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TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
Piano seul
702
Piano Facile
155
Piano, Voix
154
Instruments en Do
94
Piano, Voix et Guitare
88
Orgue
73
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
Accordéon
1
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GUITARES
Guitare
89
Guitare notes et tablatures
57
Guitare (partie séparée)
12
Ligne De Mélodie, (Paroles) et Accords
11
Mandoline
7
Banjo
5
Ukulele
5
2 Guitares (duo)
4
Paroles et Accords
3
Piano, Guitare (duo)
2
Basse electrique
2
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
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VOIX
Chorale SATB
323
Chorale 3 parties
78
Chorale TTBB
45
Chorale 2 parties
35
Chorale SSAA
33
Chorale Unison
23
Voix Soprano, Piano
14
Voix duo, Piano
14
Voix Alto, Piano
13
Voix Tenor, Piano
6
Voix haute
6
Voix Baryton, Piano
6
Voix duo
5
Chorale SSAATTBB
4
Voix seule
4
Chorale SSATB
3
Voix basse, Piano
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Chorale
2
Voix Baryton
1
Chorale SSAB a cappella
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
2 Saxophones (duo)
126
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
102
Clarinette et Piano
101
Hautbois, Piano (duo)
82
Saxophone Alto et Piano
74
Saxophone Tenor et Piano
68
Saxophone (partie séparée)
63
2 Clarinettes (duo)
62
Saxophone, Clarinette (duo)
53
Quatuor de Clarinettes: 4 clarinettes
50
2 Flûtes traversières (duo)
48
Saxophone Tenor
47
Flûte, Hautbois, Clarinette, Basson
47
Flûte traversière
47
Saxophone Alto
45
Saxophone Soprano et Piano
45
Clarinette
41
Clarinette, Violon (duo)
37
Ensemble de saxophones
33
Saxophone Baryton, Piano
31
Quatuor de Flûtes : 4 flûtes
30
Clarinette, Trompette (duo)
30
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
26
Cor anglais, Piano
25
2 Hautbois (duo)
23
Flûte, Saxophone (duo)
19
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Hautbois
19
Hautbois, Clarinette (duo)
19
Clarinette Basse, Piano
18
Flûte, Violon
18
Hautbois, Flûte
18
Clarinette et Alto
18
Hautbois (partie séparée)
16
Flûte, Alto (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
Flûte, Trompette (duo)
15
2 Flûte à bec (duo)
13
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Quintette de Flûte : 5 flûtes
9
Flute (partie séparée)
8
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
6
Ocarina
6
Clarinette, Basson (duo)
6
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5
Flûte à Bec
5
Quatuor de Flûtes à bec
5
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5
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5
Flûte à bec Alto
4
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4
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4
Harmonica
4
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4
3 Flûtes à bec (trio)
3
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3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Soprano
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Cor anglais, Guitare (duo)
2
5 Flûtes à bec
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
2
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2
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2
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1
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1
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1
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Ensemble de Hautbois
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Cornemuse
1
Flûte irlandaise
1
2 Flûtes à bec, Guitare
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
60
Cor et Piano
59
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Cor anglais, Piano
25
Tuba
25
Quatuor de Cuivres
25
2 Trombones (duo)
25
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Ensemble de Trombones
17
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
4 Tubas
3
Ensemble de Cors
3
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Tuba et Orgue
2
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trombone basse
1
Instruments en Sib
1
Trombone basse et Piano
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
193
Violon et Piano
156
Violoncelle, Piano
81
Alto, Piano
76
Violon
59
Violoncelle
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Quatuor à cordes: 4 violons
3
Harpe, Voix
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Orgue
1
3 Harpes
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
105
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Vibraphone
2
Orchestre, Violon
2
Percussion
2
Percussion (partie séparée)
2
Xylophone, Piano
1
Piano et Orchestre
1
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AUTRES
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Ten After
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Ten Thousand Men of Harvard
Trompette
Trumpet Solo - Digital Download SKU: A0.951628 Composed by A. Putnam. Arranged by T…
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Trumpet Solo - Digital Download SKU: A0.951628 Composed by A. Putnam. Arranged by Travis Hayman. Graduation. Individual part. 7 pages. Travis Hayman #6574907. Published by Travis Hayman (A0.951628). Ten Thousand Men of Harvard is the most frequently performed of Harvard University's fight songs. Composed by A. Putnam of Harvard College's class of 1918, it is among the fight songs performed by the Harvard Glee Club at its annual joint concert with the Yale Glee Club the night before the annual Harvard-Yale football game, as well as at the game itself. It is also played or sung at other athletic meets or other intercollegiate contests, usually by the Harvard University Band. To acquaint incoming freshmen with the song, early each academic year the band performs it in Harvard Yard, where most freshmen live. The football team sings it after wins, and new players are required to memorize it in both English and Latin.
$5.00
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Trompette
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A
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Travis Hayman
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Ten Thousand Men of Harvard
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Travis Hayman
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SheetMusicPlus
Still Crazy After All These Years
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839552 By Simon And Garfunkel. By…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839552 By Simon And Garfunkel. By Paul Simon. Arranged by Bobby Hesch. Pop,Rock. Individual part. 3 pages. Bobby Hesch #6340001. Published by Bobby Hesch (A0.839552). STILL CRAZY AFTER ALL THESE YEARS!!! BY THE GREAT PAUL SIMON!!BUT I WOULD NOT BE CONVICTED BY A JURY OF MY PEERS, STILL CRAZY AFTER ALL THESE YEARS!!! THIS ICONIC SONG HAS GREAT STYLE WE ASPIRE TOWARDS!!! GET A BACKGROUND, LISTEN TO RECORDINGS!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch LOW F#-HIGH B! CAN BE READ DOWN AN OCTAVE!! KEY OF D!!! HAVE FUN!!HIS LYRICS ALWAYS TELL A GREAT STORY!!!
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Trompette
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Simon And Garfunkel
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Bobby Hesch
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Still Crazy After All These Years
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Bobby Hesch
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.47 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
Ever Ever After For Solo Jazz Trumpet From The Movie Enchanted Performed By Carrie Underwood
Trompette
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From Th…
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
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Ever Ever After For Solo Jazz Trumpet From The Movie Enchanted Performed By Carrie Underwood
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SheetMusicPlus
Christmas Suite 1225 (Part 1 and 2, complete)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1323495 By The Candlelight…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1323495 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christmas,Holiday. Individual part. 29 pages. Geofonica Artistworks #911722. Published by Geofonica Artistworks (A0.1323495). This is a Bb Lead Sheet (with the melody written for Bb instruments in treble clef, an octave below the written guitar part) for Christmas Suite 1225, intended for those wanting to play (esp. trumpet or Bb clarinet) along with the guitar part or videos. A full guitar arrangement is also available separately. Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at CSUN under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, and was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests.COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
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4.55 €
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
To Boldly Go
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.851133 Composed by Alexander Cour…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.851133 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302255. Published by Sophia Transistor (A0.851133). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single trumpet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-trumpet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious trumpet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/tBeLe57eROYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Trompete notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Trompete angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Trompete in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte Trompetenspieler (nach unten transponieren immer möglich).Epische Filmmusiknoten für Trompete: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictromboneDanke fürs anschauen!TAGS:STAR TREK theme, star trek trumpet, Noten, sheet music, score, arrangement, trumpet arrangement, to boldly go, filmmusic for trumpet, epic film music, Trompete, Star Trek Trompete, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppressmusic, Sophia Johanna Transistor, Star Trek Michael Giacchino, Michael Giacchino Arrangement, To Boldly Go and End Credits, bol.
$6.99
6.38 €
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Alexander Courage, Gene Roddenberry, and Michael Giacchino
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
I Write The Songs
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
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Barry Manilow
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James M
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I Write The Songs
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SheetMusicPlus
Echo Taps for Solo Trumpet
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel …
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
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5.47 €
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Her Name is Amy (Trumpet Choir) Part 2
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.912302 Composed by Jake Lineberry…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.912302 Composed by Jake Lineberry. Contemporary. Individual part. 1 pages. Jake Lineberry #2010529. Published by Jake Lineberry (A0.912302). This piece is a slower more lyrical piece, that really shows off the potential of any trumpet section to play musically, lyrically and beautifully. This piece is designed to evoke emotion in the listener. I've put my heart and sole into this piece I hope you do too! About The Piece After on of my close friends passed away I wrote this piece, not no morn her death, but to celebrate her life. It is based off a poem she wrote in high school titled, My Name is Amy It really showed the strength she had even when things looked bleak. 3 trumpet parts (at least 3 first trumpets).
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3.65 €
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Jake Lineberry
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Her Name is Amy
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Jake Lineberry
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SheetMusicPlus
Her Name is Amy (Trumpet Choir) Part 1
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.912300 Composed by Jake Lineberry…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.912300 Composed by Jake Lineberry. Contemporary. Individual part. 1 pages. Jake Lineberry #2010527. Published by Jake Lineberry (A0.912300). This piece is a slower more lyrical piece, that really shows off the potential of any trumpet section to play musically, lyrically and beautifully. This piece is designed to evoke emotion in the listener. I've put my heart and sole into this piece I hope you do too! About The Piece After on of my close friends passed away I wrote this piece, not no morn her death, but to celebrate her life. It is based off a poem she wrote in high school titled, My Name is Amy It really showed the strength she had even when things looked bleak. 3 trumpet parts (at least 3 first trumpets).
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Jake Lineberry
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Her Name is Amy
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Jake Lineberry
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SheetMusicPlus
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.47 €
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Fast Car
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1269339 By Tracy Chapman. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1269339 By Tracy Chapman. By Tracy Chapman. Arranged by Leo Silva. Pop,Singer/Songwriter. Individual part. 4 pages. MP Sheet Music #861865. Published by MP Sheet Music (A0.1269339). Fast Car is a song by American singer-songwriter Tracy Chapman.Chapman's appearance on the Nelson Mandela 70th Birthday Tribute helped the song become a top-ten hit in the United States, reaching number six on the Billboard Hot 100. In the United Kingdom, it reached number five on the UK Singles Chart in 1988.Fast Car received three Grammy Award nominations: Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, the latter of which it won. It also received an MTV Video Music Award nomination for Best Female Video in 1989.According to Metro Weekly critic Chris Gerard, Fast Car tells a grittily realistic story of a working poor woman trying to escape the cycle of poverty, set to folk rock music.In June 1988, Chapman appeared at the Nelson Mandela 70th Birthday Tribute concert. Chapman performed Fast Car itself would reach number six on the Billboard Hot 100 the same week.In April 2011 it reached the fourth position of the British charts after Michael Collins made a cover version on Britain's Got Talent.
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4.55 €
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Tracy Chapman
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Leo Silva
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Fast Car
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MP Sheet Music
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SheetMusicPlus
Don't Stop Believin'
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1277360 By Journey. By Jon…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1277360 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Individual part. 1 pages. Alex Rodrigues #869058. Published by Alex Rodrigues (A0.1277360). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
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4.55 €
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
Don't Stop Believin'
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1277357 By Journey. By Jon…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1277357 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Individual part. 1 pages. Alex Rodrigues #869055. Published by Alex Rodrigues (A0.1277357). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
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4.55 €
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic.…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
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1.82 €
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Zoran Radanovic
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SheetMusicPlus
Now And Then
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1316802 By The Beatles. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1316802 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. Folk,Pop,Rock. Individual part. 2 pages. MP Sheet Music #905480. Published by MP Sheet Music (A0.1316802). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
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4.55 €
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The Beatles
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Leo Silva
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Now And Then
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MP Sheet Music
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SheetMusicPlus
Now And Then
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1316819 By The Beatles. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1316819 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. Folk,Pop,Rock. Individual part. 2 pages. MP Sheet Music #905498. Published by MP Sheet Music (A0.1316819). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
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4.55 €
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The Beatles
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Leo Silva
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Now And Then
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MP Sheet Music
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SheetMusicPlus
All Grown Up
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1231900 By Molly Parker. B…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1231900 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827605. Published by Alex Rodrigues (A0.1231900). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
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4.55 €
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
All Grown Up
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1231899 By Molly Parker. B…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1231899 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827604. Published by Alex Rodrigues (A0.1231899). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99
4.55 €
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Trompette
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.77 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
You Are The Reason
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237347 By Calum Scott. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1237347 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Individual part. 2 pages. Milanov #832858. Published by Milanov (A0.1237347). You are the reason by Calum Scott for Trumpet in Bb. Easy Intermediate. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$5.99
5.47 €
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
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