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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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EUPHONIUM
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HARMONICA
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Piano Concerto No. 1
Non classifié
99
Piano & claviers
Piano seul
315
1 Piano, 4 mains
31
Piano Facile
22
2 Pianos, 4 mains
12
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
2
Accompagnement Piano
2
Orgue, Piano (duo)
2
Piano, Voix et Guitare
2
Piano grosses notes
1
Instruments en Do
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
1
Voix
Voix Soprano, Piano
6
Chorale SATB
1
Voix Baryton, Piano
1
Chorale 3 parties
1
Voix Alto, Piano
1
Vents
Flûte traversière et Piano
43
Clarinette et Piano
33
Hautbois, Piano (duo)
30
Clarinette
24
Saxophone Alto et Piano
21
Saxophone Soprano et Piano
19
Saxophone Tenor et Piano
12
Cor anglais, Piano
11
Flûte traversière
10
Saxophone Baryton, Piano
9
Clarinette Basse, Piano
5
Saxophone (partie séparée)
5
2 Saxophones (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Piccolo, Piano
3
Clarinette (partie séparée)
3
Saxophone
3
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
2 Hautbois (duo)
2
Quatuor de Flûtes à bec
1
Flûte traversière, Orchestre
1
Flûte à bec Alto
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Flute (partie séparée)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois (partie séparée)
1
Clarinette Basse
1
Flûte et Guitare
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Violon, Piano
1
Hautbois et Orchestre
1
Saxophone Tenor
1
+ 30 instrumentations
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Cuivres
Cor et Piano
18
Trombone et Piano
16
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Trompette, Piano
8
Tuba et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor
4
Trompette
3
2 Cors (duo)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone basse et Piano
2
2 Trombones (duo)
2
Trombone (partie séparée)
2
Quatuor de Cuivres
1
Cor (partie séparée)
1
2 Trompettes (duo)
1
Tuba (partie séparée)
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 16 instrumentations
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Cordes
Violon et Piano
85
Violoncelle, Piano
45
Alto, Piano
30
Violon
24
Quatuor à cordes: 2 violons, alto, violoncelle
6
Contrebasse, Piano (duo)
5
Alto seul
5
Violon, Violoncelle (duo)
3
Violoncelle
3
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
+ 17 instrumentations
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Orchestre
36
Piano et Orchestre
31
Orchestre de chambre
18
Orchestre d'harmonie
15
Orchestre à Cordes
15
Ensemble de cuivres
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Timbales (partie séparée)
1
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AUTOHARPE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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Vous avez sélectionné:
Piano Concerto No. 1
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Partitions à imprimer
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Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549786 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536971. Published by jmsgu3 (A0.549786). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
A Breeze from Alabama arr Siddons Cornet Part
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Trompette
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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James Siddons
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A Breeze from Alabama arr Sidd
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James Siddons Music and Writings
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 ...
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Trumpet Solo - Level 3 - SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
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Piano Concerto No. 1
