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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slow Down
Non classifié
1 323
Piano & claviers
Piano seul
1 789
Piano, Voix et Guitare
543
Piano Facile
310
Piano, Voix
130
Orgue
93
Instruments en Do
58
1 Piano, 4 mains
21
Accompagnement Piano
17
Piano Trio: piano, violon, violoncelle
17
Piano (partie séparée)
12
Accordéon
11
2 Pianos, 4 mains
5
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Voix
1
+ 16 instrumentations
Retracter
Guitares
Guitare
360
Ukulele
337
Mandoline
263
Guitare notes et tablatures
154
Ligne De Mélodie, (Paroles) et Accords
37
Guitare (partie séparée)
22
Basse electrique
12
Paroles et Accords
11
2 Guitares (duo)
8
Banjo
5
Piano, Guitare (duo)
4
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Dulcimer
2
+ 9 instrumentations
Retracter
Voix
Chorale SATB
347
Chorale 3 parties
107
Chorale TTBB
76
Chorale SSAA
48
Chorale 2 parties
46
Chorale Unison
33
Voix Alto, Piano
13
Voix duo
11
Pack Instrumental pour Chorale
10
Voix Soprano, Piano
8
Voix duo, Piano
8
Voix seule
7
Voix haute
6
Voix basse, Piano
3
Voix Baryton, Piano
3
Male Voice
2
Chorale SSATTB
2
Voix Tenor, Piano
1
Voix, Guitare
1
Chorale SSAATTBB
1
Chorale SSATB
1
Voix basse
1
+ 17 instrumentations
Retracter
Vents
Flûte à bec Soprano
268
Ocarina
263
Harmonica
190
Flûte à bec Alto
183
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
151
2 Saxophones (duo)
115
Clarinette
105
Quatuor de Saxophones: 4 saxophones
100
Flûte traversière et Piano
89
Quintette de Saxophone: 5 saxophones
80
Saxophone (partie séparée)
72
Hautbois, Piano (duo)
71
Quatuor de Clarinettes: 4 clarinettes
68
Clarinette et Piano
66
2 Clarinettes (duo)
60
Saxophone Alto et Piano
57
Flûte, Hautbois, Clarinette, Basson
56
Saxophone, Clarinette (duo)
51
2 Flûtes traversières (duo)
48
Flûte traversière
46
Quatuor de Flûtes : 4 flûtes
42
Clarinette, Violon (duo)
37
Saxophone Tenor et Piano
36
Saxophone Alto
35
Ensemble de saxophones
33
Hautbois (partie séparée)
32
Flûte à bec Alto, Piano
30
Saxophone Tenor
29
3 Saxophones (trio)
25
Clarinette, Trompette (duo)
25
Ensemble de Clarinettes
25
Saxophone Soprano et Piano
24
2 Hautbois (duo)
22
Flûte, Clarinette (duo)
21
Hautbois, Basson (duo)
20
Flûte, Violon
19
Ensemble de Flûtes
19
Flûte, Saxophone (duo)
18
Clarinette et Alto
18
3 Clarinettes (trio)
18
Clarinette (partie séparée)
16
Flûte, Alto (duo)
16
Flûte et Guitare
15
Hautbois, Clarinette (duo)
15
Saxophone Baryton, Piano
14
Hautbois, Flûte
14
Trio de Flûtes: 3 flûtes
14
Clarinette Basse, Piano
12
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Trompette (duo)
11
Quintette de Flûte : 5 flûtes
11
Flute (partie séparée)
10
2 Flûte à bec (duo)
10
Cor anglais, Piano
7
Ensemble De Flûte à bec
7
3 Flûtes à bec (trio)
7
Flûte irlandaise
7
Clarinette, Guitare (duo)
7
Flûte, Hautbois, Clarinette (trio)
6
Quatuor de Flûtes à bec
5
Flûte à Bec
5
Flûte, Violon, Piano
4
Flûte, Violon et Violoncelle
4
Clarinette, Basson (duo)
4
5 Flûtes à bec
4
Hautbois
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Clarinette et Basson
3
2 Flûtes traversières, Piano
3
Saxophone et Guitare
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Tenor
2
Flûte, Violoncelle
2
Flûte, trombone et piano
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette Basse
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Hautbois et alto (duo)
1
Flûte à Bec, Piano
1
4 Hautbois
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Basson
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Ensemble à vent
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano
1
Flûte, Hautbois (duo)
1
Clarinette, trompette et piano
1
3 Hautbois
1
Cor anglais, Guitare (duo)
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trombone (partie séparée)
62
Trompette (partie séparée)
52
Trompette, Piano
51
Trombone et Piano
51
Trompette
44
Trompette, Saxophone (duo)
34
Trombone
33
Cor et Piano
33
Cor
30
2 Trombones (duo)
24
2 Trompettes (duo)
21
Quatuor de Cuivres
21
Euphonium, Piano (duo)
20
Tuba et Piano
19
Trompette, Trombone (duo)
17
Ensemble de Trombones
15
Tuba
14
Quatuor de cuivres: 4 trombones
13
Cor (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
9
Tuba (partie séparée)
8
2 Cors (duo)
8
Cor anglais, Piano
7
Quatuor de cuivres: 4 cors
6
Euphonium
5
Ensemble de Cors
5
2 Tubas (duo)
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
3
Trio de Cuivres
3
Trompette, Violoncelle et Piano
3
Trombone basse
2
4 Tubas
2
