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FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
7873
PIANO & CLAVIERS
Piano, Voix
5840
Piano seul
4942
Piano, Voix et Guitare
1560
Piano Facile
1058
Accompagnement Piano
240
Orgue
239
Instruments en Do
215
Piano Quatuor: piano, 2 violons, violoncelle
155
Piano Trio: piano, violon, violoncelle
99
1 Piano, 4 mains
78
Piano grosses notes
48
Orgue, Trompette (duo)
34
Piano (partie séparée)
24
Accordéon
22
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Piano Quatuor: piano, violon, alto, violoncelle
13
2 Pianos, 4 mains
13
Orgue, Voix
6
Ligne De Mélodie, Piano
4
Piano Quintette: piano, violon, alto, violoncelle, contre basse
4
1 Piano, 6 mains
3
Tous Les Instruments
3
Clavecin
2
Accordéon, Voix
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
475
Guitare
317
Ligne De Mélodie, (Paroles) et Accords
270
Basse electrique
202
Ukulele
143
Paroles et Accords
112
Mandoline
37
Guitare (partie séparée)
25
2 Guitares (duo)
15
4 Guitares (Quatuor)
14
Banjo
13
Piano, Guitare (duo)
9
Dulcimer
8
Ensemble de guitares
3
Partitions De Groupes
3
Luth
3
2 Guitares et Orchestre
2
3 Guitares (trio)
2
Ukulele Baryton
2
Dobro
1
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Guitare, Flûte, Clarinette
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
4640
Chorale SATB
3260
Voix duo, Piano
2452
Chorale 3 parties
2077
Chorale Unison
1378
Voix duo
753
Chorale TTBB
442
Chorale
299
Pack Instrumental pour Chorale
192
Chorale SSAA
133
Voix seule
55
Voix haute
53
Voix moyenne, Piano
38
Voix Soprano, Piano
28
Voix Alto, Piano
24
Voix Tenor, Piano
20
Voix Baryton, Piano
13
Chorale, Orgue
13
Voix Tenor
13
Voix basse
10
Voix basse, Piano
5
Chorale SSAB a cappella
4
Chorale SSAATTBB
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAATB
3
Voix, Guitare
3
Chorale SSATB
3
Voix Soprano
2
Voix duo, Orgue
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix Moyenne
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Saxophone Soprano et Piano
662
Quatuor de Saxophones: 4 saxophones
594
Saxophone Tenor et Piano
591
Flûte, Hautbois, Clarinette, Basson
482
Clarinette et Piano
476
2 Saxophones (duo)
438
Flûte traversière et Piano
416
Saxophone Alto et Piano
378
Saxophone (partie séparée)
305
Flûte, Clarinette (duo)
231
Flûte traversière
207
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
201
Clarinette
198
Saxophone Alto
188
Ensemble de Clarinettes
186
Hautbois, Piano (duo)
173
Clarinette (partie séparée)
163
Saxophone Tenor
142
Quatuor de Clarinettes: 4 clarinettes
122
2 Clarinettes (duo)
113
Quintette de Saxophone: 5 saxophones
107
Harmonica
102
Hautbois (partie séparée)
100
Flute (partie séparée)
96
Ensemble de Flûtes
81
Saxophone Baryton, Piano
65
2 Flûtes traversières (duo)
60
3 Saxophones (trio)
58
Saxophone
55
Flûte, Clarinette, Piano (trio)
55
Flûte, Violon, Piano
52
Flûte à bec Soprano
44
Hautbois
42
Quatuor de Flûtes : 4 flûtes
42
2 Saxophones, Piano
41
3 Clarinettes (trio)
38
Quintette de Clarinettes: 5 clarinettes
34
Ocarina
33
Saxophone et Orgue
30
Flûte à bec Alto, Piano
30
2 Hautbois (duo)
30
Ensemble de saxophones
27
Cor anglais, Piano
22
Hautbois, Basson (duo)
22
Trio de Flûtes: 3 flûtes
19
2 Flûte à bec (duo)
17
Flûte, Clarinette et Basson
16
Flûte, Hautbois, Basson
16
Flûte à Bec
13
Saxophone Soprano
13
Instruments en Mib
13
4 Hautbois
12
Flûte, Violon
11
Quintette de Flûte : 5 flûtes
10
Flûte, Violon et Violoncelle
10
Saxophone, Clarinette (duo)
9
Clarinette Basse
9
Hautbois, Clarinette (duo)
9
Saxophone Baryton
9
Quatuor de Flûtes à bec
8
Flûte, Hautbois (duo)
8
Clarinette Basse, Piano
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte et Guitare
8
Clarinette, Violon (duo)
7
Clarinette, Guitare (duo)
7
Piccolo
7
Clarinette, Basson (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
3 Hautbois
6
Hautbois, Flûte
6
Cor Anglais
6
Flûte à bec Alto
6
Flûte, Violoncelle
6
Flûte, Hautbois, Piano (trio)
4
Flûte, Alto (duo)
4
Hautbois, Violoncelle
4
Clarinette, Violoncelle (duo)
4
Clarinette et Alto
4
Clarinette, Trompette (duo)
4
Clarinette, Orgue
4
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Ensemble De Flûte à bec
3
Flûte irlandaise
3
Flûte, Saxophone (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Basson, Piano (trio)
2
Flûte, Trompette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
3 Flûtes à bec (trio)
2
Cor anglais, Guitare (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte à Bec, Piano
1
Harmonica, Piano
1
Hautbois, Basson et Piano
1
Piccolo, Piano
1
Saxophone et Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Hautbois, Harpe
