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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Real Man
Non classifié
738
Piano & claviers
Piano seul
504
Piano, Voix
218
Piano Facile
154
Piano, Voix et Guitare
105
Instruments en Do
46
Orgue
29
2 Pianos, 4 mains
14
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
5
Accompagnement Piano
4
Accordéon
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
627
Guitare notes et tablatures
73
Guitare
54
Paroles et Accords
14
Mandoline
11
2 Guitares (duo)
9
Guitare (partie séparée)
9
Basse electrique
6
Ukulele
5
Dulcimer
4
Banjo
4
4 Guitares (Quatuor)
2
Mandoline, Piano (duo)
2
Mandoline, Guitare (duo)
2
Ensemble de guitares
2
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
199
Chorale 3 parties
61
Voix haute
50
Chorale TTBB
32
Chorale 2 parties
30
Chorale SSAA
22
Chorale Unison
15
Voix Soprano, Piano
14
Voix Alto, Piano
14
Voix duo, Piano
7
Voix moyenne, Piano
6
Voix basse
4
Voix duo
4
Voix Baryton, Piano
2
Voix Soprano
2
Voix Tenor, Piano
2
Chorale SSATTB
1
Chorale
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
72
Flûte traversière et Piano
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Saxophone Alto et Piano
48
Hautbois, Piano (duo)
43
Flûte, Hautbois, Clarinette, Basson
41
Clarinette et Piano
40
Quatuor de Saxophones: 4 saxophones
37
Saxophone Tenor et Piano
34
Clarinette
31
Saxophone (partie séparée)
28
Quatuor de Clarinettes: 4 clarinettes
25
Flûte traversière
24
Saxophone Alto
22
Saxophone Soprano et Piano
21
Saxophone Baryton, Piano
17
2 Flûtes traversières (duo)
16
Saxophone Tenor
14
Flûte à bec Soprano
13
Hautbois (partie séparée)
13
2 Clarinettes (duo)
12
Quatuor de Flûtes : 4 flûtes
11
Cor anglais, Piano
11
Ensemble de saxophones
10
Flûte, Clarinette (duo)
10
Flûte et Guitare
10
Quintette de Saxophone: 5 saxophones
9
Clarinette Basse, Piano
8
Clarinette, Violon (duo)
8
Flûte, Violon
7
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
6
3 Clarinettes (trio)
6
Flute (partie séparée)
6
Flûte, Alto (duo)
5
Hautbois, Basson (duo)
5
Flûte, Saxophone (duo)
5
Trio de Flûtes: 3 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone, Clarinette (duo)
5
3 Saxophones (trio)
5
Clarinette, Guitare (duo)
5
Ensemble de Clarinettes
4
Cor Anglais
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
2 Hautbois (duo)
4
Clarinette (partie séparée)
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
3
Clarinette et Alto
3
Clarinette, Harpe (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette, Trombone (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violoncelle
3
2 Flûte à bec (duo)
3
Flûte, Hautbois (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Flûte
2
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
Clarinette Basse
2
Hautbois
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violoncelle
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
3 Hautbois
1
Hautbois, Guitare (duo)
1
Saxophone
1
Cor anglais et Harpe (duo)
1
Piccolo, Piano
1
Flute, harpe et violon
1
Saxophone et Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble De Flûte à bec
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à Bec
1
Hautbois et Orchestre
1
Instruments en Mib
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone et Piano
31
Trompette
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Cor et Piano
27
Trompette, Piano
23
Trombone (partie séparée)
21
Ensemble de Trombones
20
Trompette (partie séparée)
18
Trompette, Saxophone (duo)
16
Trombone
16
Euphonium, Piano (duo)
15
Tuba et Piano
14
Tuba
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
10
2 Trombones (duo)
9
Cor
7
Cor (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba (partie séparée)
4
Cor Anglais
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trombone basse
2
Quatuor de Cuivres
2
Euphonium
2
Bass Clef Instruments
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instruments en Sib
1
Trompette, Harpe
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle (duo)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
3 Tubas (trio)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon et Piano
66
Violoncelle, Piano
44
Violon, Violoncelle (duo)
43
Violon
37
Alto, Piano
34
Harpe
30
Violoncelle
27
Trio à Cordes: violon, alto, violoncelle
25
2 Violons (duo)
22
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
19
Violon, Alto (duo)
17
Alto seul
13
2 Altos (duo)
12
Contrebasse, Piano (duo)
11
Violoncelle , Guitare (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contrebasse (partie séparée)
7
Contre Basse
6
Harpe, Flûte (duo)
6
Alto, Guitare (duo)
5
Violon (partie séparée)
4
Alto (partie séparée)
4
Harpe, Violoncelle (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
2 Violons, Piano
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Piano Trio: Violon, Alto, Piano
2
Harpe et mandoline
2
2 Violoncelles, Piano
1
Trio à cordes: 3 violins
1
Alto et Basson
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Ensemble Jazz
82
Orchestre
72
Orchestre à Cordes
42
Ensemble de cuivres
34
Cloches
19
Fanfare
18
Orchestre de chambre
17
Jazz combo
16
Batterie
4
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Ensemble de Percussions
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Piano et Orchestre
1
2 Marimbas
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
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ACCORDEON
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BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
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MARIMBA
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Real Man
