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100
Instruments en Do
98
Accompagnement Piano
81
Piano grosses notes
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Piano Trio: piano, violon, violoncelle
32
1 Piano, 4 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
13
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7
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67
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64
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
302
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196
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149
Cor et Piano
149
Trompette
144
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
Trombone
83
Tuba et Piano
73
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71
Cor
67
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63
Tuba
60
2 Trompettes (duo)
59
2 Trombones (duo)
57
Trompette, Trombone (duo)
54
Cor anglais, Piano
48
Euphonium, Piano (duo)
43
Quatuor de Cuivres
43
Trombone (partie séparée)
34
Ensemble de Trombones
27
Trompette (partie séparée)
24
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18
2 Cors (duo)
17
Quatuor de cuivres: 4 cors
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Quatuor de cuivres: 4 trombones
16
Quatuor de cuivres: 4 trompettes
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Cor (partie séparée)
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3 Trombones (trio)
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2 Tubas (duo)
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Cor Anglais
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4 Tubas
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Euphonium
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3 Trompettes (trio)
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2 Euphoniums et 2 Tubas
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Trombone basse et Piano
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Trio de Cuivres
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Trombone, Cor (duo)
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Trombone, Orgue
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Trombone basse
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2 Trompettes, Clavier (piano ou orgue)
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Cor, Violoncelle (duo)
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Tuba et Orgue
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Quatuor de cuivres: 2 trompettes, 2 trombones
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3 Tubas (trio)
2
Cor anglais et Harpe (duo)
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Cor anglais, Guitare (duo)
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Trompette, Euphonium (duo)
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2 Cors Anglais Et Pianoforte
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3 Cors (trio)
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Trompette, Violoncelle (duo)
1
2 Trombones, Piano
1
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
Trompette, Basson (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
437
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302
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240
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239
Violon
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111
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110
Trio à Cordes: violon, alto, violoncelle
102
Alto seul
95
2 Violons (duo)
82
2 Violoncelles (duo)
62
Violon, Alto (duo)
61
Contre Basse
58
Contrebasse, Piano (duo)
54
Harpe
52
2 Altos (duo)
51
Trio à Cordes: 2 violons, violoncelle
32
Piano Trio: Violon, Alto, Piano
19
Alto (partie séparée)
18
Violon (partie séparée)
17
4 Violoncelles
17
Trio à Cordes: 3 violoncelles
16
Violon, Basson (duo)
14
Ensemble de Violons
13
Contrebasse (partie séparée)
12
Alto, Violoncelle (duo)
11
Ensemble d'Altos
11
Trio à cordes: 3 violins
10
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
7
2 Harpes (duo)
6
Violoncelle (partie séparée)
5
Harpe, Flûte (duo)
5
Harpe, Voix
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Orgue
4
2 Contrebasses (duo)
4
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
4 Harpes
3
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Alto et Basson
2
Ensemble de Violoncelles
2
Alto, Orgue
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
427
Orchestre à Cordes
170
Orchestre
130
Ensemble de cuivres
92
Ensemble Jazz
59
Cloches
54
Orchestre de chambre
39
Fanfare
19
Jazz combo
19
Ensemble de Percussions
13
Batterie (partie séparée)
9
Batterie
9
Marimba
7
Percussion (partie séparée)
3
Vibraphone
2
Xylophone, Piano
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.12 €
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.81 €
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Trompette
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
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Traditional
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The First Noel for Trumpet & Piano
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Trompette
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Wade
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James M
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O Come All Ye Faithful for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Trumpet Quintet
Trompette
Trumpet - Level 2 - Digital Download SKU: A0.1138525 Composed by Martin Luther. Arr…
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Trumpet - Level 2 - Digital Download SKU: A0.1138525 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woods Only, Arrangements #738866. Published by Woods Only, Arrangements (A0.1138525). This easy arrangement for trumpet quintet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$9.99
9.13 €
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Trompette
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Martin Luther
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Ander
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A Mighty Fortress is Our God by Luther for Trumpet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387515 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971371. Published by Glauco Fernandes (A0.1387515). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.56 €
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Trompette
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Edvard Grieg
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Glauco Fernandes
#
In the Hall of the Mountain King - Trumpet Solo
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Glauco Fernandes
#
SheetMusicPlus
In the Hall of the Mountain King - Trumpet Solo with Chord Notation
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1387513 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #971369. Published by Glauco Fernandes (A0.1387513). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been meticulously crafted to suit musicians of easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring didactic material, and professionals wishing to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value convenience without compromising on quality. With clear and easy-to-follow formatting, musicians of all levels can benefit, making the learning of this classical work accessible and gratifying. Whether you are a student honing your techniques, a teacher looking for resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classical piece that is sure to be a hit at any event, our sheet music is the solution you've been searching for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an emotional journey through music. Our sheet music facilitates the execution of this iconic piece, preserving the essence and dynamics of Grieg's original composition, but adapted to be more accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable didactic resource, aiding in the development of technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression, while becoming acquainted with one of the most thrilling works in the classical repertoire.Purchase your sheet music arrangement of In the Hall of the Mountain King today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining convenience, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational settings, professional environments, or during memorable performances.
