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ACCORDEON
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COR
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301
Piano & claviers
Piano seul
136
Orgue
45
Piano, Voix
42
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23
Piano Facile
18
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
17
2 Guitares (duo)
9
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
3
Ensemble de guitares
1
3 Guitares (trio)
1
+ 1 instrumentations
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92
Chorale 3 parties
21
Chorale TTBB
10
Chorale 2 parties
7
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7
Chorale Unison
6
Voix haute
3
Voix Tenor, Piano
2
Voix Tenor
2
Voix Alto, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Quintette de Saxophone: 5 saxophones
61
Quatuor de Saxophones: 4 saxophones
25
Flûte traversière et Piano
22
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de saxophones
12
Clarinette et Piano
12
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11
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
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7
Saxophone Soprano et Piano
7
3 Saxophones (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Clarinette
5
Quintette de Flûte : 5 flûtes
5
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
4
3 Clarinettes (trio)
3
5 Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette Basse, Piano
3
Flûte traversière
3
2 Flûtes traversières (duo)
3
Hautbois (partie séparée)
3
2 Clarinettes (duo)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Saxophone Alto
1
Saxophone (partie séparée)
1
Piccolo, Piano
1
Harmonica
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Flûte, Basson et Piano
1
Saxophone Tenor
1
Flûte à Bec
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
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25
Trombone et Piano
9
Ensemble de Trombones
8
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Cor anglais, Piano
5
Cor et Piano
5
Cor
4
Trompette
4
Trompette, Piano
4
Ensemble de Cors
3
Tuba et Piano
3
Quatuor de Cuivres
3
Tuba
3
Trombone
2
2 Trombones (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
14
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Violon
9
Alto, Piano
8
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
5
Ensemble d'Altos
5
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
3
Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Violons (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Quatuor à cordes : 4 altos
1
Alto seul
1
Contre Basse
1
+ 25 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre
35
Ensemble de cuivres
21
Orchestre à Cordes
16
Orchestre de chambre
10
Ensemble Jazz
8
Cloches
8
Ensemble de Percussions
8
Fanfare
6
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
John D - Trumpet Solo
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Trompette
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AVANCÉ
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Court Mast
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John D - Trumpet Solo
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Court Mast
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.800674 Composed by Court Mast. 20th Century,Blues,Contest,Festival,Instructional,Jazz. Individual part. 2 pages....
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B-Flat Trumpet Solo - Level 5 - SKU: A0.800674 Composed by Court Mast. 20th Century,Blues,Contest,Festival,Instructional,Jazz. Individual part. 2 pages. Court Mast #2011115. Published by Court Mast (A0.800674). Part of the collection Ten Interesting Pieces for Trumpet. A Tower of Power-inspired funk romp which starts out easy enough, but gradually moves into deeper syncopation. The complexity increases until the very end where the performer’s fingers may fly off in a whirlwind. A single PDF file includes the transposed part for Trumpet.
$9.95
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