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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rio Liszt
Non classifié
103
Piano & claviers
Piano, Voix
416
Piano seul
160
Piano Facile
45
1 Piano, 4 mains
11
Orgue
8
Piano Trio: piano, violon, violoncelle
7
Orgue, Piano (duo)
3
Piano, Voix et Guitare
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
5
2 Guitares (duo)
2
Basse electrique
1
Voix
Chorale SATB
7
Chorale SSAA
6
Voix basse, Piano
5
Chorale 3 parties
3
Chorale TTBB
3
Voix haute
2
Chorale 2 parties
1
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
21
Saxophone Alto et Piano
20
Clarinette et Piano
19
Hautbois, Piano (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Saxophones (duo)
11
2 Clarinettes (duo)
11
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
9
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
6
Ensemble de Clarinettes
5
2 Flûtes traversières (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Cor anglais, Piano
5
Clarinette
5
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violoncelle
2
Hautbois (partie séparée)
2
Ensemble de saxophones
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
1
Flûte, Alto et Piano
1
Saxophone Alto
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Saxophone (partie séparée)
1
Saxophone Tenor
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Saxophones: 4 saxophones
1
+ 36 instrumentations
Retracter
Cuivres
Trombone et Piano
13
Euphonium, Piano (duo)
9
Trompette, Piano
9
Cor et Piano
8
Tuba et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Trombone
1
Ensemble de Trombones
1
+ 12 instrumentations
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Cordes
Violon et Piano
27
Violoncelle, Piano
27
Quatuor à cordes: 2 violons, alto, violoncelle
21
Alto, Piano
21
2 Violons (duo)
6
Violon
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
3
2 Altos (duo)
3
2 Violons, Piano
2
Harpe, Violon (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle
2
Violon, Basson (duo)
1
Alto seul
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Harpe
1
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
17
Orchestre à Cordes
10
Orchestre d'harmonie
9
Ensemble de cuivres
7
Orchestre de chambre
2
Vibraphone (partie séparée)
1
+ 1 instrumentations
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Autres
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Crtitères actifs :
Rio Liszt
Trompette
Partitions à imprimer
5 partitions trouvées
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Liszt: Liebestraume for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Franz Liszt
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James M
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Liszt: Liebestraume for Trumpe
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jmsgu3
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.550071 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. ...
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Piano,Trumpet - Level 3 - SKU: A0.550071 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #4592623. Published by jmsgu3 (A0.550071). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day. Trumpet parts in C and Bb included.
$24.95
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Ave Maria
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Trompette
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FACILE
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Classique
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1172610 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1172610 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772842. Published by Fabio Eduardo (A0.1172610). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99
Ave Maria
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Trompette
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Classique
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Franz Schubert
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Travis Hayman
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Ave Maria
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951552 Composed by Franz Schubert. Arranged by Travis Hayman. Christian,Christmas. Individual part. 7 pages. Travis Hayman #61042...
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Trumpet Solo - SKU: A0.951552 Composed by Franz Schubert. Arranged by Travis Hayman. Christian,Christmas. Individual part. 7 pages. Travis Hayman #6104213. Published by Travis Hayman (A0.951552). Also know as Ellens dritter Gesang (Ellens Gesang III, D. 839, Op. 52, No. 6, 1825), in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$5.00
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Rio Liszt
