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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Non classifié
2 531
Piano & claviers
Piano seul
1 046
Piano, Voix
615
Piano, Voix et Guitare
302
Piano Facile
206
Instruments en Do
118
Orgue
111
1 Piano, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
9
2 Pianos, 4 mains
9
Accordéon
6
Piano (partie séparée)
4
Clavier
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 429
Guitare
199
Guitare notes et tablatures
111
Basse electrique
26
Paroles et Accords
23
Ukulele
19
Ukulele Baryton
12
Guitare (partie séparée)
10
Piano, Guitare (duo)
7
2 Guitares (duo)
7
Dulcimer
3
4 Guitares (Quatuor)
3
Ensemble de Ukulélés
2
3 Guitares (trio)
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
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Voix
Chorale SATB
372
Chorale 3 parties
114
Chorale TTBB
82
Voix seule
76
Chorale 2 parties
49
Pack Instrumental pour Chorale
42
Chorale SSAA
35
Chorale Unison
14
Voix Baryton, Piano
14
Voix duo, Piano
12
Voix duo
8
Voix haute
8
Voix Soprano, Piano
8
Chorale
6
Voix Tenor, Piano
5
Voix moyenne, Piano
5
Voix basse, Piano
5
Voix Alto, Piano
3
Voix Soprano
1
Voix basse
1
Chorale SSATB
1
Voix Moyenne
1
+ 17 instrumentations
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Vents
Saxophone Alto et Piano
288
2 Saxophones (duo)
266
Flûte traversière et Piano
227
Saxophone
221
Quatuor de Saxophones: 4 saxophones
190
Saxophone Tenor et Piano
178
Saxophone (partie séparée)
171
Saxophone Alto
166
Quintette de Saxophone: 5 saxophones
164
Saxophone Tenor
160
Saxophone Soprano et Piano
148
Hautbois, Piano (duo)
139
Clarinette et Piano
125
Saxophone Baryton, Piano
120
Ensemble de saxophones
115
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Hautbois
60
Clarinette
59
2 Flûtes traversières (duo)
43
Flûte, Hautbois, Clarinette, Basson
43
3 Saxophones (trio)
42
Ensemble de Clarinettes
39
Cor anglais, Piano
39
Flûte traversière
38
Quatuor de Clarinettes: 4 clarinettes
36
Clarinette Basse, Piano
30
2 Flûtes traversières, Piano
25
Saxophone Soprano
24
Ensemble de Flûtes
22
Quatuor de Flûtes : 4 flûtes
20
2 Clarinettes (duo)
19
Quintette de Flûte : 5 flûtes
16
Hautbois (partie séparée)
13
3 Clarinettes (trio)
10
Hautbois, Basson (duo)
10
Saxophone, Clarinette (duo)
10
2 Hautbois (duo)
10
Flute (partie séparée)
9
Flûte à bec Soprano
9
Flûte, Violoncelle
9
Clarinette (partie séparée)
8
Clarinette et Alto
8
Flûte, Alto (duo)
8
Trio de Flûtes: 3 flûtes
7
Clarinette, Violon (duo)
7
Flûte, Clarinette (duo)
7
Piccolo, Piano
6
Flûte, Violon, Piano
6
Instruments en Mib
6
2 Flûte à bec (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Ocarina
5
Flûte, Violon
5
Clarinette, Trompette (duo)
4
Saxophone et Piano
4
Saxophone et Guitare
4
Hautbois, Clarinette (duo)
4
Hautbois, Violoncelle
4
Clarinette, Basson (duo)
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois (duo)
3
Saxophone Baryton
3
Saxophone et violoncelle
3
Hautbois, Flûte
3
Clarinette, Violoncelle (duo)
3
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Cors Anglais Et Pianoforte
2
Saxophone, Basson (duo)
2
Saxophone et Harpe
2
2 Saxophones, Piano
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Flûte à bec Alto
2
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Clarinette, Orchestre
1
Flute, harpe et violon
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à Bec
1
Hautbois et alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
277
Trombone et Piano
219
Trombone
197
Quatuor de Cuivres : 2 trompettes, trombone, tuba
185
Trombone (partie séparée)
180
2 Trombones (duo)
75
Euphonium, Piano (duo)
72
Cor et Piano
62
Trompette
58
Trompette, Piano
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Ensemble de Trompettes
45
Ensemble de Trombones
42
Cor anglais, Piano
39
Quatuor de Cuivres
33
Trompette, Trombone (duo)
29
Trompette (partie séparée)
28
Trio de Cuivres
16
Tuba et Piano
14
Trompette, Saxophone (duo)
11
2 Cors (duo)
11
Cor
11
Tuba
11
Quatuor de cuivres: 4 trombones
10
2 Trompettes (duo)
10
Instruments en Sib
7
Tuba (partie séparée)
7
Cor (partie séparée)
5
Ensemble de Cors
5
3 Trombones (trio)
5
Bass Clef Instruments
5
2 Euphoniums (duo)
5
Trombone basse et Piano
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Tubas (duo)
3
Tuba et Orgue
3
Trombone, Tuba (duo)
3
Trombone, Cor (duo)
3
Trombone, violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Euphonium
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone, Piano
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
+ 47 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
440
Violon et Piano
270
Violon, Violoncelle (duo)
236