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba et Orgue
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
1
Cor anglais, Guitare (duo)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
302
Violon et Piano
119
Violon
103
Harpe
84
Violoncelle, Piano
66
Alto, Piano
63
Violoncelle
50
Violon, Violoncelle (duo)
47
Trio à Cordes: violon, alto, violoncelle
40
2 Violons (duo)
33
2 Violoncelles (duo)
28
Alto seul
27
Violon, Alto (duo)
26
Violon (partie séparée)
23
2 Altos (duo)
22
Contrebasse (partie séparée)
20
2 Harpes (duo)
18
Contrebasse, Piano (duo)
17
Alto (partie séparée)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contre Basse
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Trio à Cordes: 2 violons, violoncelle
11
4 Violoncelles
7
Ensemble de Violons
6
Ensemble d'Altos
6
Violon, Guitare (duo)
5
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes: 4 violons
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 altos
3
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Violon, Orgue
2
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Alto et Harpe
1
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Alto et orchestre
1
Violon, Trompette et Piano
1
Alto, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
597
Batterie
195
Ensemble Jazz
158
Orchestre à Cordes
148
Orchestre
137
Cloches
79
Ensemble de cuivres
74
Fanfare
68
Orchestre de chambre
53
Jazz combo
45
Ensemble de Percussions
15
Batterie (partie séparée)
10
Percussion (partie séparée)
7
Marimba
5
Xylophone, Piano
5
Vibraphone
3
Orchestre, Violon
2
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
+ 14 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
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CLAIRON
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CONTREBASSE
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CORNEMUSE
CORNET
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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PERCU. ORCH…
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PIANO
SAXOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Slow Down
Trompette
Partitions à imprimer
44 partitions trouvées
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1
26
Slow Dancing In A Burning Room
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1076170 By John Mayer. By …
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1076170 By John Mayer. By John Mayer. Arranged by Fabio Britto. Pop,Rock,Wedding. Individual part. 1 pages. Minhas Partituras #680342. Published by Minhas Partituras (A0.1076170). Arrangement of the song Slow Dancing in a Burning Room (John Mayer) for Trumpet in Bb Solo.
$4.99
4.58 €
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Trompette
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John Mayer
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Fabio Britto
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Slow Dancing In A Burning Room
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Minhas Partituras
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SheetMusicPlus
Slow Dance
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.607196 By John Legend. By Estelle…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.607196 By John Legend. By Estelle Swaray, John Stephens, La Charles Harper, Richard Poindexter, Robert Poindexter, and Will Adams. Arranged by Kevin Busse. R & B,Soul. Individual part. 2 pages. Kevin Busse #4631433. Published by Kevin Busse (A0.607196). This is an exact transcription of John Legend's Slow Dance in the easy key of C for Trumpet.
$4.99
4.58 €
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Trompette
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John Legend
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Kevin Busse
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Slow Dance
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Kevin Busse
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SheetMusicPlus
Slow Hands
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.608787 By Niall Horan. By Alexand…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.608787 By Niall Horan. By Alexander Izquierdo, John Henry Ryan, Julian Bunetta, Niall Horan, Ruth-Anne Cunningham, and Tobias Jesso Jr. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5217835. Published by Kevin Busse (A0.608787). This is an exact transcription of Slow Hands in the original key for Trumpet.