Trompette
Partitions à imprimer
30 partitions trouvées
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26
20 Really Easy Christmas Carols for Trumpet
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.587804 Composed by Various. Arran…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.587804 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978279. Published by David McKeown (A0.587804). 20 Really Easy Christmas Carols for Trumpet is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when trumpet players have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys and no lower than C.The carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.37 €
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Trompette
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Various
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David McKeown
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20 Really Easy Christmas Carols for Trumpet
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David McKeown
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Trompette
Trumpet (in Bb) and piano - easy to intermediate - Digital Download SKU: S9.Q7056
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Trumpet (in Bb) and piano - easy to intermediate - Digital Download SKU: S9.Q7056 Chorale from the Cantata No. 147 Heart and Mouth and Deed and Life. Composed by Johann Sebastian Bach. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q7056. Published by Schott Music - Digital (S9.Q7056). The Air by Johann Sebastian Bach at best can rival his setting Jesus bleibet meine Freude for popularity: The final chorus from the cantata BWV 147 Heart and Mouth and Deed and Life is really catchy due to its simplicity and perfection of which one can hardly get enough. The present arrangement makes this classical hit an ideal performance and concert piece for a solo instrument with piano or organ accompaniment.
$4.99
4.6 €
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Trompette
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Johann Sebastian Bach
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Wolfgang Birtel
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Jesu, Joy of Man's Desiring
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Schott Music - Digital
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SheetMusicPlus
All I Really Want
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.582680 By Steven Curtis Chapman.…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.582680 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. Score and part. 31 pages. Jeff Tincher #3466404. Published by Jeff Tincher (A0.582680). This is a Bb instrument and Piano arrangement of a great Steven Curtis Chapman Christmas song. It is a story about a young orphan who all he wants for Christmas is to be a part of a family of a person they met. I dedicate this to my wife, as she was an adopted child. This is a transcription in the original key from Steven's All I Want For Christmas CD. Great for any live venue or playing along with the recording. Duration=4:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.52 €
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Trompette
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Steven Curtis Chapman
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Jeff Tincher
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All I Really Want
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Jeff Tincher
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual
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The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
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15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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Luther: Out of the Depths for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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23 €
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Martin Luther
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James M
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Luther: Out of the Depths for Trumpet & Piano
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Fast Car
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1269339 By Tracy Chapman. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1269339 By Tracy Chapman. By Tracy Chapman. Arranged by Leo Silva. Pop,Singer/Songwriter. Individual part. 4 pages. MP Sheet Music #861865. Published by MP Sheet Music (A0.1269339). Fast Car is a song by American singer-songwriter Tracy Chapman.Chapman's appearance on the Nelson Mandela 70th Birthday Tribute helped the song become a top-ten hit in the United States, reaching number six on the Billboard Hot 100. In the United Kingdom, it reached number five on the UK Singles Chart in 1988.Fast Car received three Grammy Award nominations: Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, the latter of which it won. It also received an MTV Video Music Award nomination for Best Female Video in 1989.According to Metro Weekly critic Chris Gerard, Fast Car tells a grittily realistic story of a working poor woman trying to escape the cycle of poverty, set to folk rock music.In June 1988, Chapman appeared at the Nelson Mandela 70th Birthday Tribute concert. Chapman performed Fast Car itself would reach number six on the Billboard Hot 100 the same week.In April 2011 it reached the fourth position of the British charts after Michael Collins made a cover version on Britain's Got Talent.
