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9915
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4058
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3623
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3220
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1833
Piano grosses notes
1228
Orgue
820
Accompagnement Piano
381
1 Piano, 4 mains
329
Accordéon
170
Piano (partie séparée)
91
Piano Trio: piano, violon, violoncelle
81
2 Pianos, 4 mains
69
Piano Quatuor: piano, 2 violons, violoncelle
56
Ligne De Mélodie, Piano
54
Piano Quatuor: piano, violon, alto, violoncelle
50
Accordéon, Voix
16
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Clavecin
15
Orgue, Piano (duo)
14
1 Piano, 6 mains
13
Orgue, Trompette (duo)
12
Clavier
11
2 Pianos, 8 mains
5
Instrument seul et Orgue
2
2 Accordéons
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Accordéon, Piano
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Ligne De Mélodie, (Paroles) et Accords
5854
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3707
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1421
Ukulele
1084
Basse electrique
591
Paroles et Accords
316
Dulcimer
187
Guitare (partie séparée)
165
2 Guitares (duo)
127
Banjo
112
Mandoline
57
Ensemble de guitares
37
Piano, Guitare (duo)
31
Ensemble de Ukulélés
28
Basse électrique (partie séparée)
28
Ukulele Baryton
22
2 Dulcimers (duo)
21
4 Guitares (Quatuor)
20
3 Guitares (trio)
16
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10
Dobro
8
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
3
Guitare Pedal Steel
3
2 Mandolines (duo)
1
Luth
1
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VOIX
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1803
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1119
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938
Voix duo, Piano
543
Chorale TTBB
453
Chorale Unison
427
Chorale SSAA
238
Voix haute
199
Voix seule
161
Voix duo
112
Chorale
94
Voix Soprano, Piano
68
Voix moyenne, Piano
32
Voix Alto, Piano
17
Voix Tenor, Piano
14
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12
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11
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8
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4
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Flûte traversière et Piano
1091
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1022
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Quintette de Saxophone: 5 saxophones
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Quatuor de Flûtes : 4 flûtes
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Quintette de Flûte : 5 flûtes
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Flûte, Clarinette et Basson
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Saxophone Baryton
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Quatuor de Flûtes à bec
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Flûte à bec Alto
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Flûte à bec Soprano, Piano
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Cor Anglais
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2 Clarinettes, Piano
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Flûte à bec Tenor
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6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Flute, Cor (duo)
5
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Clarinette, Alto et Piano (trio)
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4
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Flûte, Alto et Piano
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Clarinette, Basson, Piano (trio)
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Piccolo
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Cornemuse
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59
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Cor Anglais
19
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Alto seul
304
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289
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236
Violoncelle
220
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181
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137
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124
Contre Basse
105
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97
Piano Trio: Violon, Alto, Piano
95
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93
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
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87
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70
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52
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48
Violoncelle, Contrebasse (duo)
47
Violoncelle , Guitare (duo)
34
2 Contrebasses (duo)
30
Harpe, Flûte (duo)
28
Ensemble de Violons
25
Quatuor à cordes: 4 violons
24
Trio à Cordes: 2 violons, alto
24
Ensemble d'Altos
23
Trio à Cordes: 3 violoncelles
21
Trio à cordes: 3 violins
20
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16
Harpe, Violoncelle (duo)
16
Alto, Guitare (duo)
16
Harpe et mandoline
9
Quatuor à cordes : 4 altos
8
4 Contrebasses
8
Violon, Basson (duo)
8
Harpe, Voix
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes: 3 altos
5
Violon, Clarinette, Piano (trio)
5
2 Violons, Piano
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Alto et Basson