Trio à Cordes: violon, alto, violoncelle
181
Violon
175
Violoncelle, Piano
89
Alto, Piano
77
Violoncelle
72
Trio à Cordes: 2 violons, violoncelle
57
Harpe
41
Violon, Alto (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
31
2 Violoncelles (duo)
28
Ensemble de Violons
19
Ensemble d'Altos
19
Alto seul
18
2 Altos (duo)
18
4 Violoncelles
12
Trio à Cordes: 2 violons, alto
10
Violoncelle, Contrebasse (duo)
7
Trio à cordes: 3 violins
7
Contrebasse, Piano (duo)
6
Flûte, Contrebasse (duo)
5
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Contre Basse
4
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
5 Harpes
2
3 Harpes
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
4 Harpes
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
+ 44 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
388
Orchestre à Cordes
170
Orchestre
120
Ensemble Jazz
113
Ensemble de cuivres
88
Orchestre de chambre
58
Batterie
41
Jazz combo
33
Fanfare
27
Marimba
20
Cloches
14
Ensemble de Percussions
13
Batterie (partie séparée)
5
Xylophone
5
Percussion (partie séparée)
4
Vibraphone
3
2 Xylophones
2
Timbales (partie séparée)
1
Percussion
1
3 Percussions
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 18 instrumentations
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Handel: Largo from Xerxes for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
When I'm Sixty-four
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Trompette
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David...
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Trumpet Solo - Level 3 - SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
The First Noel for Trumpet & Piano
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Trompette
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Trumpet &am
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pag...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Someone You Loved
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Trompette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Vivaldi: Sonata No. 5 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trum
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jmsgu3
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.550510 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and...
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Piano,Trumpet - Level 3 - SKU: A0.550510 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717247. Published by jmsgu3 (A0.550510). Sonata da Chiesa No. 5 in E Minor for Trumpet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
With You I'm Born Again
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.839540 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bob...
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Trumpet Solo - Level 4 - SKU: A0.839540 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6332339. Published by Bobby Hesch (A0.839540). WITH YOU I'M BORN AGAIN!!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE!!!LET'S PLAY SOME JAZZ!!! KEY OF F#/G!!!COURTESY ACCIDENTALS!! MP3 FOR JAZZ STYLE & INTERPRETATION!!!WRITTEN AS A SOLO!!DOES NOT INCLUDE A DUET PART!!! LOW A#/HIGH D#!!!BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS & BIG CLIMAXES!CONTACT INFORMATION: bobbyhesch@yahoo.com IG:@bobbyhesch HAVE FUN!!! GREAT TUNE!!!
$4.99
Luther: Out of the Depths for Trumpet & Piano
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Trompette
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score an...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Jesus Walked this Lonesome Valley with Were You There - Trumpet & Piano
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Trompette
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Gospel Spirituel
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Traditional Spiritual
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James Michael Stevens
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Jesus Walked this Lonesome Val
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Trumpet - SKU: A0.1061408 Composed by Traditional Spiritual. Arranged by James Michael Stevens. 20th Century,Christian,Easter,Sacred,Spiritual. Fu...
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Piano,Trumpet - SKU: A0.1061408 Composed by Traditional Spiritual. Arranged by James Michael Stevens. 20th Century,Christian,Easter,Sacred,Spiritual. Full Performance. Duration 184. James M Stevens Music ASCAP #4265959. Published by James M Stevens Music ASCAP (A0.1061408). This is the Trumpet and Piano performance of Stevens' Jesus Walked this Lonesome Valley with Were You There.