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Tracy Chapman
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Leo Silva
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Fast Car
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MP Sheet Music
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SheetMusicPlus
Handel: Largo from Xerxes for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
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30.38 €
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Trumpet & Piano
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
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23 €
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
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30.38 €
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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Yankee Doodle Boy
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951606 Composed by George M. Coha…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951606 Composed by George M. Cohan. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #6413269. Published by Travis Hayman (A0.951606). The Yankee Doodle Boy, also well known as (I'm a) Yankee Doodle Dandy is a patriotic song from the Broadway musical Little Johnny Jones written by George M. Cohan. The play opened at the Liberty Theater on November 7, 1904. The play concerns the trials and tribulations of a fictional American jockey, Johnny Jones (based on the real life jockey Tod Sloan), who rides a horse named Yankee Doodle in the English Derby. Cohan incorporates snippets of several popular traditional American songs into his lyrics of this song, as he often did with his songs. The song was performed by James Cagney in the 1942 film Yankee Doodle Dandy, in which he played Cohan.
$5.00
4.61 €
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George M
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Travis Hayman
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Yankee Doodle Boy
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Travis Hayman
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Papa's New Shoes - Trumpet-Piano
Trompette
Piano,Trumpet - Level 1 - Digital Download SKU: A0.844523 Composed by Phil Beaman. …
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Piano,Trumpet - Level 1 - Digital Download SKU: A0.844523 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493135. Published by Phil Beaman (A0.844523). Papa's New Shoes is a catchy old-time melody that will stay in your head. The accompaniment has modern chord progressions which makes it a 20th century style piece with a touch of New Age and hints of Ravel. It begins fairly traditional and gets progressively more unsettled. It is really quite simple, yet sounds delightfully pleasant. 3 pages score, 1 page solo; 2 minutes
$3.99
3.68 €
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Trompette
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Phil Beaman
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Papa's New Shoes - Trumpet-Piano
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Phil Beaman
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SheetMusicPlus
"More... Jazz Licks at Your Fingertips" for Trumpet
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809112 Composed by Tony Benade. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809112 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573827. Published by Tony Benade (A0.809112). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.61 €
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Trompette
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the end of the study, you can improve on the enitre song
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Tony Benade
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"More... Jazz Licks at Your Fingertips" for Trumpet
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Tony Benade
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SheetMusicPlus
At Last, Victorious! Easy Trumpet Quartet
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Trumpet - Level 2 - Digital Download SKU: A0.1099560 Composed by Eddie Lewis. Class…
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Trumpet - Level 2 - Digital Download SKU: A0.1099560 Composed by Eddie Lewis. Classical,Instructional,March. 13 pages. Tiger Music #703450. Published by Tiger Music (A0.1099560). Upgrade your library of easy trumpet literature with At Last Victorious! easy trumpet quartet. This is a 6/8 march in three sharps. As a trumpet teacher with over forty years of experience teaching beginners, I believe that solid range should be developed over a long period of time. But this doesn’t mean that the beginner students need to wait for their range to improve before they dive deeper into the musical side of the instrument. At Last, Victorious! easy trumpet quartet includes the most difficult combination of skills without moving into our first intermediate level. We will talk more about skill levels below, but let me say that many people would label At Last, Victorious as an intermediate piece. In our skill level system, three sharps and six-eight time signature are both in our second beginner skill level. And yet, the highest note in the first part is fourth space E. At Last, Victorious! easy trumpet quartet is the kind of piece I would assign to my students right before they “graduate†from the second beginner skill level into the first intermediate skill level. At Last, Victorious! is a march in six-eight time signature in three sharps. It is not as long as a traditional march and the “trio†is not technically a real trio (and therefore not marked as such). But I do believe that the piece serves as a nice introduction to marches for beginner trumpet students.
$11.28
10.4 €
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Trompette
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Eddie Lewis
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At Last, Victorious! Easy Trumpet Quartet
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Tiger Music
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SheetMusicPlus
Sway With Me
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Trumpet Solo - Level 4 - Digital Download SKU: A0.918602 By Saweetie Galxara. By Ad…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.918602 By Saweetie Galxara. By Adam Small, Diamonte Harper, Jacob Uchorczak, Luis Demetrio Molina, Luis Traconis Molina, Mich Hansen, Michael Pollack, Mitch Hansen, Mitchell Hansen, Norman Gimbel, Pablo Rosas Rodriguez, Pablo Ruiz, Quavious Marshall, Randall Hammers, Tia Scola, and etc. Arranged by Bobby Hesch. Jazz,Latin. Individual part. 3 pages. Bobby Hesch #524483. Published by Bobby Hesch (A0.918602). SWAY WITH ME!!! PABLO BELTRAN RUIZ & NORMAN GIMBEL COMPOSERS!!! PERFORMED BY MICHAEL BUBLE !!! LET'S PLAY SOME JAZZ !!! KEY OF G/A FLAT !!! LOW B-HIGH A FLAT !!! MP3 FOR JAZZ STYLE & INTERPRETATION !!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT SONG!!! DANCERS REALLY LIKE TO DANCE TO SWAY WITH ME !!!