5
Violoncelle, Orgue
4
Alto et Harpe
4
2 Violoncelles, Piano
4
Harpe, Violon, Violoncelle
4
Ensemble de Violoncelles
4
Autoharp
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3
Harpe, Trombone (duo)
3
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2
Violon, Violoncelle, Clarinette
2
Violon, Trompette et Piano
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Alto, Orgue
2
2 Altos, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Orgue
2
Trio à cordes
1
Violoncelle, Basse continue
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3 Contrebasses
1
Violon, Basse continue
1
Harpe et Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1892
Ensemble Jazz
934
Orchestre à Cordes
868
Orchestre
563
Ensemble de cuivres
418
Fanfare
408
Cloches
254
Orchestre de chambre
249
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236
Jazz combo
196
Ensemble de Percussions
123
Batterie
119
Percussion (partie séparée)
81
Marimba
42
Vibraphone
34
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24
Xylophone
16
Xylophone, Piano
11
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9
Ensemble d'École
8
Big band
6
2 Xylophones
4
Timbales
4
Vibraphone et Marimba
3
Timbales (partie séparée)
3
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Marimba, Piano (duo)
1
3 Marimbas
1
Orchestre, Violon
1
Instrumentation Flexible
1
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Théorie de la musique
5
Formation musicale - Solfège
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Martin Luther
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Luther: Out of the Depths for Trumpet & Piano
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.46 €
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Trompette
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.67 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.67 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
America the Beautiful Performance Track
Trompette
Trumpet - Digital Download SKU: A0.1068942 Composed by Samuel Ward. Arranged by Zac…
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Trumpet - Digital Download SKU: A0.1068942 Composed by Samuel Ward. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Accompaniment. Duration 205. Zack Richards #6426619. Published by Zack Richards (A0.1068942). These Performance Tracks accompany the United We Stand Collection ZRM Minus One Series Sheet Music. Each track is a virtual Trumpet Ensemble minus the Solo Part so you can play along! S0.1059727 America the Beautiful for Solo Trumpet They are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Visit zackrichards.com for more from this composer!
$1.99
1.84 €
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Trompette
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Samuel Ward
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Zack Richards
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America the Beautiful Performance Track
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Zack Richards
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SheetMusicPlus
The Star-Spangled Banner for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894417 Composed by John St…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894417 Composed by John Stafford Smith. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426671. Published by Zack Richards (A0.894417). This arrangement of the National Anthem of the United States of America embraces the fanfare and pomp of the original tune while adding some modern harmonic twists and musical Easter Eggs. The short introduction quotes You're a Grand Old Flag, setting the tone. Also quoted are America the Beautiful and the Let freedom ring! phrase of America to bring the piece to a triumphant close. For extra fanfare, my original work, We the People - A Fanfare for Freedom, can precede this arrangement. Performance and Rehearsal mp3 Tracks available!S0.1059627 The Star-Spangled Banner Rehearsal TrackS0.1059661 The Star-Spangled Banner Performance Track Pair this with We the People for Solo Trumpet S0.1059715 All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series
$5.99
5.54 €
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Trompette
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John Stafford Smith
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Zack Richards
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The Star-Spangled Banner for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Solving the Puzzle of the Jazz Standards for Trumpet
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.809118 Composed by Tony Benade. A…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809118 Composed by Tony Benade. Arranged by Tony Benade. Instructional,Jazz. Individual part. 140 pages. Tony Benade #4627047. Published by Tony Benade (A0.809118).  A study in the art of improvisation that shows the student a direct approach to playing jazz. There are 15 etudes that contain the chord progressions and changes to many of the jazz standards performed by the majority of jazz musicians today. Each etude has a preparatory section that is set up corresponding to the main theme. There are coded two and four bar jazz phrases that corresponds to the etude which is also coded. Once the student has learned and memorized each coded phrase, they can then place them at the corresponding coded in the etude.