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Tenor
1
Flûte et Quatuor à Cordes
1
Flûte, Basson et Piano
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
Hautbois et alto (duo)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
642
Trombone et Piano
610
Trompette
335
Cor et Piano
301
Quatuor de Cuivres: 2 trompettes, Cor, trombone
281
Trompette (partie séparée)
247
Trombone (partie séparée)
216
Trompette, Cor (duo)
209
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
204
Quatuor de Cuivres : 2 trompettes, trombone, tuba
204
2 Trompettes (duo)
186
2 Trombones (duo)
179
Trombone
154
Cor (partie séparée)
122
Cor
118
2 Cors (duo)
68
Quatuor de cuivres: 2 trompettes, 2 trombones
60
Tuba
49
Tuba et Piano
42
Quatuor de Cuivres
42
Trompette, Trombone (duo)
40
Tuba (partie séparée)
38
2 Trombones, Piano
29
Quatuor de cuivres: 4 cors
29
Euphonium
26
4 Tubas
24
Trombone, Orgue
23
Cor anglais, Piano
22
Quatuor de cuivres: 4 trombones
19
Euphonium, Piano (duo)
16
2 Euphoniums et 2 Tubas
15
Bass Clef Instruments
13
Instruments en Sib
12
2 Trompettes, Clavier (piano ou orgue)
9
Cor et Orgue
9
Trio de Cuivres
8
3 Trombones (trio)
8
Tuba ou Euphonium ou Saxhorn
7
Cor Anglais
6
Trompette, Saxophone (duo)
6
Trombone basse et Piano
6
Trombone, Tuba (duo)
5
Ensemble de Trombones
5
Trompette, Tuba (duo)
5
Ensemble de Cors
5
Ensemble de Trompettes
4
Trompette, Trombone, Piano
3
Quatuor de cuivres: 4 trompettes
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
Tuba et Orgue
3
Cor, Violoncelle (duo)
3
Instruments en Fa
3
Cor, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
2
Cor anglais, Guitare (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Violoncelle (duo)
1
3 Tubas (trio)
1
Cor et Basson (duo)
1
Trombone basse
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1067
Violoncelle, Piano
502
Violon et Piano
502
Alto, Piano
355
Violon, Violoncelle (duo)
327
Violon
312
Piano Trio: Violon, Alto, Piano
264
Violoncelle
189
Harpe
179
Alto seul
163
2 Violoncelles (duo)
158
Violon (partie séparée)
126
Trio à Cordes: violon, alto, violoncelle
118
Violon, Alto (duo)
105
Contrebasse (partie séparée)
86
2 Violons (duo)
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Alto (partie séparée)
51
Contre Basse
48
Contrebasse, Piano (duo)
38
2 Altos (duo)
32
Violoncelle (partie séparée)
32
Trio à Cordes: 2 violons, violoncelle
31
4 Violoncelles
22
Alto, Violoncelle (duo)
21
Violon, Guitare (duo)
16
2 Harpes (duo)
13
Trio à cordes: 3 violins
13
Violoncelle, Orgue
12
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 altos
8
Harpe, Flûte (duo)
8
Violoncelle , Guitare (duo)
8
4 Contrebasses
8
Trio à Cordes: 2 violons, alto
6
2 Contrebasses (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Alto et Basson
4
Harpe, Violon (duo)
3
Harpe et Piano
3
Trio à cordes
3
Violon, Basson (duo)
3
2 Altos, Piano
2
Alto, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
5 Harpes
2
Violon, Orgue
2
Autoharp
2
3 Harpes
2
2 Violoncelles, Piano
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Voix
1
Alto, Orgue
1
3 Contrebasses
1
Harpe, Violoncelle (duo)
1
Violon, Violoncelle, Clarinette
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
800
Ensemble de cuivres
357
Orchestre
342
Fanfare
307
Ensemble Jazz
266
Orchestre à Cordes
178
Percussion (partie séparée)
133
Batterie
107
Orchestre de chambre
102
Piano et Orchestre
42
Cloches
39
Ensemble de Percussions
33
Percussion
32
Jazz combo
24
Batterie (partie séparée)
21
Timbales (partie séparée)
20
Timbales
12
Marimba
8
Xylophone
8
Xylophone ou Marimba ou Vibraphone
5
2 Xylophones
4
Quintette à Vent
4
Vibraphone
3
Xylophone, Piano
3
Caisse Claire
3
Quatuor à Vent : 4 instruments à vents
2
3 Marimbas
2
Cajon
2
Marimba, Piano (duo)
1
Conga
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
2
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Madness : One Step Beyond (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette One Step Beyond (niveau intermédia…
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Téléchargez la partition Trompette One Step Beyond (niveau intermédiaire) de Madness. Partition pour Trompette avec accomp. orchestre -- Pop/rock
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Trompette
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Madness
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One Step Beyond
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Tomplay
Madness : One Step Beyond (niveau difficile)
Trompette
Téléchargez la partition Trompette One Step Beyond (niveau difficile) de Mad…
