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46
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Trombone et Piano
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26
2 Trombones (duo)
23
2 Trompettes (duo)
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Trompette
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor anglais, Piano
18
Cor et Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trombone
8
Cor
8
Tuba et Piano
7
Tuba
7
Trombone (partie séparée)
5
2 Cors (duo)
5
Euphonium
3
2 Tubas (duo)
3
Trompette (partie séparée)
3
Ensemble de Trompettes
3
Ensemble de Trombones
3
Quatuor de Cuivres
3
Cor Anglais
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Trio de Cuivres
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Tuba et Orgue
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Trompette, Basson (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
41
2 Violoncelles (duo)
32
Violoncelle, Piano
30
Alto, Piano
30
Violon, Violoncelle (duo)
29
2 Violons (duo)
28
2 Altos (duo)
28
Violon, Alto (duo)
24
Violon
19
Harpe
19
Violoncelle
17
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
5
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Alto (partie séparée)
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
166
Orchestre
31
Fanfare
26
Orchestre à Cordes
20
Cloches
9
Marimba
8
Ensemble de cuivres
8
Ensemble Jazz
7
Xylophone, Piano
5
Xylophone
4
Jazz combo
4
Orchestre de chambre
4
Ensemble de Percussions
1
Piano et Orchestre
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Partitions à imprimer
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A Breeze from Alabama arr Siddons Cornet Part
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
4.58 €
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Trompette
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Scott Joplin
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James Siddons
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A Breeze from Alabama arr Siddons Cornet Part
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James Siddons Music and Writings
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SheetMusicPlus
Exploring Jazz Trumpet
Trompette
Trumpet - intermediate - Digital Download SKU: S9.Q585854 An Introduction to Jaz…
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Trumpet - intermediate - Digital Download SKU: S9.Q585854 An Introduction to Jazz Harmony, Technique and Improvisation. Schott Pop-Styles. An Introduction to Jazz Harmony, Technique and Improvisation for Trumpet. Downloadable. Schott Music - Digital #Q585854. Published by Schott Music - Digital (S9.Q585854). English.This definitive book is designed for the intermediate trumpet player looking for an introduction to the world of jazz. Renowned jazz musician Ollie Weston introduces key concepts step by step, explaining clearly and simply throughout, with the minimum of musical jargon. Improvisation is featured from the very beginning with authentic live jazz trio recordings on the accompanying CD for you to play along with. Key subjects covered include: modes, swing playing, melodic development, the 2-5-1 progression, jazz blues progressions, pentatonic scales, jazz chord extentions, stylistic development, unique trumpet sounds and many more.
$27.99
25.64 €
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Trompette
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Exploring Jazz Trumpet
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Schott Music - Digital
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SheetMusicPlus
20 Really Easy Christmas Carols for Trumpet
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.587804 Composed by Various. Arran…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.587804 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978279. Published by David McKeown (A0.587804). 20 Really Easy Christmas Carols for Trumpet is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when trumpet players have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys and no lower than C.The carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.32 €
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Trompette
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Various
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David McKeown
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20 Really Easy Christmas Carols for Trumpet
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David McKeown
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SheetMusicPlus
Faded
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1262965 By Alan Walker. By…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1262965 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 1 pages. Benzaiten Editions #855963. Published by Benzaiten Editions (A0.1262965). Hey! Are you a trumpet player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Trumpet Sheet Music The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate trumpet arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your trumpet. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$4.99
4.57 €
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Trompette
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Faded
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1262967 By Alan Walker. By…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1262967 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 1 pages. Benzaiten Editions #855965. Published by Benzaiten Editions (A0.1262967). Hey! Are you a trumpet player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Trumpet Sheet Music with chords The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate trumpet arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your trumpet. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$4.99
4.57 €
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Trompette
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.86 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.86 €
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl B…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493713. Published by jmsgu3 (A0.549412). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.69 €
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Trompette
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Carl Bohm
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James M
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Bohm: Calm as the Night for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.19 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
When I'm Sixty-four
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Le…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.57 €
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Trompette
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
O Mio Babbino Caro - for trumpet solo
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C Trumpet Solo - Level 2 - Digital Download SKU: A0.1377104 Composed by Giacomo Puc…
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C Trumpet Solo - Level 2 - Digital Download SKU: A0.1377104 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961707. Published by Rodrigo Faleiros (A0.1377104). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo trumpet. This beloved aria, known for its tender expression of love and longing, is now reimagined for trumpet, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience. Key Features: Trumpet Showcase: Tailored for a solo trumpet, allowing for a captivating and expressive performance of the iconic aria. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for trumpet offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.82 €
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for trumpet solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for trumpet solo (with chords)