$4.99
4.58 €
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Trompette
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Niall Horan
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Kevin Busse
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Slow Hands
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Kevin Busse
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SheetMusicPlus
Slow Dance
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.607179 By John Legend. By Estelle…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.607179 By John Legend. By Estelle Swaray, John Stephens, La Charles Harper, Richard Poindexter, Robert Poindexter, and Will Adams. Arranged by Kevin Busse. R & B,Soul. Individual part. 2 pages. Kevin Busse #4630159. Published by Kevin Busse (A0.607179). This is an exact transcription of John Legend's Slow Dance in the original key for Trumpet.
$4.99
4.58 €
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Trompette
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John Legend
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Kevin Busse
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Slow Dance
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Kevin Busse
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SheetMusicPlus
Hebraic Praise Medley (Arrangements Level 3-5 for TRUMPET + Written Acc)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.875161 Composed by Traditional Is…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.875161 Composed by Traditional Israeli Melodies. Arranged by Dr Jerry Nelson. Concert,Hanukkah,Jewish,World. Individual part. 14 pages. Jerry Nelson #3873981. Published by Jerry Nelson (A0.875161). This trilogy (When the Rabbi Sings, Hava Nagila and Shalom Alechem) is a Nelson signature arrangement. Very exciting to perform, especially with the accompaniment track. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432407). Wanna slow down rehearsal a bit? Order the slower rehearsal track at a very reduced price (#SO.419751).Congrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:35) www.JerryNelsonMusic.com
$4.99
4.58 €
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Trompette
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Traditional Israeli Melodies
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Dr Jerry Nelson
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Written
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Hebraic Praise Medley
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Jerry Nelson
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SheetMusicPlus
Psyckose for trumpet unaccompanied
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Frederic Quinet. 21s…
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Trumpet - Advanced Intermediate - Digital Download Composed by Frederic Quinet. 21st Century, Contemporary Classical, Repertoire. Individual Part. 5 pages. Published by Frederic Quinet
Psyckose, for trumpet unaccompanied, retranscribed the feelings of a personbelieving to be constantly followed in the street or somewhere else.<br> <br> Thiscomposition is based on a matrix of 3 notes (D, Bb,G#) from which, is developedall the thematic material of this piece having subject to (or not) severaltransformations inspired by the serial music (mirror, retrograde,permutation...). Of all this, gets free of it a range by tone on D.<br> <br> Thegeneral form is A B A’: Sonata form in the french – slow / fast / slow -Psyckose, for trumpet unaccompanied, retranscribed the feelings of a personbelieving to be constantly followed in the street or somewhere else.<br> <br> Thiscomposition is based on a matrix of 3 notes (D, Bb,G#) from which, is developedall the thematic material of this piece having subject to (or not) severaltransformations inspired by the serial music (mirror, retrograde,permutation...). Of all this, gets free of it a range by tone on D.<br> <br> Thegeneral form is A B A’: Sonata form in the french – slow / fast / slow -
$7.99
7.33 €
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Trompette
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Frederic Quinet
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Psyckose for trumpet unaccompanied
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Frederic Quinet
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SheetMusicPlus
Go With the Flow by Eddie Lewis
Trompette
Trumpet - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, Gen…
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Trumpet - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 48 pages. Published by Tiger Music
Go with the Flow for Trumpet by Eddie Lewis includes twenty-one original flow study etudes tailored for use with the Daily Routines book. With three etudes for each of the seven levels of the Daily Routines book, Go with the Flow with simple quarter-note and half-note flow studies limited in range to tuning note C. It progresses to advanced flow study etudes which cover a full professional range (to G above high C). The etudes systematically cover all twelve keys and a variety of time signatures.<br> <br> While the Go with the Flow book was originally intended to be used as a supplement to the more popular Daily Routines, it is also used by some trumpet players as a more musical alternative to a physical trumpet warm-up. The etudes progress slowly in range, length and difficulty offering a logical progression for someone who is tired of warming up on amusical exercises.Go with the Flow for Trumpet by Eddie Lewis includes twenty-one original flow study etudes tailored for use with the Daily Routines book. With three etudes for each of the seven levels of the Daily Routines book, Go with the Flow with simple quarter-note and half-note flow studies limited in range to tuning note C. It progresses to advanced flow study etudes which cover a full professional range (to G above high C). The etudes systematically cover all twelve keys and a variety of time signatures.<br> <br> While the Go with the Flow book was originally intended to be used as a supplement to the more popular Daily Routines, it is also used by some trumpet players as a more musical alternative to a physical trumpet warm-up. The etudes progress slowly in range, length and difficulty offering a logical progression for someone who is tired of warming up on amusical exercises.
