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163
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32
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148
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74
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36
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32
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31
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28
Euphonium, Piano (duo)
27
Quatuor de Cuivres
24
Trompette, Trombone (duo)
23
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22
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22
2 Cors (duo)
14
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12
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9
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9
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Alto seul
61
Quintette à cordes: 2 violons, alto, violoncelle, basse
56
2 Violons (duo)
49
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45
Contre Basse
39
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39
Trio à Cordes: violon, alto, violoncelle
38
2 Violoncelles (duo)
33
Trio à Cordes: 2 violons, violoncelle
32
Harpe
24
2 Altos (duo)
24
Alto (partie séparée)
15
Violon (partie séparée)
14
2 Harpes (duo)
12
Contrebasse (partie séparée)
12
Piano Trio: Violon, Alto, Piano
9
Alto, Violoncelle (duo)
7
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7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
5
Harpe, Voix
5
Violon, Clarinette, Piano (trio)
5
Ensemble d'Altos
5
Violoncelle, Basse continue
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
4 Violoncelles
3
Trio à cordes: 3 violins
3
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
2
2 Altos, Piano
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
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Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violon, Tuba (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
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Flûte, Contrebasse (duo)
1
Alto et Basson
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Alto, Orgue
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Violoncelle, Orgue
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Harpe, Violon, Violoncelle
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Orchestre d'harmonie
791
Orchestre
173
Orchestre à Cordes
103
Ensemble Jazz
68
Cloches
66
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50
Ensemble de cuivres
43
Jazz combo
41
Fanfare
22
Batterie
21
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11
Marimba
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6
Vibraphone et Marimba
3
Percussion (partie séparée)
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Xylophone, Piano
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Xylophone
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Marimba, Piano (duo)
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549586 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511285. Published by jmsgu3 (A0.549586). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trumpet & Piano
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.55 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.55 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.88 €
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Trompette
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Martin Luther
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James M
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Luther: Out of the Depths for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Tradit…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
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Trompette
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Traditional
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James M
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The First Noel for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Love Theme (Tema D'amore)
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.1474829 Composed by Andrea Morric…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.1474829 Composed by Andrea Morricone and Ennio Morricone. Arranged by Hollywood Charts. Classical,Film/TV. Individual part. 2 pages. Hollywood Charts #1052447. Published by Hollywood Charts (A0.1474829). Experience the enchanting beauty of Ennio Morricone's timeless Love Theme from Cinema Paradiso with this meticulously crafted lead sheet for Trumpet. This piece, renowned for its hauntingly beautiful melody and emotional depth, is a favorite among musicians and film lovers alike. The theme captures the essence of love, nostalgia, and the bittersweet moments of life, making it a perfect addition to any repertoire.Our lead sheet transcription includes the essential elements needed to bring this masterpiece to life: the melody line, chord symbols, and lyrics. Designed for intermediate to advanced musicians, this sheet music provides a clear and accurate representation of Morricone's exquisite composition, allowing you to perform with confidence and expression.Whether you're preparing for a performance, looking to enhance your collection, or simply wish to enjoy playing one of cinema's most beloved themes, this lead sheet will serve as an invaluable resource. Let the Love Theme from Cinema Paradiso transport you to a world of romance and reminiscence, and add a touch of cinematic magic to your musical journey.
$4.99
4.58 €
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Trompette
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Andrea Morricone and Ennio Morricone
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Hollywood Charts
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Love Theme
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Hollywood Charts
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SheetMusicPlus
Close The Door Bb Trumpet Score
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1458868 By Andrew McDonald…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1458868 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christian,Pop. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #1037804. Published by Andrew Mc Donald (Macka Records) (A0.1458868). Close The Door is a song about going to your room and praying on your knees. Life gets busy and hecticso it is a good idea to get away from the crazy, the kids and the job, and close the door behind you in order to pray. Then your Father in heaven who sees will reward you with answered prayers. This song features the Bb Trumpet and this is it's trumpet score.
