English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PIECES OF TIME
Non classifié
922
Piano & claviers
Piano seul
4 361
Piano, Voix
2 326
Piano Facile
181
1 Piano, 4 mains
56
Accompagnement Piano
50
Orgue
49
Piano, Voix et Guitare
16
2 Pianos, 4 mains
15
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
92
Guitare notes et tablatures
49
2 Guitares (duo)
22
Ukulele
14
Mandoline
5
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
4
Dulcimer
2
Guitare (partie séparée)
2
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
2 Mandolines (duo)
1
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
836
Voix duo, Piano
19
Voix Tenor, Piano
17
Chorale 3 parties
13
Voix Soprano, Piano
10
Chorale TTBB
10
Chorale Unison
7
Voix Alto, Piano
7
Chorale 2 parties
4
Voix Tenor
4
Chorale SSAA
3
Voix Baryton, Piano
1
Voix Soprano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
81
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
75
2 Saxophones (duo)
59
Quatuor de Saxophones: 4 saxophones
57
Clarinette et Piano
55
Saxophone Alto et Piano
53
Hautbois, Piano (duo)
45
2 Flûtes traversières (duo)
39
Flûte, Hautbois, Clarinette, Basson
39
Saxophone Soprano et Piano
39
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone, Clarinette (duo)
30
Saxophone Tenor et Piano
29
Clarinette
28
Quintette de Saxophone: 5 saxophones
27
2 Clarinettes (duo)
23
Saxophone Baryton, Piano
21
Clarinette, Trompette (duo)
20
Clarinette, Violon (duo)
20
Flûte traversière
20
Ensemble De Flûte à bec
19
Quatuor de Flûtes : 4 flûtes
16
2 Hautbois (duo)
15
Saxophone Alto
14
Hautbois, Violoncelle
13
Hautbois, Clarinette (duo)
12
Saxophone Tenor
11
Hautbois, Basson (duo)
11
Flûte, Clarinette (duo)
11
Hautbois, Flûte
11
Flûte, Violon
10
Flûte, Alto (duo)
10
Flûte, Saxophone (duo)
10
Cor anglais, Piano
10
Saxophone Soprano
9
Flûte, Trompette (duo)
9
Clarinette et Alto
9
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Baryton
8
Hautbois
8
Trio de Flûtes: 3 flûtes
8
Flûte et Guitare
8
Flûte à bec Soprano
8
3 Saxophones (trio)
7
Ensemble de Flûtes
6
Saxophone (partie séparée)
5
3 Clarinettes (trio)
5
Clarinette Basse, Piano
5
Quatuor de Flûtes à bec
4
Flûte, Violoncelle, Piano (trio)
4
Quintette de Flûte : 5 flûtes
4
Ensemble de Clarinettes
4
Flûte, Hautbois, Clarinette (trio)
3
2 Flûte à bec (duo)
3
Flûte, Violoncelle
3
Hautbois (partie séparée)
2
Flûte, Clarinette et Basson
2
Ocarina
2
5 Flûtes à bec
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Guitare (duo)
2
Clarinette, Guitare (duo)
2
Flûte irlandaise
2
Ensemble de saxophones
2
Clarinette, Basson (duo)
2
Flûte, Hautbois (duo)
1
Piccolo
1
Flûte à bec Alto, Basse continue
1
Piccolo, Piano
1
Flute (partie séparée)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto
1
Saxophone et Piano
1
Flûte à Bec
1
Ensemble de Hautbois
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Cornemuse
1
Hautbois, violon (duo)
1
Harmonica
1
Saxophone et Orgue
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone et Piano
29
Cor et Piano
22
Euphonium, Piano (duo)
22
Trompette
21
Trompette, Saxophone (duo)
20
Trompette, Piano
19
Tuba et Piano
16
2 Trombones (duo)
16
2 Trompettes (duo)
13
Trompette, Trombone (duo)
12
Trombone
11
Cor
11
Tuba
10
Cor anglais, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 cors
7
Trombone (partie séparée)
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
3
3 Trombones (trio)
2
4 Tubas
2
Trio de Cuivres
2
Trompette (partie séparée)
2
Ensemble de Trompettes
2
3 Euphoniums
1
Cor (partie séparée)
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Cors
1
Trompette, Euphonium (duo)
1
Tuba (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
96
Violoncelle, Piano
57
Harpe
48
Alto, Piano
45
Trio à Cordes: violon, alto, violoncelle
36
2 Harpes (duo)
34
Violon
33
Violoncelle
24
Alto seul
17
2 Violoncelles (duo)
16
Contrebasse, Piano (duo)
14
Violon, Violoncelle (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violons (duo)
13
Violon, Alto (duo)
12
Contre Basse
11
2 Altos (duo)
10
Harpe, Flûte (duo)
9
4 Violoncelles
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Violoncelle, Basse continue
2
Contrebasse (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
98
Orchestre à Cordes
76
Orchestre
25
Ensemble de cuivres
18
Jazz combo
16
Orchestre de chambre
10
Ensemble Jazz
9
Cloches
7
Ensemble d'École
4
Ensemble de Percussions
4
Batterie
2
Fanfare
