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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
ASIE
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
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Non classifié
3098
PIANO & CLAVIERS
Piano grosses notes
3296
Orgue
1613
Piano seul
1014
Piano, Voix et Guitare
418
Piano Facile
279
Piano, Voix
277
Instruments en Do
63
Clavier
59
1 Piano, 4 mains
37
Accompagnement Piano
37
2 Pianos, 4 mains
31
Piano Trio: piano, violon, violoncelle
19
Piano (partie séparée)
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
4
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
Clavecin
1
2 Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Basse electrique
309
Guitare notes et tablatures
240
Guitare
134
2 Guitares (duo)
41
Guitare (partie séparée)
39
Ukulele
35
4 Guitares (Quatuor)
20
Ligne De Mélodie, (Paroles) et Accords
17
Mandoline
13
3 Guitares (trio)
9
Dulcimer
8
Banjo
7
Piano, Guitare (duo)
6
Ensemble de guitares
6
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
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VOIX
Chorale SATB
473
Chorale 3 parties
169
Chorale 2 parties
128
Chorale TTBB
63
Chorale SSAA
62
Chorale Unison
58
Voix duo, Piano
43
Voix Alto, Piano
36
Voix Tenor
26
Pack Instrumental pour Chorale
26
Voix Soprano
24
Voix Baryton, Piano
21
Voix duo
13
Voix haute
7
Voix Soprano, Piano
7
Voix seule
5
Voix Tenor, Piano
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Chorale
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
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VENTS
2 Saxophones (duo)
866
Saxophone, Clarinette (duo)
437
2 Clarinettes (duo)
386
2 Flûtes traversières (duo)
326
Clarinette, Violon (duo)
312
Clarinette, Trompette (duo)
262
Flûte, Clarinette (duo)
182
2 Hautbois (duo)
170
Clarinette et Alto
158
Hautbois, Clarinette (duo)
157
Flûte, Violon
156
Hautbois, Basson (duo)
153
Flûte, Saxophone (duo)
151
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
151
Flûte, Alto (duo)
130
Hautbois, Flûte
127
Flûte traversière et Piano
122
Quintette de Saxophone: 5 saxophones
121
Flûte, Trompette (duo)
120
Clarinette et Piano
101
Ensemble de saxophones
83
Quatuor de Saxophones: 4 saxophones
83
Saxophone Alto et Piano
79
Hautbois, Piano (duo)
75
Flûte traversière
63
Clarinette
62
Saxophone Tenor et Piano
57
Flûte, Hautbois, Clarinette, Basson
55
Ensemble de Clarinettes
52
Saxophone Soprano et Piano
52
Saxophone (partie séparée)
51
Ensemble de Flûtes
46
Quintette de Flûte : 5 flûtes
45
Quatuor de Clarinettes: 4 clarinettes
41
Flûte à Bec
38
2 Flûte à bec (duo)
35
Quatuor de Flûtes : 4 flûtes
34
Saxophone Alto
34
2 Flûtes traversières, Piano
31
Hautbois (partie séparée)
31
Flûte et Guitare
31
Quintette de Clarinettes: 5 clarinettes
24
Saxophone Tenor
23
Cor anglais, Piano
23
3 Saxophones (trio)
22
Flûte, Hautbois (duo)
19
Trio de Flûtes: 3 flûtes
19
Saxophone Baryton, Piano
18
Flûte à bec Soprano
16
Hautbois
16
Hautbois, violon (duo)
15
3 Clarinettes (trio)
15
Clarinette Basse, Piano
14
Flute (partie séparée)
11
Flûte, Clarinette, Piano (trio)
11
Harmonica
11
Flûte, Violon, Piano
11
Clarinette, Guitare (duo)
10
Clarinette, Trombone (duo)
9
Flûte, Violoncelle
8
Clarinette, Violoncelle (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Flute, harpe et violon
7
Flûte à bec Alto, Piano
6
2 Clarinettes, Piano
5
3 Flûtes à bec (trio)
5
Flûte à bec Soprano, Piano
5
Cor Anglais
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette (partie séparée)
5
Clarinette, Basson (duo)
5
Hautbois, Guitare (duo)
4
Clarinette, Harpe (duo)
4
Flûte à bec Tenor
4
Cor anglais, Guitare (duo)
3
2 Hautbois, Piano
3
Saxophone Soprano
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
3 Hautbois
2
Saxophone Baryton
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Saxophone
2
Flûte, Clarinette et Basson
2
Flûte irlandaise
2
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Instruments en Mib
1
Ocarina
1
Flûte, Violoncelle, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
2 Flûtes traversières, Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble à vent
1
Ensemble de Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble De Flûte à bec
1
Piccolo
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Flûte à Bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette, Saxophone (duo)
306
Trompette, Trombone (duo)
171
2 Trombones (duo)
170
2 Trompettes (duo)
160
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
133
Trompette
66
Trombone et Piano
64
Trompette, Piano
54
Ensemble de Trompettes
50
Ensemble de Trombones
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Trombone
36
Quatuor de Cuivres
35
Trombone (partie séparée)
35
Cor et Piano
35
Trompette (partie séparée)
31
Cor anglais, Piano
23
Euphonium, Piano (duo)
22
Cor
21
Tuba et Piano
19
Tuba
19
Quatuor de cuivres: 4 trombones
18
2 Cors (duo)
12
3 Trompettes (trio)
11
Cor (partie séparée)
11
Tuba (partie séparée)
8
2 Euphoniums (duo)
8
Trompette, Cor (duo)
6
2 Tubas (duo)
6
3 Trombones (trio)
6
Ensemble de Cors
5
Cor Anglais
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trio de Cuivres
5
Quatuor de cuivres: 4 trompettes
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Bass Clef Instruments
3
Cor anglais, Guitare (duo)
3
2 Cors, Piano
3
Trombone, Tuba (duo)
2
Euphonium
2
Cor et Harpe
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone basse
