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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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Piano seul
4214
Piano, Voix
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Piano Facile
1486
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745
Instruments en Do
479
Orgue
385
1 Piano, 4 mains
193
Accompagnement Piano
127
Piano Trio: piano, violon, violoncelle
126
Accordéon
84
2 Pianos, 4 mains
47
Piano grosses notes
30
Orgue, Trompette (duo)
20
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano (partie séparée)
18
Clavecin
14
Orgue, Piano (duo)
11
Piano Quatuor: piano, 2 violons, violoncelle
11
Clavier
3
Instrument seul et Orgue
2
2 Pianos, 8 mains
2
Accordéon, Voix
1
2 Accordéons
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GUITARES
Guitare
494
Guitare notes et tablatures
435
Ligne De Mélodie, (Paroles) et Accords
199
Ukulele
156
2 Guitares (duo)
56
Paroles et Accords
40
Basse electrique
36
Guitare (partie séparée)
31
4 Guitares (Quatuor)
21
Mandoline
20
Dulcimer
19
Piano, Guitare (duo)
19
Banjo
17
Ensemble de guitares
9
3 Guitares (trio)
8
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Guitare, Quatuor à cordes
2
Mandoline, Piano (duo)
2
Ensemble de Ukulélés
1
Basse électrique (partie séparée)
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
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Chorale SATB
2530
Chorale Unison
689
Chorale 3 parties
506
Chorale 2 parties
312
Chorale TTBB
262
Chorale SSAA
206
Voix duo, Piano
71
Voix Soprano, Piano
48
Voix duo
45
Voix haute
45
Voix seule
29
Voix Baryton, Piano
23
Chorale
21
Voix Tenor, Piano
19
Voix moyenne, Piano
15
Voix Alto, Piano
13
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
5
Chorale SSATB
5
Voix Soprano
5
Voix basse, Piano
4
Voix Tenor
4
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Voix basse
3
Chorale SSAB a cappella
2
Chorale SATBB
2
Chorale SSATTB
1
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Chorale SSATBB
1
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VENTS
Flûte traversière et Piano
552
Quatuor de Saxophones: 4 saxophones
496
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
482
Hautbois, Piano (duo)
403
2 Saxophones (duo)
374
Clarinette et Piano
370
Flûte, Hautbois, Clarinette, Basson
347
Saxophone Alto et Piano
329
Clarinette
308
Quatuor de Clarinettes: 4 clarinettes
307
Flûte traversière
256
2 Flûtes traversières (duo)
253
2 Clarinettes (duo)
240
Quintette de Saxophone: 5 saxophones
207
Saxophone Tenor et Piano
199
Saxophone Alto
198
Saxophone (partie séparée)
192
Saxophone Soprano et Piano
157
Saxophone Tenor
143
Quatuor de Flûtes : 4 flûtes
128
3 Saxophones (trio)
127
Ensemble de saxophones
124
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
110
Flûte, Clarinette (duo)
103
Hautbois (partie séparée)
103
Cor anglais, Piano
99
Saxophone Baryton, Piano
97
Clarinette, Violon (duo)
94
3 Clarinettes (trio)
86
Ensemble de Flûtes
82
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Quintette de Clarinettes: 5 clarinettes
70
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
63
Hautbois, Basson (duo)
62
Flûte, Violon
61
Flûte et Guitare
60
Clarinette (partie séparée)
53
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Alto (duo)
35
Flûte, Clarinette et Basson
35
2 Flûtes traversières, Piano
35
Flûte, Violon et Violoncelle
30
Quatuor de Flûtes à bec
30
Flûte à bec Soprano
29
Saxophone Soprano
29
Flûte, Hautbois, Basson
28
Flûte, Violoncelle
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Flute (partie séparée)
24
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Flûte à bec Soprano, Piano
20
Flûte, Violon, Piano
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Clarinette, Violoncelle (duo)
20
Clarinette, Guitare (duo)
19
Flûte à Bec
18
Flûte à bec Alto, Piano
16
Flûte à bec Alto
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Ocarina
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Harmonica
13
2 Clarinettes, Basson
12
Flûte, Hautbois (duo)
12
Flûte, Clarinette, Piano (trio)
10
Piccolo, Piano
10
Cor Anglais
9
Clarinette, Harpe (duo)
9
Hautbois
9
3 Flûtes à bec (trio)
9
2 Saxophones, Piano
8
2 Clarinettes, Piano
7
Hautbois, violon (duo)
7
3 Hautbois
7
Hautbois, Violoncelle
7
Flûte à Bec, Piano
7
Flûte, Harpe et Violoncelle
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Flûte à bec Tenor
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone et Guitare
6
Saxophone, Basson (duo)
5
Flûte, Hautbois, Piano (trio)
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Hautbois, Guitare (duo)
5
Ensemble De Flûte à bec
5
Piccolo
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Cor anglais, Guitare (duo)
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5 Flûtes à bec
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2 Cors Anglais Et Pianoforte
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Flûte irlandaise
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Flûte, Basson et Piano
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Flûte, Trombone (duo)
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Cornemuse
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Saxophone
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Clarinette, Trombone (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Hautbois, Harpe
4
Flute, harpe et violon
3
2 Hautbois et Basson
3
Saxophone et Orgue
3
Flûte traversière, Orgue (duo)
3
Flûte traversière, Basse continue
3
Hautbois et alto (duo)
3
Ensemble à vent
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, alto et harpe
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Flûte à bec Alto, Basse continue
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Instruments en Mib
2
Saxophone Baryton
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Saxophone et Harpe
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Flûte, Hautbois, Violon
2
Flute, Cor (duo)
1
Saxophone, Violon (duo)
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Clarinette, Alto et Piano (trio)