2
2 Marimbas
1
Xylophone, Piano
1
Batterie (partie séparée)
1
Xylophone
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
1
Partitions Numériques
21
Librairie Musicale
29
Matériel de Musique
150
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
PIECES OF TIME
Trompette
Partitions à imprimer
21 partitions trouvées
<
1
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
(+)
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.96 €
#
Trompette
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.96 €
#
Trompette
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971371. Published by Glauco Fernandes (A0.1387515). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.59 €
#
Trompette
#
Edvard Grieg
#
Glauco Fernandes
#
In the Hall of the Mountain King - Trumpet Solo
#
Glauco Fernandes
#
SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo with Chord Notation
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971369. Published by Glauco Fernandes (A0.1387513). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.59 €
#
Trompette
#
Edvard Grieg
#
Glauco Fernandes
#
In the Hall of the Mountain King - Trumpet Solo with Chord Notation
#
Glauco Fernandes
#
SheetMusicPlus
My First Concert
Trompette
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
(+)
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.67 €
#
Trompette
#
My First Concert
#
Schott Music - Digital
#
SheetMusicPlus
My First Concert
Trompette
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
(+)
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.64 €
#
Trompette
#
My First Concert
#
Schott Music - Digital
#
SheetMusicPlus
Minuet In G Major
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254320 Composed by Christ…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254320 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 3 pages. Alex Rodrigues #847893. Published by Alex Rodrigues (A0.1254320). The Minuet in G Major, BWV Anh. 114 is an amazing classical piece that will surprise you with its simplicity and elegance. Although there is some controversy over who composed it, many believe it was created by Johann Sebastian Bach. If you're looking for an easy and beautiful piece of music to play, this minuet is perfect for you. Whether you're new to the world of music or already have some experience, you'll love playing the Minuet in G Major, BWV Anh. 114. Enjoy playing one of the coolest classical pieces of all time with the sheet music for this piece..
$1.99
1.83 €
#
Trompette
#
Christian Petzold
#
Alex Nunes Rodrigues
#
Minuet In G Major
#
Alex Rodrigues
#
SheetMusicPlus
Minuet In G Major
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254323 Composed by Christ…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254323 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #847896. Published by Alex Rodrigues (A0.1254323). The Minuet in G Major, BWV Anh. 114 is an amazing classical piece that will surprise you with its simplicity and elegance. Although there is some controversy over who composed it, many believe it was created by Johann Sebastian Bach. If you're looking for an easy and beautiful piece of music to play, this minuet is perfect for you. Whether you're new to the world of music or already have some experience, you'll love playing the Minuet in G Major, BWV Anh. 114. Enjoy playing one of the coolest classical pieces of all time with the sheet music for this piece..
$1.99
1.83 €
#
Trompette
#
Christian Petzold
#
Alex Nunes Rodrigues
#
Minuet In G Major
#
Alex Rodrigues
#
SheetMusicPlus
Minuet In G Major
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254322 Composed by Christ…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1254322 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #847895. Published by Alex Rodrigues (A0.1254322). The Minuet in G Major, BWV Anh. 114 is an amazing classical piece that will surprise you with its simplicity and elegance. Although there is some controversy over who composed it, many believe it was created by Johann Sebastian Bach. If you're looking for an easy and beautiful piece of music to play, this minuet is perfect for you. Whether you're new to the world of music or already have some experience, you'll love playing the Minuet in G Major, BWV Anh. 114. Enjoy playing one of the coolest classical pieces of all time with the sheet music for this piece..
