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2018
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Orgue
186
1 Piano, 4 mains
91
Accompagnement Piano
71
Piano grosses notes
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Piano Trio: piano, violon, violoncelle
47
2 Pianos, 4 mains
27
Piano (partie séparée)
19
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
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Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
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Clavecin
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Clavier
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Orgue, Trompette (duo)
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Ligne De Mélodie, Piano
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Ukulele
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37
Mandoline
23
2 Guitares (duo)
17
Dulcimer
12
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8
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8
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Banjo
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Voix Soprano, Piano
48
Pack Instrumental pour Chorale
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133
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120
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113
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106
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2 Clarinettes (duo)
104
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90
Saxophone
90
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77
Saxophone Soprano et Piano
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67
Saxophone Baryton, Piano
62
Quatuor de Flûtes : 4 flûtes
56
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45
3 Saxophones (trio)
45
Ensemble de Flûtes
42
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39
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39
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38
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34
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33
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32
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28
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27
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25
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24
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23
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23
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23
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22
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22
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19
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18
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18
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16
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13
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13
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13
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13
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10
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Cor
97
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52
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26
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18
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13
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9
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1
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Harpe
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58
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57
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54
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51
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46
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42
Contre Basse
38
Alto, Violoncelle (duo)
20
4 Violoncelles
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Quatuor à cordes: 4 violons
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13
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12
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Ensemble d'Altos
12
Ensemble de Violons
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11
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Quatuor à cordes : 4 altos
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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352
Orchestre
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Ensemble Jazz
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174
Batterie
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Cloches
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Fanfare
92
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76
Jazz combo
64
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27
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23
Xylophone, Piano
10
Marimba
9
Percussion
5
Xylophone
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Vibraphone
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Cajon
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Marimba, Piano (duo)
1
Caisse Claire
1
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Formation musicale - Solfège
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Théorie de la musique
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The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
TAKE THE NAME OF JESUS WITH YOU (for Bb Trumpet and Piano with Score/Part)
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.617648 Composed by William H. Do…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.617648 Composed by William H. Doane. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #5988993. Published by The Lanier Company (A0.617648). TAKE THE NAME OF JESUS WITH YOU is an arrangement by Gary Lanier for Bb Trumpet and Piano of one of our most cherished hymns. The theme is about the joy, comfort and power found in the Name of Jesus. This arrangement is perfect for Church or any gathering where there is a longing for instrumental hymns about Jesus. The score, including cover and instrumental part is 12 pages long.
$5.99
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Trompette
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William H
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Gary Lanier
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TAKE THE NAME OF JESUS WITH YOU
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The Lanier Company
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
Birds Of A Feather
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1464386 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1464386 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Individual part. 3 pages. Glauco Fernandes #1043108. Published by Glauco Fernandes (A0.1464386). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$5.99
5.49 €
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Trompette
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Billie Eilish
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Glauco Fernandes
#
Birds Of A Feather
#
Glauco Fernandes
#
SheetMusicPlus
Birds Of A Feather
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1464387 By Billie Eilish. …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1464387 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Individual part. 3 pages. Glauco Fernandes #1043109. Published by Glauco Fernandes (A0.1464387). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$5.99
5.49 €
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Trompette
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Billie Eilish
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Glauco Fernandes
#
Birds Of A Feather
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Glauco Fernandes
#
SheetMusicPlus
Every Breath You Take
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.685558 By The Police. By Sting. A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.685558 By The Police. By Sting. Arranged by Fernando Britto. 20th Century,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6373427. Published by Minhas Partituras (A0.685558). Arrangement of the song Every Breath You Take (The Police) for Trumpet in Bb Solo with Chords.
