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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out of order
Non classifié
1 559
Piano & claviers
Piano seul
178
Piano Facile
83
Instruments en Do
76
Piano, Voix
54
Orgue
44
Piano, Voix et Guitare
28
2 Pianos, 4 mains
28
Accompagnement Piano
4
1 Piano, 4 mains
3
Clavecin
2
Piano Trio: piano, violon, violoncelle
2
Clavier
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 11 instrumentations
Retracter
Guitares
Guitare
49
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
21
Ukulele
11
2 Guitares (duo)
5
Basse electrique
4
4 Guitares (Quatuor)
3
Paroles et Accords
3
Mandoline
2
Dulcimer
2
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
1
2 Mandolines (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
24
Chorale 2 parties
16
Chorale Unison
14
Voix haute
6
Voix duo, Piano
5
Chorale TTBB
5
Chorale SSAA
4
Voix Alto, Piano
3
Voix Soprano
3
Voix Tenor, Piano
3
Voix duo
2
Voix Baryton, Piano
2
Voix seule
2
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
2 Flûte à bec (duo)
249
Flûte à bec Soprano
125
Flûte à Bec
67
Quatuor de Flûtes à bec
51
2 Saxophones (duo)
41
Ensemble De Flûte à bec
35
Quatuor de Saxophones: 4 saxophones
30
Flûte à bec Alto
30
Flûte à bec Tenor
28
2 Flûtes traversières, Piano
25
3 Flûtes à bec (trio)
23
Saxophone, Clarinette (duo)
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Flûte traversière
21
Flûte traversière et Piano
21
Clarinette et Piano
20
2 Clarinettes (duo)
19
Hautbois, Piano (duo)
19
2 Flûtes traversières (duo)
17
Quintette de Saxophone: 5 saxophones
17
Quintette de Clarinettes: 5 clarinettes
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette, Violon (duo)
16
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Alto et Piano
14
Clarinette
13
Saxophone Tenor et Piano
12
Clarinette, Trompette (duo)
12
Flûte à bec Soprano, Piano
12
5 Flûtes à bec
10
Saxophone Alto
10
Flûte, Clarinette (duo)
10
Hautbois (partie séparée)
10
Clarinette et Alto
9
2 Hautbois (duo)
9
Flûte à bec Alto, Piano
9
Saxophone Soprano et Piano
8
Quintette de Flûte : 5 flûtes
6
Saxophone (partie séparée)
5
Flûte, Saxophone (duo)
5
Flûte, Alto (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Clarinette (duo)
5
Saxophone Tenor
5
Hautbois, Basson (duo)
4
Hautbois, Flûte
4
Cor anglais, Piano
4
Flûte, Trompette (duo)
4
Flûte, Violon
3
Flûte, Clarinette et Basson
3
Clarinette, Violoncelle (duo)
3
3 Saxophones (trio)
3
3 Clarinettes (trio)
3
Saxophone Baryton, Piano
3
Hautbois, Violoncelle
3
Ensemble de Clarinettes
3
Clarinette, Basson (duo)
2
Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de saxophones
2
Flûte et Guitare
2
Cor Anglais
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Guitare (duo)
1
Flûte irlandaise
1
Ocarina
1
Clarinette, Guitare (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Trombone (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec, Piano
1
Clarinette Basse, Piano
1
Flûte à bec Alto, Basse continue
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
16
Trompette, Piano
16
Cor et Piano
14
Trompette
13
Trompette, Saxophone (duo)
11
Cor
11
Trompette, Trombone (duo)
9
Tuba et Piano
9
Tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trompettes (duo)
7
2 Trombones (duo)
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
2 Cors (duo)
3
Trio de Cuivres
2
Cor Anglais
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Bass Clef Instruments
1
Euphonium
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
85
Violon
39
Violon et Piano
38
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
32
Violoncelle
26
Violoncelle, Piano
25
Harpe
21
Alto, Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Violons (duo)
13
2 Altos (duo)
12
2 Violoncelles (duo)
11
Alto seul
11
Violon, Alto (duo)
9
Contre Basse
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Violon, Basse continue
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
2 Violons et Basse continue
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
4 Harpes
1
Trio à cordes: 3 altos
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
111
Orchestre
57
Orchestre de chambre
34
Orchestre à Cordes
30
Ensemble de cuivres
10
Ensemble de Percussions
6
Ensemble Jazz
6
Cloches
4
Ensemble d'École
4
Marimba
3
Batterie
3
Jazz combo
3
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Xylophone
1
Percussion
1
Fanfare
1
+ 12 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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1
My Tears Ricochet
