English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rain Man
Non classifié
801
Piano & claviers
Piano seul
676
Piano, Voix et Guitare
187
Piano Facile
178
Piano, Voix
119
Orgue
68
Instruments en Do
30
Accompagnement Piano
16
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
7
Piano grosses notes
6
Accordéon
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
1
2 Accordéons
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
76
Guitare
46
Ligne De Mélodie, (Paroles) et Accords
28
Basse electrique
19
Ukulele
14
Mandoline
14
Paroles et Accords
10
Mandoline, Guitare (duo)
3
2 Guitares (duo)
3
3 Guitares (trio)
3
Dulcimer
3
Piano, Guitare (duo)
1
2 Mandolines (duo)
1
Banjo
1
Ensemble de Ukulélés
1
4 Guitares (Quatuor)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
402
Chorale 3 parties
58
Chorale 2 parties
42
Chorale Unison
35
Chorale TTBB
27
Chorale SSAA
20
Voix Alto, Piano
14
Voix Soprano, Piano
14
Voix Tenor, Piano
11
Voix duo, Piano
10
Voix duo
10
Voix moyenne, Piano
9
Voix Baryton, Piano
6
Voix basse, Piano
6
Voix seule
6
Voix Tenor
5
Chorale
5
Voix haute
5
Chorale SSATB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Clarinette et Piano
46
Ensemble de saxophones
42
Quatuor de Saxophones: 4 saxophones
42
Flûte traversière
40
Clarinette
39
2 Saxophones (duo)
33
Flûte, Hautbois, Clarinette, Basson
33
Saxophone Alto et Piano
33
Quatuor de Clarinettes: 4 clarinettes
32
2 Clarinettes (duo)
26
2 Flûtes traversières (duo)
24
Saxophone Tenor et Piano
23
Hautbois, Piano (duo)
23
Quintette de Saxophone: 5 saxophones
19
Saxophone Alto
19
Ensemble de Clarinettes
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Hautbois (partie séparée)
12
Saxophone Soprano et Piano
11
Ensemble de Flûtes
11
3 Saxophones (trio)
10
Saxophone Tenor
10
2 Hautbois (duo)
9
Saxophone (partie séparée)
9
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
3 Clarinettes (trio)
7
Hautbois, Basson (duo)
6
Hautbois, Flûte
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
4
Flute, harpe et violon
3
Flûte, Alto (duo)
3
2 Flûte à bec (duo)
3
Clarinette Basse, Piano
3
Flûte, alto et harpe
2
Flûte à bec Alto, Piano
2
Flûte, Basson et Piano
2
Instruments en Mib
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Piano
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones, Piano
2
Saxophone et Harpe
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Flûte traversière, Orchestre
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Harmonica, Piano
1
Piccolo, Piano
1
2 Flûtes à bec, Piano
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Flute (partie séparée)
1
Harmonica
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Flûte de Pan
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Hautbois
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
5 Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
3 Hautbois
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette et Basson
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Trompette
27
Trompette, Piano
22
Quatuor de Cuivres
21
Quatuor de cuivres: 4 trombones
18
Trombone et Piano
15
Trompette, Saxophone (duo)
10
Trombone
10
Cor et Piano
10
Ensemble de Trombones
9
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
2 Trompettes (duo)
7
Trompette, Trombone (duo)
5
Tuba
5
Tuba et Piano
5
Ensemble de Trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
Bass Clef Instruments
2
Quatuor de cuivres: 4 cors
2
Trombone basse
2
Instruments en Sib
2
Trompette (partie séparée)
2
Instruments en Fa
1
Quatuor de cuivres: 4 trompettes
1
Cor
1
Ensemble de Cors
1
Euphonium
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trompette, Trombone, Piano
1
Trompette, Harpe
1
Cor et Harpe
1
Trio de Cuivres
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
153
Violon et Piano
88
Violoncelle, Piano
60
Harpe
46
Alto, Piano
45
Trio à Cordes: violon, alto, violoncelle
28
Violon
27
2 Violons (duo)
22
Violoncelle
20
Violon, Violoncelle (duo)
17
2 Violoncelles (duo)
11
Violon, Alto (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
7
4 Violoncelles
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Alto (partie séparée)
1
2 Harpes (duo)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Contre Basse
1
Harpe, Flûte (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
224
Orchestre à Cordes
90
Orchestre
58
Orchestre de chambre
46
Ensemble Jazz
36
Ensemble de cuivres
25
Cloches
13
Jazz combo
10
Fanfare
7
Ensemble de Percussions
6
Ensemble d'École
5
Batterie
4
Marimba
2
Piano et Orchestre
1
Xylophone
1
Marimba, Piano (duo)
1
Vibraphone
1
Xylophone, Piano
1
Percussion
1
+ 14 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
3
Partitions Numériques
27
Librairie Musicale
90
Matériel de Musique
4 882
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Rain Man
Trompette
Partitions à imprimer
27 partitions trouvées
<
1
26
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.6 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.6 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
The Saint-Jacome Manual
Trompette
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvi…
(+)
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 73 pages. Published by Faded Duck Music
The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!
