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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for Bass Trombone and
Non classifié
7 615
Piano & claviers
Piano seul
46
Piano, Voix
35
Instruments en Do
25
Piano (partie séparée)
21
Piano, Voix et Guitare
19
Accompagnement Piano
13
Piano Facile
7
Orgue
6
Accordéon et Orchestre
2
Orgue, Trompette (duo)
1
+ 5 instrumentations
Retracter
Guitares
Guitare (partie séparée)
46
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
5
Ukulele
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
171
Pack Instrumental pour Chorale
55
Chorale 3 parties
35
Chorale TTBB
17
Voix Soprano, Piano
7
Voix Tenor, Piano
7
Chorale Unison
7
Chorale 2 parties
7
Voix Alto, Piano
4
Voix d'Enfants
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
Voix duo, Piano
1
Voix seule
1
Chorale SSAA
1
Voix haute
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
493
Saxophone (partie séparée)
87
Saxophone Tenor et Piano
79
Saxophone Alto et Piano
57
Hautbois, Piano (duo)
56
2 Saxophones (duo)
50
Clarinette et Piano
49
Flûte traversière et Piano
43
2 Clarinettes (duo)
32
Quatuor de Saxophones: 4 saxophones
27
Quatuor de Clarinettes: 4 clarinettes
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Baryton, Piano
20
Clarinette Basse, Piano
18
2 Hautbois (duo)
15
2 Flûtes traversières (duo)
15
3 Clarinettes (trio)
15
Flute (partie séparée)
13
3 Saxophones (trio)
12
Clarinette (partie séparée)
12
Quintette de Saxophone: 5 saxophones
12
Trio de Flûtes: 3 flûtes
9
Clarinette
9
3 Hautbois
7
4 Hautbois
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois (partie séparée)
7
Saxophone Alto
6
Saxophone Tenor
5
Flûte traversière
4
Flûte, Trombone (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de Clarinettes
3
Clarinette, Trombone (duo)
2
2 Saxophones, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Flûte, Clarinette (duo)
1
Ensemble à vent
1
Ensemble de Flûtes
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
457
Trombone (partie séparée)
418
Quatuor de cuivres: 4 trombones
342
Trombone et Piano
299
Quatuor de Cuivres : 2 trompettes, trombone, tuba
193
Ensemble de Trombones
142
Trombone
137
2 Trombones (duo)
127
Trombone basse et Piano
79
Tuba et Piano
74
Trombone basse
73
Cor et Piano
63
Trompette (partie séparée)
55
3 Trombones (trio)
54
Bass Clef Instruments
50
Trompette, Basson (duo)
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Trompette, Trombone (duo)
39
Quatuor de Cuivres
37
Trompette, Piano
33
Trombone, Tuba (duo)
25
Trompette
24
Tuba
23
2 Trompettes (duo)
20
2 Tubas (duo)
19
2 Cors (duo)
18
Euphonium, Piano (duo)
14
Trio de Cuivres
10
Tuba (partie séparée)
9
Cor (partie séparée)
9
Euphonium, Tuba (duo)
9
Euphonium
9
Cor
8
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 cors
5
4 Tubas
4
Trombone et orchestre
3
Trompette, Saxophone (duo)
3
Trompette, Euphonium (duo)
3
Trombone, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Trombone, Orgue
2
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Cornet et orchestre
1
Ensemble de Trompettes
1
Cor, Trompette, Trombone (trio)
1
+ 43 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
119
Violoncelle, Piano
89
Alto, Piano
71
Violon et Piano
58
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
33
2 Violoncelles (duo)
24
Violoncelle
18
Contrebasse, Piano (duo)
18
2 Contrebasses (duo)
17
2 Altos (duo)
16
2 Violons (duo)
15
Alto et Harpe
15
Harpe, Violon (duo)
15
Harpe, Flûte (duo)
14
Harpe, Violoncelle (duo)
14
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Alto seul
4
Harpe, Voix
2
Harpe
2
Alto (partie séparée)
2
Harpe, Trombone (duo)
2
4 Violoncelles
2
Violoncelle (partie séparée)
2
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 250
Ensemble Jazz
1 234
Orchestre
748
Ensemble de cuivres
597
Jazz combo
334
Fanfare
153
Orchestre de chambre
73
Ensemble de Percussions
32
Batterie (partie séparée)
21
Batterie
16
Orchestre à Cordes
15
Big band
11
Xylophone, Piano
10
Piano et Orchestre
10
Cloches
7
Ensemble d'École
5
Percussion (partie séparée)
4
Instrumentation Flexible
1
Vibraphone
1
Marimba
1
+ 15 instrumentations
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FLUTE A BEC
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HARMONICA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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NOËL
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
for Bass Trombone and
Trompette
Partitions à imprimer
24 partitions trouvées
<
1
Silent Night, Holy Night (for Orchestra)
Trompette
Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by…
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Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Full Performance. Duration 270. Visionary Quest Records #4895615. Published by Visionary Quest Records (A0.1070263). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival.The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$1.99
1.83 €
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Trompette
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Etudes for the Developing Trumpet Player
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.921089 Composed by Michael D. Blo…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.921089 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300207. Published by Michael D. Blostein (A0.921089). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00
9.2 €
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Trompette
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Michael D
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Etudes for the Developing Trumpet Player
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Michael D. Blostein
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SheetMusicPlus
The Song of Moses and of Miriam at the Red Sea-Trumpet
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.969560 Composed by Zachary Damm. …
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Trumpet Solo - Level 2 - Digital Download SKU: A0.969560 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3015651. Published by Digital Print Publishing (A0.969560). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the trumpet part: see also all the individual instrumental parts under the same title.