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1281843 By Taylor Swift. B…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1281843 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Individual part. 5 pages. Glauco Fernandes #873193. Published by Glauco Fernandes (A0.1281843). Introducing the Trumpet Arrangement: My Tears Ricochet - Taylor SwiftExperience the emotional depth of Taylor Swift's song My Tears Ricochet with our exclusive arrangement for Trumpet. Meticulously crafted, this arrangement brings out the expressive notes of the trumpet, making it an ideal choice for musicians ranging from beginner to intermediate, as well as professionals.Arrangement Highlights:- Sheet music exclusively for the Trumpet.- Suitable for musicians at beginner and intermediate levels.- Clear and easily readable notation, ensuring a smooth interpretation and practice.- Ideal for special events including weddings, corporate functions, and live performances.Why Choose Our Trumpet Arrangement:By selecting our My Tears Ricochet arrangement, you're choosing a musical experience of the highest quality. The arrangement's versatility caters to musicians of various skill levels. Whether you're a student looking to refine your skills or a professional musician in search of an impressive addition to your repertoire, our arrangement meets your needs.This arrangement brings out the expressive flair of the trumpet, creating an atmosphere that elevates any occasion. The notation allows for smooth interpretation and facilitates seamless collaboration among musicians of different skill levels.Elevate Your Events with Your Purchase:Infuse elegance and emotion into your events, whether it's a romantic wedding, a special ceremony, or a live musical performance. Through the My Tears Ricochet trumpet arrangement, you'll be offering your audience an unforgettable musical experience.Don't miss out on the opportunity to acquire this exceptional trumpet arrangement. Place your order now and immerse yourself in Taylor Swift's captivating melody, reshaping your musical journey.
$4.99
4.6 €
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Trompette
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Taylor Swift
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Glauco Fernandes
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My Tears Ricochet
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Glauco Fernandes
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SheetMusicPlus
My Tears Ricochet
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1281845 By Taylor Swift. B…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1281845 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Individual part. 5 pages. Glauco Fernandes #873195. Published by Glauco Fernandes (A0.1281845). Introducing the Trumpet Arrangement: My Tears Ricochet - Taylor SwiftImmerse yourself in the emotional depth of Taylor Swift's song My Tears Ricochet with our exclusive arrangement for Trumpet. Expertly crafted, this arrangement highlights the expressive notes of the trumpet, making it an ideal choice for musicians ranging from beginner to intermediate, as well as professionals.Arrangement Highlights:- Sheet music exclusively for the Trumpet.- Suitable for musicians at beginner and intermediate levels.- Clear and easily readable notation, ensuring a smooth interpretation and practice.- Ideal for special events including weddings, corporate functions, and live performances.Why Choose Our Trumpet Arrangement:By selecting our My Tears Ricochet arrangement, you're choosing a musical experience of the highest quality. The arrangement's versatility caters to musicians of various skill levels. Whether you're a student looking to refine your skills or a professional musician in search of an impressive addition to your repertoire, our arrangement meets your needs.This arrangement brings out the expressive flair of the trumpet, creating an atmosphere that enhances any occasion. The notation allows for smooth interpretation and facilitates seamless collaboration among musicians of different skill levels.Elevate Your Events with Your Purchase:Infuse elegance and emotion into your events, whether it's a romantic wedding, a special ceremony, or a live musical performance. Through the My Tears Ricochet trumpet arrangement, you'll be offering your audience an unforgettable musical experience.Don't miss out on the opportunity to acquire this exceptional trumpet arrangement. Place your order now and immerse yourself in Taylor Swift's captivating melody, reshaping your musical journey.
