English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
12
Partitions
Numériques
12
Librairie
Musicale
82
Matériel
de Musique
8 330
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
385
PIANO & CLAVIERS
Piano seul
380
Instruments en Do
137
Piano Facile
119
Piano, Voix
81
Piano, Voix et Guitare
29
Accompagnement Piano
16
Accordéon
12
1 Piano, 4 mains
6
Orgue
4
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
3
Fake Book
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
58
Guitare notes et tablatures
17
Guitare
15
Ukulele
13
Piano, Guitare (duo)
4
2 Guitares (duo)
3
Banjo
2
Paroles et Accords
2
4 Guitares (Quatuor)
1
Ukulele Baryton
1
Basse electrique
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
76
Chorale 3 parties
13
Chorale 2 parties
6
Chorale TTBB
4
Voix basse, Piano
3
Voix Baryton, Piano
2
Voix seule
2
Chorale Unison
2
Voix Soprano, Piano
1
Voix duo, Piano
1
Chorale SSAA
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
27
Clarinette et Piano
21
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
20
2 Saxophones (duo)
17
Flûte traversière
16
Clarinette
15
2 Flûtes traversières (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Saxophones: 4 saxophones
14
2 Clarinettes (duo)
13
Saxophone
12
Saxophone Tenor et Piano
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor
11
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Saxophone Soprano et Piano
8
Saxophone Alto
8
Flûte, Clarinette (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Saxophone: 5 saxophones
5
Flûte, Hautbois, Clarinette, Basson
5
3 Clarinettes (trio)
4
2 Hautbois (duo)
4
Flûte, Clarinette et Basson
4
Ensemble de Clarinettes
4
3 Saxophones (trio)
3
Hautbois (partie séparée)
3
Saxophone (partie séparée)
3
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Cor anglais, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Basson (duo)
2
Flûte, Violon
2
2 Flûte à bec (duo)
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette (duo)
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Hautbois
1
2 Clarinettes, Basson
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violon (duo)
1
Ensemble de Flûtes
1
Flûte, trombone et piano
1
Clarinette, Trompette (duo)
1
Saxophone Baryton
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone et Piano
13
Quatuor de cuivres: 4 trombones
12
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trombones (duo)
8
2 Trompettes (duo)
7
Trompette, Piano
7
Trompette, Trombone (duo)
7
Cor
5
Cor et Piano
5
Euphonium, Piano (duo)
4
Trompette (partie séparée)
4
Euphonium
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres
4
Trombone (partie séparée)
3
2 Cors (duo)
3
Cor anglais, Piano
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Trompettes
2
Instruments en Fa
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Tuba
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
106
Violon et Piano
36
Alto, Piano
27
Violoncelle, Piano
21
2 Violons (duo)
18
4 Violoncelles
17
Trio à Cordes: violon, alto, violoncelle
16
2 Violoncelles (duo)
12
Violon
12
Violoncelle
11
Violon, Alto (duo)
10
Alto seul
10
2 Altos (duo)
8
Violon, Violoncelle (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto, Violoncelle (duo)
4
Harpe
4
Violon (partie séparée)
3
Contre Basse
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Alto (partie séparée)
1
Trio à cordes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
55
Orchestre à Cordes
42
Orchestre de chambre
32
Ensemble de cuivres
24
Orchestre
20
Ensemble Jazz
8
Cloches
3
Fanfare
2
Ensemble de Percussions
2
Batterie
1
Instrumentation Flexible
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
P.C
Trompette
Partitions à imprimer
12 partitions trouvées
<
1
John Coltrane : Mr. P.C. (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Mr. P.C. (niveau intermédiaire) de…
(+)
Téléchargez la partition Trompette Mr. P.C. (niveau intermédiaire) de John Coltrane. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
#
Trompette
#
John Coltrane
#
Mr. P.C.
#
Tomplay
John Coltrane : Mr. P.C. (niveau avancé)
Trompette
Téléchargez la partition Trompette Mr. P.C. (niveau avancé) de John C…
(+)
Téléchargez la partition Trompette Mr. P.C. (niveau avancé) de John Coltrane. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
#
Trompette
#
John Coltrane
#
Mr. P.C.
#
Tomplay
John Coltrane : Mr. P.C. (niveau facile)
Trompette
Téléchargez la partition Trompette Mr. P.C. (niveau facile) de John Coltrane…
(+)
Téléchargez la partition Trompette Mr. P.C. (niveau facile) de John Coltrane. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
#
Trompette
#
John Coltrane
#
Mr. P.C.