$1.99
1.83 €
#
Trompette
#
Christian Petzold
#
Alex Nunes Rodrigues
#
Minuet In G Major
#
Alex Rodrigues
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix …
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
#
Trompette
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard…
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.32 €
#
Trompette
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
COME BACK TO SORRENTO - trumpet and piano
Trompette
Piano,Trumpet - Digital Download SKU: A0.774047 Composed by Ernesto De Curtis. Arra…
(+)
Piano,Trumpet - Digital Download SKU: A0.774047 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425533. Published by Whole Tone Press (A0.774047). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for trumpet and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50
4.14 €
#
Trompette
#
Ernesto De Curtis
#
Anthony Giamanco
#
COME BACK TO SORRENTO - trumpet and piano
#
Whole Tone Press
#
SheetMusicPlus
LE PETIT NEGRE – TRUMPET & PIANO
Trompette
Piano,Trumpet - Level 5 - Digital Download SKU: A0.834106 Composed by Claude Debuss…
(+)
Piano,Trumpet - Level 5 - Digital Download SKU: A0.834106 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559977. Published by EMK Music (A0.834106). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95
9.16 €
#
Trompette
#
Claude Debussy
#
BRIAN W
#
LE PETIT NEGRE – TRUMPET & PIANO
#
EMK Music
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1408976 Composed by Antoni…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1408976 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991582. Published by Glauco Fernandes (A0.1408976). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
#
Trompette
#
Antonio Vivaldi
#
Glauco Fernandes
#
La Primavera
#
Glauco Fernandes
#
SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Trumpet Solo with Chord Notations
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1408974 Composed by Antoni…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1408974 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991581. Published by Glauco Fernandes (A0.1408974). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
4.59 €
#
Trompette
#
Antonio Vivaldi
#
Glauco Fernandes
#
La Primavera
#
Glauco Fernandes
#
SheetMusicPlus
Passacaglia by Handel/Halvorsen - Trumpet Solo with Chord Notation
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1378750 Composed by George…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1378750 Composed by George Frideric Handel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. Individual part. 1 pages. Glauco Fernandes #963459. Published by Glauco Fernandes (A0.1378750). Discover the charm of Handel's Passacaglia, popularized by Johann Halvorsen, in an easy solo arrangement, perfect for musicians at the easy and intermediate levels. This timeless piece comes to life in a professional edition, ensuring accessibility without compromising the depth and beauty of the original composition.With its simplified and idiomatic writing style, this arrangement offers ease of execution while preserving the essence of Handel's masterpiece. Ideal for beginners looking to explore classical repertoire and intermediate musicians seeking new challenges.Don't miss the chance to enrich your repertoire with this beloved classic. Immerse yourself in the emotion and allure of Handel's Passacaglia, immortalized by Johann Halvorsen, and experience the joy of playing one of today's most cherished pieces for solo performance!For more high-quality sheet music options, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$2.99
2.75 €
#
Trompette
#
George Frideric Handel
#
Glauco Fernandes
#
Passacaglia by Handel/Halvorsen - Trumpet Solo with Chord Notation
#
Glauco Fernandes
#
SheetMusicPlus
Passacaglia by Handel/Halvorsen - Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1378751 Composed by George…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1378751 Composed by George Frideric Handel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. Individual part. 1 pages. Glauco Fernandes #963460. Published by Glauco Fernandes (A0.1378751). Discover the charm of Handel's Passacaglia, popularized by Johann Halvorsen, in an easy solo arrangement, perfect for musicians at the easy and intermediate levels. This timeless piece comes to life in a professional edition, ensuring accessibility without compromising the depth and beauty of the original composition.With its simplified and idiomatic writing style, this arrangement offers ease of execution while preserving the essence of Handel's masterpiece. Ideal for beginners looking to explore classical repertoire and intermediate musicians seeking new challenges.Don't miss the chance to enrich your repertoire with this beloved classic. Immerse yourself in the emotion and allure of Handel's Passacaglia, immortalized by Johann Halvorsen, and experience the joy of playing one of today's most cherished pieces for solo performance!For more high-quality sheet music options, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$2.99
2.75 €
#
Trompette
#
George Frideric Handel
#
Glauco Fernandes
#
Passacaglia by Handel/Halvorsen - Trumpet Solo
#
Glauco Fernandes
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.6 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.6 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