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Instruments en Sib
1
3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Harpe
568
Quatuor à cordes: 2 violons, alto, violoncelle
407
Violon, Violoncelle (duo)
334
2 Violons (duo)
199
Violon
192
2 Altos (duo)
188
Violon, Alto (duo)
185
2 Violoncelles (duo)
164
Trio à Cordes: violon, alto, violoncelle
163
Violon et Piano
163
Alto, Piano
80
Violoncelle, Piano
79
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
Violoncelle
62
Alto seul
42
Trio à Cordes: 2 violons, violoncelle
27
Harpe, Violon (duo)
25
Contrebasse, Piano (duo)
19
Contre Basse
18
2 Harpes (duo)
16
Ensemble de Violons
16
Ensemble d'Altos
16
Contrebasse (partie séparée)
14
Violon (partie séparée)
14
Trio à cordes: 3 violins
11
Alto (partie séparée)
10
4 Violoncelles
10
2 Violons, Piano
9
Violoncelle, Contrebasse (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Voix
6
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
6
Flûte, Contrebasse (duo)
5
Harpe, Flûte (duo)
5
Violon, Guitare (duo)
5
Trio à cordes: 3 altos
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle , Guitare (duo)
4
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
3
2 Violoncelles, Piano
2
3 Contrebasses
2
2 Altos, Piano
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Alto et Basson
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
536
Orchestre à Cordes
297
Ensemble Jazz
185
Orchestre
127
Cloches
90
Ensemble de cuivres
74
Orchestre de chambre
47
Fanfare
34
Jazz combo
27
Ensemble de Percussions
16
Batterie (partie séparée)
6
2 Xylophones
5
Batterie
5
Percussion (partie séparée)
5
Percussion
4
Marimba
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone
1
Timbales
1
Conga
1
Bongos
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
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You Are There
Trompette
Partitions à imprimer
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"More... Jazz Licks at Your Fingertips" for Trumpet
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.809112 Composed by Tony Benade. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809112 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573827. Published by Tony Benade (A0.809112). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.44 €
#
Trompette
#
the end of the study, you can improve on the enitre song
#
Tony Benade
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"More... Jazz Licks at Your Fingertips" for Trumpet
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Tony Benade
#
SheetMusicPlus
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.58 €
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Trompette
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Keith Terrett
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SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199249 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798312. Published by Samuel Sequeira (A0.1199249). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo trumpet in Bb with chords, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, while the chords provide a rich harmonic texture that enhances the emotional impact of the arrangement. The combination of trumpet and chords creates a full and beautiful sound that perfectly captures the essence of the song.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.57 €
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Trompette
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
When I Get There
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wa…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1199247 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #798310. Published by Samuel Sequeira (A0.1199247). When I Get There - Pink - Trumpet in BbPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted solo arrangement for trumpet in Bb, in the key of Eb Major.The trumpet part has been carefully crafted to include the vocal melody, allowing the player to fully capture the essence of the song. This solo arrangement is perfect for showcasing the beauty and versatility of the trumpet.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a trumpet player looking to perform the song or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
4.57 €
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Trompette
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Pink
#
Samuel Sequeira
#
When I Get There
#
Samuel Sequeira
#
SheetMusicPlus
There's A Place For Us
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.796668 By Carrie Underwood. By Ca…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.796668 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Gary D. Belshaw (ASCAP). Country,Pop. Individual part. 6 pages. DR GARY D BELSHAW #3392275. Published by DR GARY D BELSHAW (A0.796668). From the motion picture The Chronicles of Narnia; The Voyage of the Dawn Treader. If you loved the story and the wonderful characters, you'll want to learn to play this inspiring music. Specifically arranged for the Early Intermediate trumpeter, this is a perfect solo for concert or recital. Great for the talent show at church, school, or any social organization event. And, of course, wonderful just for your own amazement. Duration is about 1-1/2 minutes.Follow Gary D. Belshaw Music on Facebook and Twitter. Your comments are coveted.