$1.99
O Come All Ye Faithful for Trumpet & Piano
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Trompette
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Tru
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Saint-Saens: The Swan for Trumpet & Piano
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Trompette
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Trum
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549122 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructio...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549122 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452277. Published by jmsgu3 (A0.549122). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$32.95
You're a Grand Old Flag for Solo Trumpet
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Trompette
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INTERMÉDIAIRE
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George M Cohan
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Zack Richards
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You're a Grand Old Flag for So
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Zack Richards
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.894418 Composed by George M Cohan. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual pa...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.894418 Composed by George M Cohan. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 5 pages. Zack Richards #6426681. Published by Zack Richards (A0.894418). This march written by George M. Cohan for his musical, George Washington, Jr., became an instant favorite across the nation. It was inspired by a conversation Cohan had with a Civil War veteran who fought at Gettysburg. This arrangement stays true to the original march style, adding some fanfare and pomp throughout. The less-commonly heard verse precedes the final triumphant statement of the chorus which leads to an exciting and bombastic ending. Like Cohan's original, this will certainly get the audience's toes tapping along! Performance and Rehearsal mp3 Tracks available!S0.1059633 You're a Grand Old Flag Rehearsal TrackS0.1059675 You're a Grand Old Flag Performance Track All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble. S0.1060251 You're a Grand Old Flag for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:45 Visit zackrichards.com for more from this composer!
$5.99
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536971. Published by jmsgu3 (A0.549786). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
LORD, I'M COMING HOME (for Bb Trumpet and Piano with Score/Part)
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Trompette
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INTERMÉDIAIRE
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Musique Sacrée
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.617580 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Compa...
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Piano,Trumpet - Level 3 - SKU: A0.617580 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789581. Published by The Lanier Company (A0.617580). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Bb Trumpet and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
I'm Not The Only One
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Trompette
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INTERMÉDIAIRE
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Sam Smith
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Kevin Busse
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I'm Not The Only One
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Kevin Busse
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.599232 By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin...
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Trumpet Solo - Level 3 - SKU: A0.599232 By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin Busse #3425789. Published by Kevin Busse (A0.599232). This is an exact transcription of I'm Not The Only One by Sam Smith in the original key for Trumpet.
$4.99
I'm Not The Only One
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Trompette
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DÉBUTANT
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Sam Smith
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Kevin Busse
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I'm Not The Only One
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Kevin Busse
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SheetMusicPlus
Trumpet Solo - Level 1 - SKU: A0.605700 By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin...
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Trumpet Solo - Level 1 - SKU: A0.605700 By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin Busse #4302967. Published by Kevin Busse (A0.605700). This is an exact transcription of I'm Not The Only One by Sam Smith in the easy key of C for Trumpet.
$4.99
I'm Not The Only One
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Trompette
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DÉBUTANT
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Sam Smith
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Rene Alves
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I'm Not The Only One
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Rene Alves
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1186945 By Sam Smith. By James Napier and Sam Smith. Arranged by Rene Alves. Children,Contemporary,Multicultural...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1186945 By Sam Smith. By James Napier and Sam Smith. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #786572. Published by Rene Alves (A0.1186945). Trumpet sheet music in Bb (song I'm Not The Only One - sam smith). the score is in full size, great for reading on tablets.
$6.00
I'm Not The Only One
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Trompette
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DÉBUTANT
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Sam Smith
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Rene Alves
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I'm Not The Only One
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Rene Alves
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1218934 By Sam Smith. By James Napier and Sam Smith. Arranged by Rene Alves. Broadway,Contemporary,Multicultural...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1218934 By Sam Smith. By James Napier and Sam Smith. Arranged by Rene Alves. Broadway,Contemporary,Multicultural,Musical/Show,Pop,Wedding,World. Individual part. 3 pages. Rene Alves #815348. Published by Rene Alves (A0.1218934). The score is in large size, great for reading on tablets. Trumpet score in Bb of the song I'm Not The Only One - Sam Smith.
$6.00
I'm Good (blue)
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Trompette
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DÉBUTANT
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David Guetta & Bebe Rexha
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Rene Alves
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I'm Good
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Rene Alves
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1174120 By David Guetta & Bebe Rexha. By Bleta Rexha, Camille Purcell, David Guetta, Gianfranco Randone, Massimo...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1174120 By David Guetta & Bebe Rexha. By Bleta Rexha, Camille Purcell, David Guetta, Gianfranco Randone, Massimo Gabutti, Maurizio Lobina, and Philip Plested. Arranged by Rene Alves. Contest,Festival,Film/TV,Holiday,Multicultural,Pop,World. Individual part. 3 pages. Rene Alves #774284. Published by Rene Alves (A0.1174120). Sheet music for trumpet in Bb - music I'm good (blue) - David guetta . the score is in full size, great for reading on tablets.
$5.00
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