$2.99
2.74 €
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Trompette
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Andrew McDonald
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Andrew McDonald
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Close The Door Bb Trumpet Score
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Andrew Mc Donald
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SheetMusicPlus
Over The Rainbow
Trompette
B-Flat Trumpet Solo - Digital Download SKU: A0.1327784 By Judy Garland. By E.Y. Yip…
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B-Flat Trumpet Solo - Digital Download SKU: A0.1327784 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Benzaiten Editions. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter. Individual part. 1 pages. Benzaiten Editions #915825. Published by Benzaiten Editions (A0.1327784). Hey! Do you want to learn how to play The Wizard of Oz for trumpet solo? It's your lucky day! 🎵Over the Rainbow • The Wizard of Oz • Judy Garland / Dorothy | trumpet sheet music with chords Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Harold Arlen's Over the Rainbow from The Wizard of Oz soundtrack for trumpet solo sheet music with chords About the song Over the Rainbow is a musical gem by Harold Arlen, enchanting audiences since its debut in the iconic film The Wizard of Oz. The song, sung by Judy Garland's character Dorothy, has become an enduring symbol of hope and dreams.With our arrangement of this song you can bring this classic melody to life and add your own musical magic to its rich legacy. Prepare to explore the captivating melody of Over the Rainbow and let your musicality breathe life into this iconic tune! 🌈
$4.99
4.58 €
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Trompette
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Judy Garland
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Benzaiten Editions
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Over The Rainbow
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Benzaiten Editions
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SheetMusicPlus
Over The Rainbow
Trompette
B-Flat Trumpet Solo - Digital Download SKU: A0.1327783 By Judy Garland. By E.Y. Yip…
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B-Flat Trumpet Solo - Digital Download SKU: A0.1327783 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Benzaiten Editions. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter. Individual part. 1 pages. Benzaiten Editions #915824. Published by Benzaiten Editions (A0.1327783). Hey! Do you want to learn how to play The Wizard of Oz for trumpet solo? It's your lucky day! 🎵Over the Rainbow • The Wizard of Oz • Judy Garland / Dorothy | trumpet sheet music Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Harold Arlen's Over the Rainbow from The Wizard of Oz soundtrack for trumpet solo sheet music About the song Over the Rainbow is a musical gem by Harold Arlen, enchanting audiences since its debut in the iconic film The Wizard of Oz. The song, sung by Judy Garland's character Dorothy, has become an enduring symbol of hope and dreams.With our arrangement of this song you can bring this classic melody to life and add your own musical magic to its rich legacy. Prepare to explore the captivating melody of Over the Rainbow and let your musicality breathe life into this iconic tune! 🌈
$4.99
4.58 €
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Trompette
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Judy Garland
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Benzaiten Editions
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Over The Rainbow
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Benzaiten Editions
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SheetMusicPlus
The Boy And The Heron
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1418146 By Joe Hisaishi. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1418146 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Individual part. 2 pages. Glauco Fernandes #999699. Published by Glauco Fernandes (A0.1418146). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$4.99
4.58 €
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Trompette
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Joe Hisaishi
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the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
The Boy And The Heron
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1418145 By Joe Hisaishi. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1418145 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Individual part. 2 pages. Glauco Fernandes #999698. Published by Glauco Fernandes (A0.1418145). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$4.99
4.58 €
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Trompette
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Joe Hisaishi
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the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself
#
Glauco Fernandes
#
The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
Beauty And The Beast
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1307631 By Celine Dion & P…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1307631 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Wedding. Individual part. 2 pages. Glauco Fernandes #896892. Published by Glauco Fernandes (A0.1307631). Trumpet Score - Beauty And The Beast (with Chord Notations)Embark on a musical journey with our easy arrangement for trumpet of the iconic song Beauty And The Beast. Whether you're a beginner or simply eager to play this timeless melody, this score is perfect for you!Score Highlights:- Carefully adapted arrangement for beginner-level ease.- Easy-to-understand notations for trumpet.- Chord notations for accompaniment.- One of Disney's most beloved songs in history.Whether you're a budding musician or an educator looking for engaging educational materials for your students, this score promises hours of musical delight. The enduring beauty of this classic Disney song now awaits your interpretation.Experience the joy of playing Beauty And The Beast on your trumpet, complete with chord notations for accompaniment. Download the score now to kickstart your musical journey. Allow the enchantment of Disney to fill your life and the lives of those around you.Music is the universal language of the soul. Begin your musical adventure today!Discover the magic of Beauty And The Beast with this score. Play, share, and captivate!