$45.00
41.6 €
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Trompette
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Tony Benade
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Tony Benade
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Solving the Puzzle of the Jazz Standards for Trumpet
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Tony Benade
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SheetMusicPlus
United We Stand Collection Zack Richards Music Minus One Series
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894414 Composed by Various…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894414 Composed by Various. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 23 pages. Zack Richards #6426641. Published by Zack Richards (A0.894414). A Collection of 8 popular American Patriotic Tunes for Solo Trumpet and mp3 accompaniment track! These arrangements are designed and stylized in a similar harmonic, rhythmic, and structural framework. While each has its own identity and variation to create interest for the listener, the music is formatted to fill an entire concert if so desired. Each piece has its own description and performance notes to assist the player. Performance and Rehearsal mp3s are available separately. A virtual Trumpet Ensemble accompanies the soloist in this Zack Richards Music Minus One Series. All of these works are available individually or all together in my United We Stand Collection at a considerable discount. Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate/Advanced Intermediate Visit zackrichards.com for more from this composer! S0.1059621 We the People Rehearsal Track S0.1059619 We the People Performance Track S0.1059627 The Star-Spangled Banner Rehearsal Track S0.1059661 The Star-Spangled Banner Performance Track S0.1059631 America the Beautiful Rehearsal Track S0.1059667 America the Beautiful Performance Track S0.1059633 You're a Grand Old Flag Rehearsal Track S0.1059675 You're a Grand Old Flag Performance Track S0.1059637 America Rehearsal Track S0.1059679 America Performance Track S0.1059649 Battle Hymn of the Republic Rehearsal Track S0.1059681 Battle Hymn of the Republic Performance Track S0.1059653 Echo Taps Rehearsal Track S0.1059683 Echo Taps Performance Track S0.1059655 A More Perfect Union Rehearsal Track S0.1059701 A More Perfect Union Performance Track Â
$24.99
23.1 €
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Trompette
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Various
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Zack Richards
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United We Stand Collection Zack Richards Music Minus One Series
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Zack Richards
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SheetMusicPlus
We the People for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894415 Composed by Zack Ri…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894415 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426669. Published by Zack Richards (A0.894415). This Fanfare for Freedom was written as a Prelude to my arrangement of The Star-Spangled Banner, also a part of my United We Stand Collection. It can also be performed on its own if preferred. The opening Rubato melody is meant to evoke a regal pride with its soaring grandeur over the harmonies below. The contrasting fast section that follows provides a fantastic fanfare of frenzied enthusiasm with an accelerated melody inspired by that of The Star-Spangled Banner. This fanfare is bound to get patriotic pride flowing through the veins at any venue!Performance and Rehearsal mp3 Tracks available!S0.1059621 We the People Rehearsal TrackS0.1059619 We the People Performance TrackPair this with my arrangement of The Star-Spangled Banner for Solo Trumpet S0.1059719All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059707 United We Stand Collection for Trumpet EnsembleEach of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble. S0.1059715 We the People for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One Series Solo B-flat Trumpet Intermediate- Advanced IntermediateApprox. 2:15 Visit zackrichards.com for more from this composer!
$5.99
5.54 €
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Trompette
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Zack Richards
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We the People for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Stand By Me
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1156187 By Ben E. King. By…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1156187 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Fabio Eduardo de Oliveira. Pop,Rock. Individual part. 2 pages. Fabio Eduardo #756503. Published by Fabio Eduardo (A0.1156187). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadStand by Me is a song originally performed in 1961 by American singer-songwriter Ben E. King and written by him, along with Jerry Leiber and Mike Stoller, who together used the pseudonym Elmo Glick. According to King, the title is derived from, and was inspired by, a spiritual written by Sam Cooke and J. W. Alexander called Stand by Me Father, recorded by the Soul Stirrers with Johnnie Taylor singing lead.