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Téléchargez la partition Trompette One Step Beyond (niveau difficile) de Madness. Partition pour Trompette avec accomp. orchestre -- Pop/rock
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Trompette
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Madness
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One Step Beyond
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Tomplay
Madness : One Step Beyond (niveau facile)
Trompette
Téléchargez la partition Trompette One Step Beyond (niveau facile) de Madnes…
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Téléchargez la partition Trompette One Step Beyond (niveau facile) de Madness. Partition pour Trompette avec accomp. orchestre -- Pop/rock
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Trompette
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Madness
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One Step Beyond
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Tomplay
Madness : One Step Beyond (niveau débutant)
Trompette
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Téléchargez la partition Trompette One Step Beyond (niveau débutant) de Madness. Partition pour Trompette avec accomp. orchestre -- Pop/rock
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Trompette
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Madness
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One Step Beyond
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Tomplay
George Frideric Friedrich Handel Haendel : Theodora, HWV 68 - As With Rosy Steps the Morn (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the…
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Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the Morn (niveau intermédiaire) de Händel. Partition pour Trompette avec piano d‘accompagnement -- Classique
7.99 €
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Trompette
#
George Frideric Friedrich Hand
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Theodora, HWV 68
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Tomplay
George Frideric Friedrich Handel Haendel : Theodora, HWV 68 - As With Rosy Steps the Morn (niveau facile)
Trompette
Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the…
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Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the Morn (niveau facile) de Händel. Partition pour Trompette avec piano d‘accompagnement -- Classique
7.99 €
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Trompette
#
George Frideric Friedrich Hand
#
Theodora, HWV 68
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Tomplay
John Coltrane : Giant Steps (niveau intermédiaire)
Trompette
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Trompette
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John Coltrane
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Giant Steps
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Tomplay
John Coltrane : Giant Steps (niveau facile/intermédiaire)
Trompette
Téléchargez la partition Trompette Giant Steps (niveau facile/intermé…
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Trompette
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John Coltrane
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Giant Steps
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Tomplay
John Coltrane : Giant Steps (niveau difficile)
Trompette
Téléchargez la partition Trompette Giant Steps (niveau difficile) de John Co…
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Téléchargez la partition Trompette Giant Steps (niveau difficile) de John Coltrane. Partition pour Trompette avec accomp. orchestre -- Jazz
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Trompette
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John Coltrane
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Giant Steps
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Tomplay
George Frideric Friedrich Handel Haendel : Theodora, HWV 68 - As With Rosy Steps the Morn (niveau très facile)
Trompette
Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the…
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Téléchargez la partition Trompette Theodora, HWV 68 - As With Rosy Steps the Morn (niveau très facile) de Händel. Partition pour Trompette avec piano d‘accompagnement -- Classique
7.99 €
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Trompette
#
George Frideric Friedrich Hand
#
Theodora, HWV 68
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Tomplay
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.
Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.
