Partitions Numériques de Traditional pour Trompette

Traditional

Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players
Trompette

Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird.…(+)

Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird. Arranged by Kenneth Baird Music. Instructional. Individual part. 69 pages. Kenneth Baird Music #6322401. Published by Kenneth Baird Music (A0.726446). Designed to be a companion volume to any standard intermediate band method book (books 2 and 3) or to a book of etudes, Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Player focuses on developing mastery in the keys and instrument range of what an intermediate player is likely to encounter in his or her everyday playing. The keys covered here in detail range from those with three flats to those with three sharps. Keys with more sharps or more flats are only very briefly touched upon. In addition to the usual major, minor and chromatic scales, studies on pentatonic and blues scales are also included. The book also includes interval studies, flexibilities, double and triple tonguing, range building, swing style basics, and a suggested warm-up. Additionally, several pages of technical studies inspired by H. L. Clarke's renowned book are included. Another notable feature is a section on expressive playing, including vocalises, traditional melodies, and melodies from symphonic composers.Book Contents:Key Signatures.
$7.95 7.18 € #Trompette #Kenneth Baird #Kenneth Baird Music #Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players #Kenneth Baird Music #SheetMusicPlus

Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.