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1377153 Composed by Giacom…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1377153 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961583. Published by Rodrigo Faleiros (A0.1377153). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo trumpet. This beloved aria, known for its tender expression of love and longing, is now reimagined for trumpet, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Trumpet Showcase: Tailored for a solo trumpet, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for trumpet offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.82 €
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Trompette
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for trumpet solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for trumpet solo (with chords)
Trompette
C Trumpet Solo - Level 2 - Digital Download SKU: A0.1377152 Composed by Giacomo Puc…
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C Trumpet Solo - Level 2 - Digital Download SKU: A0.1377152 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961582. Published by Rodrigo Faleiros (A0.1377152). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo trumpet. This beloved aria, known for its tender expression of love and longing, is now reimagined for trumpet, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Trumpet Showcase: Tailored for a solo trumpet, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for trumpet offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.82 €
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Trompette
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for trumpet solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for trumpet solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1377105 Composed by Giacom…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1377105 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961708. Published by Rodrigo Faleiros (A0.1377105). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo trumpet. This beloved aria, known for its tender expression of love and longing, is now reimagined for trumpet, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience. Key Features: Trumpet Showcase: Tailored for a solo trumpet, allowing for a captivating and expressive performance of the iconic aria. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for trumpet offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.82 €
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Trompette
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for trumpet solo
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315977 Composed by Lee Me…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315977 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904512. Published by Rodrigo Faleiros (A0.1315977). Embrace the enchantment of the holiday season with our special trumpet solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for trumpet players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your trumpet. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.57 €
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Trompette
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315734 Composed by Lee Me…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315734 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904476. Published by Rodrigo Faleiros (A0.1315734). Embrace the enchantment of the holiday season with our special trumpet solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for trumpet players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your trumpet. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.57 €
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Trompette
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Ave Maria - F. Schubert (Trumpet in Bb)
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1407816 By Franz Schubert.…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1407816 By Franz Schubert. By Franz Schubert. Arranged by Guilherme Assunção. 19th Century,Classical,Religious,Romantic Period. Individual part. 1 pages. Guilherme A. #990439. Published by Guilherme A. (A0.1407816). Embark on a journey of musical enchantment with Schubert's timeless masterpiece, 'Ave Maria,' presented in this captivating trumpet solo sheet music. Delight in the purity and elegance of the melody as you explore its intricate nuances, unfettered by chord notations. Whether you're a seasoned trumpeter or a budding enthusiast, this sheet music invites you to immerse yourself fully in the celestial beauty of 'Ave Maria.'Perfect for solo performances, practice sessions, or simply indulging in the joy of music-making, this sheet music is a treasure trove of inspiration. Don't miss this opportunity to experience the sublime beauty of 'Ave Maria' in its purest form. Purchase now and let your trumpet sing with the grace and serenity of Schubert's masterpiece!
$2.99
2.74 €
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Trompette
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Franz Schubert
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Guilherme Assunção
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Ave Maria - F. Schubert
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Guilherme A.
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SheetMusicPlus
The Last Post
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1350777 Composed by Tradit…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1350777 Composed by Traditional. Arranged by Christopher Wilson. Contemporary,Instructional,Praise & Worship,Sacred,Traditional. Individual part. 1 pages. Christopher Wilson #935602. Published by Christopher Wilson (A0.1350777). In this version of The Last Post, simply the layout has been reformatted from the traditional presentation into phrases per stave to aid the player remembering the piece off by heart and includes some performance directions.
$1.99
1.82 €
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Trompette
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Traditional
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Christopher Wilson
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The Last Post
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Christopher Wilson
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SheetMusicPlus
Silent Night (Trumpet Trio)
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Trumpet - Level 3 - Digital Download SKU: A0.1264496 Composed by Franz Xaver Gruber…
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Trumpet - Level 3 - Digital Download SKU: A0.1264496 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 17 pages. John A. Dempsey #857321. Published by John A. Dempsey (A0.1264496). A classic Christmas carol reimagined as a festive Bb trumpet trio, this arrangement begins simply but builds in intensity as it progresses, with ornamentation, variation, dynamic shading and incidental music by Enrique Granados.  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other worship events.  Suggested uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  13 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trumpet 3).  Concert Key: Ab major      Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$9.99
9.15 €
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Trompette
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Franz Xaver Gruber, Enrique Granados
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John A
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Silent Night
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John A. Dempsey
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SheetMusicPlus
The Arban Manual (Pre 2013)
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
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