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AUTOHARPE
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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XYLOPHONE
Sam H
Sheetmusicplus
Non classifié
150
Piano & claviers
Piano seul
103
Piano Facile
100
Piano, Voix
52
Piano, Voix et Guitare
22
Orgue
9
Instruments en Do
7
1 Piano, 4 mains
6
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
2 Pianos, 4 mains
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
11
Ukulele
6
Guitare
6
Mandoline
6
2 Guitares (duo)
1
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1
Guitare (partie séparée)
1
3 Guitares (trio)
1
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Voix
Chorale SATB
48
Chorale 3 parties
13
Chorale TTBB
13
Chorale SSAA
6
Chorale 2 parties
4
Chorale Unison
3
Voix Soprano, Piano
2
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1
Voix duo
1
Chorale SSATB
1
Chorale SSAATTBB
1
Voix duo, Piano
1
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12
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8
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7
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7
Flûte à bec Soprano
5
Clarinette et Piano
5
Clarinette
4
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4
Ocarina
4
Harmonica
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Alto et Piano
4
2 Saxophones (duo)
4
Saxophone Baryton, Piano
3
3 Clarinettes (trio)
3
Hautbois, Piano (duo)
2
Quintette de Flûte : 5 flûtes
2
3 Saxophones (trio)
2
Flûte traversière
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Flûte, Violon
2
2 Flûte à bec (duo)
2
Saxophone Tenor et Piano
2
Clarinette Basse, Piano
2
Saxophone Alto
2
Saxophone Soprano et Piano
2
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1
Ensemble de saxophones
1
Ensemble de Flûtes
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Harpe
1
Ensemble de Clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Violoncelle
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Hautbois (partie séparée)
1
Flûte, Violon et Violoncelle
1
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30
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8
Trompette, Piano
5
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4
Trombone et Piano
3
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3
Euphonium, Piano (duo)
3
Trompette
3
Quatuor de Cuivres
2
2 Cors (duo)
2
Bass Clef Instruments
1
Trompette (partie séparée)
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Tuba et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
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16
Trio à Cordes: violon, alto, violoncelle
9
Violon et Piano
9
Violon
9
Alto, Piano
7
Violoncelle, Piano
6
2 Violons (duo)
4
Violon, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Violoncelles (duo)
2
Harpe
2
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
4 Violoncelles
1
Violoncelle
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
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Cloches
48
Orchestre
12
Orchestre d'harmonie
8
Orchestre de chambre
8
Ensemble Jazz
7
Orchestre à Cordes
4
Fanfare
2
Ensemble de Percussions
2
Ensemble de cuivres
2
Jazz combo
1
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1
Xylophone, Piano
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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Vous avez sélectionné:
Sam H
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Please Don't Talk About Me When I'm Gone
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sam H
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Lkmusic
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Please Don't Talk About Me Whe
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Lucas Kist
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1364661 Composed by Sam H. Stept and Sidney Clare. Arranged by Lkmusic. 20th Century,Jazz,Multicultural,Standards,Tradi...
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Trumpet Solo - Level 4 - SKU: A0.1364661 Composed by Sam H. Stept and Sidney Clare. Arranged by Lkmusic. 20th Century,Jazz,Multicultural,Standards,Traditional,World. Individual part. 1 pages. Lucas Kist #948953. Published by Lucas Kist (A0.1364661). Arranged to trumpet. enjoy...
$4.99
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Moondances
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
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Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99
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Sam H