$4.99
4.57 €
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Trompette
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Carrie Underwood
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Gary D
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There's A Place For Us
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DR GARY D BELSHAW
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SheetMusicPlus
I'll Be There
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.1280818 By Mariah Carey. By Berry Gordy Jr., Bob West, Hal Davis, and Willie Hutch. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #872159. Published by MP Sheet Music (A0.1280818). I'll Be There is the first single released from the Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.The song was recorded by The Jackson 5 and released by Motown Records on August 28, 1970. Produced by the songwriters, I'll Be There was The Jackson 5's fourth number-one hit in a row (after I Want You Back in 1969, ABC and The Love You Save earlier in 1970), making them the first group to have their first four singles reach number one and the first black male group with four consecutive number-one pop hits. I'll Be There is also notable as the most successful single released by Motown during its Detroit era (1959–72). In 2011, the song was inducted into the Grammy Hall of Fame.
$4.99
4.57 €
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Trompette
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Mariah Carey
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Leo Silva
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I'll Be There
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MP Sheet Music
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SheetMusicPlus
Blues Licks at Your Fingertips for Trumpet
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.809133 Composed by Tony Benade. A…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.809133 Composed by Tony Benade. Arranged by Tony Benade. Blues,Instructional,Jazz. Individual part. 74 pages. Tony Benade #5731717. Published by Tony Benade (A0.809133). This method is a follow up to another study I published a few years back. This method deals with blues forms and their history as well as blues phrases & blues scales.There are also 12 blues etudes that can be developed through the same coded method used in my method, Solving the Puzzle of Jazz.. They are presented in several different keys that are normal for each instrument.
$24.95
22.86 €
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Trompette
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Tony Benade
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Tony Benade
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blues scales
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Blues Licks at Your Fingertips for Trumpet
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Tony Benade
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SheetMusicPlus
Were You There (Bb-Trumpet solo and Piano)
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.628644 Composed by Spiritual. Ar…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.628644 Composed by Spiritual. Arranged by Stephen DeCesare. Easter,Sacred,Spiritual. Score and part. 8 pages. Exultet Music #6203735. Published by Exultet Music (A0.628644). One of the most beloved and well known spirituals has been freshly arranged for a Bb-Trumpet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.57 €
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Trompette
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Spiritual
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Were You There (with "What Wondrous Love Is This") (Bb-Trumpet solo and Piano)
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.628657 Composed by Traditional, …
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.628657 Composed by Traditional, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6204679. Published by Exultet Music (A0.628657). Two of the most powerful Lenten/Holy Week hymns have been combined into one anthem and is scored for a Bb-Trumpet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available. .
$4.99
4.57 €
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Trompette
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Traditional, Spiritual
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
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Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
To Boldly Go
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.851133 Composed by Alexander Cour…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.851133 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302255. Published by Sophia Transistor (A0.851133). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single trumpet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-trumpet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious trumpet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/tBeLe57eROYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Trompete notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Trompete angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Trompete in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte Trompetenspieler (nach unten transponieren immer möglich).Epische Filmmusiknoten für Trompete: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictromboneDanke fürs anschauen!TAGS:STAR TREK theme, star trek trumpet, Noten, sheet music, score, arrangement, trumpet arrangement, to boldly go, filmmusic for trumpet, epic film music, Trompete, Star Trek Trompete, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppressmusic, Sophia Johanna Transistor, Star Trek Michael Giacchino, Michael Giacchino Arrangement, To Boldly Go and End Credits, bol.