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4 Hautbois
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
Flûte à bec, Guitare (duo)
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Clarinette, Contrebasse (duo)
1
Flûte de Pan
1
Clarinette, Orgue
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Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Melodica
1
2 Flûtes à bec, Guitare
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Saxophone et violoncelle
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Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
666
Quatuor de Cuivres : 2 trompettes, trombone, tuba
418
Trompette
276
Trombone et Piano
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Trompette, Piano
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Cor et Piano
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Trombone
150
Euphonium, Piano (duo)
121
2 Trombones (duo)
118
2 Trompettes (duo)
113
Trompette (partie séparée)
108
Ensemble de Trompettes
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Cor anglais, Piano
99
Quatuor de Cuivres
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Trompette, Saxophone (duo)
90
Cor
84
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Ensemble de Trombones
73
Trompette, Trombone (duo)
68
2 Cors (duo)
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Tuba
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Quatuor de cuivres: 4 cors
35
Cor (partie séparée)
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3 Trombones (trio)
28
Tuba (partie séparée)
24
2 Tubas (duo)
20
Trompette, Cor (duo)
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Trio de Cuivres
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2 Euphoniums et 2 Tubas
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Ensemble de Cors
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3 Trompettes (trio)
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Quatuor de cuivres: 4 trompettes
13
Euphonium, Tuba (duo)
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Euphonium
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Tuba et Orgue
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Cor Anglais
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Bass Clef Instruments
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Cor et Harpe
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4 Tubas
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3 Tubas (trio)
6
Trombone, Orgue
6
Trompette, violon (duo)
6
Cor anglais, Guitare (duo)
5
Trompette, Harpe
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2 Cors Anglais Et Pianoforte
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2 Euphoniums (duo)
4
3 Cors (trio)
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Trombone basse et Piano
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Trombone, Violon (duo)
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2 Trompettes, Clavier (piano ou orgue)
4
Trompette, Basson (duo)
3
Trombone, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Instruments en Sib
3
Clarinette, Cor (duo)
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Trombone basse
3
Trombone, Cor (duo)
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Cor, Violoncelle (duo)
3
Trombone, violoncelle (duo)
2
Trompette, Trombone, Piano
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Cornet A Pistons
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Cor et Orgue
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Ensemble de Tubas
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Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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Trombone et orchestre
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1386
Violon et Piano
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471
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298
Violon, Violoncelle (duo)
287
2 Violons (duo)
272
Harpe
234
Trio à Cordes: violon, alto, violoncelle
204
2 Violoncelles (duo)
184
Violon (partie séparée)
135
Violon, Alto (duo)
129
Alto seul
128
2 Altos (duo)
117
Trio à Cordes: 2 violons, violoncelle
111
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
83
2 Harpes (duo)
74
Contrebasse, Piano (duo)
64
Contrebasse (partie séparée)
56
Contre Basse
52
4 Violoncelles
52
Alto, Violoncelle (duo)
48
Trio à cordes: 3 violins
42
Violon, Guitare (duo)
35
Violoncelle (partie séparée)
34
Trio à Cordes: 3 violoncelles
33
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
21
Ensemble de Violons
19
Harpe, Flûte (duo)
19
Piano Trio: Violon, Alto, Piano
18
Ensemble d'Altos
18
Violoncelle , Guitare (duo)
16
Trio à Cordes: 2 violons, alto
13
Trio à cordes: 3 altos
12
2 Violons, Piano
12
Alto, Guitare (duo)
12
Harpe, Violon (duo)
11
2 Contrebasses (duo)
10
Violon, Basson (duo)
10
Harpe, Violoncelle (duo)
10
Quatuor à cordes : 4 altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
6
Harpe, Voix
5
Trio à cordes
5
4 Contrebasses
5
Alto et Harpe
4
Violon, Basse continue
4
Flûte, Contrebasse (duo)
4
Violon, Orgue
3
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
Harpe et Piano
2
Autoharp
2
3 Contrebasses
2
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
Violoncelle, Basse continue
1
Harpe (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
4 Harpes
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3383
Orchestre à Cordes
966
Orchestre
666
Ensemble de cuivres
383
Orchestre de chambre
234
Ensemble Jazz
211
Cloches
189
Jazz combo
64
Ensemble de Percussions
43
Percussion (partie séparée)
37
Fanfare
30
Batterie
27
Batterie (partie séparée)
25
Marimba
14
Vibraphone
10
Xylophone, Piano
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Caisse Claire
2
Cajon
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Bongos
2
Marimba, Piano (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentation Flexible
1
Ensemble d'École
1
Vibraphone et Marimba
1
Conga
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Luther: Out of the Depths for Trumpet & Piano
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.59 €
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Trompette
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.84 €
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.59 €
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Folk Fill in the Blank
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. A…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.750322 Composed by Traditional. Arranged by Eddie Lewis. Children,Folk. Individual part. 118 pages. Tiger Music #4984157. Published by Tiger Music (A0.750322). This is the first book of its kind! What began as a fun activity for my trumpet students has turned into a wonderful resource to improve their trumpet playing. Trumpet Folk Fill in the Blank is a book of thirty folk songs and nursery rhymes. Each song is presented first in an easy key, like C, F or G. Then it is transposed to other keys and certain strategic notes are left out. Those notes are replaced by question marks. The students are to practice the first version of the song until they get the sound of the melody in their ears. After they master the first version, then they are ready to play the fill in the blank versions of the songs in other keys. We use a total of seven key signatures in this book, up to three flats and three sharps. Any student who knows their scales up to three flats and three sharps should have a lot of fun playing these fill in the blank songs. Benefits of playing the fill in the blank songs include ear training, finger technique, sight reading, phrasing and tone.
$27.90
25.26 €
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Trompette
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Traditional
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Eddie Lewis
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Trumpet Folk Fill in the Blank
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Tiger Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.35 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.35 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.4 €
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Trompette
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The Clarke Variations
Trompette
Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
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15.35 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
I Write The Songs
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. …
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.18 €
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Here Comes The Sun
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318227. Published by David McKeown (A0.588333). Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.This full version of Here Comes the Sun is arranged in a suitable key and range for solo Trumpet. Chord symbol accompaniment in concert pitch is included above the stave.This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.52 €
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Trompette
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The Beatles
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David McKeown
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Here Comes The Sun
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David McKeown
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SheetMusicPlus
My First Concert
Trompette
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.61 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trompette
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.39 €
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Trompette
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Three Images from the Hubble Telescope
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Co…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00
9.06 €
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Trompette
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Amy Dunker
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Three Images from the Hubble Telescope
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Amy Dunker
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SheetMusicPlus
I'll Be There
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #872159. Published by MP Sheet Music (A0.1280818). I'll Be There is the first single released from the Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.The song was recorded by The Jackson 5 and released by Motown Records on August 28, 1970. Produced by the songwriters, I'll Be There was The Jackson 5's fourth number-one hit in a row (after I Want You Back in 1969, ABC and The Love You Save earlier in 1970), making them the first group to have their first four singles reach number one and the first black male group with four consecutive number-one pop hits. I'll Be There is also notable as the most successful single released by Motown during its Detroit era (1959–72). In 2011, the song was inducted into the Grammy Hall of Fame.
$4.99
4.52 €
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Trompette
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Mariah Carey
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Leo Silva
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I'll Be There
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MP Sheet Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.17 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.17 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Classic Christmas Songs (Trumpet) - The "Boughs of Holly" Series
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.796178 Arranged by Christopher Es…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.796178 Arranged by Christopher Esther. Christmas. Individual part. 21 pages. Christopher Esther #6129723. Published by Christopher Esther (A0.796178). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!