$4.51
4.15 €
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Trompette
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Zachary Damm
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The Song of Moses and of Miriam at the Red Sea-Trumpet
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Digital Print Publishing
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.6 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.6 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Fake it till ya make it
Trompette
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1023928 Composed by Dale Vail. Jazz. Brass Band. 59 pages. Dale Vail #6488473. Published by Dale Vail (A0.1023928). Fake it till ya’ make it is a small concert work for brass band, loosely based around the style of Glenn Miller. It features a quasi improv. trumpet solo.Parts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones and Horns in F. www.dalevail.com.
$40.00
36.81 €
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Trompette
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Dale Vail
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Fake it till ya make it
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Dale Vail
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SheetMusicPlus
Mix & Match Ensembles - Volume III - Trios
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.968608 Composed by Lawrence H. Un…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.968608 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 59 pages. Lawrence H Underwood #6666639. Published by Lawrence H Underwood (A0.968608). Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$11.95
11 €
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Trompette
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Lawrence H
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Mix & Match Ensembles - Volume III - Trios
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume I - Duets
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.968573 Composed by Lawrence H. Un…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.968573 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 36 pages. Lawrence H Underwood #6666553. Published by Lawrence H Underwood (A0.968573). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
9.16 €
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Trompette
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Lawrence H
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Mix & Match Ensembles - Volume I - Duets
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume II - Duets
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.968592 Composed by Lawrence H. Un…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.968592 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 44 pages. Lawrence H Underwood #6666591. Published by Lawrence H Underwood (A0.968592). 8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
9.16 €
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Trompette
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Lawrence H
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Mix & Match Ensembles - Volume II - Duets
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Lawrence H Underwood
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SheetMusicPlus
Mix & Match Ensembles - Volume IV - Quartets
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.968625 Composed by Lawrence H. Un…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.968625 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 87 pages. Lawrence H Underwood #6666677. Published by Lawrence H Underwood (A0.968625). Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$13.95
12.84 €
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Trompette
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Lawrence H
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Mix & Match Ensembles - Volume IV - Quartets
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Lawrence H Underwood
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SheetMusicPlus
A Hard Day's Night
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091874 By The Beatles. B…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091874 By The Beatles. By John Lennon and Paul McCartney. Arranged by Lawrence H Underwood. 20th Century,Pop,Rock. Score and part. 5 pages. Lawrence H Underwood #696007. Published by Lawrence H Underwood (A0.1091874). The classic Beatles hit, now available as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.51 €
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Trompette
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The Beatles
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Lawrence H Underwood
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A Hard Day's Night
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Lawrence H Underwood
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SheetMusicPlus
Lollipop
Trompette
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091923 By The Chordettes…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1091923 By The Chordettes. By Beverly Ross and Julius Dixon. Arranged by Lawrence H Underwood. 20th Century,Jazz,Pop. Score and part. 8 pages. Lawrence H Underwood #696055. Published by Lawrence H Underwood (A0.1091923). The Chordettes’ classic hit – now playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.51 €
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Trompette
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The Chordettes
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Lawrence H Underwood
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Lollipop
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Lawrence H Underwood
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SheetMusicPlus
Our Great Savior--trumpet solo
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.786489 Composed by J. Wilbur Cha…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.786489 Composed by J. Wilbur Chapman, Rowland W. Prichard. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6097629. Published by Beka Wilson (A0.786489). This arrangement of the tune Hyfrydol is suitable for Christmastime (for Come Thou Long-Expected Jesus) or the rest of the year (for Our Great Savior). This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello.7 pages, includes piano score and individual instrument part.Approximately 3:15 in length (@105 bpm)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.43 €
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Trompette
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J
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Beka Wilson
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Our Great Savior--trumpet solo