That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:
E - A - D - G - C
Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:
C - D - E - G - A
For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.
Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.
Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.73 €
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Trompette
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Eddie Lewis
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Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
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Tiger Music
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SheetMusicPlus
Day By Day (Bb-Trumpet solo and Piano)
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.627786 Composed by Oscar Ahnfelt…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.627786 Composed by Oscar Ahnfelt. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6058899. Published by Exultet Music (A0.627786). The tender, traditional Christian hymn of assurance has been freshly arranged for a Bb-Trumpet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.57 €
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Trompette
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Oscar Ahnfelt
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Stephen DeCesare
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Day By Day
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Exultet Music
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SheetMusicPlus
Step On Me
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1280990 By The Cardigans. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1280990 By The Cardigans. By Magnus Sveningsson and Peter Svensson. Arranged by Katsumi WF. Contemporary,New Age,Pop,Rock,Singer/Songwriter. Individual part. 2 pages. Katsumi WF #872326. Published by Katsumi WF (A0.1280990). Step On Me - The CardigansThe arrangement is for Trumpet / Bb - instrument ( Original key, the original note range, contains the chords, 2 pages, works with the original soundtrack 3:50 mins acoustic version, does not contain the lyrics ).YouTube Link https://youtu.be/_ypjBAIz0EQ.
$4.99
4.57 €
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Trompette
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The Cardigans
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Katsumi WF
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Step On Me
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Katsumi WF
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SheetMusicPlus
All Of Me (arr. Alexey Stepin)
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1393234 By Wynton Marsalis…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1393234 By Wynton Marsalis. By Wynton Marsalis. Arranged by Alexey Stepin. 20th Century,21st Century,Blues,Classical,Jazz. Individual part. 3 pages. Alexey Stepin #976712. Published by Alexey Stepin (A0.1393234). Wynton Marsalis's trumpet solo transcription in Bflat.Transcribe by Alexey Stepin.
$3.99
3.66 €
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Trompette
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Wynton Marsalis
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Alexey Stepin
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All Of Me
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Alexey Stepin
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SheetMusicPlus
Step Into Christmas
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.563490 By Elton John. By Elton J…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.563490 By Elton John. By Elton John. Arranged by Austin Ralphson. Christmas,Pop,Rock. Score and part. 10 pages. Austin Ralphson #3884417. Published by Austin Ralphson (A0.563490). One of the most well-loved Christmas songs ever recorded, this was released in 1973 and is presented here as an exciting arrangement, keeping the original piano rock feel throughout. An essential addition to any Christmas programme, this is a great crowd-pleaser!
$7.99
7.32 €
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Trompette
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Elton John
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Austin Ralphson
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Step Into Christmas
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Austin Ralphson
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Rich Mullins: Step By Step - trumpet solo
Trompette
Instantly printable sheet music by Rich Mullins for trumpet solo of MEDIUM skill level. / …
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Instantly printable sheet music by Rich Mullins for trumpet solo of MEDIUM skill level. / christian,gospel,sacred
$3.97
3.64 €
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Trompette
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Rich Mullins
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Virtualsheetmusic
Turkish March by Mozart - Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350718 Composed by Wolfga…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1350718 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #935542. Published by Glauco Fernandes (A0.1350718). Explore Mozart's lively composition Turkish March with our exclusive easy arrangement, designed for beginners. Created for musicians taking their first steps in learning, this arrangement offers a simple and accessible interpretation, making the piece enjoyable and suitable for those just starting to play.Ideal for those looking to begin their musical journey with an iconic classical piece, this arrangement of the Turkish March is perfect for beginner students, teachers introducing the fundamentals of music, and anyone seeking a smooth introduction to Mozart's work. Even younger musicians will be able to enjoy this engaging arrangement.The sheet music includes straightforward markings and instructions, ensuring an uncomplicated and fun approach to Mozart's classic composition. Acquire your score today and take the first steps in your musical journey with the timeless charm of the Turkish March.This arrangement is also suitable for more experienced musicians seeking practicality. It can be played at various events such as weddings, birthdays, corporate events, and more.For more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com. Explore additional arrangements and broaden your musical repertoire.And don't forget to check out my YouTube channel to explore more enchanting arrangements: [EnchantedSheetMusic](http://www.youtube.com/@EnchantedSheetMusic).
$2.99
2.74 €
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Trompette
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Wolfgang Amadeus Mozart
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Glauco Fernandes
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Turkish March by Mozart - Trumpet Solo
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Glauco Fernandes
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SheetMusicPlus
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