$16.95
15.6 €
#
Trompette
#
Eric Bolvin
#
Eric Bolvin
#
The Saint-Jacome Manual
#
Faded Duck Music
#
SheetMusicPlus
Singin' In The Rain
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.951629 Composed by Nacio Herb Br…
(+)
Piano,Trumpet - Level 2 - Digital Download SKU: A0.951629 Composed by Nacio Herb Brown. Arranged by Travis Hayman. Film/TV. Score and part. 8 pages. Travis Hayman #6608027. Published by Travis Hayman (A0.951629). Singin' in the Rain is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor, and Debbie Reynolds and featuring Jean Hagen, Millard Mitchell and Cyd Charisse. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to talkies.
$10.00
9.2 €
#
Trompette
#
Nacio Herb Brown
#
Travis Hayman
#
Singin' In The Rain
#
Travis Hayman
#
SheetMusicPlus
The Rainbow Connection
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839611 Composed by Kenny Ascher a…
(+)
Trumpet Solo - Level 4 - Digital Download SKU: A0.839611 Composed by Kenny Ascher and Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6494879. Published by Bobby Hesch (A0.839611). THE RAINBOW CONNECTION!!! WHY ARE THERE SO MANY SONGS ABOUT RAINBOWS & WHAT'S ON THE OTHER SIDE?!!! LET'S PLAY SOME JAZZ!!! KEY OF G/Ab!!! LOW-F# - HIGH Ab!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!! FROM THE MUPPET MOVIE!!! REMEMBER THE GREAT JIM HENSON!! HAVE FUN!!!
$4.99
4.59 €
#
Trompette
#
Kenny Ascher and Paul Williams
#
Bobby Hesch
#
The Rainbow Connection
#
Bobby Hesch
#
SheetMusicPlus
Woman
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1145324 By Doja Cat. By Aa…
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1145324 By Doja Cat. By Aaron Horn, Amala Dlamini, Aynzli Jones, David Sprecher, Jidenna Mobisson, Linden Jay, and Lydia Asrat. Arranged by David Rain Banta. Contemporary,Disco,Hip-Hop,Multicultural,Pop,R & B,World. Individual part. 8 pages. David E Banta #745563. Published by David E Banta (A0.1145324). Woman by Doja Cat for B flat Trumpet Guitar or Piano.
$4.99
4.59 €
#
Trompette
#
Doja Cat
#
David Rain Banta
#
Woman
#
David E Banta
#
SheetMusicPlus
Somewhere Over The Rainbow
Trompette
C Trumpet Solo - Level 1 - Digital Download SKU: A0.1325637 By Penny Rimbaud & Yout…
(+)
C Trumpet Solo - Level 1 - Digital Download SKU: A0.1325637 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913834. Published by M das Melodias (A0.1325637). Sory! Sheet music for Trumpet in C.SHEET MUSIC FOR TRUMPET IN C !!!Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.
$4.99
4.59 €
#
Trompette
#
Penny Rimbaud & Youth
#
Josiel Oliveira
#
Somewhere Over The Rainbow
#
M das Melodias
#
SheetMusicPlus
Somewhere Over The Rainbow
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1325645 By Penny Rimbaud &…
(+)
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1325645 By Penny Rimbaud & Youth. By Martin Glover and Penny Rimbaud. Arranged by Josiel Oliveira. 19th Century,Classical,Pop. Individual part. 1 pages. M das Melodias #913843. Published by M das Melodias (A0.1325645). Sheet music for Trumpet in Bb.Over the Rainbow is a 1939 song written by Harold Arlen and Yip Harburg for the MGM musical film The Wizard of Oz. The song was sung by actress Judy Garland in the role of Dorothy Gale.The song is a ballad that talks about a place of hope and optimism. Dorothy sings about a place where the sky is blue and the clouds are white. She also sings about a place where people are kind and love is true.The song is considered one of the most beautiful and meaningful songs ever written. It was awarded the Oscar for Best Original Song in 1940. It was also named one of the best songs of the 20th century by Time magazine.Over the Rainbow has been covered by many artists over the years, including Frank Sinatra, Barbra Streisand and Elton John. It has also been used in many films and television shows, including Sunrise (1967), Forrest Gump (1994), and Glee (2009).The song is a message of hope and optimism that resonates with people of all ages. She is a reminder that even in the most difficult times, there is always hope for a better future.