$4.99
4.6 €
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Trompette
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Taylor Swift
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Glauco Fernandes
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My Tears Ricochet
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Glauco Fernandes
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SheetMusicPlus
Can't Help Falling In Love
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1220694 By Elvis Presley. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1220694 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Century,Rock,Wedding. Individual part. 1 pages. Avery Lynn Jordan #817032. Published by Avery Lynn Jordan (A0.1220694). Introducing our latest product, an arrangement of Elvis Presley's classic hit Can't Help Falling In Love for Trumpet. This sheet music is perfect for beginner musicians and can be used as a teaching tool for music teachers, as well as for parents who want to encourage their children to learn this beautiful piece. Our adaptation captures the essence of the original song, with its haunting melody and poetic lyrics, while also offering simplified sheet music that is easy to follow. This means that even if you're new to playing the your instrument, you'll be able to enjoy playing this beloved song in no time. Don't miss out on this fantastic opportunity to expand your repertoire and add a touch of romance to your music collection. Order now and start playing Can't Help Falling In Love today!
$4.99
4.6 €
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Trompette
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Elvis Presley
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Langanho
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Can't Help Falling In Love
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Avery Lynn Jordan
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SheetMusicPlus
Santa Lucia
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1463166 Composed by Teodor…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1463166 Composed by Teodoro Cottrau. Arranged by Gildson Cerqueira. Classical,Folk,Multicultural,Pop,Traditional,World. Individual part. 2 pages. Gildson Cerqueira #1041784. Published by Gildson Cerqueira (A0.1463166). Bring the timeless beauty of Santa Lucia to your repertoire with our exclusive sheet music arrangements! Perfect for musicians of all levels, our authentic and detailed transcriptions are available for various instruments. Instantly downloadable and easy to follow, these arrangements will let you experience the serene melodies of this Neapolitan classic. Order now and let Santa Lucia enchant your performances![VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!][VERSIONS WITH OR WITHOUT PIANO AVAILABLE!].
$3.99
3.68 €
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Trompette
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Teodoro Cottrau
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Gildson Cerqueira
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Santa Lucia
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Gildson Cerqueira
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SheetMusicPlus
Santa Lucia
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1463167 Composed by Teodor…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1463167 Composed by Teodoro Cottrau. Arranged by Gildson Cerqueira. Classical,Folk,Multicultural,Pop,Traditional,World. Individual part. 2 pages. Gildson Cerqueira #1041785. Published by Gildson Cerqueira (A0.1463167). Bring the timeless beauty of Santa Lucia to your repertoire with our exclusive sheet music arrangements! Perfect for musicians of all levels, our authentic and detailed transcriptions are available for various instruments. Instantly downloadable and easy to follow, these arrangements will let you experience the serene melodies of this Neapolitan classic. Order now and let Santa Lucia enchant your performances![VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!][VERSIONS WITH OR WITHOUT PIANO AVAILABLE!].
$3.99
3.68 €
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Trompette
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Teodoro Cottrau
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Gildson Cerqueira
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Santa Lucia
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Gildson Cerqueira
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
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15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Wedding March
Trompette
Trumpet in Bb and piano - easy - Digital Download SKU: S9.Q21179 From Shakespear…
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Trumpet in Bb and piano - easy - Digital Download SKU: S9.Q21179 From Shakespeare's A Midsummer Night's Dream. Composed by Felix Bartholdy Mendelssohn. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 61/9. Schott Music - Digital #Q21179. Published by Schott Music - Digital (S9.Q21179). A wedding without a famous wedding march – unimaginable! Wagner's 'Bridal Chorus' from 'Lohengrin' and Mendelssohn's 'Wedding March' from the incidental music of 'A Midsummer Night's Dream' vie for the favour of bridal couples and wedding parties. If, however, the music shall be festive, Mendelssohn's background music for the wedding ceremony remains first choice. In order that the march cannot only be performed with the organ but also with a melodic instrument with piano (or organ) accompaniment, the present editions provide easy-to-play arrangements.