$4.99
4.6 €
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Trompette
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Saweetie Galxara
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Bobby Hesch
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Sway With Me
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Bobby Hesch
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SheetMusicPlus
Someone You Loved
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.6 €
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Trompette
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Christmas Carols for the Lonely Trumpeter, Vol. 2
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Trumpet Solo - Level 5 - Digital Download SKU: A0.878324 Composed by Various. Arran…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.878324 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405435. Published by SeanBrownMusic (A0.878324). This is a set of Christmas tunes for a solo trumpet player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.
$15.00
13.83 €
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Various
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Sean A
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Christmas Carols for the Lonely Trumpeter, Vol. 2
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SeanBrownMusic
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SheetMusicPlus
Four Serious Songs for Trumpet & Piano
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.810886 Composed by Johannes Brah…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.810886 Composed by Johannes Brahms. Arranged by Kerekes, Barnaby. Romantic Period,Sacred. Score and part. 30 pages. Gordon Cherry #3667983. Published by Gordon Cherry (A0.810886). Beautifully edited by Barnaby Kerekes, these Four Songs are now available for Trumpet and Piano. Take a look in Robert King or Hickey's catalogues and you will not find much Brahms for Trumpet. I promise you will be thrilled with the sound of these songs. All audiences just love the sound of these songs. The songs of Brahms's famous song cycle have been tastefully edited. If you practice the Charlier or any other melodious etudes for trumpet you will know the value of being able to perform with a smooth lyrical musical line. These songs will add depth to your playing and add some real depth and variety to your recital. They are of moderate difficulty in a moderate vocal range.Parts are available in B-flat and C.
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13.83 €
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Trompette
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Johannes Brahms
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Kerekes, Barnaby
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Four Serious Songs for Trumpet & Piano
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Gordon Cherry
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SheetMusicPlus
Fanfare In the Form of Hail
Trompette
B-Flat Trumpet Solo,C Trumpet Solo - Level 5 - Digital Download SKU: A0.1372327 Com…
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B-Flat Trumpet Solo,C Trumpet Solo - Level 5 - Digital Download SKU: A0.1372327 Composed by Amy Dunker. 21st Century,Chamber,Classical. Individual part. 3 pages. Amy Dunker #956625. Published by Amy Dunker (A0.1372327). While watching a television program about weather, I realized that hail and fanfares have one thing in common; they both get people's attention immediately. My car!' My roof!'' Let's get inside!Fanfare in the Form of Hail begins with randomly spaced short notes, out of wich a fanfare emerges. Many of the gestures re-imagine the sound of hail hitting the ground, or maybe your car.Duration: 1:00.
$5.00
4.61 €
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Amy Dunker
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Fanfare In the Form of Hail
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Amy Dunker
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SheetMusicPlus
Ping-Pong for Trumpet Solo
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Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. C…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00
18.44 €
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Trompette
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
Viva La Vida
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.855849 By Coldplay. By Chris Mar…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.855849 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Darren Lloyd. Rock. Score and part. 9 pages. Darren Lloyd #3636901. Published by Darren Lloyd (A0.855849). An arrangement of Coldplay's classic 'Viva la Vida' arranged for solo Bb Trumpet & Piano. Arranged in concert F, the Trumpet part's highest note is a G (on top of the stave). Great for a public performance or just to play because you like Coldplay! Practising this piece will really help develop stamina in the young Trumpet player.
$4.99
4.6 €
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Trompette
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Coldplay
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Darren Lloyd
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Piano
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Viva La Vida
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Darren Lloyd
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SheetMusicPlus
Have You Ever Really Loved a Woman? by Bryan Adams - Trumpet Solo
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Performed by: Bryan Adams: Have You Ever Really Loved a Woman? Digital Sheetmusic - instan…
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Performed by: Bryan Adams: Have You Ever Really Loved a Woman? Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Trumpet; 2 pages -- Movie/TV
$3.99
3.68 €
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Trompette
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Bryan Adams
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Trumpet Solo
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Musicnotes
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