$17.30
15.87 €
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Trompette
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Eddie Lewis
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Go With the Flow by Eddie Lewis
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Tiger Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.55 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.55 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Improvisation (1987) trumpet solo
Trompette
Trumpet Solo - Digital Download SKU: A0.881248 Composed by Gary Powell Nash. Contem…
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Trumpet Solo - Digital Download SKU: A0.881248 Composed by Gary Powell Nash. Contemporary. Individual part. 5 pages. Gary Powell Nash #3533293. Published by Gary Powell Nash (A0.881248). Improvisation (1987) trumpet solo was conceived during Nash’s Master of Music Degree in Composition studies at Western Michigan University from 1986-89 and is one of four of his musical works written during that time that is still receiving performances today. Improvisation is in three movements. Movement 1, marked Allegro-Rubato, beginning at q = 120 is unmeasured and unmetered and begins with the trumpet playing 16th note passages in a high tessitura. This is interspersed with slower passages with quarter and eighth notes, building up to the fast note passages like the opening melody. Movement 2 is slow, q = 50 and Movement 3 is marked Allegro Con Fuoco, q = 144-160, mostly in 4/4 time but interspersed with a few 3/4 and 2/4 measures.
$9.00
8.25 €
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Trompette
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Gary Powell Nash
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Improvisation
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Gary Powell Nash
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SheetMusicPlus
Giza – Theme and Variation – Trumpet Solo
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.800681 Composed by Court Mast. Co…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.800681 Composed by Court Mast. Contemporary,Folk,Instructional,Sacred. Individual part. 2 pages. Court Mast #2020641. Published by Court Mast (A0.800681). Giza is a slow, haunting Middle Eastern melody in B-flat concert featuring melodic minor (C melodic minor for trumpet). The Variation is a little slower than the Theme and presents a number of tricky embellishments, such as grace notes that occur before the beat and short trills that occur on the beat. Exotic to Western ears, Giza’s melody is distilled to only a few notes, each one weighted with deep meaning.
$6.99
6.41 €
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Trompette
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Court Mast
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Giza – Theme and Variation – Trumpet Solo
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Court Mast
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SheetMusicPlus
Russian Dance-Tchaikovsky (Arrangements Level 1-6 for TRUMPET + Written Acc)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.874996 Composed by Peter I Tchaik…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.874996 Composed by Peter I Tchaikovsky. Arranged by Dr Jerry Nelson. Children,Christmas,Romantic Period. Individual part. 5 pages. Jerry Nelson #3680613. Published by Jerry Nelson (A0.874996). VERY IMPORTANT: You will notice that the arrangement is marked for challenge levels 3 thru 5. However, since we provide Accompaniment Tracks for Russian Dance at four different tempos, the challenge level depends on the tempo you use. A Level 6 player would read the Upper staff using the Very Fast track. A Level 1 player would read the Lower Staff using the Slow Track. You may wish to order all four very specially-priced tracks so you can stair-step up the ladder. Use these Accompaniment Track order numbers: SLOW #SO.410843 / MEDIUM #SO.410845 / FAST #SO.410847 / VERY FAST #SO.410851. (The Time ranges from 1:04 to 1:26 depending on the tempo you select). Suggestion: Tell your students and friends about this incredible arrangement and Accompaniment Tracks. Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track
$4.99
4.58 €
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Trompette
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Peter I Tchaikovsky
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Dr Jerry Nelson
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Track
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Russian Dance-Tchaikovsky
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Jerry Nelson
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839889. Published by David McKeown (A0.587750). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Trumpet and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Trompette
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
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David McKeown
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SheetMusicPlus
Away in a Manger
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501297 Composed by James …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1501297 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. Individual part. 1 pages. Wesley S. Silva #1077256. Published by Wesley S. Silva (A0.1501297). Away in a Manger is a classic Christmas carol that is perfect for beginner musicians. The song features a simple and gentle melody with a steady, slow tempo, making it easy to learn and play. Its repetitive structure allows beginners to quickly pick up the tune and focus on basic musical skills, such as timing and expression. With its calm and soothing nature, Away in a Manger is an excellent choice for anyone looking to perform a beloved, easy-level Christmas song that captures the peaceful spirit of the holiday season.