$4.99
4.57 €
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Trompette
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The Police
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Fernando Britto
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Every Breath You Take
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Minhas Partituras
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SheetMusicPlus
Ellington,Ella Fitzgerald : Take the A Train (niveau facile)
Trompette
Téléchargez la partition Trompette Take the A Train (niveau facile) de Ellin…
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Téléchargez la partition Trompette Take the A Train (niveau facile) de Ellington. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ellington,Ella Fitzgerald
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Take the A Train
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Tomplay
Ellington,Ella Fitzgerald : Take the A Train (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Take the A Train (niveau intermédi…
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Téléchargez la partition Trompette Take the A Train (niveau intermédiaire) de Ellington. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
#
Ellington,Ella Fitzgerald
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Take the A Train
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Tomplay
Ellington,Ella Fitzgerald : Take the A Train (niveau facile, trompette en ut)
Trompette
Téléchargez la partition Trompette Take the A Train (niveau facile, trompett…
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Téléchargez la partition Trompette Take the A Train (niveau facile, trompette en ut) de Ellington. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
#
Ellington,Ella Fitzgerald
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Take the A Train
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Tomplay
Ellington,Ella Fitzgerald : Take the A Train (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette Take the A Train (niveau intermédi…
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Téléchargez la partition Trompette Take the A Train (niveau intermédiaire/difficile) de Ellington. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
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Ellington,Ella Fitzgerald
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Take the A Train
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Tomplay
Supertramp : Take the Long Way Home (niveau intermédiaire)
Trompette
Téléchargez la partition Trompette Take the Long Way Home (niveau interm&eac…
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Téléchargez la partition Trompette Take the Long Way Home (niveau intermédiaire) de Supertramp. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
#
Supertramp
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Take the Long Way Home
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Tomplay
Ellington,Ella Fitzgerald : Take the A Train (niveau difficile)
Trompette
Téléchargez la partition Trompette Take the A Train (niveau difficile) de El…
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Téléchargez la partition Trompette Take the A Train (niveau difficile) de Ellington. Partition pour Trompette avec accomp. orchestre -- Jazz
5.99 €
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Trompette
#
Ellington,Ella Fitzgerald
#
Take the A Train
#
Tomplay
Supertramp : Take the Long Way Home (niveau facile)
Trompette
Téléchargez la partition Trompette Take the Long Way Home (niveau facile) de…
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Téléchargez la partition Trompette Take the Long Way Home (niveau facile) de Supertramp. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
#
Trompette
#
Supertramp
#
Take the Long Way Home
#
Tomplay
Supertramp : Take the Long Way Home (niveau difficile)
Trompette
Téléchargez la partition Trompette Take the Long Way Home (niveau difficile)…
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Téléchargez la partition Trompette Take the Long Way Home (niveau difficile) de Supertramp. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
#
Trompette
#
Supertramp
#
Take the Long Way Home
#
Tomplay
Supertramp : Take the Long Way Home (niveau très facile)
Trompette
Téléchargez la partition Trompette Take the Long Way Home (niveau trè…
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Téléchargez la partition Trompette Take the Long Way Home (niveau très facile) de Supertramp. Partition pour Trompette avec accomp. orchestre -- Pop/rock
5.99 €
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Trompette
#
Supertramp
#
Take the Long Way Home
#
Tomplay
The Winner Takes It All
Trompette
Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjor…
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Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 2 pages. Published by Antônio S. Fernandes (A0.503386). The Winner Takes It All is a song recorded by the Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper, it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track Elaine. The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal. The, Winner, Takes, It, All, ABBA, Gold, sheet, music, Trumpet, The Winner Takes It All - ABBA Gold (sheet music) Trumpet #TheWinnerTakesItAll #ABBA #Trumpet.
$5.00
4.58 €
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Trompette
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ABBA
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Antônio S
#
The Winner Takes It All
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Antônio S. Fernandes
#
SheetMusicPlus
I Write The Songs
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.6 €
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Trompette
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Take Me Out to the Ball Game
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951555 Composed by Jack Norworth …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951555 Composed by Jack Norworth and Albert Von Tilzer. Arranged by Travis Hayman. Folk. Individual part. 7 pages. Travis Hayman #6119579. Published by Travis Hayman (A0.951555). Take Me Out to the Ball Game is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the official anthem of North American baseball, although neither of its authors had attended a game prior to writing the song. The song's chorus is traditionally sung during the middle of the seventh inning of a baseball game. Fans are generally encouraged to sing along, and at most ballparks, the words home team are replaced with the home team's name.