$9.99
9.05 €
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Trompette
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Christopher Esther
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Classic Christmas Songs
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Christopher Esther
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SheetMusicPlus
The Jazz Method (in A Flat)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1173613 By Wesley Besancon…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1173613 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 33 pages. Wesley Besancon #773760. Published by Wesley Besancon (A0.1173613). Does your band ever struggle with jazz? Do you ever struggle with jazz? Has any of your friends stuggled with jazz? If you said yes to any of these, then I would recommend the First Place For Jazz book by Dean Sorenson. But I have seen one problem. They do not dicuss A flat! A flat is a crucial key in jazz. So I have extended his book with 4 new orginal pieces in A flat. 1. (major)2. (mixolydian)3. (dorian)4. (blues).
$19.99
18.1 €
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Trompette
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Wesley Besancon
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Wesley Besancon
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The Jazz Method
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Wesley Besancon
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SheetMusicPlus
The Winner Takes It All
Trompette
Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjor…
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Trumpet Solo - Digital Download SKU: A0.503386 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 2 pages. Published by Antônio S. Fernandes (A0.503386). The Winner Takes It All is a song recorded by the Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper, it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track Elaine. The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal. The, Winner, Takes, It, All, ABBA, Gold, sheet, music, Trumpet, The Winner Takes It All - ABBA Gold (sheet music) Trumpet #TheWinnerTakesItAll #ABBA #Trumpet.
$5.00
4.53 €
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Trompette
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ABBA
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Antônio S
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The Winner Takes It All
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Antônio S. Fernandes
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SheetMusicPlus
Pancho, the Parrot - trumpet/piano
Trompette
Piano,Trumpet - Level 1 - Digital Download SKU: A0.844395 Composed by Folk. Arrange…
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Piano,Trumpet - Level 1 - Digital Download SKU: A0.844395 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phil Beaman #3015645. Published by Phil Beaman (A0.844395). This is a setting of a Guatemalan folk song designed to be the first 'recital piece' after just a few weeks of learning. Solo part covers the range of 1 octave of the first learned notes of that instrument. Beginning students will appreciate the repeated notes before you have to find the next one. There is a lilting piano accompaniment with fresh descriptive harmony, especially those occasionally dissonant chords when the parrot squawks! A short piece of just 20 bars (but has a full repeat), it comes with the full score plus instrument solo part. Also available for many other basic instruments. Great fun piece for lessons or the classroom to mark those first successful notes.
$2.99
2.71 €
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Trompette
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Folk
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Phil Beaman
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Pancho, the Parrot - trumpet/piano
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Phil Beaman
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.587750 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839889. Published by David McKeown (A0.587750). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Trumpet and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.17 €
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Trompette
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Trumpet and Piano
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David McKeown
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SheetMusicPlus
The First Noel-v2 (Arrangements Level 1-3 for TRUMPET + Written Acc)
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.875009 Composed by W Sandy's Chri…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.875009 Composed by W Sandy's Christmas Carols. Arranged by Dr Jerry Nelson. Baroque,Christian,Christmas,Sacred. Individual part. 5 pages. Jerry Nelson #3680685. Published by Jerry Nelson (A0.875009). This arrangement moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the dramatic Orchestral Accompaniment Track (#SO.425265) - 2:10Share your find with your friends! Jerry Nelson now presents his finest Christmas arrangements in a variety of styles. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track!
$4.99
4.52 €
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Trompette
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W Sandy's Christmas Carols
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Dr Jerry Nelson
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The First Noel-v2
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Jerry Nelson
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SheetMusicPlus
Gabriel: His Eye Is On The Sparrow for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548768 Composed by Gabrie…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548768 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416337. Published by jmsgu3 (A0.548768). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
22.59 €
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Trompette
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Gabriel
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James M
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Gabriel: His Eye Is On The Sparrow for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Trompette
B-Flat Trumpet Solo - Digital Download SKU: A0.1154111 By Tony Bennett. By Bart How…
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B-Flat Trumpet Solo - Digital Download SKU: A0.1154111 By Tony Bennett. By Bart Howard. Arranged by Fabio Eduardo de Oliveira. Jazz,Standards. Individual part. 2 pages. Fabio Eduardo #754384. Published by Fabio Eduardo (A0.1154111). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadFly Me to the Moon, originally titled In Other Words, is a song written in 1954 by Bart Howard. The first recording of the song was made in 1954 by Kaye Ballard. Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon. In 1999, the Songwriters Hall of Fame honored Fly Me to the Moon by inducting it as a Towering Song.
$4.99
4.52 €
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Trompette
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Tony Bennett
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Fabio Eduardo de Oliveira
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Fly Me To The Moon
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Fabio Eduardo
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SheetMusicPlus
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