$4.99
4.58 €
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Trompette
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James R
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Wesley S
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Away in a Manger
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Wesley S. Silva
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SheetMusicPlus
God Rest Ye Merry Gentlemen
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.773175 Composed by George Frideri…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.773175 Composed by George Frideric Handel. Arranged by Michael Raehpour. Christian,Christmas,Easter,Sacred,Spiritual. Individual part. 3 pages. Michael Raehpour #3692385. Published by Michael Raehpour (A0.773175). A slow, sorrowful introduction begins the standard Christmas hymn, God Rest Ye Merry, Gentlemen. This arrangement uses a combination of various tempi, time signatures, and styles to keep the melody interesting. First trumpet range is written up to a fourth space E. For more music, visit my publisher page at https://www.sheetmusicplus.com/publishers/michael-raehpour-sheet-music/3006756. Feel free to email me at mraehpour@gmail.com with comments, arrangement suggestions, or just to say hello. Thanks for playing my music!
$10.00
9.17 €
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Trompette
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George Frideric Handel
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Michael Raehpour
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God Rest Ye Merry Gentlemen
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Michael Raehpour
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SheetMusicPlus
Hallelujah
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1353901 By Andrea Bocelli.…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1353901 By Andrea Bocelli. By Leonard Cohen. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 2 pages. Alex Rodrigues #938639. Published by Alex Rodrigues (A0.1353901). The song Hallelujah, by Leonard Cohen, is a song that talks about love, faith, and redemption. The song was released in 1984, on the album ‘Various Positions’, and since then has become a classic of popular music. The song has been recorded by several artists, including Jeff Buckley, Rufus Wainwright, and k.d. lang, and has been used in various films and TV shows.The song is a slow and emotional ballad, with a simple melody and powerful lyrics.
$4.99
4.58 €
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Trompette
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Andrea Bocelli
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Alex Nunes Rodrigues
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Hallelujah
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Alex Rodrigues
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SheetMusicPlus
Trumpet & Piano - A Dinosaur suite
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.855756 Composed by Darren Lloyd.…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.855756 Composed by Darren Lloyd. Children,Concert,Contemporary,Instructional. Score and part. 19 pages. Darren Lloyd #3421633. Published by Darren Lloyd (A0.855756). A brand new piece written especially for the intermediate Trumpet player!The piece is in 3 movements with each representing a Dinosaur. Movement one is quite a jolly sounding piece, written with a Triceratops in mind!Movement two is very slow and is meant to represent a Diplodocus. Movement three is in 3/4 timeand emulates a soaring Pterodactyl! The suite is technical at some points but does not go above the stave.A great piece for any type of performance for the budding Trumpet soloist.
$4.99
4.58 €
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Trompette
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Darren Lloyd
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Trumpet & Piano - A Dinosaur suite
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Darren Lloyd
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SheetMusicPlus
Bein' Green
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839720 By Frank Sinatra. By Joe R…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839720 By Frank Sinatra. By Joe Raposo. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6691105. Published by Bobby Hesch (A0.839720). IT'S NOT THAT EASY BEIN' GREEN!!! I LOVE TO PERFORM THIS CHART!!! PERFORMED BY FRANK SINATRA, VAN MORRISON, JIM HENSON, RAY CHARLES & MANY MORE!!! MANY JAZZ GREATS!!! LET'S PLAY SOME JAZZ!!! A SLOW BLUES WITH POWERFUL CLIMAXES!!! CHECK OUT THE LYRICS!!! KEY OF G/Ab!!! COURTESY ACCIDENTALS!! LOW F#-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS:I CAN HELP!!! KERMIT THE FROG!! GREAT SONG BY JOE RAPOSO!!! HAVE FUN!!!
$4.99
4.58 €
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Trompette
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Frank Sinatra
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Bobby Hesch
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Bein' Green
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Bobby Hesch
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SheetMusicPlus
Suite for Unaccompanied Trumpet from Lute Suites of J. S. Bach
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.898017 Composed by Johann Sebasti…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.898017 Composed by Johann Sebastian Bach. Arranged by Ken Saul. Baroque. Individual part. 5 pages. Ken Saul #4764569. Published by Ken Saul (A0.898017). J. S. Bach (1685 - 1750) wrote a set of suites and other short works for the lute, or more probably the lute-harpsichord. Some of these suites were borrowed from his works for solo violin or solo cello. This Suite arranges three of the movements most suited to the trumpet: a moderately fast Gavotte, a very slow Sarabande, and a lively Bourree.