$4.99
4.61 €
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Trompette
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Ben E
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Fabio Eduardo de Oliveira
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Stand By Me
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Fabio Eduardo
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SheetMusicPlus
Battle Hymn of the Republic for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894421 Composed by America…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.894421 Composed by American Folk Song. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 5 pages. Zack Richards #6426685. Published by Zack Richards (A0.894421). The tune of the Battle Hymn of the Republic took several forms and had many sets of lyrics before Julia Ward Howe wrote the ones with which we are familiar in 1861. The music was already popular among the troops of the Civil War and this new text turned it into one of the most familiar and popular hymns across the nation. This arrangement seeks to honor the march and fanfare feel of the original while using more modern harmonic and rhythmic ideas. Each verse has its own style adding variety, excitement, and anticipation for the glorious ending! Performance and Rehearsal mp3 Tracks available!S0.1059649 Battle Hymn of the Republic Rehearsal TrackS0.1059681 Battle Hymn of the Republic Performance Track All of these works are available individually or all together in my United We Stand Collection.S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.1060259 Battle Hymn of the Republic for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 4:00 Visit zackrichards.com for more from this composer!
$5.99
5.54 €
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Trompette
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American Folk Song
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Zack Richards
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Battle Hymn of the Republic for Solo Trumpet
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Zack Richards
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SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.91 €
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Trompette
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
I Don't Stand A Ghost Of A Chance With You
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1292644 Composed by Bing C…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1292644 Composed by Bing Crosby, Ned Washington, and Victor Young. Arranged by Popnroll.76. 20th Century,Jazz,Standards. Individual part. 4 pages. Popnroll 1976 #883207. Published by Popnroll 1976 (A0.1292644). I Don't Stand A Ghost Of A Chance (Clifford Brown Solo Transcription)This is a complete copy of the trumpet solo of I Don't Stand A Ghost Of A Chance, a fine tune from the album Brown and Roach Incorporated recorded in 1954 by the genius jazz trumpeter Clifford Brown (1930-1956). The cadenza from the theme to the ending. Almost all of the music, from the theme to the ending cadenza, has been accurately transcribed. The piano intro and ending are also notated in the key of trumpet (Bb, one note higher than the piano).PDF 4 pages.
$9.99
9.24 €
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Trompette
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Bing Crosby, Ned Washington, and Victor Young
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Popnroll
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I Don't Stand A Ghost Of A Chance With You
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Popnroll 1976
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SheetMusicPlus
Bridal Chorus / Here Comes the Bride! for trumpet in Bb and easy piano (F Major)
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.532276 Composed by Richard Wagne…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.532276 Composed by Richard Wagner. Arranged by Klas Krantz. Romantic Period,Wedding. Score and part. 4 pages. Amadeus Music #4579877. Published by Amadeus Music (A0.532276). The Bridal Chorus from the opera Lohengrin (1848), by German composer Richard Wagner (1813-1883), is the standard march played for the bride's entrance at most formal weddings in the United States and at many weddings throughout the Western world. In English-speaking countries it is generally known as Here Comes the Bride or Wedding March. Its usual placement at the beginning of a wedding ceremony is not entirely in accordance with its placement in the opera.
$3.95
3.65 €
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Richard Wagner
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Klas Krantz
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Bridal Chorus / Here Comes the Bride! for trumpet in Bb and easy piano
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Amadeus Music
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SheetMusicPlus
Stand By Me
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419636 By Ben E. King. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419636 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1001057. Published by MP Sheet Music (A0.1419636). Stand by Me is a song, originally performed by American singer-songwriter Ben E. King, and written by King, Jerry Leiber and Mike Stoller.There have been more than 400 recorded versions of the song, performed by many relevant artists such as John Lennon.King's record was number one on the R&B charts and was a top ten hit on the US charts twice - on its original release, and on the Billboard chart on May 13, 1961 and peaking at number four on May 16. June 1961.It also reached number one in the UK Singles Chart in 1987 following its re-release, mainly because of Jeans, originally reaching number 27 on its first release.The song continued to receive awards in the following years.