$4.99
4.6 €
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Trompette
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Felix Bartholdy Mendelssohn
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Wolfgang Birtel
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Wedding March
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Schott Music - Digital
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SheetMusicPlus
The Clarke Variations
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
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15.63 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Coventry Carol - Trumpet Trio
Trompette
Trumpet - Level 2 - Digital Download SKU: A0.1243584 Composed by Traditional Christ…
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Trumpet - Level 2 - Digital Download SKU: A0.1243584 Composed by Traditional Christmas. Arranged by Andrew Middleton. Christmas,Holiday,Medieval,Sacred,Traditional. 8 pages. Andrew Middleton #838550. Published by Andrew Middleton (A0.1243584). The Coventry Carol is a traditional 16th Century carol, from Coventry in England that was composed to be performed as part of The Mystery Plays. The song accompanies the story of the nativity according to Matthew, the lullaby sound of the pieces reflects a mothers sorrow after Herod orders the killing of all new born sons. This arrangement for trumpet trio is ideal for Christmas performances and showcases.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Â Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$6.99
6.44 €
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Trompette
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Traditional Christmas
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Andrew Middleton
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Coventry Carol - Trumpet Trio
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Andrew Middleton
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SheetMusicPlus
Reverence (Homage to Bach) [cello solo or violin solo or viola solo or trumpet solo]
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Instrumental Solo - Level 3 - Digital Download SKU: A0.1201300 Composed by Juan Mar…
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Instrumental Solo - Level 3 - Digital Download SKU: A0.1201300 Composed by Juan MarÃa Solare. 20th Century,Baroque,Classical,Contemporary,Instructional. Individual part. 8 pages. Juan Maria Solare #799954. Published by Juan Maria Solare (A0.1201300). Juan MarÃa Solare: Reverence (Homage to Bach)for solo violoncello, or solo viola, or violin solo, or trumpet solo.Reverence: even if a person hates baroque music, he/she will respect Bach. He is one of the few composers before whom all musicians would spontaneously take off their hats. My reverence is based on the sounding letters of his surname (B-A-C-H), also transposed and treated as a four-note cell. It is difficult to determine, by listening, whether this piece is tonal or atonal: one of the riches hidden in this name.Reverence (Homage to Bach) was composed in Bremen (North Germany) on February 14th, 2014 (notice the 14, Bach's number in gematria) in the frame of a call for works made by Maksim Velichkin, to whom the piece is dedicated.Second version: for solo trumpet (Bremen, 16 Feb 2014)Third version: for solo violin (Bremen, 22 Feb 2014)Fourth version: for solo viola (Bremen, 27 Jan 2015)The solo violin version was recorded by Antonio Spiller (former concertmaster in the Bavarian Radio Symphony Orchestra) on a Baroque violin (and bow) built by Eduardo Angel Gorr (Cremona) in 2013. Recorded by Antonio Spiller with a Korg MR-2 High-Resolution Mobile Recorder. Recording edited and mastered by Juan MarÃa Solare (December 2015, remastered January 2023).Find a video in https://www.youtube.com/watch?v=hOCeTimW9M8The 2023 remastered version was released in Spotify and all other digital streaming platforms on 17th March 2023. Edition, producer: Juan MarÃa Solare(Reverence (Homage to Bach) in Spotify)Juan MarÃa Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Thirty CDs of different performers include at least one piece of him. www.JuanMariaSolare.com.
$2.00
1.84 €
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Trompette
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Juan MarÃa Solare
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Reverence
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Juan Maria Solare
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SheetMusicPlus
The Saint-Jacome Manual
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Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvi…
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Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 73 pages. Published by Faded Duck Music
The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!
$16.95
15.63 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Saint-Jacome Manual
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Faded Duck Music
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SheetMusicPlus
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