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3.66 €
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Trompette
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Johann Sebastian Bach
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Ken Saul
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Suite for Unaccompanied Trumpet from Lute Suites of J. S. Bach
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Ken Saul
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SheetMusicPlus
When I'm Sixty-four
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Le…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Trompette
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
A Thousand Years
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1291253 By Christina Perri…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1291253 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 2 pages. Alex Rodrigues #881921. Published by Alex Rodrigues (A0.1291253). A Thousand Years is a Christina Perri pop ballad that celebrates eternal love. The song is a declaration of eternal love. The lyrics speak to the power of love and how it can last for a thousand years or more. The melody is slow and gentle, with a touch of Celtic instrumentation. The sheet music for A Thousand Years is perfect for any musician who wants to play this beautiful song.
$4.99
4.58 €
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Trompette
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Christina Perri
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Alex Nunes Rodrigues
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A Thousand Years
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Alex Rodrigues
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SheetMusicPlus
A Thousand Years
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1291252 By Christina Perri…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1291252 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 2 pages. Alex Rodrigues #881920. Published by Alex Rodrigues (A0.1291252). A Thousand Years is a Christina Perri pop ballad that celebrates eternal love. The song is a declaration of eternal love. The lyrics speak to the power of love and how it can last for a thousand years or more. The melody is slow and gentle, with a touch of Celtic instrumentation. The sheet music for A Thousand Years is perfect for any musician who wants to play this beautiful song.
$4.99
4.58 €
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Trompette
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Christina Perri
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Alex Nunes Rodrigues
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A Thousand Years
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Alex Rodrigues
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SheetMusicPlus
My Old Flame
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839469 By Peggy Lee. By Arthur Jo…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839469 By Peggy Lee. By Arthur Johnston and Sam Coslow. Arranged by Bobby Hesch. Pop. Individual part. 3 pages. Bobby Hesch #6018299. Published by Bobby Hesch (A0.839469). ***MY OLD FLAME***!!! I'LL NEVER BE THE SAME TIL I DISCOVER WHAT BECAME OF MY OLD FLAME!!!LET'S PLAY SOME JAZZ!!! ONE OF THE BEST TORCH SONGS EVER!!! KEY OF D!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!!MP3 FOR JAZZ STYLE & INTERPRETATION!!! LOW F# - HIGH E!!! STRAIGHT 8THS, SWING, & DOUBLE TIME FEEL MARKED!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyheschMEASURES 40-45 PLAYED FREELY!!! HAVE FUN!!! PERFORMED BY BILLIE HOLIDAY!!!
$4.99
4.58 €
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Trompette
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Peggy Lee
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Bobby Hesch
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My Old Flame
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Bobby Hesch
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SheetMusicPlus
Air (on the G string) BWV 1068 for trumpet and piano (Eb major)
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.532256 Composed by Johann Sebast…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.532256 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Concert. Score and part. 5 pages. Amadeus Music #4361465. Published by Amadeus Music (A0.532256). The original piece is part of Bach’s Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The title comes from violinist August Wilhelmj’s late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string. The air is usually played slowly and freely, and features an intertwining harmony and melody.
$4.95
4.54 €
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Trompette
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transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string
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Johann Sebastian Bach
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Klas Krantz
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Air
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Amadeus Music
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SheetMusicPlus
Trumpet 101
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.1011071 Composed by Jennifer Watt…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. Published by Jennifer Watts (A0.1011071). The purpose of this book, this book has been designed for beginner trumpet students who want to study the trumpet. The student will find it challenging but will achieved the goal of learning base note names, what valves to push along with notation, like the different rest, basic time signature along with basic breathing tips. These materials should be helpful for any beginner trumpet player who would like to start studying the trumpet. Breathing is one of the most natural things we do; when we apply it to trumpet playing we frequently distort certain aspects. With good breathing habits all aspects of playing improve. This not only includes tone quality, range, and endurance, but also tonguing, slurring, and even fingering. Proper breathing is inhaling and exhaling large amounts of air, it is more important to breath from the diaphragm. Remember it’s important to feel relaxed when you breath, this well help your air flow and to breath better. When we breathe, we store all our air in the lungs, and then we start to breath from the diaphragm. o Empty the lungs entirely. o Slowly lower the diaphragm allowing air to enter the lungs while filling the bottom of the lungs with air. o Expand the ribs without straining. o Allow the lungs to completely fill.
$5.99
5.49 €
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Trompette
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Jennifer Watts
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Trumpet 101
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Jennifer Watts
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SheetMusicPlus
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