$6.99
6.4 €
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Trompette
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Alexander Courage, Gene Roddenberry, and Michael Giacchino
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Three Miniatures for Solo Trumpet
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Con…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.927727 Composed by Riley A.C. Conley. Blues,Contemporary,Romantic Period. Individual part. 5 pages. Riley A.C. Conley #4287791. Published by Riley A.C. Conley (A0.927727). Three Miniatures is an unaccompanied solo trumpet work originally intended for the C trumpet, but I was later convinced that the Bb trumpet suits it better in many different ways. When performing the Miniatures, I would recommend that you choose the instrument of which you feel is right for the piece. Initially I wanted to write musical etudes or exercises that would improve my own playing but, as more and more ideas came together, it gradually became its own interesting piece requiring different styles and techniques that I thought others might enjoy playing. There are elements of music in these three miniatures that may come easy, but are intertwined with later challenges to keep the player’s interest. Rather than giving you some sort of programmatic background to each movement, I will supply you with only a few words for each; your imagination can carry you from there. -- Three Miniatures was recorded by Bruce Gigax and performed by Jack Sutte on 7/29/19 at the Audio Recording Studio in Solon, OH.
$5.00
4.58 €
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Trompette
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Riley A
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Three Miniatures for Solo Trumpet
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Riley A.C. Conley
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SheetMusicPlus
The Clarke Variations
Trompette
Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.19 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Tongue Level & Air
Trompette
Trumpet Solo - Digital Download SKU: A0.829065 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829065 Composed by Eric Bolvin. Arranged by Eric Bolvin. Instructional. Individual part. 64 pages. ERIC V BOLVIN #3578777. Published by ERIC V BOLVIN (A0.829065). Tongue Level & Air is a 26 lesson course that starts easy and helps you improve your sound, range, control and endurance. All players at all levels can benefit from this book, including beginners. Check out our FREE lessons and videos below.Efficient trumpet playing is a balance between three elements; air, tongue level, and embouchure. This balance cannot be explained in scientific terms, therefore it must be accomplished by feel through proper practice.The purpose of Tongue Level & Air is to provide trumpet players with a course of study which will enable them to find their balance and become more efficient in their playing.Trying to describe the balance with statements such as The balance is 1/3 air, 1/3 tongue level, and 1/3 embouchure is pointless. The balance is in a constant state of flux, changing from day to day, gig to gig, and note to note. Your balance can change when you change instruments, when the playing environment is unfamiliar, when you are sick or tired, or for many other reasons. It is best not to over analyze your balance, but to develop it naturally over time and by feel.You will discover early in your study of these materials and after viewing the videos below that we have plenty of air to play the trumpet. The secret to efficiency lies in the control of that great reserve of air power. When doing the breathing exercises in Lessons 1-3 Part 3, don’t hold back the first time through. On the repeat control the air and go for the musical result.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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Tongue Level & Air
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ERIC V BOLVIN
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for SOLO TRUMPET (with chord symbols).
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507090 Composed by Johann…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1507090 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Christmas,Classical,Traditional,Wedding. Individual part. 2 pages. Iury Cardoso #1082479. Published by Iury Cardoso (A0.1507090). Beautiful easy SOLO TRUMPET in Bb arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and this arrangement adapts the original piece into an easier version for SOLO TRUMPET and presents an easy-to-follow score to be played by music students. The chord symbols are present in the sheet music, allowing the trumpet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Solo version with piano accompaniment available: On this site, there is a version of this same arrangement with the piano accompaniment. - Other versions available: On this site, there is also a version of this arrangement for BRASS QUARTET/QUINTET (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for trumpet air on the G string bach easy trumpet solo Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music easy air on the G string for trumpet easier air on the G string for trumpet air bach solo trumpet sheet music air bach easy trumpet and piano air bach for solo trumpet air on the G string bach easy trumpet easy air on the G string for solo trumpet easier air on the G string for trumpet solo air bach easy trumpet and piano air on the G string trumpet for beginners easy solo trumpet air bach but on trumpet air on the G string bach solo trumpet version air on the G string bach easy trumpet arrangement air bach trumpet solo best arrangement easy trumpet baroque sheet music easy solo trumpet air bach easier version air on the G string sheet music air bach best arrangement for trumpet air on the G string arrangement for solo trumpet air bach for easy solo trumpet easy baroque sheet music for trumpet solo easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for solo trumpet easy air bach sheet music easy version of Air on the G string for solo trumpet easy air bach trumpet sheet music bach easy trumpet air for trumpet beginners bach for trumpet students air bach best easy arrangement for solo trumpet air bach easy version for trumpet bach easy sheet music for trumpet bach best easy arrangement for trumpet bach arrangement for solo trumpet bach for trumpet in Bb.