$4.99
4.56 €
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Trompette
#
Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain King - Trumpet Solo with Chord Notation
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Glauco Fernandes
#
SheetMusicPlus
THE STAR-SPANGLED BANNER
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1212991 Composed by Franci…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1212991 Composed by Francis Scott Key and John Stafford Smith. Arranged by Alex Nunes Rodrigues. Patriotic,Traditional. Individual part. 1 pages. Alex Rodrigues #810190. Published by Alex Rodrigues (A0.1212991). The sheet music for The Star-Spangled Banner is a musical composition that became the national anthem of the United States of America. The music was written by Francis Scott Key in 1814, during the War of 1812, when he witnessed the Battle of Fort McHenry in Baltimore, Maryland. The music is known for its catchy melody and patriotic lyrics, which celebrate the bravery and resilience of the American people during times of war. The sheet music of The Star-Spangled Banner is an iconic symbol of the American nation.
$1.99
1.82 €
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Trompette
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Francis Scott Key and John Stafford Smith
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Alex Nunes Rodrigues
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THE STAR-SPANGLED BANNER
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Alex Rodrigues
#
SheetMusicPlus
THE STAR-SPANGLED BANNER
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1212992 Composed by Franci…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1212992 Composed by Francis Scott Key and John Stafford Smith. Arranged by Alex Nunes Rodrigues. Patriotic,Traditional. Individual part. 1 pages. Alex Rodrigues #810191. Published by Alex Rodrigues (A0.1212992). The sheet music for The Star-Spangled Banner is a musical composition that became the national anthem of the United States of America. The music was written by Francis Scott Key in 1814, during the War of 1812, when he witnessed the Battle of Fort McHenry in Baltimore, Maryland. The music is known for its catchy melody and patriotic lyrics, which celebrate the bravery and resilience of the American people during times of war. The sheet music of The Star-Spangled Banner is an iconic symbol of the American nation.
$1.99
1.82 €
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Trompette
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Francis Scott Key and John Stafford Smith
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Alex Nunes Rodrigues
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THE STAR-SPANGLED BANNER
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Alex Rodrigues
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Down By the Riverside
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.951571 Composed by Traditional. A…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.951571 Composed by Traditional. Arranged by Travis Hayman. Spiritual. Individual part. 8 pages. Travis Hayman #6264837. Published by Travis Hayman (A0.951571). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a African American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more.
$5.00
4.57 €
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Trompette
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Traditional
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Travis Hayman
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Down By the Riverside
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Travis Hayman
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SheetMusicPlus
Bohm: Calm as the Night for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl B…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549412 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493713. Published by jmsgu3 (A0.549412). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.64 €
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Trompette
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Carl Bohm
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James M
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Bohm: Calm as the Night for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Christmas Time Is Here
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.627147 Composed by Vince Guarald…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.627147 Composed by Vince Guaraldi. Arranged by Stephen DeCesare. Children,Christmas,Contemporary,Film/TV,Jazz. Score and part. 6 pages. Exultet Music #5955215. Published by Exultet Music (A0.627147). The popular Christmas song written by Lee Mendelson and Vince Guaraldi for the 1965 TV special A Charlie Brown Christmas has now been arranged for a Bb-Trumpet solo with Piano accompaniment. Accessible for any school or concert setting. .
$4.99
4.56 €
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Trompette
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Vince Guaraldi
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Stephen DeCesare
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Christmas Time Is Here
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Exultet Music
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SheetMusicPlus
Holy Is His Name
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.626344 Composed by John Michael …
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.626344 Composed by John Michael Talbot. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 12 pages. Exultet Music #5710811. Published by Exultet Music (A0.626344). The beautiful hymn by John Michael Talbot which is based on the Magnificat has now been freshly arranged for a Bb-Trumpet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.56 €
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Trompette
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John Michael Talbot
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Stephen DeCesare
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Holy Is His Name
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Exultet Music
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SheetMusicPlus
Thomas Morley : Now Is the Month of Maying (Voici venu le mois de mai)
Trompette
Téléchargez la partition Trompette Now Is the Month of Maying (Voici venu le…
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Téléchargez la partition Trompette Now Is the Month of Maying (Voici venu le mois de mai) de Morley. Partition pour Trompette avec piano d‘accompagnement -- Classique
1.99 €
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Trompette
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Thomas Morley
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Now Is the Month of Maying
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Tomplay
"Air - on the G string" (Bach) - Beautiful EASY version for SOLO TRUMPET (with chord symbols).
