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PIANO & CLAVIERS
Piano seul
279
Piano Facile
94
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
29
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
7
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3
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GUITARES
Guitare
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27
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22
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5
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3
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2
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2
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2
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1
Banjo
1
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1
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1
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VOIX
Chorale SATB
95
Chorale 2 parties
50
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26
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23
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13
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9
Voix duo
7
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6
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4
Voix moyenne, Piano
4
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4
Voix Alto, Piano
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
555
2 Clarinettes (duo)
193
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
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64
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
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43
Flûte, Saxophone (duo)
43
Clarinette et Piano
42
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39
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36
Flûte, Trompette (duo)
35
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34
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32
Saxophone Alto et Piano
30
Flûte traversière
30
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29
Flûte, Alto (duo)
28
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
26
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
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18
Saxophone Alto
18
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17
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13
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11
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11
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11
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10
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9
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9
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8
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7
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4
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4
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4
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3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
2 Flûtes traversières, Piano
2
Clarinette Basse
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Flûte à bec Tenor
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2
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Piccolo
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1
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1
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1
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Piccolo, Piano
1
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1
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1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Saxophone Soprano
1
Clarinette, Alto et Piano (trio)
1
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CUIVRES
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Ensemble de Trombones
12
Cor
11
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Quatuor de Cuivres
5
Cor Anglais
5
Tuba
5
Trompette (partie séparée)
4
2 Cors (duo)
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Cor et Harpe
2
Tuba et Piano
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trio de Cuivres
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
Trombone basse
1
Tuba et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
154
2 Altos (duo)
151
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
130
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
20
Alto seul
19
Contre Basse
7
2 Harpes (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Harpe, Voix
1
4 Contrebasses
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
170
Orchestre à Cordes
118
Orchestre
56
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
19
Ensemble de Percussions
13
Jazz combo
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
3
Xylophone
3
Xylophone, Piano
2
2 Marimbas
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Ensemble d'École
1
Fanfare
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
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A Breeze from Alabama arr Siddons Cornet Part
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00
4.51 €
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Trompette
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Scott Joplin
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James Siddons
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A Breeze from Alabama arr Siddons Cornet Part
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James Siddons Music and Writings
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064777. Published by Benjamin Sajo (A0.1018912). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Trompette
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
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Benjamin Sajo
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SheetMusicPlus
Attwood's Allegro-gigue-trumpet solo
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.844938 Composed by Phil Beaman. B…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.844938 Composed by Phil Beaman. Baroque,Classical,Concert,Instructional. Individual part. 2 pages. Phil Beaman #5999585. Published by Phil Beaman (A0.844938). The Gigue is a lively Baroque dance in compound time. This short fun piece is great for auditions, exams, or recitals as it shows your clean playing technique at Allegro tempo.
$3.99
3.6 €
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Trompette
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Phil Beaman
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Attwood's Allegro-gigue-trumpet solo
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Phil Beaman
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for TRUMPET + Written Acc) Hymn
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.875200 Composed by Grape-Mason. A…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.875200 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874543. Published by Jerry Nelson (A0.875200). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
4.5 €
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There Is A Fountain
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Jerry Nelson
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SheetMusicPlus
Trumpet & Piano - A Dinosaur suite
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.855756 Composed by Darren Lloyd.…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.855756 Composed by Darren Lloyd. Children,Concert,Contemporary,Instructional. Score and part. 19 pages. Darren Lloyd #3421633. Published by Darren Lloyd (A0.855756). A brand new piece written especially for the intermediate Trumpet player!The piece is in 3 movements with each representing a Dinosaur. Movement one is quite a jolly sounding piece, written with a Triceratops in mind!Movement two is very slow and is meant to represent a Diplodocus. Movement three is in 3/4 timeand emulates a soaring Pterodactyl! The suite is technical at some points but does not go above the stave.A great piece for any type of performance for the budding Trumpet soloist.
$4.99
4.5 €
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Darren Lloyd
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Trumpet & Piano - A Dinosaur suite
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Darren Lloyd
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SheetMusicPlus
Last Night
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1200874 By Morgan Wallen. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1200874 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Individual part. 2 pages. MP Sheet Music #799533. Published by MP Sheet Music (A0.1200874). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.
$4.99
4.5 €
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Morgan Wallen
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Leo Silva
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Last Night
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MP Sheet Music
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.69 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Michelle
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.588369 By The Beatles. By John Le…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.588369 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319325. Published by David McKeown (A0.588369). Michelle by the Beatles, was released on the 1965 album, Rubber Soul. The story goes that when John Lennon was at art school he used to invite Paul McCartney to college parties. At the time, French art culture was fashionable, and Paul McCartney used to pretend he was French despite no knowledge of the language. Later John Lennon suggested Paul should write a song recalling those times. Paul asked a friend’s wife, who happened to be a French teacher, for help with the French lyrics.This version of Michelle is arranged in the most suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are included above the stave.Musicians at an early intermediate level will find version of Michelle ideal for formal and informal concert performance. The overall performance time is a little over two minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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The Beatles
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David McKeown
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Michelle
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David McKeown
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SheetMusicPlus
Sonata For Trumpet, Horn and Organ
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Scha…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.69 €
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Thomas R
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Sonata For Trumpet, Horn and Organ
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Thomas R. Schadl
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SheetMusicPlus
In My Life
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Trumpet Solo - Level 2 - Digital Download SKU: A0.589049 By The Beatles. By John Le…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.589049 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325417. Published by David McKeown (A0.589049). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
When I'm Sixty-four
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Le…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet. Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Our God (Accompaniment Track)
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Piano,Trumpet - Digital Download SKU: A0.1051768 Composed by Stephen DeCesare. Chil…
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Piano,Trumpet - Digital Download SKU: A0.1051768 Composed by Stephen DeCesare. Children,Christian,Praise & Worship,Sacred. Accompaniment. Duration 116. Exultet Music #3743. Published by Exultet Music (A0.1051768). Joyous Contemporary Christian / Praise and Worship style hymn that is geared for a children's choir to sing at any time throughout the liturgical year. Scored for Solo, Two-Part Children's Choir, Bb-Trumpet (2), and Piano.
$3.99
3.6 €
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Stephen DeCesare
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Our God
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Exultet Music
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SheetMusicPlus
It Is Well With My Soul (with "Blessed Assurance") (for Bb-Trumpet solo and Piano)
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.626851 Composed by Philip Bliss,…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.626851 Composed by Philip Bliss, Phoebe Knapp. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 13 pages. Exultet Music #5798417. Published by Exultet Music (A0.626851). Two of the most beloved hymns in the Christian repertoire have now been joined together and scored for a Bb-Trumpet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.5 €
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Philip Bliss, Phoebe Knapp
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Stephen DeCesare
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It Is Well With My Soul
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Exultet Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.27 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.27 €
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Love Me Tender
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1118237 By Elvis Presley. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1118237 By Elvis Presley. By Elvis Presley and Vera Matson. Arranged by Leo Silva. Country,Film/TV,Folk,Pop,Rock. Individual part. 1 pages. MP Sheet Music #719752. Published by MP Sheet Music (A0.1118237). Love Me Tender is a song recorded by Elvis in 1956 and included on the soundtrack to the movie Love Me Tender and later in the singer's repertoire for the 1970 documentary Elvis: That's the Way It Is. The single debuted at number two on the Best Sellers in Stores pop singles chart, it was the first time a single had made its first appearance at this position.
$4.99
4.5 €
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Elvis Presley
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Leo Silva
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Love Me Tender
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MP Sheet Music
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SheetMusicPlus
Jesus Paid It All with Lead Me to Calvary
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B-Flat Trumpet,C Trumpet,Piano - Level 3 - Digital Download SKU: A0.1416360 Compose…
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B-Flat Trumpet,C Trumpet,Piano - Level 3 - Digital Download SKU: A0.1416360 Composed by John T. Grape and William J. Kirkpatrick. Arranged by Ken Litton. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 9 pages. Artist of Note, Inc. #997937. Published by Artist of Note, Inc. (A0.1416360). Jesus Paid It All with Lead Me to CalvaryJohn T. Grape and William J. Kirkpatrick Arranged by Ken Litton  TRUMPET & PIANO IntermediateArtist of Note, Inc.Needing a playable meditation or offertory for your next Communion/Lord’s Supper service?Just in time for your next Lord’s Supper/Communion service, two profound hymns of remembrance, perfect for any Lord’s Supper/Communion service as as well as Palm Sunday, Maundy Thursday or Good Friday.Expressively playable for intermediate level or above, Jesus Paid It All with Lead Me to Calvary is also a perfect choice for an offertory as well as a prelude to a more meditative service element/function.Parts for Bb Trumpet, C Trumpet and Piano/KeyboardAvailable where you go for the best in downloadable resources and your local music supplier including:Sheet Music DirectSheet Music PlusAlso…check out other titles from Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$4.99
4.5 €
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John T
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Ken Litton
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Jesus Paid It All with Lead Me to Calvary
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Artist of Note, Inc.
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SheetMusicPlus
Theme From "new York, New York"
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. B…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.546454 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156474. Published by MP Sheet Music (A0.546454). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
$4.99
4.5 €
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Trompette
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Frank Sinatra
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Leo Silva
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Theme From "new York, New York"
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MP Sheet Music
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SheetMusicPlus
America the Beautiful
Trompette
Trumpet - Early Intermediate - Digital Download Composed by Traditional. Arranged by …
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Trumpet - Early Intermediate - Digital Download Composed by Traditional. Arranged by Travis Hayman. Fourth of July, Recital, Patriotic, Americana. 7 pages. Published by Travis Hayman
"America the Beautiful" is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met.<br> <br> Bates originally wrote the words as a poem entitled "Pikes Peak" that was first published in the Fourth of July 1895 edition of the church periodical, The Congregationalist. It was at that time that the poem was first entitled "America".
$5.00
4.51 €
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Trompette
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Traditional
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Travis Hayman
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America the Beautiful
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Travis Hayman
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
Trompette
Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.27 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
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