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4.57 €
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
Amazing Grace, Concert Solo for Trumpet and Piano
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.587644 Composed by John Newton. …
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.587644 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611385. Published by David McKeown (A0.587644). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Trumpet with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trompette
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Trumpet and Piano
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David McKeown
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SheetMusicPlus
50 Greatest Hymns for Solo Trumpet
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Variou…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1508253 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Individual part. 54 pages. Ben Dockery #1083552. Published by Ben Dockery (A0.1508253). These fifty classic hymns have been arranged for solo B-flat trumpet. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
13.73 €
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Various
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B
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50 Greatest Hymns for Solo Trumpet
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Ben Dockery
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SheetMusicPlus
Spanish Romance (Romanza - Romance D'Amor)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1456254 Composed by Tradit…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1456254 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. Individual part. 1 pages. Glauco Fernandes #1034963. Published by Glauco Fernandes (A0.1456254). Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Romance D'Amor, and Jeux Interdits, tailored for easy intermediate musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece while being accessible to easy intermediate level musicians. Every note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise indications, you will be able to perform the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Buy Sheet MusicTags: Spanish Romance, Romanza, Romance D'Amor, Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet, Spanish Romance Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet Music PDF, Sheet, Spanish Guitar, Spanish, Spanish Romance Tutorial, Spanish Romance, Spanish Romance, Romance De Amor, Spanish Romance, Romance, Spanish Romance Lesson, , Spanish Romanza, Spanish Romance Sheet PDF, Romance, Romance De Amor, Romance De Amor Guitar Tutorial, Anonymous Romance, Romance De Amor Guitar, Romance D'Amour Guitar, Vol. 11 Romance D'Amour, Romance Of The Guitar, Romance D'Amour (Anonymous), Romance Anónimo, Romance Anonimo, Romance De España, Romance De Amor Lesson, Mariage D'Amour, Mariage D'Amour Piano, Romance D'Amour, Easy Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Spanish Romance.
$4.99
4.57 €
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Trompette
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
Spanish Romance (Romanza - Romance D'Amor)
Trompette
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1456253 Composed by Tradit…
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1456253 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. Individual part. 1 pages. Glauco Fernandes #1034962. Published by Glauco Fernandes (A0.1456253). Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Romance D'Amor, and Jeux Interdits, tailored for easy intermediate musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece while being accessible to easy intermediate level musicians. Every note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise indications, you will be able to perform the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Buy Sheet MusicTags: Spanish Romance, Romanza, Romance D'Amor, Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet, Spanish Romance Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet Music PDF, Sheet, Spanish Guitar, Spanish, Spanish Romance Tutorial, Spanish Romance, Spanish Romance, Romance De Amor, Spanish Romance, Romance, Spanish Romance Lesson, , Spanish Romanza, Spanish Romance Sheet PDF, Romance, Romance De Amor, Romance De Amor Guitar Tutorial, Anonymous Romance, Romance De Amor Guitar, Romance D'Amour Guitar, Vol. 11 Romance D'Amour, Romance Of The Guitar, Romance D'Amour (Anonymous), Romance Anónimo, Romance Anonimo, Romance De España, Romance De Amor Lesson, Mariage D'Amour, Mariage D'Amour Piano, Romance D'Amour, Easy Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Spanish Romance.
$4.99
4.57 €
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
Penny Lane
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.589050 By The Beatles. By John Le…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.589050 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5329023. Published by David McKeown (A0.589050). Penny Lane first appeared as a double-sided single in 1967, and later, on the Magical Mystery Tour album. The song refers to places and colourful characters from Paul McCartney’s upbringing in Liverpool. This version of Penny Lane is arranged in a suitable key and range for solo Trumpet. Piano/guitar chords in concert pitch are included above the stave throughout.This arrangement of Penny Lane is ideal for musicians at an intermediate level, but there is an optional eight bar section featuring the famous piccolo trumpet solo which would suit more advanced players. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.57 €
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Trompette
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The Beatles
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David McKeown
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Penny Lane
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David McKeown
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SheetMusicPlus
Here Comes The Sun
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Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.588333 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318227. Published by David McKeown (A0.588333). Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.This full version of Here Comes the Sun is arranged in a suitable key and range for solo Trumpet. Chord symbol accompaniment in concert pitch is included above the stave.This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.57 €
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The Beatles
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David McKeown
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Here Comes The Sun
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David McKeown
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SheetMusicPlus
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