$4.99
4.58 €
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Trompette
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Celine Dion & Peabo Bryson
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Glauco Fernandes
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Beauty And The Beast
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Glauco Fernandes
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SheetMusicPlus
Beauty And The Beast
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1307634 By Celine Dion & P…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1307634 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Chamber,Film/TV,Instructional,Wedding. Individual part. 2 pages. Glauco Fernandes #896895. Published by Glauco Fernandes (A0.1307634). Trumpet Score - Beauty And The BeastEmbark on a musical journey with our easy arrangement for trumpet of the iconic song Beauty And The Beast. Whether you're a beginner or simply eager to play this timeless melody, this score is perfect for you!Score Highlights:- Carefully adapted arrangement for beginner-level ease.- Easy-to-understand notations for trumpet.- One of Disney's most beloved songs in history.Whether you're a budding musician or an educator looking for engaging educational materials for your students, this score promises hours of musical delight. The enduring beauty of this classic Disney song now awaits your interpretation.Experience the joy of playing Beauty And The Beast on your trumpet. Download the score now to kickstart your musical journey. Allow the enchantment of Disney to fill your life and the lives of those around you.Music is the universal language of the soul. Begin your musical adventure today!Discover the magic of Beauty And The Beast with this score. Play, share, and captivate!
$4.99
4.58 €
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Trompette
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Celine Dion & Peabo Bryson
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Glauco Fernandes
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Beauty And The Beast
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Glauco Fernandes
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SheetMusicPlus
Another Star
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.582927 By Stevie Wonder. By Stev…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.582927 By Stevie Wonder. By Stevie Wonder. Arranged by Jeff Tincher. Pop,Soul. Score and part. 94 pages. Jeff Tincher #3517333. Published by Jeff Tincher (A0.582927). This is a Bb instrument and Piano arrangement of one of Stevie Wonder's biggest hits. In the original key from his Songs in the Key of Life CD, this arrangement includes all the solos and an optional ending for live performances. This syncopated song is great for any live venue or playing along with the recording. Duration=8:36. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.49 €
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Trompette
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Stevie Wonder
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Jeff Tincher
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Another Star
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Jeff Tincher
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SheetMusicPlus
The Cup Of Life
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.951923 By Ricky Martin. By Desmon…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.951923 By Ricky Martin. By Desmond Child and Robi Rosa. Arranged by Michael Arell. Dance,Latin. Individual part. 3 pages. Michael Arell #6591215. Published by Michael Arell (A0.951923). This arrangement is the repeated chorus (a.k.a. refrain) of the 1998 FIFA World Cup theme song, as recorded by Ricky Martin. This portion of the song should be approachable for students after about a year of playing. Letter names and valve positions are included to support learning the piece.
$4.99
4.58 €
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Trompette
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Ricky Martin
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Michael Arell
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The Cup Of Life
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Michael Arell
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SheetMusicPlus
Story Of My Life
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.609360 By One Direction. By Harry…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.609360 By One Direction. By Harry Styles, Jamie Scott, John Henry Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, and Zain Malik. Arranged by Kevin Busse. Pop. Individual part. 3 pages. Kevin Busse #5358139. Published by Kevin Busse (A0.609360). This is an exact transcription of Story Of My Life in the easy key of C with lyrics for Trumpet.
$4.99
4.58 €
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Trompette
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One Direction
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Kevin Busse
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Story Of My Life
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Kevin Busse
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SheetMusicPlus
Story Of My Life
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.609326 By One Direction. By Harry…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.609326 By One Direction. By Harry Styles, Jamie Scott, John Henry Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, and Zain Malik. Arranged by Kevin Busse. Pop. Individual part. 3 pages. Kevin Busse #5355955. Published by Kevin Busse (A0.609326). This is an exact transcription of Story Of My Life in the original key for Trumpet.
$4.99
4.58 €
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Trompette
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One Direction
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Kevin Busse
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Story Of My Life
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Kevin Busse
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SheetMusicPlus
Saint-Saens: The Swan for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549122 Composed by Camill…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549122 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452277. Published by jmsgu3 (A0.549122). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$32.95
30.22 €
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Trompette
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549523 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504679. Published by jmsgu3 (A0.549523). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.22 €
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Trompette
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
The Last Rose of Summer - Trumpet
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.1494266 Composed by Thomas Moore.…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.1494266 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070870. Published by Alex Rodrigues (A0.1494266). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.58 €
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Trompette
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Trumpet
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Trumpet with chords
Trompette
Trumpet Solo - Level 1 - Digital Download SKU: A0.1494262 Composed by Thomas Moore.…
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Trumpet Solo - Level 1 - Digital Download SKU: A0.1494262 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070867. Published by Alex Rodrigues (A0.1494262). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.58 €
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Trompette
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Trumpet with chords
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Alex Rodrigues
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SheetMusicPlus
In My Life
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.589049 By The Beatles. By John Le…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.589049 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325417. Published by David McKeown (A0.589049). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.58 €
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Trompette
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
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