$5.00
4.58 €
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Trompette
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Jack Norworth and Albert Von Tilzer
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Travis Hayman
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Take Me Out to the Ball Game
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Travis Hayman
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SheetMusicPlus
Take My Life and Let It Be-2nd Trumpet
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Trumpet Solo - Level 2 - Digital Download SKU: A0.969534 Arranged by Zachary Damm. …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.969534 Arranged by Zachary Damm. Christian,Instructional,Renaissance,Sacred. Individual part. 2 pages. Digital Print Publishing #2942365. Published by Digital Print Publishing (A0.969534). This arrangement blends Martin Luther’s baptismal hymn with the more familiar dedicational song Take My Life and Let It Be. The staunch tones that begin and conclude the piece transport one to the Jordan River and invite one to think on the meaning of baptism. The middle of the piece provides a pensive meditation upon Christian service. This score contains lead trumpet part. For the other parts, (including 1st and 2nd trumpet, violin, xylophone or other tuned mallet instrument, and piano) see the conductor's score or the individual parts under the same title.
$4.51
4.13 €
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Trompette
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Zachary Damm
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Take My Life and Let It Be-2nd Trumpet
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Digital Print Publishing
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SheetMusicPlus
Take My Life and Let It Be-Lead Trumpet
Trompette
Trumpet Solo - Digital Download SKU: A0.969532 Arranged by Zachary Damm. Christian,…
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Trumpet Solo - Digital Download SKU: A0.969532 Arranged by Zachary Damm. Christian,Instructional,Renaissance,Sacred. Individual part. 2 pages. Digital Print Publishing #2942361. Published by Digital Print Publishing (A0.969532). This arrangement blends Martin Luther’s baptismal hymn with the more familiar dedicational song Take My Life and Let It Be. The staunch tones that begin and conclude the piece transport one to the Jordan River and invite one to think on the meaning of baptism. The middle of the piece provides a pensive meditation upon Christian service. This score contains lead trumpet part. For the other parts, (including 1st and 2nd trumpet, violin, xylophone or other tuned mallet instrument, and piano) see the conductor's score or the individual parts under the same title.
$4.51
4.13 €
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Trompette
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Zachary Damm
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Take My Life and Let It Be-Lead Trumpet
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Digital Print Publishing
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SheetMusicPlus
Jazz, The Language of Music - for Trumpet
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony Benade (A0.809105). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a jazz musician who has performed and studied jazz for many years. It is a study that may take some time but if you wish to learn this subject in a manner in which it was performed by the jazz greats of yesteryear, then you must dedicate yourself to the task at hand. Achieving your goal will depend on how much you put into your effort. For a short time, the introductory price will be $40.00 dollars. That is 20% less than buying the above mentioned books individually. The normal price will be $45.00.
$45.00
41.23 €
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Trompette
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Tony Benade
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Jazz, The Language of Music - for Trumpet
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Tony Benade
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SheetMusicPlus
Three Images from the Hubble Telescope
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Co…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00
9.16 €
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Trompette
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Amy Dunker
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Three Images from the Hubble Telescope
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Amy Dunker
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SheetMusicPlus
Can't Take My Eyes Off Of You
Trompette
B-Flat Trumpet Solo - Digital Download SKU: A0.506430 By Frankie Valli and The Four…
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B-Flat Trumpet Solo - Digital Download SKU: A0.506430 By Frankie Valli and The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Leo Silva. Pop,Wedding. Individual part. 2 pages. Published by MP Sheet Music (A0.506430). Can't Take My Eyes Off You is a 1967 single performed by Frankie Valli. The theme was one of Valli's biggest hits, reaching #2 on the Billboard Hot 100, reaching a gold club. The song had a huge cultural impact, based on covers, many of which were themselves on the charts, in different countries. The song is a landmark and is often used in TV series and spots by advertisers around the world, as well as in film soundtracks, and even integrating the plot of some films, such as when the main protagonists sing or organize their own version. NASA passed the original version as a wake-up song on November 23, 2008, the 23rd anniversary of the wedding of astronaut Christopher Ferguson aboard and commander of the STS-126 mission of the space shuttle OV-105 Endeavor.
$5.38
4.93 €
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Trompette
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Frankie Valli and The Four Seasons
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Leo Silva
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Can't Take My Eyes Off Of You
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MP Sheet Music
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SheetMusicPlus
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