#
Tomplay
John Coltrane : Mr. P.C. (niveau difficile)
Trompette
Téléchargez la partition Trompette Mr. P.C. (niveau difficile) de John Coltr…
(+)
Téléchargez la partition Trompette Mr. P.C. (niveau difficile) de John Coltrane. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
#
Trompette
#
John Coltrane
#
Mr. P.C.
#
Tomplay
Piano Concerto Nº 1 - 1st Mov. Theme (P. Tchaikovsky) for Trumpet in Bb Solo (C Major)
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.685853 Composed by Piotr Ilitch T…
(+)
Trumpet Solo - Level 4 - Digital Download SKU: A0.685853 Composed by Piotr Ilitch Tchaikovsky. Arranged by Fernando Britto. Romantic Period,Wedding. Individual part. 1 pages. Minhas Partituras #6405197. Published by Minhas Partituras (A0.685853). Arrangement of Piano Concerto Nº 1 1st Mov. Theme (P. Tchaikovsky) for Trumpet in Bb Solo (In C Major).
$4.99
4.56 €
#
Trompette
#
Piotr Ilitch Tchaikovsky
#
Fernando Britto
#
Piano Concerto Nº 1 - 1st Mov. Theme
#
Minhas Partituras
#
SheetMusicPlus
Wonderland By Night
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1392398 By Bert Kaempfert.…
(+)
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1392398 By Bert Kaempfert. By Klauss Gunter-Neuman and Lincoln Chase. Arranged by P. R. Frederick. Pop,Standards. Individual part. 2 pages. P. R. Frederick #975928. Published by P. R. Frederick (A0.1392398). Here's the great Bert Kaempfert tune transcribed from the original recording. Â It is in the original key with the recorded key change. Â It ends in a key that might be difficult for the young trumpet player. Â Requires the ability to hit high C (B#) on the horn. Â It is a great tune to add to your repetoire.See my other trumpet solos here
$6.00
5.49 €
#
Trompette
#
Bert Kaempfert
#
P
#
Wonderland By Night
#
P. R. Frederick
#
SheetMusicPlus
Cover Me In Sunshine
Trompette
Piano,Trumpet - Level 1 - Digital Download SKU: A0.822247 By P!Nk & Willow Sage Har…
(+)
Piano,Trumpet - Level 1 - Digital Download SKU: A0.822247 By P!Nk & Willow Sage Hart. By Amy Allen and Maureen McDonald. Arranged by Willem Aarts. Pop. Score and part. 9 pages. Willem Aarts #6359125. Published by Willem Aarts (A0.822247). Cover Me In Sunshine - P!nk, Willow Sage Hart | Trumpet and PianoWebsite: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts.
$4.99
4.56 €
#
Trompette
#
P!Nk & Willow Sage Hart
#
Willem Aarts
#
Cover Me In Sunshine
#
Willem Aarts
#
SheetMusicPlus
BLESSED ASSURANCE
Trompette
C Trumpet Solo - Level 4 - Digital Download SKU: A0.1300041 Composed by Phoebe P Kn…
(+)
C Trumpet Solo - Level 4 - Digital Download SKU: A0.1300041 Composed by Phoebe P Knapp. Arranged by Robert Bailey. Christian,Classical,Religious,Sacred,Spiritual. Individual part. 9 pages. Robert Bailey #889810. Published by Robert Bailey (A0.1300041). Trumpet and organ.
$12.99
11.88 €
#
Trompette
#
Phoebe P Knapp
#
Robert Bailey
#
BLESSED ASSURANCE
#
Robert Bailey
#
SheetMusicPlus
It Is Well with My Soul (Trumpet Solo)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1074978 Composed by Philip…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1074978 Composed by Philip P. Bliss. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 1 pages. Ben Dockery #679241. Published by Ben Dockery (A0.1074978). Arranged for Bb trumpet solo. Great for offertories, preludes, postludes, and recitals. Easy intermediate level.
$2.99
2.73 €
#
Trompette
#
Philip P
#
B
#
It Is Well with My Soul
#
Ben Dockery
#
SheetMusicPlus
Blessed Assurance (Trumpet Solo)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1046021 Composed by Phoebe…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1046021 Composed by Phoebe P. Knapp. Arranged by B. C. Dockery. Sacred,Spiritual. Individual part. 1 pages. Ben Dockery #650572. Published by Ben Dockery (A0.1046021). Arranged for Bb trumpet solo. Great for preludes, offertories, preludes, and recitals. Early intermediate level.
$2.99
2.73 €
#
Trompette
#
Phoebe P
#
B
#
Blessed Assurance
#
Ben Dockery
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale