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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Second Line: Score
Non classifié
242
Piano & claviers
Piano seul
153
Piano Facile
85
Piano, Voix
35
1 Piano, 4 mains
26
Piano, Voix et Guitare
23
Accompagnement Piano
23
Orgue
10
2 Pianos, 4 mains
4
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Mandoline
9
Basse electrique
7
Guitare
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
2 Guitares (duo)
3
Ukulele
2
Guitare notes et tablatures
1
+ 4 instrumentations
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Voix
Chorale SATB
27
Chorale 3 parties
4
Chorale SSAA
4
Chorale 2 parties
3
Chorale Unison
3
Chorale TTBB
3
Voix Soprano, Piano
3
Voix seule
1
Voix moyenne, Piano
1
Voix haute
1
Chorale SSAATTBB
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
23
Saxophone Alto et Piano
13
Clarinette et Piano
13
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
2
Hautbois, Basson (duo)
2
Clarinette
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Flûte et Guitare
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
+ 37 instrumentations
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Cuivres
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette
3
Cor
2
Tuba et Piano
2
Cor anglais, Piano
2
3 Trombones (trio)
2
2 Trombones (duo)
2
2 Cors (duo)
2
2 Cors, Piano
1
Tuba
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Violoncelle
3
Harpe, Violon (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
2 Altos, Piano
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
49
Orchestre d'harmonie
41
Orchestre
23
Cloches
18
Ensemble de cuivres
18
Orchestre à Cordes
16
Batterie
15
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
6
Jazz combo
4
Batterie (partie séparée)
2
+ 7 instrumentations
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Instruments
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Vous avez sélectionné:
The Second Line: Score
Trompette
Partitions à imprimer
3 partitions trouvées
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Silent Night
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Trompette
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Noël
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Joseph Mahr
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Dana F
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Silent Night
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Trumpet solo - Grade 3 - SKU: DX.135148 Composed by Joseph Mahr. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score a...
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Trumpet solo - Grade 3 - SKU: DX.135148 Composed by Joseph Mahr. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 9 pages. David E. Smith - Digital Sheet Music #135148. Published by David E. Smith - Digital Sheet Music (DX.135148). An accompanied trumpet solo that begins with a gentle piano introduction. The soloist then presents the tune with subtle modifications. The second section progresses with even greater melodic enhancement. With a modulation the solo deviates the melody with an almost obbligato-like fashion. With further modulation the solo line gravitates to a style reminiscent to the second section. The coda section is patterned after the first section and then settles down to sweet silence.Key of Ab, Bb.
$4.50
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
A Breeze from Alabama arr Siddons Cornet Part
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Trompette
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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James Siddons
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A Breeze from Alabama arr Sidd
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James Siddons Music and Writings
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 ...
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Trumpet Solo - Level 3 - SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
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The Second Line: Score