$4.99
4.59 €
#
Trompette
#
Penny Rimbaud & Youth
#
Josiel Oliveira
#
Somewhere Over The Rainbow
#
M das Melodias
#
SheetMusicPlus
Over The Rainbow
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.1000526 By Judy Garland. By Harol…
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.1000526 By Judy Garland. By Harold Arlen. Arranged by Sam Berman. Contemporary. Individual part. 1 pages. Sam Berman #6286203. Published by Sam Berman (A0.1000526).
$4.99
4.59 €
#
Trompette
#
Judy Garland
#
Sam Berman
#
Over The Rainbow
#
Sam Berman
#
SheetMusicPlus
Jazztrompete kreativ
Trompette
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
(+)
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.48 €
#
Trompette
#
Jazztrompete kreativ
#
Schott Music - Digital
#
SheetMusicPlus
Song of the Signal Corps.
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.951562 Composed by Bess Heath Olm…
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.951562 Composed by Bess Heath Olmstead. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 8 pages. Travis Hayman #6131529. Published by Travis Hayman (A0.951562). The United States Army Signal Corps (USASC) is a branch of the United States Army that creates and manages communications and information systems for the command and control of combined arms forces. It was established in 1860, the brainchild of Major Albert J. Myer, and had an important role in the American Civil War. Over its history, it had the initial responsibility for portfolios and new technologies that were eventually transferred to other U.S. government entities. Such responsibilities included military intelligence, weather forecasting, and aviation.
$5.00
4.6 €
#
Trompette
#
Bess Heath Olmstead
#
Travis Hayman
#
Song of the Signal Corps.
#
Travis Hayman
#
SheetMusicPlus
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
(+)
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.6 €
#
Trompette
#
Keith Terrett
#
Keith Terrett
#
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
#
Keith Terrett
#
SheetMusicPlus
Ave Maria
Trompette
Trumpet Solo - Digital Download SKU: A0.951552 Composed by Franz Schubert. Arranged…
(+)
Trumpet Solo - Digital Download SKU: A0.951552 Composed by Franz Schubert. Arranged by Travis Hayman. Christian,Christmas. Individual part. 7 pages. Travis Hayman #6104213. Published by Travis Hayman (A0.951552). Also know as Ellens dritter Gesang (Ellens Gesang III, D. 839, Op. 52, No. 6, 1825), in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$5.00
4.6 €
#
Trompette
#
Franz Schubert
#
Travis Hayman
#
Ave Maria
#
Travis Hayman
#
SheetMusicPlus
Intensive Trumpet Technique
Trompette
Trumpet - intermediate to advanced - Digital Download Warm-ups, technical training and s…
(+)
Trumpet - intermediate to advanced - Digital Download Warm-ups, technical training and studies. This edition: method. Etuden, Ubungsstucke, Studienwerke. Essential Exercises. Downloadable. Schott Music - Digital #Q50400. Published by Schott Music - Digital
German - English. Most trumpet players blow downward a bit too much. as a consequence, the pressure point lies on the lower lip. The result: .a thick, dull tone without treble and smoothness. The present technical exercises help to shift the pressure point to the upper lip. Thus, a much better treble, a finer tone and generally a better embouchure is gradually achieved. This also helps to keep the lung more open when blowing and to develop better lung volume and strength. Not least, it helps to avoid postural impairment, e.g. damaged discs or atrophied lungs. Contains all-important information on trumpet techniques, a 'check-up' for advanced players and professional trumpet players.German - English.
Most trumpet players blow downward a bit too much. as a consequence, the pressure point lies on the lower lip. The result: .a thick, dull tone without treble and smoothness. The present technical exercises help to shift the pressure point to the upper lip. Thus, a much better treble, a finer tone and generally a better embouchure is gradually achieved. This also helps to keep the lung more open when blowing and to develop better lung volume and strength. Not least, it helps to avoid postural impairment, e.g. damaged discs or atrophied lungs.
Contains all-important information on trumpet techniques, a 'check-up' for advanced players and professional trumpet players.
$22.99
21.16 €
#
Trompette
#
Intensive Trumpet Technique
#
Schott Music - Digital
#
SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
(+)
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.
Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.
That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:
E - A - D - G - C
Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:
C - D - E - G - A
For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.
Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.
Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.8 €
#
Trompette
#
Eddie Lewis
#
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
#
Tiger Music
#
SheetMusicPlus
Midwinter trumpet&piano
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.949937 Composed by Tommy Johanss…
(+)
Piano,Trumpet - Level 2 - Digital Download SKU: A0.949937 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215521. Published by Tommy Johansson, Hjo (A0.949937). Midwinter A bittersweet composition for trumpet and piano by Tommy Johansson, Hjo Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: F-minor/F#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99
5.51 €
#
Trompette
#
Tommy Johansson, Hjo
#
Midwinter trumpet&piano
#
Tommy Johansson, Hjo
#
SheetMusicPlus
Amhrán na bhFiann (Irish National Anthem)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.951567 Composed by Traditional. A…
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.951567 Composed by Traditional. Arranged by Travis Hayman. Celtic,Holiday. Individual part. 5 pages. Travis Hayman #6258685. Published by Travis Hayman (A0.951567). Amhrán na bhFiann (Irish pronunciation: [ˈəuÉ¾Ë aËnÌªË nÌªË É™ ˈvʲiËÉ™nÌªË ]), called The Soldier's Song in English, is Ireland's national anthem. The song has three verses, but only the choral refrain is used as the national anthem.
$5.00
4.6 €
#
Trompette
#
Traditional
#
Travis Hayman
#
Amhrán na bhFiann
#
Travis Hayman
#
SheetMusicPlus
Ave Maria
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1172610 Composed by Franz …
(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1172610 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772842. Published by Fabio Eduardo (A0.1172610). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99
1.83 €
#
Trompette
#
Franz Schubert
#
Fabio Eduardo de Oliveira
#
Ave Maria
#
Fabio Eduardo
#
SheetMusicPlus
Believer
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.951913 By Imagine Dragons. By Ben…
(+)
Trumpet Solo - Level 1 - Digital Download SKU: A0.951913 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Michael Arell. Rock. Individual part. 3 pages. Michael Arell #6591177. Published by Michael Arell (A0.951913). This arrangement is the chorus (a.k.a. refrain) of Imagine Dragon’s hit song from 2017. This portion of the song should be approachable for students after about a year of playing. Letter names and valve positions are included to support learning the piece.
$4.99
4.59 €
#
Trompette
#
Imagine Dragons
#
Michael Arell
#
Believer
#
Michael Arell
#
SheetMusicPlus
24 Melodic Exercises in all keys
Trompette
Trumpet - difficult - Digital Download SKU: S9.Q48851 Composed by Oskar Boehme. Thi…
(+)
Trumpet - difficult - Digital Download SKU: S9.Q48851 Composed by Oskar Boehme. This edition: Sheet music. Downloadable. Op. 20. Musikverlag Zimmermann - Digital #Q48851. Published by Musikverlag Zimmermann - Digital (S9.Q48851). German • English.Oskar Böhme was Born February 24, 1870 in Potschappel near Dresden. After his Musical Training, he emigrated to St. Petersburg in 1897. He became a Russian citizen and took a Job at the St. Pertersburg Opera. During World War II Böhme was deported and died between 1938 and 1941, probably in a Labor camp in Turkmenistan.
$9.99
9.19 €
#
Trompette
#
Oskar Boehme
#
24 Melodic Exercises in all keys
#
Musikverlag Zimmermann - Digital
#
SheetMusicPlus
Test Drive by The Trumpet Man - Trumpet Solo
Trompette
Sheet Music for Test Drive from How to Train Your Dragon arranged for Instrumental Solo in…
(+)
Sheet Music for Test Drive from How to Train Your Dragon arranged for Instrumental Solo in D Major. Digital sheet music from Musicnotes. --
$3.99
3.67 €
#
Trompette
#
Trumpet Solo
#
Musicnotes
https://www.sheetmusicplus.com/title/hungarian-dance-no-5-for-trumpet-in-d-digital-sheet-music/22035453
Trompette
Trumpet - Early Intermediate - Digital Download Composed by Johannes Brahms (1833-189…
(+)
Trumpet - Early Intermediate - Digital Download Composed by Johannes Brahms (1833-1897). Arranged by Cássio Silva Chaves. Romantic Period, Etudes and Exercises, Repertoire, Classroom, Technique Training. Individual Part, Score, Solo Part. 4 pages. Published by Cassio Silva
$4.99
4.59 €
#
Trompette
#
Johannes Brahms (1833-1897)
#
Cássio Silva Chaves
#
https://www.sheetmusicplus.com/title/hungarian-dance-no-5-for-trumpet-in-d-digital-sheet-music/22035453
#
Cassio Silva
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
