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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
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When I Rise
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48
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24
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18
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8
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7
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6
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1
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1
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1
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1
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2
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1
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40
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10
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6
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6
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4
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4
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1
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7
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6
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6
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5
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5
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5
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4
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
Clarinette, Violon (duo)
1
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1
Saxophone Baryton, Piano
1
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1
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1
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1
Clarinette et Alto
1
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6
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5
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4
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3
Trombone et Piano
3
Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Trompette, Trombone, Piano
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
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10
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7
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5
2 Violons (duo)
5
Violoncelle, Piano
4
Harpe, Voix
4
Alto, Piano
3
Alto seul
3
2 Altos (duo)
3
Violoncelle
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
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13
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9
Cloches
4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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FLUTE TRAVERSI…
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When I Rise
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
Ping-Pong for Trumpet Solo
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music ...
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Trumpet Solo - Level 4 - SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00
50 Greatest Hymns for Solo Trumpet
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Trompette
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FACILE
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Various
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B
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50 Greatest Hymns for Solo Tru
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Ben Dockery
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part....
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part. 54 pages. Ben Dockery #1083552. Published by Ben Dockery (A0.1508253). These fifty classic hymns have been arranged for solo B-flat trumpet. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
Surrender
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Trompette
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DÉBUTANT
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Natalie Taylor
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Josiel Oliveira
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Surrender
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.590692 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Oliveira. Multic...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.590692 By Natalie Taylor. By Jonathan Michael Howard and Natalie Ann Howard. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #199832. Published by M das Melodias (A0.590692). SMusic score Surrender for Trumpet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Natalie Taylor. We let the waters rise We drifted to survive I needed you to stay But I let you drift away My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender No one will win this time I just want you back I'm running to your side Flying my white flag, my white flag My love, where are you? My love, where are you? Whenever you're ready, whenever you're ready Whenever you're ready, whenever you're ready Can we, can we surrender? Can we, can we surrender? I surrender Ooh-ooh-oh, oh-oh I surrender.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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