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Beka Wilson
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SheetMusicPlus
I hate to let you go
Trompette
Small Ensemble - Digital Download SKU: A0.1014009 Composed by Chris Abelen. Jazz,Po…
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Small Ensemble - Digital Download SKU: A0.1014009 Composed by Chris Abelen. Jazz,Pop. Score and parts. 2 pages. Chris Abelen Music Productions #6097509. Published by Chris Abelen Music Productions (A0.1014009). From the album Songs on the eve of dismissal I hate to let you go. I hate to let you go is written for a singer & jazz septet [trumpet, alto sax, trombone, baritone sax, electric guitar, bass & drums]. Trumpet solo. I hate to let you go can be heard on Chris Abelen & Bastiaan Geleijnse (lyrics) - Songs on the eve of dismissal [CAMP 008]. Free minus one tracks of the studio recordings of Songs on the eve of dismissal - Album on all major streaming services ffm.to/songsontheeveofdismissal
$2.99
2.75 €
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Trompette
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Chris Abelen
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I hate to let you go
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Chris Abelen Music Productions
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SheetMusicPlus
Blessed Assurance--trumpet solo
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby,…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260821. Published by Beka Wilson (A0.786582). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
$6.99
6.43 €
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Trompette
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Fanny Crosby, Phoebe Palmer Knapp
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Beka Wilson
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Blessed Assurance--trumpet solo
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Beka Wilson
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SheetMusicPlus
In the Bleak Midwinter--trumpet solo
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.786865 Composed by Gustav Holst. …
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Trumpet Solo - Level 3 - Digital Download SKU: A0.786865 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. Individual part. 5 pages. Beka Wilson #6628885. Published by Beka Wilson (A0.786865). This arrangement of In the Bleak Midwinter for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 2.5 minutes (suggested 70 bpm)Level: intermediate for most instruments (no lever changes for harp)5 pages (includes score and separate solo part)This arrangement is available as a solo for piano, harp, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.43 €
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Trompette
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Gustav Holst
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Beka Wilson
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In the Bleak Midwinter--trumpet solo
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Beka Wilson
#
SheetMusicPlus
Silent Night--trumpet solo
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.786735 Composed by Joseph Mohr, …
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.786735 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 4 pages. Beka Wilson #6414881. Published by Beka Wilson (A0.786735). A gorgeous, thoughtful rendition of an old Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutesLevel: intermediate for most instruments4 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.43 €
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Trompette
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--trumpet solo
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Beka Wilson
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SheetMusicPlus
Christ the Lord is Risen Today--trumpet solo
Trompette
Piano,Trumpet - Level 5 - Digital Download SKU: A0.786616 Composed by Charles Wesle…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.786616 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6322545. Published by Beka Wilson (A0.786616). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)7 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.43 €
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Trompette
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Charles Wesley, Robert Williams
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Beka Wilson
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Christ the Lord is Risen Today--trumpet solo
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Beka Wilson
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SheetMusicPlus
We Three Kings of Orient Are--trumpet solo
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.786772 Composed by John Henry Ho…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.786772 Composed by John Henry Hopkins Jr. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 9 pages. Beka Wilson #6434675. Published by Beka Wilson (A0.786772). This is a new arrangement of the popular minor-key Christmas song We Three Kings. The mysterious flair and style will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: intermediate for most instruments9 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.43 €
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Trompette
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John Henry Hopkins Jr
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Beka Wilson
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We Three Kings of Orient Are--trumpet solo
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Beka Wilson
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SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--trumpet solo
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786674 Composed by P. P. Bliss, …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786674 Composed by P. P. Bliss, traditional. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. Score and part. 5 pages. Beka Wilson #6365701. Published by Beka Wilson (A0.786674). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events. Length: around 2,5 minutesLevel: intermediate for most instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.43 €
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Trompette
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P
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Beka Wilson
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The Light of the World is Jesus/This Little Light of Mine--trumpet solo
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Beka Wilson
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SheetMusicPlus
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