO MARCHING IN !!! WRITTEN BY GERARD PURCELL & AL HIRT !!! I WANT TO BE IN THAT NUMBER WHEN THE SAINTS COME MARCHING IN !!! FAT TUESDAY! NEW ORLEANS! MARDI GRAS !! LET'S PLAY SOME JAZZ !!! HERE'S 3 & 1/2 PAGES FOR FOOT STOMPIN' HAND CLAPPIN' MARDI GRAS BEAD WEARIN' AUDIENCE MEMBERS !!! DON'T LET THEM DOWN PLENTY OF NOTES AND JAZZ LICKS HERE !!! KEY OF A!!! LOW G#-HIGH A !!! CHALLENGING PASSAGES & RUNS!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG : @bobbyhesch E MAIL QUESTIONS!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! HAVE FUN PERFORMING!!!
$4.99
4.58 €
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Trompette
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Al Hirt
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Bobby Hesch
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When The Saints Go Marching In
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Bobby Hesch
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SheetMusicPlus
Merry-go-round Of Life
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1307891 By Kumiko. By Joe …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1307891 By Kumiko. By Joe Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Wedding. Individual part. 3 pages. Glauco Fernandes #897153. Published by Glauco Fernandes (A0.1307891). Create a captivating musical experience with our intermediate arrangement of The Merry-Go-Round of Life from the movie Howl's Moving Castle for trumpet, complete with chord symbols.Title: The Merry-Go-Round of Life Trumpet Sheet Music with Chord SymbolsImmerse yourself in the enchanting world of Howl's Moving Castle as you play this iconic melody on the trumpet. Our meticulously crafted sheet music offers:- Precise musical notations for the trumpet.- Chord symbols for easy harmonization.Whether you're a trumpeter with an affinity for film soundtracks, this arrangement is your ideal choice. Transport yourself to the skies of a moving castle and bring this captivating music to life.Elevate your musical interpretation to the next level with our The Merry-Go-Round of Life trumpet sheet music. Purchase it now and embark on a magical musical journey inspired by the world of Howl's Moving Castle..
$4.99
4.58 €
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Trompette
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Kumiko
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Glauco Fernandes
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Merry-go-round Of Life
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Glauco Fernandes
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Richard & Robert Sherman: Let's Go Fly A Kite - trumpet solo
Trompette
Instantly printable sheet music by Richard & Robert Sherman for trumpet solo of MEDIUM…
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Instantly printable sheet music by Richard & Robert Sherman for trumpet solo of MEDIUM skill level. / children,disney
$3.97
3.65 €
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Trompette
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Richard & Robert Sherman
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Virtualsheetmusic
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.56 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.56 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Passenger: Let Her Go - trumpet solo
Trompette
Instantly printable sheet music by Passenger for trumpet solo of MEDIUM skill level. / new…
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Instantly printable sheet music by Passenger for trumpet solo of MEDIUM skill level. / new age,pop
$3.97
3.65 €
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Trompette
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Passenger
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Virtualsheetmusic
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Beyond The Sea
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839340 By Bobby Darin. By Albert …
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839340 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Bobby Hesch. Jazz,Pop. Individual part. 3 pages. Bobby Hesch #5721579. Published by Bobby Hesch (A0.839340). ***BEYOND THE SEA***!!! WRITTEN IN 1945!!! PERFORMED BY MICHAEL BUBLE!!! IF I COULD FLY LIKE BIRDS ON HIGH, THEN STRAIGHT TO HER ARMS I'D GO SAILING!!! LET'S PLAY SOME JAZZ!!! KEY OF G!!! LOW G - HIGH A!!! LOTS OF ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! A FEEL GOOD SWEET SWING TUNE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
4.58 €
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Trompette
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Bobby Darin
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Bobby Hesch
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Beyond The Sea
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Bobby Hesch
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SheetMusicPlus
A Wink And A Smile
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839570 By Harry Connick Jr. By Ma…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839570 By Harry Connick Jr. By Marc Shaiman. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6424227. Published by Bobby Hesch (A0.839570). A WINK AND A SMILE !!! NOW MY HEART IS MUSIC SUCH A SIMPLE SONG WE GO TOGETHER LIKE A WINK AND A SMILE!!! LET'S PLAY SOME JAZZ!!! GREAT SONG FROM THE MOVIE SLEEPLESS IN SEATTLE 1993!!! YOUR AUDIENCE WILL BE SMILING AFTER YOU PLAY THIS GREAT TUNE!!! KEY OF C/Bb!!! LOW Bb/HIGH E!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch HAVE FUN CHECK OUT THE LYRICS!!! LISTEN TO HARRY CONNICK JR. MP3 FOR JAZZ STYLE & INTERPRETATION!!!
$4.99
4.58 €
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Trompette
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Harry Connick Jr
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Bobby Hesch
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INTERPRETATION!!!
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A Wink And A Smile
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Bobby Hesch
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SheetMusicPlus
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