$4.99
4.61 €
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Trompette
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Ben E
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Leo Silva
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Stand By Me
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MP Sheet Music
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SheetMusicPlus
Stand By Me
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419602 By Ben E. King. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419602 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1001021. Published by MP Sheet Music (A0.1419602). Stand by Me is a song, originally performed by American singer-songwriter Ben E. King, and written by King, Jerry Leiber and Mike Stoller.There have been more than 400 recorded versions of the song, performed by many relevant artists such as John Lennon.King's record was number one on the R&B charts and was a top ten hit on the US charts twice - on its original release, and on the Billboard chart on May 13, 1961 and peaking at number four on May 16. June 1961.It also reached number one in the UK Singles Chart in 1987 following its re-release, mainly because of Jeans, originally reaching number 27 on its first release.The song continued to receive awards in the following years.
$4.99
4.61 €
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Trompette
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Ben E
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Leo Silva
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Stand By Me
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MP Sheet Music
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SheetMusicPlus
Stand By Me
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419548 By Ben E. King. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419548 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1001006. Published by MP Sheet Music (A0.1419548). Stand by Me is a song, originally performed by American singer-songwriter Ben E. King, and written by King, Jerry Leiber and Mike Stoller.There have been more than 400 recorded versions of the song, performed by many relevant artists such as John Lennon.King's record was number one on the R&B charts and was a top ten hit on the US charts twice - on its original release, and on the Billboard chart on May 13, 1961 and peaking at number four on May 16. June 1961.It also reached number one in the UK Singles Chart in 1987 following its re-release, mainly because of Jeans, originally reaching number 27 on its first release.The song continued to receive awards in the following years.
$4.99
4.61 €
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Trompette
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Ben E
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Leo Silva
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Stand By Me
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MP Sheet Music
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SheetMusicPlus
Stand By Me
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419615 By Ben E. King. By…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419615 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1001034. Published by MP Sheet Music (A0.1419615). Stand by Me is a song, originally performed by American singer-songwriter Ben E. King, and written by King, Jerry Leiber and Mike Stoller.There have been more than 400 recorded versions of the song, performed by many relevant artists such as John Lennon.King's record was number one on the R&B charts and was a top ten hit on the US charts twice - on its original release, and on the Billboard chart on May 13, 1961 and peaking at number four on May 16. June 1961.It also reached number one in the UK Singles Chart in 1987 following its re-release, mainly because of Jeans, originally reaching number 27 on its first release.The song continued to receive awards in the following years.
$4.99
4.61 €
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Trompette
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Ben E
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Leo Silva
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Stand By Me
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MP Sheet Music
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SheetMusicPlus
Jazz, The Language of Music - for Trumpet
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony Benade (A0.809105). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a jazz musician who has performed and studied jazz for many years. It is a study that may take some time but if you wish to learn this subject in a manner in which it was performed by the jazz greats of yesteryear, then you must dedicate yourself to the task at hand. Achieving your goal will depend on how much you put into your effort. For a short time, the introductory price will be $40.00 dollars. That is 20% less than buying the above mentioned books individually. The normal price will be $45.00.
$45.00
41.6 €
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Tony Benade
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Jazz, The Language of Music - for Trumpet
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Tony Benade
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SheetMusicPlus
"Circus Theme" With Improvisation for Trumpet and Piano
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 8 pages. F & N Enterprise #3358875. Published by F & N Enterprise (A0.632951). An excellent arrangement of famous Song Circus Theme With Improvisation for Trumpet and Piano (Jazz/Pop Version). This piece (for Piano) is featured on the Trinity College London (Australia) Grade 5 Piano Syllabus 2018-2020.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.84 €
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Fishel Pustilnik
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Fishel Pustilnik
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"Circus Theme" With Improvisation for Trumpet and Piano
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F & N Enterprise
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SheetMusicPlus
Stand Up, Stand Up for Jesus, Gospel Hymn for Trumpet and Piano
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.593231 Composed by George Duffie…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.593231 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417853. Published by David McKeown (A0.593231). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Trumpet and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
2.3 €
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus, Gospel Hymn for Trumpet and Piano
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David McKeown
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SheetMusicPlus
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