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507090 Composed by Johann…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507090 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Christmas,Classical,Traditional,Wedding. Individual part. 2 pages. Iury Cardoso #1082479. Published by Iury Cardoso (A0.1507090). Beautiful easy SOLO TRUMPET in Bb arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and this arrangement adapts the original piece into an easier version for SOLO TRUMPET and presents an easy-to-follow score to be played by music students. The chord symbols are present in the sheet music, allowing the trumpet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Solo version with piano accompaniment available: On this site, there is a version of this same arrangement with the piano accompaniment. - Other versions available: On this site, there is also a version of this arrangement for BRASS QUARTET/QUINTET (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for trumpet air on the G string bach easy trumpet solo Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music easy air on the G string for trumpet easier air on the G string for trumpet air bach solo trumpet sheet music air bach easy trumpet and piano air bach for solo trumpet air on the G string bach easy trumpet easy air on the G string for solo trumpet easier air on the G string for trumpet solo air bach easy trumpet and piano air on the G string trumpet for beginners easy solo trumpet air bach but on trumpet air on the G string bach solo trumpet version air on the G string bach easy trumpet arrangement air bach trumpet solo best arrangement easy trumpet baroque sheet music easy solo trumpet air bach easier version air on the G string sheet music air bach best arrangement for trumpet air on the G string arrangement for solo trumpet air bach for easy solo trumpet easy baroque sheet music for trumpet solo easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for solo trumpet easy air bach sheet music easy version of Air on the G string for solo trumpet easy air bach trumpet sheet music bach easy trumpet air for trumpet beginners bach for trumpet students air bach best easy arrangement for solo trumpet air bach easy version for trumpet bach easy sheet music for trumpet bach best easy arrangement for trumpet bach arrangement for solo trumpet bach for trumpet in Bb.
$4.99
4.56 €
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Trompette
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for SOLO TRUMPET.
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507095 Composed by Johann…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507095 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Christmas,Classical,Traditional,Wedding. Individual part. 2 pages. Iury Cardoso #1082485. Published by Iury Cardoso (A0.1507095). Beautiful easy SOLO TRUMPET in Bb arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and this arrangement adapts the original piece into an easier version for SOLO TRUMPET and presents an easy-to-follow score to be played by music students. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website (allowing the trumpet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece). - Solo version with piano accompaniment available: On this site, there is a version of this same arrangement with the piano accompaniment. - Other versions available: On this site, there is also a version of this arrangement for BRASS QUARTET/QUINTET (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for trumpet air on the G string bach easy trumpet solo Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music easy air on the G string for trumpet easier air on the G string for trumpet air bach solo trumpet sheet music air bach easy trumpet and piano air bach for solo trumpet air on the G string bach easy trumpet easy air on the G string for solo trumpet easier air on the G string for trumpet solo air bach easy trumpet in Bb and piano air on the G string trumpet for beginners easy solo trumpet air bach but on trumpet air on the G string bach solo trumpet version air on the G string bach easy trumpet arrangement air bach trumpet solo best arrangement easy trumpet baroque sheet music easy solo trumpet air bach easier version air on the G string sheet music air bach best arrangement for trumpet air on the G string arrangement for solo trumpet air bach for easy solo trumpet easy baroque sheet music for trumpet solo easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for solo trumpet easy air bach sheet music easy version of Air on the G string for solo trumpet easy air bach trumpet sheet music bach easy trumpet in Bb air for trumpet beginners bach for trumpet students air bach best easy arrangement for solo trumpet air bach easy version for trumpet bach easy sheet music for trumpet bach best easy arrangement for trumpet bach arrangement for solo trumpet bach for trumpet in Bb.
$4.99
4.56 €
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Trompette
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
Jazz, The Language of Music - for Trumpet
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony Benade (A0.809105). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a jazz musician who has performed and studied jazz for many years. It is a study that may take some time but if you wish to learn this subject in a manner in which it was performed by the jazz greats of yesteryear, then you must dedicate yourself to the task at hand. Achieving your goal will depend on how much you put into your effort. For a short time, the introductory price will be $40.00 dollars. That is 20% less than buying the above mentioned books individually. The normal price will be $45.00.
$45.00
41.14 €
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Trompette
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Tony Benade
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Jazz, The Language of Music - for Trumpet
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Tony Benade
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SheetMusicPlus
Love Theme (Tema D'amore)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.1474829 Composed by Andrea Morric…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.1474829 Composed by Andrea Morricone and Ennio Morricone. Arranged by Hollywood Charts. Classical,Film/TV. Individual part. 2 pages. Hollywood Charts #1052447. Published by Hollywood Charts (A0.1474829). Experience the enchanting beauty of Ennio Morricone's timeless Love Theme from Cinema Paradiso with this meticulously crafted lead sheet for Trumpet. This piece, renowned for its hauntingly beautiful melody and emotional depth, is a favorite among musicians and film lovers alike. The theme captures the essence of love, nostalgia, and the bittersweet moments of life, making it a perfect addition to any repertoire.Our lead sheet transcription includes the essential elements needed to bring this masterpiece to life: the melody line, chord symbols, and lyrics. Designed for intermediate to advanced musicians, this sheet music provides a clear and accurate representation of Morricone's exquisite composition, allowing you to perform with confidence and expression.Whether you're preparing for a performance, looking to enhance your collection, or simply wish to enjoy playing one of cinema's most beloved themes, this lead sheet will serve as an invaluable resource. Let the Love Theme from Cinema Paradiso transport you to a world of romance and reminiscence, and add a touch of cinematic magic to your musical journey.
$4.99
4.56 €
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Trompette
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Andrea Morricone and Ennio Morricone
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Hollywood Charts
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Love Theme
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Hollywood Charts
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SheetMusicPlus
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